When they asked Muhammad Ali to give them a poem, he offered up two words. “Me. We.” Just two simple words. But oh, how much they said. ‘Me We’ is a poem about one man’s transition from one to the many, singularity to plurality, and selfishness to altruism.
It’s a reminder to me, how little it actually takes. To make someone’s day. To let them know they are not alone. To give them hope. A smile. It’s a small space from me to we, easily traveled, if we simply remember to take the step.
When I think of my best moments. They’ve always been with someone. It makes me wonder, does anything really happen unless we share it? I’m not sure. I’m not willing to take the chance.
I remember early on, speaking to a group of young school children. I was humbled that they knew the answers to their own questions. After a reading, one student asked why I didn’t use any names, just he, she, they… Without missing a beat a little girl raised her hand and said, “Because it could be anyone.” I’m still smiling. The answer remains the same, this movement from singularity to plurality. We can all do it, take the path, from Me to We.
There is a little patch of pink flowers near the entrance of my studio. When I enter in the morning, or early afternoon. They welcome me, wide open. I don’t have a clock beside me. I paint with the light. When it becomes too hard to see, I wash my brushes, and call it a day. I gently walk past the sleeping patch of pink.
Such is the nature of all things, I suppose. I’ve always done my best thinking in the daylight. My grandma told me it would be true. My mother too. As I buried my face under quilts and covers, “Things will seem better in the light,” they said, and they were right.
I’m reminded daily. Even the flowers know when to shut it down. So I try to do the same. When it becomes too dark — as those creeping winter thoughts can become — I petal myself in, and think of how the pink remains, it’s just time for a little rest.
The morning arrives with all its promise, just as promised, and I reach high into the light.
I’m sure my grandma had some sort of Tupperware, plastic containers, but I don’t really remember them. Then again, I don’t imagine there were a lot of things left over. Not a big concern on how to keep a batch of cookies fresh. I think the bigger concern was how to keep the large ceramic farmer pig full.
There was a time when I was small enough that I could go in elbow deep, once I removed his cookie jar hat. Fingers spread, I would swish and twirl as if that little farmer pig was holding out on me, hiding one last cookie. With so many kids, so many cousins, it emptied with a voracious speed, unlike most pigs had ever seen. Maybe she could tell by the clank of the cover. The sound of disappointment as the lid was dropped back on his head. Because without turning around, she began a new batch.
The defeat of the cookie jar clank, was soon replaced by the thrill of the mixer. Oh, to be so near! To be connected by swishing apron strings. To be first in line to taste the dough. And we did eat the dough without worry. (Truth be told, I still do.)
There are certain ingredients we don’t have in France. Like brown sugar. But yesterday, being elbow deep in desire for a chocolate chunk cookie, I got to work. I googled and searched. Turns out it’s just sugar and molasses. Then to find molasses. Again I searched. A small bio store carried it. Was it supposed to be this thick? Then I remembered “slow as molasses,” and I shook my head to myself. “Elbow deep” turned to “elbow grease,” as I painstaking stirred, and scraped, and stirred my white sugar brown.
I do have Tupperware, but I think these will go pretty quickly. Scents of sugar and chocolate and grandma waft through the house. My heart’s cookie jar is complete.
It was one of the greatest mysteries to me, the perfection of the rows in the fields. I knew nothing about farming, nor even driving, when I asked my grandpa how he did it. “I just see them,” he said. “But how do you not run over it all when you turn the corner? Or get out of line when you take a sip of coffee from the thermos between your feet?” “I know where I am, and I know where I need to be. It makes it very clear.” “That’s a lot to see,” I said, still not certain that I would be able to do it. “Will I be able to do it?” “This, probably not, but you’ll see what you need to see.” “How will I know?” He got on the tractor, and showed me.
I don’t know the exact moment it happened. How I found my row. My place. But I did. It all became so clear on the page and on the canvas. People ask me all the time — How do make them so real? How do you bring them to life? The truth is, I just see them. And it is my hope, that they see what I see, and others too… then they will know they are beautiful. That’s why I paint the portraits.
I can’t tell you how it happens. So I simply hop on my daily tractor, and write and paint, and I know, somehow, we’ll all find our way.
I’m always asking for it. Yet, when it’s given freely once a year in the fall, this gift of time, I could easily complain about it. How to fill the extra hour. How it throws off my delicate schedule. (Insert eye roll here.) So yesterday afternoon, a bit disoriented in this extra hour, walking past the knowing eyes of Grandma Elsie’s portrait, I decided to make cookies.
A delicious use of my time for sure, but really, in the grand scheme of things, it was, as I so often heard on the farm, “the least I could do.” I heard it from my grandma as she baked for her neighbors. From my grandpa, getting in the car to go to the funeral. The uncles coming to help with the fields. My mother, elbow deep washing dishes for the entire Hvezda crew. How easily they all stepped in to offer their gifts of time.
I worry for the world, how far away we’ve moved from “the least we could do.” Maybe it’s the anonymity of our connections, but how did we become so cold? So ungiving? So unwilling to do even the least?
It’s a slippery slope. But oh, how it levels when we do the work. When I release my grip from the angled path to simply put my hands in the dough, I am grounded. Peaceful in all that butter and sugar. I should have learned it long ago. There was never an empty dish in my grandma’s kitchen. The china pig that held the cookies was always full. When I lifted the hat of that pig and saw the handmade treats, I smiled at her, she smiled back, shrugged her shoulders and said, “It’s the least I could do.” And I knew I was loved.
I suppose the lesson was, don’t get too attached. Somehow it didn’t take.
But I felt a responsibility. I “accidentally” knocked down the real estate sign each night before bed, out of loyalty I suppose. Because hadn’t I picked out the carpeting. The bedspread. All in bright yellow in my basement bedroom. And I wanted no evidence of the sign through my window after my night time prayers. And hadn’t I lined books on shelves and housed stuffed dolls and animals within that same promise of rising yellow on this sturdy gravel of Van Dyke Road? The truth was, I loved being attached. I loved hopping from the school bus, or off of my bicycle, just past the mailbox that claimed our spot, into the driveway that claimed my heart.
They said it was just things. How easily they threw the metal sign into the back of the car, handed over the papers and sent us on our way. I didn’t have the words for it then, but how ironic it was that to stop all these abandonings, I would have to continue loving with pure abandon.
Everything can be taken away, I guess. But we give away only what we want to. I keep it all. It’s in the story, the painting. The words and books and flag, and photos.
I painted someone’s house. I imagined the story. At some point there was love, I thought, because didn’t they take the time to board the window to keep it all in? And maybe someone told them, don’t get too attached, as they hammered the last nail. And maybe in the painting they will always be.
And don’t I run my fingers across the gathering of all the love that remains and grows? Yes. I am attached. Ever.
It always comes as a surprise — the morning dark. It is delightful though, that I still believe summer will never end. That the morning light will sprinkle me awake and pull me into the promise of ever. And I make those same promises back. I always have.
From the moment I stepped off the last school bus ride of the year. I’d drop what was left of the documentation of another year at Washington Elementary, and I’d pull off my bumper tennis shoes without taking the time to untie, and I’d wiggle my feet in the yet unmown grass, and to each blade of green that snuck through the spaces of winter toes, I would promise to enjoy every moment of sun lit wonder.
And oh, how I filled my pockets with light. Wagons pulled. Balls hit. Bikes ridden. Each one a bright spot to carry me through the winter I would never see coming.
I suppose it’s the same with love. All that light and promise. Even in the darkness, it never goes away. It wiggles through toes and dances in hearts, and keeps its promises. Ever.
I smile at the morning dark. I am not afraid. Everything is still possible. And I am surely loved.
We could have been aproned from her apron, but still we dove right in. I imagine the brunt of what she wiped from bowl to hand to apron ended up on the front of my shirt and the side of my face. This tug to be near defied all things sticky. I just wanted to be a part of it. Of what she was doing. Baking. Creating. Becoming. And she allowed it, because wouldn’t it all get washed, not in the laundry, but in my attempt to help with the dishes.
With the scent wafting through the oven’s heat, she filled the double sink. Extra bubbles. She asked if I wanted a stool. I shook my head no. The cupboard below was already scuffed from my tennis shoes as I placed my hands on the side of the cupboard and hoisted myself up on the edge of the sink. Belly balanced. Feet dangling. Completely wet. I danced my hands through the water. A temperature far less than what she could handle, I crawl stroked my way through the pile. Did she rewash them? I don’t think so, at least never in front of me.
When I could no longer breathe from the weight of balancing, I jumped down. Wiped my hands, my face, my neck and belly, all on her apron. And we were connected. A tug that still calls to me.
When I need the strength of “it’s good enough for joy,” I wrap myself in my Minnesota apron, bake the bread and wash the dishes in a temperature I never imagined I could handle, and I am home.
When I didn’t recognize a word in my grandma’s kitchen it was usually because it was either a bad word, or something in Swedish, or on occasion, both. And so I thought it was with “fig.” What I had learned so far was that it flew, and we didn’t have any to give.
We are surrounded by fig trees now. As plentiful as the apple trees on my grandparents’ farm. And as certain as the limb is to the bird, I know some things for sure.
With time, the things that make me care seem to change. Tears and laughter often reverse their roles. The world switches from big to small depending on the uncertainties that surround us, while comfort packs its bags and moves from place to place, never leaving a forwarding address. But though the impermanence of people and feelings, you stay as slow, as warm and as forever as children’s summer laughter. You remain a part of my heart’s truth, the part that doesn’t get crushed beneath the weight of time passing, the part I give thanks for, every day.
I’ve yet to capture it on film. (But certainly in the shutter of my heart.) Some call it golden hour. And I suppose, as glorious as it is, it’s not that uncommon, but in this house I live, at this one certain time, I have witnessed this light between rooms, not only shine and illuminate, but bend.
It’s just a small window in the sewing room, Grandma Elsie’s sewing room, but when the hour is golden, the light thrusts through every pane. And you may think thrust is too strong, but wouldn’t it have to in order to bounce off of two doors, across the hallway and land beautifully upon the painting of the children at the beach? It’s almost as if it knows the destination, knows how deserving they are of the light.
It doesn’t last long, but spectacular rarely needs a lot of time to make its point. It’s in these tiny, well lit moments that I remember how lucky we are. How we are given everything we need, and more! How even in our struggles of darkness, in our failed attempts to reach all that shines…with obstacles lining the way — magically, joyfully, light bends. Golden.
