Even when I scrub it, there is proof that it is used, loved, every morning. The handle knows my palm. I open and tap out yesterday’s grounds through the kitchen window to fertilize Trini Lopez — the wintering lemon tree. I know how much water to add by the sound. The coffee is sprinkled gently by heart, along with the scrambled reciting of The Love Song of J. Alfred Prufrock, (often forgetting his last name, but always remembering “coffee spoons.”) I twist on the top and place it on the stove. The gas click click clicks in perfect rhythm and my morning’s measure is complete.
It’s never just coffee. Nor the rising sun. It’s the accounting of love’s measure. No matter the night. This morning will be measured beginning with my coffee pot. Life will offer you all kinds of starts. Recalling “what he said,” or “what she did,” or “how I should have,” or “when will I,”…. And I can easily get caught up in them all, until I realize I need an empty hand to pick up the handle that holds the coffee that starts my day, and I let everything else go. And so it begins….
Yesterday I made both bread and cookies, so it’s not surprising that my daily sketch had her hands in the dough. My floured fingers were reminding my heart that it could always be a good day.
I guess that’s how I gauge them. For me they are good days, successful, as long as I do just that — “have my hands in the dough.” If I am in the attempt, covered in paint, or flour, or sweat, trying to make something, learn something, become something, then I’m ok.
And it’s usually the heart that gets most of the credit, and often well deserved. Follow your heart they say. Let your heart lead you. That’s always good advice. But I don’t want to forget the hands. The work. Sometimes the heart needs a little rest from all the heavy lifting. And sometimes, it’s the hands they say I’ve got this. I’ve got you, palms up.
I heard something recently. It was more about the tools you have in the garage, but it seems applicable — “Use what you have to get what you want.” And what I had yesterday, I had my hands. And the day was passed with effort and joy — exactly what I wanted.
And the beauty is, it’s nothing I have to wish for, I just have to do it. Every day. Put my “hands in the dough.”
Grandma Dynda (no actual relation to me) was the first old person that I knew. I mean, that I actually talked to. I was minding my own business, running through their white sheets that hung on the summer clothesline, when she peaked through the screen door asking if I wanted a cookie. It took a minute to get used to the rhythm of her voice. It was slower than a Norton girl. Slower than my mother’s. But I took comfort in the fact that everyone’s was a bit breathless. Some from youth. Some from responsibility. And hers, simply from time passing. Being breathless, too, from all that running, I said sure, and weaved my way to the door.
About the same height, we both struggled to get on the counter stools. Smiling at each other upon summit. She apologized for not baking as she opened the off brand blonde sandwich cookies. I like these I told her. And I did. We each turned them, and ate the frosting from inside. And for the next 15 minutes we were the same age.
Time flies as quickly as the turning pages of my sketchbook. I suppose I could let it flutter in the worry, but it seems better to choose the joy of simply feeling breathless.
I run through the swinging screen door. And hold it open, for you.
I suppose we all gravitate toward the accessible… which makes me think, are we paying enough attention to being that. Being welcoming. A gentle place to land.
I mention it, sitting it beside my pocket series book of Lunch Poems, by Frank O’Hara. What could be less threatening than lunch?
My grandma used the term all the time. It could be 10am, or noon, 2pm or 4, and though she framed it as a question, she was never really asking when she said, “Should we have a little lunch?” That could mean anything from a root beer float, to a sandwich, to a bag of toasted marshmallows while shopping at Jerry’s Jack and Jill. (How could it be shoplifting if we were just having a little lunch?)
Who doesn’t love a soft place to land? A welcoming of kindness. That was my Grandma Elsie. Nothing, no one was shooed away. Even before dishes were cleared from noontime’s feeding, a neighbor would stop by and be offered a plate of coloches or, as luck would have it, lunch sticks. She was, and is still, my swinging door.
My mother’s table was filled less with food, and more with books. She opened me to pages and poetry. She made them “lunch poems” decades before I had even heard the term.
How different they were in their offerings, my mother and grandmother. But how similar they were in letting you in. Each, with the best of what they had said, “Come in, you and your heart sit down.”
These words I offer daily. These paintings. For you, the lunch I was taught to share.
I suppose we set ourselves up for it, the scrutiny, wearing berets and earth shoes in the high school band in Minnesota. I mean, I’m sure we would have heard the snickers just for being in the band alone, but somehow, we found ourselves immune to the mockery. Maybe we were off balance in those backwards leaning shoes, but we embraced it. Even the complicated unmemorized sheet music was no match for our confidence. When all else failed, clarinet in hand, I would simply trill (the rapid alteration between two notes). The music sang from my feet through my beret. And I guess it came from our leader, Christy, (no mister needed). After all, he said, it was music, it was supposed to be fun!
I never dreamed then, in the stale smell of gymnasium sweat, feet sticking to bleacher floor, that I would one day find myself living in France. And, just like then, I suppose, I set myself up daily for the scrutiny, simply by opening my mouth. Some days are harder than others, but I lean back into my shoes and feel the music. You can make fun of my accent, or my height, or my country of origin, but I won’t hear you over the trill!
I’ve started a new project. Each time I do, there are always things to be learned. Computer programs change so quickly. The paths to incorporate my artwork from page to printer are constantly changing course. And armed with my mother’s sense of direction, (she who thought the map at the mall should be on the ground so you could just step into it), I can’t say that I find my way quickly, but joyfully, I always find my way. I suppose it’s because I’m never traveling alone.
My first step was to get photos of all the new images. I was stumbling about. Turning pages. Checking lighting. It all felt so clunky. And then I got the tap on my brain’s shoulder that said, “get the sticky notes.” It was my friend Deb who gave me the little notebook of multi-colored tabs. We first used them to mark our favorite outfits in the Sundance catalog, sipping lattes, and reading the cover letter from Robert Redford, as if he had addressed it to us personally. We had colors to mark “maybe,” “yes,” and “why am I not wearing it right now.” Hours of entertainment with just a stick of a color.
Smiling, I used those notes to mark the pages of my artwork. It all began to make sense. I found my direction. Even using the new programs on my computer became easier.
I keep moving forward, but not without those who got me here.
There’s an expression that people use when someone dies that I’ve never liked — “She’s no longer with us.” It couldn’t be further from the truth. While the Sundance store has closed, my friend Deb sits right beside me. And I am saved.
I suppose the closest thing we had to an “influencer” when I was in college was the purchasing of a used book highlighted in bright yellow. Being on a tight budget, I was often subjected to what the previous student deemed important. Perhaps it was defiance, or simply making my own path, but armed with my own highlighter, pink, orange, anything other than yellow, I colored over and in my deepest connections to the word. By the time the next student, spending their last dime to earn an education, opened the textbook, it would have been completely highlighted. Just as it should be, I thought, because wasn’t it all important! Every word a path lit fluorescent.
And I think that’s our real responsibility, not to push or “influence,” but offer a light.
I’m reading a new book, This is Happiness, by Niall Williams. I’ve only just begun, but I am deep in the journey. This author demands that each word be walked carefully, like Hugo’s precious field behind our house on Van Dyke Road. No trampling through. Respectful of all that the ground had to yield, before and yet to come. With each paragraph, the golden crop brushes against my chubby thighs, leaving the safety of house toward the excitement of town. Tiptoeing out of youth, with its remains gathering in my shoes.
I suppose I am a highlighter of word, and memory, and heart. Because isn’t it all important? Isn’t it all important!! I walk the new morning. The gravel in my shoes answers a bright and glorious YES!
When I first understood that my Grandma had a name other than Grandma, I thought it was O’Elsie. Because that’s what I always heard. From my Grandpa’s mouth, the ladies at the kitchen table, or the faceless voices on the party line. What I came to learn was that they were all saying, “Oh, Elsie…” And always as a term of endearment. When she would make them laugh out loud. When she touched them with her kindness. When she surprised them (especially my grandpa) with a rootbeer float or a basement full of chinchillas. And it came to be my measurement for living, this need combine with the heart’s emission of simply – Oh!
I don’t want to live timidly. And I’m not talking about shock. To shock is simple. To wow is devine. Oh, and wasn’t she so! My Grandma Elsie.
I hear the birds singing from the morning window and I think, “Oh, it’s going to be a lovely day.” And my heart smiles.
It’s not that I assumed the garage doors had the sense of the birds, but it is made evident whenever the wind blows. (I suppose that’s when the truth of us is revealed.) And, oh, they’re built solid, these blocks of wood and iron, but never a match against the wind. Every time – it’s BANG! BANG! They beat against the garage, thrown from side to side. Always fighting it. Always losing. But then the birds, in that same wind, barely more than air themselves, they seem to dance. Each wing flaps with lessons learned, and risen above.
I’m not proud of it, but I have done my share of banging. Trying to fight off the new storm with all of my wooden might. But I’m learning. And learning again. What used to blow through me, now gives me wings.
I’m not sure where heaven begins. How high up it actually is… but when I saw the mannequins on the fifth floor of this New York walk up in the fashion district, I thought perhaps, for my mother, it starts right here.
You could say she loved clothes, but that’s not the complete story. She loved fashion. What’s the difference? I would equate it to the comparison of house and home. Fashion is about the design. The putting together. Accessorizing. For her it was not about what she was wearing, but how she wore it.
Certainly no one mistook it for the promised land — the Woolworth’s on Broadway in Alexandria, Minnesota — but when I watched her thumbing through the Butterick patterns, or the McCall’s, on Saturday mornings, when I watched the dream come alive as she swooped her hands from waist to knees, stretched her arms out in the make believe dress, for me I was certain I was in the presence of an angel.
It had always been her dream to be a dress designer. I imagine her now, so easily she bypasses the stairs and floats her way to the upper floor. How joyfully she passes on her heart and knowledge to the young people amid the mannequins awaiting. How she drapes and flows. So elegant. So possible. And they can feel it. Beyond their pin pricked fingers and weary eyes, they are Woolworthed into her sense of magic. And it’s Saturday morning, every day. And they dare to dream because of her. Just like me.
