She was not unlike most of the super powers that I watched on Saturday mornings. All were contained in the tightest of fashion. It’s why, I imagined they could move through the world so easily. And so it was with Mrs. Bergstrom. She stood in front of our first grade class at Washington Elementary. No loose ends. Her hair slicked back in a perfect bun. Her black pencil skirt smoothed without wrinkle, making it impossible to see where the chalkboard ended and her waist began. That’s how all the words got in, I thought. This seamless transition. And wasn’t that her superpower, all those words that she spelled out, sounded out, drew out. I wanted some of that power. Just to stand in all that “super” for even a moment. I leaned forward in my desk. Pulled up my neck. Straightened my back. Reached one leg behind the chair to make myself into the straightest line. To create a path for all that knowledge she was passing our way.
It’s easy to let a day go by. To let the passage of time slouch us over. To drape in the fray of worry and get caught in every dark moment. But that wasn’t how we were taught. Not how I was taught. So I wipe the chalk from my hands and smooth them down my skirt and I stand. I stand tall. “Gather it in,” my heart tells my brain — be taut — despair can only slide down, slide off. And it occurs to me how similar the words are. This taut and taught. And it straightens me. Lifts me. Letting go the fray, I Bergstrom to the front of the morning.
It’s ironic, I suppose, that I’m always wishing for time to pass more slowly, but I often fight it while gathered within. I must admit I stumbled over the first pages. Perhaps even chapters. The book I’m reading encourages, in fact insists with the beautiful placement of each word, that the text be wandered slowly. To be paced under the heat of a summer sun, conserving the energy that each word consumes, as it makes its way from paper through hands, and head, finally resting in the heart. All the while with the promise, if you do tenderly barefoot each grassblade’s syllable, you will be lifted, winged to another time, another place, and fit directly in. Soaring mid the chaos and heartache with such profound joy, because just as the title says, THIS IS HAPPINESS.
The question that’s always in the holster, “Well, what’s it about?” I could no more answer that than if you asked the same of the day to come. Isn’t it always about living? My only hope is that I can take the same command of the day as I have come to in this book. To navigate with slow appreciation.
Some will say, oh, people don’t read anymore. And I think, I’m people, aren’t I? And it doesn’t feel like I’m alone. I’m comforted in the fact that two of my most popular paintings of this bird series have been, not just with books, placed and stacked, but with people reading. (Over 80,000 likes on Pinterest gives me great hope.) Gives me, well, wings. And I think, I know, even for a few flaps, a few slow flutters, this indeed, is happiness.
Grandma Dynda (no actual relation to me) was the first old person that I knew. I mean, that I actually talked to. I was minding my own business, running through their white sheets that hung on the summer clothesline, when she peaked through the screen door asking if I wanted a cookie. It took a minute to get used to the rhythm of her voice. It was slower than a Norton girl. Slower than my mother’s. But I took comfort in the fact that everyone’s was a bit breathless. Some from youth. Some from responsibility. And hers, simply from time passing. Being breathless, too, from all that running, I said sure, and weaved my way to the door.
About the same height, we both struggled to get on the counter stools. Smiling at each other upon summit. She apologized for not baking as she opened the off brand blonde sandwich cookies. I like these I told her. And I did. We each turned them, and ate the frosting from inside. And for the next 15 minutes we were the same age.
Time flies as quickly as the turning pages of my sketchbook. I suppose I could let it flutter in the worry, but it seems better to choose the joy of simply feeling breathless.
I run through the swinging screen door. And hold it open, for you.
The messages were clearly mixed. Every day in school we were reminded not to act the fool, but then were dared to be one, simply by heading to the chalkboard. It seemed to me always a fine line between misbehaving and risking failure. It was harder to see then, but maybe it all came down to intent. Was the goal to shock, or to try? Both got laughs, giggles behind hands. I found out early on, the audience was in their own control. It was about how I felt. How did my behavior affect my heart? For me, I always felt better trying.
“Better to go down swinging.” That’s what I heard on the ball field behind the Dairy Queen on summer afternoons. I took that advice through autumn as I tiptoed to the blackboard (heels were never a place for courage.) Sometimes I would get it right, and return to my desk all smiles. Sometimes, I would be covered in chalk’s dust, as if wiping the mistakes on my pants would erase it all. But I was swinging, wasn’t I?!!! And I was happy.
I heard it on the transistor radio in my grandma’s kitchen — “Only fools fall in love.” Is grandpa a fool? I asked her. The biggest, she said. I smiled. I was too. I loved them both.
I guess I’m still swinging. Every time I open my mouth in France, I am covered in the mistakes of dust, but look at me, I’m here! If you want to be at the front of the class, you have to risk the chalkboard. So I risk, daily. Do I look the tourist? Maybe. But who cares? It’s Paris! You should put a baguette under wing and marvel at the Eiffel Tower. I have, and will continue to risk it all for love, for the joy of living! My pants I can change. This is the only heart I get — I’m going to use it!
I suppose we all gravitate toward the accessible… which makes me think, are we paying enough attention to being that. Being welcoming. A gentle place to land.
I mention it, sitting it beside my pocket series book of Lunch Poems, by Frank O’Hara. What could be less threatening than lunch?
My grandma used the term all the time. It could be 10am, or noon, 2pm or 4, and though she framed it as a question, she was never really asking when she said, “Should we have a little lunch?” That could mean anything from a root beer float, to a sandwich, to a bag of toasted marshmallows while shopping at Jerry’s Jack and Jill. (How could it be shoplifting if we were just having a little lunch?)
Who doesn’t love a soft place to land? A welcoming of kindness. That was my Grandma Elsie. Nothing, no one was shooed away. Even before dishes were cleared from noontime’s feeding, a neighbor would stop by and be offered a plate of coloches or, as luck would have it, lunch sticks. She was, and is still, my swinging door.
My mother’s table was filled less with food, and more with books. She opened me to pages and poetry. She made them “lunch poems” decades before I had even heard the term.
How different they were in their offerings, my mother and grandmother. But how similar they were in letting you in. Each, with the best of what they had said, “Come in, you and your heart sit down.”
These words I offer daily. These paintings. For you, the lunch I was taught to share.
People have asked me throughout the years, which comes first, the image or the words. Mostly the words, I answered. Because that was true for my heart. Every beat came out in poemed stanza since I was five, with the images close behind, only needing to travel an arm’s length.
Reading the poem again yesterday, I saw her image. I started with the eyes. Still moist from what she had survived, she could see ahead with hope, instead of fear. And I knew her. So perhaps in this case the words hadn’t come first. Because I had seen the look, not in the portraiture of the day, but on my mother’s face. Every morning at 7:20, ripe with loss, she and her prepared face made their way down Jefferson Street, to face another day of work — from her front desk in the Superintendent’s office and the depths of her bruised heart. And I was the bird she carried, until we both were ready to fly.
It’s good to remember. To keep in mind that we are all barely more than air. That even with, or perhaps especially because of, eyes still dampened, we can lift each other. Find our way. Together. We soar.
I’ve started a new project. Each time I do, there are always things to be learned. Computer programs change so quickly. The paths to incorporate my artwork from page to printer are constantly changing course. And armed with my mother’s sense of direction, (she who thought the map at the mall should be on the ground so you could just step into it), I can’t say that I find my way quickly, but joyfully, I always find my way. I suppose it’s because I’m never traveling alone.
My first step was to get photos of all the new images. I was stumbling about. Turning pages. Checking lighting. It all felt so clunky. And then I got the tap on my brain’s shoulder that said, “get the sticky notes.” It was my friend Deb who gave me the little notebook of multi-colored tabs. We first used them to mark our favorite outfits in the Sundance catalog, sipping lattes, and reading the cover letter from Robert Redford, as if he had addressed it to us personally. We had colors to mark “maybe,” “yes,” and “why am I not wearing it right now.” Hours of entertainment with just a stick of a color.
Smiling, I used those notes to mark the pages of my artwork. It all began to make sense. I found my direction. Even using the new programs on my computer became easier.
I keep moving forward, but not without those who got me here.
There’s an expression that people use when someone dies that I’ve never liked — “She’s no longer with us.” It couldn’t be further from the truth. While the Sundance store has closed, my friend Deb sits right beside me. And I am saved.
I suppose the closest thing we had to an “influencer” when I was in college was the purchasing of a used book highlighted in bright yellow. Being on a tight budget, I was often subjected to what the previous student deemed important. Perhaps it was defiance, or simply making my own path, but armed with my own highlighter, pink, orange, anything other than yellow, I colored over and in my deepest connections to the word. By the time the next student, spending their last dime to earn an education, opened the textbook, it would have been completely highlighted. Just as it should be, I thought, because wasn’t it all important! Every word a path lit fluorescent.
And I think that’s our real responsibility, not to push or “influence,” but offer a light.
I’m reading a new book, This is Happiness, by Niall Williams. I’ve only just begun, but I am deep in the journey. This author demands that each word be walked carefully, like Hugo’s precious field behind our house on Van Dyke Road. No trampling through. Respectful of all that the ground had to yield, before and yet to come. With each paragraph, the golden crop brushes against my chubby thighs, leaving the safety of house toward the excitement of town. Tiptoeing out of youth, with its remains gathering in my shoes.
I suppose I am a highlighter of word, and memory, and heart. Because isn’t it all important? Isn’t it all important!! I walk the new morning. The gravel in my shoes answers a bright and glorious YES!
One of my first times driving in Marseille I experienced the wrath of an individual whose only damage was enduring the audacity of my wanting to make a left turn. It being summer, my window was open. She was near enough, as I waited at the light, that I could feel the spray of certain consonants, like p’s and t’s. And had I chosen to raise the window, it would have hit her nose. The oncoming traffic continued, so I waited. She, on foot, could have simply kept walking. My route had no contingency to her plans. Yet her fury escalated into a language that I’m not sure was even French, or European, but simply rage. But I learned something quite powerful in this moment. It didn’t hurt me. (It was almost a little comical.) She wasn’t hurting me. Because I didn’t understand the words, I couldn’t give them any meaning. And more importantly, I couldn’t give them any power. I suppose I had heard it a million times before, in a million ways, that people can’t hurt you unless you let them, but here was direct proof coming right through my open window.
I mention it only because I have to keep learning it. To not give the power away. When the language thrown in my direction is all too familiar — to stop “understanding” so much, when really I, we, understand so little. And control even less. And even more so on the days when my own brain yells at the open window of my heart..
To remind myself, I painted her portrait. An embodiment of this feeling. Under the gentle gaze of this woman, I make the morning breakfast. She reflects the look I want to give to heart and mirror. She is the breeze of spring. The grace that lifts. The beat within that keeps driving me. And I am saved.
She wrote her first order in Chicago. My mom was always there for moral support. Cheering me on as I sold my goods. But she was yet to pick up the pad and pen. She looked beautiful standing beside me — as if she just stepped off Michigan Avenue. She visited with the customers. Told the various stories behind the art. (Most of them included her.) She made them laugh with their hearts. As they say, nothing attracts a crowd like a crowd, and soon my booth was overflowing. I looked up at her (as I always did). I think she knew I wanted her to grab an order form. I saw the “oh, no” rising in her face. But just as she had done with me since birth, I could see her capabilities first. I nodded my belief in her and she picked up the clipboard. I more than loved her. I was so proud of her. And she of herself. I could see the “oh, yes” fluttering!
Our roles are always changing. Sometimes you’re the little girl. Sometimes the bird. If you’re lucky you will be surrounded with those who welcome both. And if you’re wise, you’ll allow them the same.
