Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Apron up!

Unlike her delicious pastries, most of my grandma’s ideas outside the kitchen were, as one might say, half-baked.

Even the successes that she served were a little hard to understand. They were given names that I didn’t realize were made up until in later years trying to Google a recipe. And if there were in fact recipes, they were never followed. When asked, she would laugh and puff the flour from hand to aproned belly and say, “Oh, I started in the middle.”

Not really understanding, I still found it unconventionally delightful. As were the chinchillas in the basement. The Publisher’s Clearing house magazines spread across the table. The various plots of land underwater or undeveloped purchased from a roadside gas station. The grab bags from Ben Franklin. The constant thrill of simply playing, neither winning nor losing, just in the game.

In front of my newest sketchbook, I understand. I never start at the first page. I always begin somewhere in the middle — where the pressure is off, only the joy of being in it. I’m trying to allow myself more of that freedom in my day to day. Not worrying about what was or what will be, just allowing, just being… aproning up and dancing in the kitchen.


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Something sweet.

We weren’t allowed to use words like, “But she got…” or “But he gets to…” on my grandparents’ farm. Maybe it wasn’t a rule, but it was certainly ineffective. With 27 grandchildren, Grandma Elsie had neither the time nor inclination to keep track of who got what. So we learned quite early on to not waste our time either, but to celebrate when you did indeed get the last Slo-poke from the Lazy Susan, or the much sought after Sugar Babies. Life wasn’t fair, but it sure was delicious. 

When the two women came to my studio yesterday, their beautiful relationship of mother and daughter floated through our open gate. And to my joyful surprise, (I had been taught well), I didn’t feel jealousy or longing (for hadn’t I been given more than my share with my mother), but I felt truly happy for them. So I floated along. 

I can’t say the lesson came easily. Last to take the spin in the bottom candy cupboard, there were only Black Cows left. I hadn’t yet developed the attraction to the darker covered caramel. Not one to hide any emotion, even then, I suppose it was clearly written on my face. My grandma called me in with her two open arms. I went reluctantly. Not wanting a hug, but something sweet — I was too young to understand the irony of that. I kicked my bumper tennis shoes against the floor and made my way into her aproned embrace. How could I help but smile? Feeling better and letting go, she pulled me in tighter this time, against her pocket. Something square pressed against my face. A box? Was it? My smile turned to surprise, and she pulled out a box of Sugar Babies. 

Last night, in my pocket of something sweet, I spent two glorious dreams with my mother. Life is, in fact, delicious. 


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Swish.

She always wanted to be a dress designer. And but for getting paid as such, she was. 

My mother loved all things fashion. Clothing was an experience — she didn’t have to say it, I knew it from the way she moved in front of the three-way mirrors. I was determined to be part of the reflection. A part of the magic.

As I began to paint, it was what she always noticed first. The ruffle of the blouse. The cut of the pants. The movement of the fabric. And the more she noticed, the more I painted. Her best compliment was, “I want that blouse.” Even a country away, my smile danced between three mirrors. 

Yesterday my friend complimented the woman in my newest painting — “That dress in the painting has such movement, I can almost see and hear it swish. Beautiful. I want that dress. Madewell?”  I’m still smiling. That’s the magic, I suppose, of love, of friendship, to put us all in the dressing room, to shine the light that is the best of us, and continue the dance. Swish!!!!


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Bread and quilts.

It’s more of a joke really, but not untrue. I make the bread so “we’ll feel safe.” There is comfort in the scent that wafts through the house. And I can feel it, like a cartoon hug that wraps around my shoulders. Not to mention the healing power of the toasted breakfast. 

My grandma wasn’t a painter, but she did make quilts. And it’s not lost on me, having them here still, I can feel, not just the warmth they provide, but the hug that wraps my wanting shoulders – shoulders that are the conduit for the heart, and I am saved. 

I didn’t think about it then, mostly because I was given the gift of not having to, but wasn’t she doing the same thing? When she made the quilts, kept the Lazy Susan stacked with candy, bought the individual cereal packs — it was more than just fun, it was our safety net, our assurance that we could count on her. It was the steady of her Thom McCann’s beneath her aproned belly. And we weren’t just safe, we were saved.

Bread is rather sacred here in France. Just as the quilt would be to a Minnesota winter, I suppose. At the breakfast table, I wrap myself in it, this small taste of blessed assurance, with just a hint of blueberry. 

Good morning!


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The squirming memory.

There was a time when “hold still” meant something unpleasant was going to happen. A shot from the doctor. A peering dentist. The brushing of tangled hair. Even the application of unwanted socks. 

I can’t say the moment it changed. It could have been gradual. But as with most things that turn with time, it felt sudden. And without my knowledge or permission, I often begin sentences with “Wasn’t I just…” 

And as I struggle to hold still the squirming memories of loves passed, I have to laugh and acknowledge, that I was never one to do it. And in the recognition, I think, maybe we are never meant to stop any of it, but simply keep dancing through. All of it. Partnering with the comfort and the uncomfortable — the warmth of sitting in mother’s lap as she wrestles through the nest of your hair.

Time continues to change meaning and tempo, but love remains, not still, but strong. So I keep dancing…


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Charly, Chuck and Charles.

I hadn’t noticed it until the other day. I brought the painting of Charly inside from the studio. I set her beside another painting. It wasn’t until the next day I thought, “Oh, Charly is with Chuck.” And then I realized that Charles was just below them downstairs. These three sharing a name couldn’t be more different — not similar in age, gender, nor hobby, yet they were all connected. (A rose by any other Chuck…)

I was on a painstakingly long phone call with the bank. We went through my account number, my social security number, my PIN number, the code sent to a separate phone, and then finally she asked me, “What’s your mother’s maiden name?” Deep in the annoyance of trying to prove my identity, there I was, still connected to all that I loved the most. My grandparents. My mother. I laughed, and spelled it, nobody ever understands the silent H of Hvezda.

I don’t know if Charly, Chuck and Charles will ever meet. But I’d like to think they know. I’d like to believe they feel something bigger than themselves. A connection with a silent C, but connected just the same. Perhaps we all are… roses.


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Word and promise.

Long before I could read them, I carried them. I knew the words of the books, my mother having read them to me night after night. Not being able to read yet myself, I was under the assumption, (or I was probably just of the age to hope) that if I kept the words nearby, cradled in hand and tucked against hip, that they would stay with me. They did. Now, I can’t say for sure that it was because I held them close, pressed them dear…but I can’t say that it wasn’t. 

I have done the same with love. Kept a library in my heart.

I walked a new path yesterday. My feet plodded up the unexplored hill. My head peaking above as I neared the top. A school. A soccer field. And then, not the promised land, but a box filled with promise, a community library. And the biggest surprise, two books in English. The collected works of Mark Twain was as thick as my open hand. I clutched it to my heart and put the paperback in my back pocket. The proportion of books to body was nearly the same as when I carried them in youth’s palm. My steps, as light as they were then. Carried in the word. 

I had been right. It stays with me. Coddled close, this love for word and promise. Did I walk home a little faster? Probably. Did I smile the whole way? Indeed.


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I see.

I washed the windows in the studio recently, reminding myself that in order to paint the light, you really need to be in it. 

People will always be quick to tell you what to do. Even knee deep in the mud, they will advise you on your path. While all the scattering of their “should-haves” and “supposed-tos” merely block the way. And doubt, not one to miss a dim light, will often seize the opportunity and join in the chatter. And so I turn…

I can’t say I love to wash windows. It is work. And the efforts are never rewarded with longevity. You know it going in, this won’t be the last time. But when it hits you, wraps itself around you, nearly lifting with clarity and grace, as sure as a mother’s embrace, my heart says (with no apology for the pun),  “aaaaah, I see….” 


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September 11th.

My brain has never been the kind to live by the calendar. Perhaps it was because of the kitchen table in my grandparents’ house in Minnesota. Around it, the dates remembered were of snowstorms and the dearly departed. Behind coffee cup and pipe, as they began to recall, I shook the numbers from my head, and ran into the open space and possibility of the front yard. 

And it’s not about denial. I remember every feeling of nearly every day. There are some though, with just a number, that won’t let you look away. Like today. And we shouldn’t forget. The horror. The courage. The fear. The coming together. The after. What did we do in the after? What are we doing today? 

That’s the thing. After the storm, they still gathered together at the kitchen table, as one. 

Today is Pascal’s birthday, my brother (in law and love). With the heaviness of this date still ringing in my head, this is the gift of hope, the gift of a swinging screen door and an open yard. A reminder that even in the most unlikeliness of time and place, we can find the good.

Happy Birthday, Pascal. 


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Plump and generous.

It wasn’t obvious. Nor was I looking. And I wasn’t supposed to. I only saw what a child needs to see. A root beer float. 

There were no visible sharp edges to Grandma Elsie. She was round and approachable. She was the scoop (or two) of Schwan’s vanilla ice cream in her frequent afternoon root beer float. I can see it now — that it could have been more than just a sugar craving. It was simple. An easy decision with a consistent result. There were no maybes or what ifs to it. And didn’t she need that? In her world of uncertainty — all those kids (because even old they were) and grandkids tugging, and the farm, would it rain, would it sell, would he ever make the walk from field to kitchen — all umbrellaed under the certainty of a root beer float.

I never liked the combination. I always no-thank-you-ed out of it. Grabbing a pack of Sugar Babies, or a Black Cow from the Lazy Susan — a whole corner cupboard of my own certainty.

Without my knowlede or permission, I adopted the habit of giving myself an easy decision. Some days I can tackle a whole portrait, others, simply a tomato. Both victories. There is comfort in that. In a world of how could this possibly be, to simply hold something plump and round and sure is a gift. It is the soft edge of an afternoon scoop, the embrace of a grandmother’s plump and generous love that ever holds.  Of this I’m certain.