I don’t know which day it was this year that I painted that little pink bird in the corner. I’m guessing it was a challenging day, if I could only bring myself to make these few lines. So you might wonder why I love this bird. It’s not the most detailed. Nor the most realistic. I have painted far more complex birds with extravagant companions. But this little beauty, in its simplicity, all on its own, did something magical. She took away the dull remains of that day, wiped them from memory, and left me in the joy of pink. Her size is so deceiving — nothing small could do all that!
I hope I can bring the pink today, when asked to do the little things. Before I think, what could it possibly matter… let me offer my smallest of strokes. My tiniest of gifts. They might just turn out to be magical.
It is said that John Steinbeck had a writing ritual with Blackwing pencils. In order to not waste time while he was in the middle of writing, he would sharpen 24 pencils and place them tip side up in a pencil box. Next to it would be the same box, but empty. He would take the first pencil and write until it became dull, place it in the empty box tip down, and take the next sharpened pencil. His advice, “Repeat this, until you have the Grapes of Wrath.”
I laughed when I heard it. I laugh when I tell it. But the truth is, that’s really what it comes down to, simply doing the process again and again. I suppose it’s true for everything. How do you get to Carnegie Hall? Practice, practice, practice. I can’t say that I will write the next epic novel, or hang in the Louvre, but I want to be the best that I can be. To get better each day — this I suppose is my gathering of Grapes. My ritual of art. My daily practice. Some may say that is simple, and I’m fine with that.
She wrote a comment on a post featuring my Grandpa. She said she always admired him. That he was kind. That my Grandma brought them sandwiches. That times were simple – but she could see, feel the love in that. (And that was the greatest compliment, I suppose.)
So I use my pencils. I clean my brushes. I write and paint and post my “sandwiches.”
I have raved through the years about my banana seat bike — the flowers on the seat and basket that could have been delivered from the “Laugh In” set by Goldie Hawn herself. The brightest of pinks, yellows and blues that brightened the gray transition of the end of March, when I received it for my birthday. But I didn’t get there directly from my red tricycle. There was another bike. In between. It looked almost homemade. Perhaps it had been Frankensteined from neighborhood parts gathered in the back shed. It was gray and white. The pedals almost worn down to the stub. It only blurred into the gravel that I was learning upon. Dropped and abandoned in ditches, it still was the one that took me to the brightened glory of the banana seat.
And just as forgettable, I suppose, was the three speed black bike from Sears that in-betweened my banana seat and my electric blue 10-speed. And didn’t I park that bike in the furthest rack away from the playground at Washington Elementary? Not quite ashamed, but close enough that it pangs my heart still.
Maybe it takes awhile to see the value of the things that get us through. It’s easy to celebrate the milestones and forget the random Sundays. Our city is mostly shut down today because of an Iron Man competition. I can lose these hours pedaling feverishly toward Monday, or I can choose to enjoy them as the gift given. I hope I do. I’m going to try. These are the words I’m learning upon.
Everyone is a different palette. I love painting flesh tones. It takes some time to get past the underpainting. The skin tone. The shadowing. The real joy for me comes when I’m blushing the cheeks. The ears. The flow of blood that gives life. Emotion. Heart. And I can feel my own cheeks warm in the connection as I put yesterday’s portrait in one of my mom’s blouses, and her golden hoops.
Quinn is graduating from high school. Her race is just beginning. I’m walking now instead of running. We are perhaps as different as the countries we live in. As different as these portraits. But I’d like to think we are all still connected in the blush. This pulsing pinkened hope that keep us moving forward. Still blended with what brought us here. An Ivy blush.
The last two days I have been practicing the painting technique of Alla Prima. It is the Italian name for “one attempt.” Using oils, you keep applying, wet on wet, until the painting is finished. The beauty lies in the moment. The absolute of the here and now. Not looking forward, nor back. There is no time to be too rigid or too precious. And it makes me wonder, hope really, that I can live like this.
If I approach each moment, knowing I get this one day, this one chance under this sun, to live, to love, would I get it right? Could it be more beautiful? Loving someone in the moment, forgetting the constraints of “you should have,” and “I was going to,” and “I’ll get to that later.”
It’s funny that the words of Eminem ring in my ear as I move the paint around the panel —
“You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime.”
The sun is coming through the morning window. Offering us the chance, the moment, the opportunity, to be beautiful. Will we make the attempt?
It won’t make international news, but it was the most hopeful thing I saw online yesterday — A 105 year old woman renews her library card.
I wasn’t sure what I wanted to paint. Or even if I wanted to. But I primed the panel. Put on the underpainting. Just sketch it out, I thought. Maybe paint a little bit. A little more. An hour went by. Then two. Wash the brushes. Maybe just a little more. And the time that was promised from youth — the time that said fill me with love and I will not pass — it disappeared within the paint, holding strong, and I couldn’t stop. Unsure of what I loved more, the woman, the bird, the time, my life itself, I knew one thing for certain, I would keep renewing, again and again, and I would be alive!
In my younger years, I was a frequent visitor to orthopedic clinics around the state of Minnesota. Without cell phones or iPads, the only thing to do in the waiting rooms was to listen. It was Dr. F. Dixon Conlin that said something that sticks with me still today. Up and down the hallway, he would walk his patients. Those who were ailing seemed to have one thing in common that he corrected again and again — Never look at your feet. I didn’t have the words or knowledge of what all that entailed, but I was certain that no healing, no progress of any kind, could be made while looking down. I was determined not to make the same mistake — I suppose I still am.
I have painted countless birds that counsel from shoulder to head. But this woman, I could see it in her face that she already knew. Her bird, her hope, was always mid flight. So this is what they mean by, “blessed assurance.” It’s written on her face. This quiet confidence. Not weighed down by doubt or arrogance. No need to stomp or trample when you know how to fly.
I’m not always certain of my path, but I return her smile, and keep looking up.
Getting my hair cut a few days ago, I saw her. My hair wet and slicked back, there was nothing to disguise my face. She was saying something about my preferred style as she brushed, but all I could hear was the smile of my mother’s reflection. And it washed over me, the same joyful relief and responsibility, as it always had whenever anyone said, “You look just like your mother.”
Sometimes I catch myself — the brain can so easily throw out words that the heart would never dare. And I imagine those words coming out of my mother’s mouth and I fling them away. Because it’s not just her face, it’s about all that she had faced. And how she did it, with grace and dignity. And she, carrying her father’s, wasn’t I carrying both? And isn’t it my responsibility to do the same, and more?
Sometimes I fail. My hand slips on the rock where he stands. My heart breaks the ruffle of her dress. And I know they see me. I have nothing to disguise myself from them. But they keep smiling at me. On shoulder and in mirror. I hear them. I see them. And know they see the love in my attempt. And I give them back their smiles, and I am saved.
He, being 12, had a different perspective, and was not overly enthusiastic about the lawn that was freshly mowed, nor my table setting, nor the food that I had been cooking for four hours. I thought for sure that the fire I started with pine cones for the bbq would spark some interest, with its big flames and smoke puffing out of the pool house — but no. It wasn’t until we finished that beautiful meal, (the ribs and sausages, the asparagus on a bed of peppers and pasta, the shrimp skewers and potatoes, and desserts from the award winning baker) when I began throwing him the winter dusty frisbee across that same lawn that I had worked so hard to mow, that he began to beam. With each throw that spun directly into his reach, he marveled and said, “you’re really good.” This is what impressed him — that I could throw a frisbee.
It’s true that most people see not what you love, but what they love. And the thing is, we never really know exactly how we will connect. But we can, we can connect. It may not be in the way we think, or even hoped for, but in the end, it’s only about if we did.
It wasn’t long before the frisbee ended up in the pool — the pool with last year’s dirty water, not yet ready for summer’s swim. But still, we had a moment. And this is what we build on.
I never know which story you will respond to. It’s always different. And different for everyone, on different days. So I fling the words, like a dusty frisbee across the lawn, and say, in this moment, I’m happy you’re here.
I don’t know if it was a conscious decision, or just the body’s way of coping. I didn’t have the words for it then, nor the thought to question it. But within a week of moving her family from Minnesota to Texas, my Aunt Sandy adopted the southern accent. And just as easily I suppose, I changed the northern pronunciation of aunt to “ant”. And that’s how she remains.
Maybe everything is just a choice. Right down to how the day is going to be.
Each surface that I paint on accepts the substance so differently. How it holds, smooths. I can say, well, that’s not how you did it yesterday in the sketchbook. And it doesn’t care. This is how it is, it says. And so I make the adjustments. And I don’t fight the rough surface of the hand crafted paper, but it embrace it. Doesn’t it add to the character? Not imperfections, but details. And they are beautiful.
Singing along to the Spotify station in the car yesterday on a French highway, how easily I Tanya Tuckered into Delta Dawn, and I thought of her, my Aunt (Ant) Sandy. We’re all characters, rough and hand crafted, and isn’t it beautiful?!
