Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: create


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While the purse swells with youth.

I would have never dreamed of rummaging through my grandma’s purse. But I did admire it, sitting between us on the front bench seat of the car. It weighed nearly as much as I did. We never used our seatbelts then. The two safety measures were the outstretched straight arm of my grandma, (which could surprisingly secure me, along with the purse) and the rule that I wasn’t allowed to stick my body out of the window beyond my shoulders. I had the idea that if I wrapped my foot in the purse handles it would hold me as the wind blew open my pinkening cheeks. 

The AM radio, permanently tuned into the farm report, was also blocked by her massive purse. There was a station I had heard of, out of the Twin Cities, KDWB 63. “It won’t come in,” she said, cruising down the country road. “Maybe if I held the antenna,” I pleaded. “I could just bend it through the window.” I knocked off the orange styrofoam ball that was attached to the antenna top before she pulled at my leg and secured my sweaty thighs against the leather seat. “Paul Harvey’s coming on..listen.” 

Calmed by his melodic voice and the feel of the golden metal clasp of her purse beneath my fingers, I imagined a day when I would carry the weight of the world beneath white leather straps. I would have make-up and breath mints, I thought, and quarters for the parking meters. And candy and pencils and paper. And perfume and underpants. Yes, and Kleenex. And a checkbook with pictures. The tv guide for planning, of course. And grocery lists and photographs of everyone I loved. A book for reading. Rubber bands for my hair. Band-aids, because something would always happen. And Bazooka Joe gum, for the cartoons. Before I filled my imaginary purse, Paul Harvey was saying, “Good day!” “Wasn’t that good!” my grandma said, not asking. I smiled and shook my head. It was good. I had an open window. My grandma’s attention. An endless summer ahead. Youth’s purse was filled. I had everything I needed, and just enough to wish for. I slipped my hand through the loops and touched her floral dress. It was a good day indeed. 

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Hand held possibilities.

I don’t know that I was necessarily being so “good,” but that’s how it was interpreted. My grandma used to marvel — “I could just put you down, and that’s where you’d stay until I told you that you could move again — such a good kid!” 

I remember her roll-top desk. She plopped me in the chair. I could just reach the handle. It made a little thwapping sound as I pushed it up and then back down. I thought it was the greatest thing, riding this wave, the greatest thing that is until I caught a glimpse of what was inside. Pens and paper and my favorite, the pencil. I loved pencils from the moment I discovered them. The smell of the lead. The feel between my chubby fingers. The newness. Everything was just waiting to be created. I don’t know how long I held the pencil before she noticed me, rubbing it between my fingers as if to will the genie from the bottle, but she wiped her dish soaked hands against her apron and reached the scrap paper from the top shelf.

Tiny squares of white. Some blank. Some with abandoned grocery lists. I covered them all. Scribbles and drawings and near words. I was in heaven. I could have stayed forever. Was I being good? I was being me. 

It should come as no surprise, whenever visiting a museum or landmark, my go-to souvenir is the pencil. I have a favorite — from the Pierre Soulages museum. The weight. The feel. Perfection. I use it in my sketchbooks. But truth be told, I often just hold it in my hand for a moment. And on those days when the world, the day, decides to plop me in an unfamiliar place, I hold on. I take comfort in all of these hand-held possibilities, and I smile, because I find myself saying, “I’m good.”  

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Sanctuary.

When I went off to college, the first thing that surprised me was the noise. I had always studied in silence. I was alone for the most part. I didn’t turn on the television or stereo. I liked hearing the books I was reading, feeling the words I was writing. So the first few nights in the dorm were alarmingly loud. No one had headphones. Doors seemed to be quite optional. It was overwhelming to say the least. 

I wore a path to the library. And then I found the silent rooms. Doubled glass. No distractions. Glorious. My first sanctuary. It was there I could invent anything, even myself. I surrounded myself in words. Some lay quietly in yellowed pages. Others rearranged themselves and shot through my #2 pencil. It wasn’t the first time I heard my own voice, but it was the first I started to use it. 

I fear that some believe courage is only born out of chaos. That we must rise above all the noise with a clattering of our own. I suppose at times this could be necessary, but maybe the most bold is to listen to your own heart, your own mind. To brave the silence and find yourself.

There is a setting on my iphotos. It is called noise reduction. It takes away all the clutter to get at the real picture. I didn’t have the words for it then, but I have been hitting that button for most of my life. Sometimes I forget. I get caught up in all the clamor — “but he said, and she did, and they are!!!!!” It’s then I have to remove myself. Find my balance. Listen to the quiet. 

I whisper by hand into my sketchbook. And I am found. 

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Like a floating Ginger.

She certainly wouldn’t have been considered a dancer, my grandma, but one could make the Ginger Rogers comparison quite easily. It is often said that Ms. Rogers not only did everything that Fred Astaire did, but backwards and in high heels. Yes, my grandpa worked hard, and he had the crops to prove it, but my aproned grandma kept longer hours, with nine children and 27 grandchildren pulling from behind. 

The thing is though, as it is with most who are excellent at their craft, the work is hidden. Like a floating Ginger, she moved from stove to sink to table to garden to clothesline to town. And I never caught a glimpse of the struggle. Of course it had to be there, but I never saw her rub her aching toes. I never heard her catch her breath while offering the love and attention we all demanded. 

There were no words like self-care then. But she was smart enough to take her personal time. And we were smart enough to know that it was at noon each weekday in front of the tv set to watch NBC’s Days of our Lives. Just as some of the Bohemians on neighboring farms were thought to be relatives, my cousins and I thought the same of the Hortons from Salem. I suppose I loved this time the most because I saw Grandma Elsie from the front. Her welcoming belly was not hidden by a steaming pot or bubbling kitchen sink. No, it was there to climb on, to hug, to rest against. We took our turns dancing with Ginger as Ma and Pa Horton looked on.

Working in my sketchbook, alone in the studio, I know these small paintings won’t sell, or even be seen, but as my hand stumbles through the pages, I know, without pressure, or even promise, it is my time to dance.  

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Reattaching apples.

I have no memory of the apples growing. Each year, they were just there. The branches seemed to go from bare to weighed in just the blink of an eye. And as quickly as the green apples appeared in my grandparents’ trees, we were tripping over them in the grass, loading sack after brown paper sack to give away. 

Maybe it’s the way of all living. It goes so quickly. We move from grand point to grand point, missing all the little things along the way. The how we got heres. The growths. 

I keep trying to think of her as a young woman — the journey of how Elsie became Grandma Elsie. She wasn’t always in that kitchen. In that yard with an upturned apron full of apples. She once had to have giggled with the girls behind the school. Cursed her parents and dreamed of boys. Imagined a life. A future. 

To know the exact details, I suppose, would be like trying to reattach the apples to the tree. But I think it’s enough to know there was more. There is more. So much more to all of us. There are reasons and seasons of how we got here. And maybe we’ll never know all of it, but I think there is empathy in the attempt. Compassion in trying to imagine the whole picture. None of us are just one thing. Maybe in learning that, we come to see some growth after all.

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Waddler.

We’ve never had a duck in our yard before. It was a delightful surprise when I went to open the shutters. Perhaps even more surprising, “canard,” was the word that popped into my head (french for duck).

That is the very thing that keeps me coming back to the page, the canvas, the morning shutter — this belief in the unexpected. This hope that I’ll see something new. Create something new. Feel something waddle across my heart. 

And it’s never been about shock. Shock is simple. Anyone can severely rattle and create a response. But to find the beauty in the simple. To see the spectacular in life’s gentle and daily offerings, this, I think, is the extraordinary. 

It may not sound like much, but for me it was a sign of learning. A sign of growth. And without that, what am I in this for? Sure it may be at a waddler’s pace, but I am learning continuously about life. And this is hope. This is joy! 

Je suis un canard!
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One more twirl.

Just before leaving the Mall of America, I tried on one last dress. I twirled a little in front of the three way. I put my hands in the pockets. Looked to the side. Over my shoulder. Floated out to the main area of the store. Dominique said it was pretty. I smiled. Saw myself in summer’s south of France, and gave one last spin. Put it back on the hanger. And we went back to our final night by the airport. 

We used to do it all the time. Just try things on. My mom and I. We had everything when we were together, but for extra money to spend. But that didn’t stop us. Standing waist high, the tag of her dress dangling in my face, I looked up at her at her three reflections, and knew she was a princess. A queen. She tucked the tag in and gave a twirl. Dancing with all four of her, I was sure she was going to buy it. She took it off and gave a smile of “maybe next time,” to the clerk. 

We went on to another store. She was swinging her hand in mine, like she was really happy. I was confused. “But you didn’t even buy it…” She bent down. “It’s better to look pretty in it, than to own it. Anyone with a few extra dollars can do that.” I nodded. “I want to try,” I said. And we never stopped. 

Of course she bought things. Of course I do. But the real treasure was, and still is, the experience. With anything. Everything. How we feel, will never be surpassed by what we have. I, we, cannot own this day, but we would do well to swing it by the hand, and enjoy it for all it is! 

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I stop chasing.

I don’t imagine I thought so at the time, but one of the best gifts my hometown gave me was one channel. Channel 7. No time was wasted chasing the choice. I didn’t even have to turn on the television to know the programming. The schedule was memorized. The options were clear — this lucky number seven, or outside. Most of the time I chose the latter. 

We have special names for it now. People make vision boards. Read The Secret. Fill their planners. I smile, because I think we knew it all along. These laws of attraction. On Van Dyke Road there was an empty lot next to Dynda’s. To start of game of softball, or kickball…any kind of ball… one didn’t run from house to house slamming on screen doors, or calling out names. All you had to do was go to the field. Bring your ball. One by one, (or faster if the Norton girls came all at once), the ditch would be filled with abandoned bikes and the grass with players. We were well advanced of the “if you build it, they will come.” 

I mention it only to remind myself, and maybe you. What is I want? How do I want to spend my time? And with whom? 

I met my cousins for the first time at my grandparent’s farm. I wanted them to like me, so I ran after them. Nipped at their heels. They screamed. Cried. I didn’t understand. I sat alone on the front stoop. My grandfather, who saw and knew everything, but said little, handed me a rubber ball. “Bounce it,” he said and walked away. I was sure he didn’t understand, but I did it anyway. Thump. Thump. Thump. They came from around the corner of the house. First Shawn. Then Kalee. Even little Patrick. We played for the rest of the afternoon. Sometimes even with the ball. 

There are so many options out there. Often too many. When it gets too much for my brain and heart, I remember the things I love. The people I love. I stop chasing, and attract. 

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Heading North.

Heart first.

I know there are strategies to Wordle. Of course certain letters appear more than others. Using the most vowels on the first word is helpful. If you want to take a deep dive, there are websites. Tips. Tricks. Hacks. I love the game, but I don’t play like that.

Yesterday, the first email I received was inquiring about my painting of the North End. I used the word “north” as my second word, and solved the puzzle. It’s fun to get a two, sure, but for me it’s the most fun when I can relate it to what’s happening in my life. Not that I think the New York Times actually bases the game around me. It’s not “about” me — I know this. But I like to be involved. Insert myself in the game. I want to be a part of it all.

All the teachers at Washington Elementary gave us valuable skills. How to read, spell, write, do the math. But it was Miss Green who not only gave us the tools, but showed us how to build something. We could have just written reports. Structured sentences and paragraphs, but she had us taking Spelling Trips. Each week we randomly picked a place on the map and had to write a story about getting there, being there. We had to place ourselves inside the lesson.

I suppose I’m still doing that. Joyfully. What’s the point of learning, of living even, if I’m not involved. Certainly it changes the stakes. I know being involved means I’m also going to risk being hurt. Hearts on sleeves are vulnerable — but oh how they can feel the love!

You can play it however you like — Wordle, this life… that’s the beauty of it, we get to choose. Me, I’m going to throw myself in the mix, heart first — heading North!

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The river blushed.

I have no ownership of it. Still, I feel connected to the Mississippi River. Living in Minneapolis all those years, we got to know each other. Understand each other. The secrets and concerns I told over bridge rails. It promising not to erase them, but carry them down. Easing worry and weight. Turning flounder into flow.

I’d like to think I thanked it, this river, for carrying my precious cargo, but I’m not sure I did. Not well enough. Perhaps it is the way with all those we love. We get used to them sharing the weight beside us. Expect it. Rely on it. 

My mother was alive the last time I stood on the banks of the river between Louisiana and Mississippi.  Yesterday evening in the setting sun, she still was. The love had been carried, just as promised. Ever flowing. 

Some might explain it away, saying it was only the moon…but when I looked up in the sky, there was the smile. My mother’s smile. Telling me she knew. She always knew. I smiled back. The river blushed, telling me the same.

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