All field trips were welcomed. Turning in the signed release form from my mother was always a bit exciting. Seeing the curve of her “I”, still ignites a feeling that something good is just a bus ride away.
That giant yellow box on wheels took us stomping the bog up north. Crawling through Crystal Cave. Orienteering is some forgotten forest. To the zoo. Knute Nelson Home. The baseball stadium. And then one day, without my knowledge or permission, straight to the door of my first love, The Walker Art Museum. I bought two pencils from the gift shop and saved them like pressed corsages from a high school dance.
I suppose you never forget your first love. It changes you. Not only the love you receive, but finding out the love you are able to give. This infinite supply that says you will always have a reason to board that bus. To try new things. To believe in them. To see the beauty all around you. Ever. Still.
That’s what The Walker in Minneapolis did for me. Does for me still. Even a country away. I pulled out my most recent purchase from last year’s visit. I read the back of the shirt. Minneapolis, MN — the World in New Ways. I couldn’t have imagined what that would mean. And I couldn’t love Minneapolis more than I do now.
My mother was always right. Something good is coming.
In the “Age of Innocence,” (if there were ever a time), they used to say, “I didn’t think they’d try it on,” meaning, I didn’t think they’d have the guts to do it. Some may have said that about my mother, but not me.
I’m not sure she ever really knew how brave she was. I know she wanted to be. I guess I knew first, because my grandfather told me. Standing in the kitchen, opposite the sink – grandma in elbow deep – in front of the window that framed the stripped and hanging cow from the tree, he told me I could turn in, or turn out. That I could armored like my Aunt Kay, or be open like my mother. He didn’t mark either as good or bad, both would be difficult, it was just a choice. My mother returned from the other room. Broken, she had the guts to still be ruffled in white. I had already made my choice. To be wounded, but still believe in love, I would ever be “trying it on.”
It was years later, I relayed his message to her. She hadn’t known that he saw her. It wasn’t the way. I suppose it was thought, “Well, it goes without saying…” but mostly I think that means it simply goes unsaid. I can’t let it be one of those times. Ever ruffled in ruffles, I come to the page, to the canvas, to you, wide open, daily. And on those days when you think you don’t have the strength, the courage, the will, you will think of these words, these images, see my mother’s face and heart, and you will find yourself “trying it on.”
When you love something, you want to share it. In my youth, I used to think that meant that the other person not only had to love it, but love it for the same reasons. Childish, I know, but I’d like to think I’ve gotten better, more secure. It is more than enough to simply love.
I enjoy making Christmas cookies. Thanks to a childhood friend, I have one cutter in the shape of Minnesota. Of course no one here in France knows what it is, but the shape of my home state is just as delicious as the Christmas tree, or the star, and they enjoy it. Sometimes I watch. I smile when I think, oh, my husband just took a bite of Duluth, and that same shape that rests in my heart, without his knowledge or permission, is colored in the morning blue of a fresh snow, and is silently full.
Is that what love has always been? If so, what a relief to know it is in the giving that we become filled. Oh, the stress of waiting and wanting to receive… So I offer my love, in all the shapes and colors I know, and find myself with more than I ever could have asked for. And I am saved.
I suppose I had it wrong. Maybe we all do. I thought it was such a clever game, jumping in and out of my mother’s shadow. Racing into the length I thought I would never achieve.
It was Proust who wrote, “In the shadow of young girls in flower.” And as that young girl, so blinded by the light of youth’s bloom, I just kept skipping unaware. Not ever noticing that it was my grandma in my mother’s shadow, and both of them in mine.
I can see it now. In Margaux. How all the light bounces off her shiny hair. So much to flower. She reaches out on the balconies of Marseille. And aren’t we all just a little bit warmer, in the shadows of her bloom.
Maybe it was more intimidating when dress shops had an actual name. When the boutique said it was not just fashionable, but the fashion of this woman. This LaRou. And we knew it was her choice, her idea of what to wear, because it was right there, in the name of the store, within the possessive of the “s.” With all respect and admiration, I followed my mother beneath the gentle ring of the opening door, as she stepped into LaRou’s.
She lightly touched the fabrics. Sure not to leave a trace of evidence that the money wasn’t there. Yet smiling, behind the knowledge, she was worthy of wearing.
Through the years, I watched her confidence grow. I watched her walk through the bells a little faster. A little taller. The names on the stores changed. The locations. From Alexandria, to Minneapolis, to Chicago and New York. All the “s”s that were dropped, she collected and wore them proudly. For each outfit was not theirs any longer. She added the grace. The style. And didn’t they all become Ivy’s.
I see it so clearly now. Watching people become. How extraordinary they are, you are, when you step into your grace. Claim it as your own. Walk proudly under the ringing of your own bell — your opening to this life. Claiming your apostrophe. Beautiful!
There was a certain freedom to it – being in the girls’ gym. You might think freedom a strange word for this windowless box in the basement of Central Junior High. But certainly there were no pressures to impress.
We cycled through the normal courses. Basketball. Volleyball. A simple change with a new set of balls. But when it came time for the gymnastics week, the whole pink gymnasium was transformed. Beams and mats. Horses and Bars. Certainly we should have been padded on knees and elbows. At the very least helmeted, gauging our limited expertise. Yet, we flung ourselves without knowledge or permission in unwashed gym shorts and t-shirts for the allotted 50 minutes. No guidance. No spotters. No inhibitions.
The floor exercise came with a record player. We were decades ahead of the popular saying, “Dance like no one is watching,” — believe me, no one was. Dropping the needle with a scratch, then racing to the mat, we made “routines” (completely ignoring the definition of routine, because certainly these movements couldn’t be repeated, as we made them up to the music.)
We were never graded. If you could make it up the cement stairs back to the locker room, you passed.
I can feel it sometimes. Hear the turning of the record as the day begins. And I just abandon rule and worry, and move. I get to decide. We get to decide, how to make our freedom. How to fill it. Drop the needle, and simply dance.
The bisous is nice — a kiss on both cheeks — but for me, it will never replace a good hug. I have the imprints on my heart. I can tell you the progression through the years of my grandmother’s hug. The first I can remember were mostly knees. Then I was sticky faced against her apron (maybe because of me, or maybe because of the apron). She was pillowy. And welcoming. Pulling me in so close, I was almost behind her. And then there was the angled structure of my grandfather. Firm and elbowed. Offering the blessed assurance of “I’ll be here, strong, a foot in each furrow.” And then there was my mother. I knew every inch of her. Where my head could rest. Where my mind could wander. The home of every embrace. The feel of each blouse and sweater, hugged so closely, as if to wear the same. And didn’t we wear them together, our sleeved hearts, through every fashion lay-a-wayed and purchased.
This is to be hugged.
It’s not our culture here in France. But it is happening. Slowly. And isn’t it beautiful, that without pattern, knowledge or language even, we can teach each other how we need to be loved.
Ever since I painted his picture, Dominique’s cousin, he has hugged the stuffing out of me. Such a joyful surprise from this man of French measure. Nearly lifting me off the ground. A melding of imprints. Strength and joy and tenderness. All the arms around me now, I paint my way home.
Knowing that the number one rule in improv (perhaps the only) is to always continue the conversation with “yes, and…” — and thinking that life is really one big improvisation — I try to do the same in my daily practices.
I got up early this morning to make the baguettes. The sticky dough questions my every move, and yes, I continue. My tiny spatula is barely a match for the fluidity. It’s like trying to herd cats or gather water in the palm of your hand. But the scent of bread baking is priceless. The impossible cut straight from the oven melts the butter, and beds the lavender honey, and there really is no better way to begin the day.
It feels good to begin in all that agreement. I will ride it to my sketchbook — the current sketchbook whose only rule is “Bird, and…” Every page must contain a bird. It started from the need to lighten the moment. To feel barely more than air. To fly. Thus, the birds, and… whatever I wanted to paint with them. Be it ukulele, purse, or human, it always continues with the bird, and…
The two most recent humans in the book, although pages apart, seem to belong together. And how telling of our world, I suppose. This “pages apart.” But I’m encouraged by the ease of paper turning…the smell of fresh bread, the taste of lavender honey… So as the sun questions, “Will we rise to the moment?” — I can only answer, YES!
We could blame algorithms, AI, all the usual suspects, but really it comes down to us. I don’t know that much about TikTok. I make little videos of painting progression. Clips from my sketchbook. I don’t pay that much attention to the views, or how they tag the videos. To me it seems pretty obvious of what they contain. But I was really surprised how my obvious was interpreted.
I painted a study of a woman from old portraiture. It was in practice of being loose, and allowing the woman to come to life. A gentle attempt at survival, comfort, in the act of trying to simply be. I was so shocked when I saw the tag that AI had generated for this image — “Women who want to lose weight.” What???? That was not the point at all. Not hashtag sketch, or sketchbook, or painting, or art, or woman trying to warm herself with blankets, nor woman waiting, not even bird. And I was quick to curl my lip in disgust of AI, but then the hard truth became as clear as the Magpie on her shoulder, that AI is only repeating the information that we’ve been feeding it. So telling of what we see. And I guess it’s a harder truth to understand. A harder task to change the way we see things. But soon our humanity will be hashtagged away and what will we be left with then?
I suppose it’s a good reminder though — to be aware of how we look at things. Is this why our country, our world, is so divided? Perhaps if we stopped telling each other that what we see is wrong, and started simply telling what we see, maybe we could get back to our blanket of humanity. Maybe I’m just a woman waiting, or a simple Magpie, but I’ll take comfort in that, loose and simple comfort.
We’re no longer allowed to do it at the airports — run to the gate with open arms to greet the new arrivals. But thankfully, there’s nothing to stop us in our daily lives. And why on earth would we want to reserve it for just random visits, when we could do it on a Thursday?!
Yesterday, I was gifted, twice, with such a greeting! Wondering how we would find him in the crowd, my thoughts were quickly erased by his run across the parking lot. Those few seconds of someone racing to get to you, of someone saying with the speed of their feet that “I just can’t wait a moment longer,” with arms open as wide as toothy smiles — these moments are timeless, priceless, and endless. And there was no need for the airport, we both knew of our journey, how lucky we were to begin together, and how lucky we were to begin again.
Joy, never one to be contained, came running on the next footsteps, and I saw her racing across the parking lot straight into my embrace.
Loaded with these weightless gifts, we went to our next destination. Her years wouldn’t allow the run, but I could feel her racing just the same, as I was running to her. All gifts are meant to be shared.
I don’t want to live frantically, that’s not what I mean, but I never want to live timidly. I want to be bold in gesture. In living. In loving. Whether I’m racing toward or welcoming in, I want to be of open mind and open heart. Joy will lead the way.
