It was one of the greatest mysteries to me, the perfection of the rows in the fields. I knew nothing about farming, nor even driving, when I asked my grandpa how he did it. “I just see them,” he said. “But how do you not run over it all when you turn the corner? Or get out of line when you take a sip of coffee from the thermos between your feet?” “I know where I am, and I know where I need to be. It makes it very clear.” “That’s a lot to see,” I said, still not certain that I would be able to do it. “Will I be able to do it?” “This, probably not, but you’ll see what you need to see.” “How will I know?” He got on the tractor, and showed me.
I don’t know the exact moment it happened. How I found my row. My place. But I did. It all became so clear on the page and on the canvas. People ask me all the time — How do make them so real? How do you bring them to life? The truth is, I just see them. And it is my hope, that they see what I see, and others too… then they will know they are beautiful. That’s why I paint the portraits.
I can’t tell you how it happens. So I simply hop on my daily tractor, and write and paint, and I know, somehow, we’ll all find our way.
I bought it at an antique store in Hopkins, Minnesota and carried it back to France with me. You know it’s valuable when I allow it space in my ever overpacked suitcase.
It’s from a time when people still wrote letters. When desk objects were given beauty along with function. On the right is a tiny scale for the weight of the words, and the left a circular housing for the precious stamps that carry them. Of course I don’t need the scale. I have a pretty good idea of the weight of the words. At least I hope the receiver knows — knows that I could have just sent a text, an email, but instead thumbed through all of my cards, along with the thoughts of this person, picked out the one that fit the situation, borrowed my husband’s best pen, wrote in cursive (like nobody’s taught anymore), signed it, meant it, sealed it with wax, and walked it to the post office. And isn’t it just as important that I know?
My little antique scale can’t weigh all that, but it does remind me to keep doing it. Yes, I have an Apple Pencil, an iPad. I love modern technology. It is connecting us today. But I keep reminders around me — that there is more. The more of photographs printed. Books with spines. Jams without preservatives. Art with actual signatures. And I make the connections with heart and hand. And the joy that it brings, that I carry so easily, daily, makes me smile, because it actually weighs nothing at all.
There is a trend of writing letters to your younger self. And I must admit I’ve given it a little thought, but as I remember back to my first class on perspective — how the assignment was to draw the hallway in your house — and I thought, how nice, the teacher actually thinks I live in a house… I went home, (because you can have a home that isn’t a house), sat in the apartment kitchen where you couldn’t drink the tap water, looked through the living room and drew the small space between my mother’s bedroom and mine, completely in reverse perspective. I mention it because it occurs to me that this younger self already knew she saw things differently. So it probably won’t come as a surprise that I do the opposite now — it is she writing to me, daily. Each one starts off the same, “Dude…” (she calls me dude, because she was cool like that, and because I know it’s as harsh as she going to get…) “Dude,” she says, “you’ve already learned this…” “But I’m doing it all wrong — backwards,” I tell her. And she replies, a little more gently this time, in my mother’s voice, (because she, my mom, was kind like that) with the same thing my mother said to me when I brought home my incomplete assignment on perspective. I told my mom, “I did the whole thing backwards,” hanging my head. She pulled up my chin and said, “Great!” “Great?????” I questioned. “Sure,” she said, “you’re Ginger Rogers!” I smiled. I was learning perspective after all.
There will be a mountain of things I have to relearn today, and again tomorrow, but in this moment, l look around, offer up a little kindness, and this dude begins to dance.
She was the first to notice, the waitress in Stillwater, Minnesota. I have worn these earrings every day for a couple of years — the outline of the Sainte Victoire mountain. She brought the check to the table and asked, “What mountain is that?” I beamed, for me of course, but for her as well — being curious, paying attention. “It’s the Sainte Victoire,” I replied, “in Aix en Provence where we live.” And the conversation began, all because she was alive, awake!
These earrings represent home. Heart. Courage. Strength. They are the mountains I have, can, and will continue to climb daily. What made her, of all people, notice? Even in France, no one has asked about them. But she did. Maybe she was climbing her own mountain. Maybe she was asking her legs to carry what her heart just couldn’t bear at the moment. Or maybe she just liked them. And that’s enough too. The thing is, she asked the question. A specific question.
We get lazy I think. Uninterested. We settle on the “how are you?”s and think we did enough. But is it? Is it enough? Is it enough to just pass through each other’s lives? Without learning? Without caring?
Two years of climbing were wiped away in just a few brief seconds, and I was happy! It really takes so little. So I tell myself, I tell you, be curious, pay attention, — it’s not too much to ask.
I only had to hear it once for it to stick. “There are no stupid questions,” Mrs. Strand said, addressing the thirty strained-necked five year olds looking up from their cross legged positions at Washington Elementary. So the questioning began.
Behind our house on VanDyke Road, there was a field of grain. Hugo’s field. Lined from green to gold every summer. My grandpa had the same, but he also had a field for the cows. Unlike the fields of grain, it was fenced and trampled — “But still a field?” I asked my grandpa. “Yes, he said. “But what will grow?” “The cows,” he said. I shook my head in agreement.
I was surprised the first time my mother dropped me off at the field to play softball. This was a field too? This sanded and based lot. The teenage boy who we loosely called coach said he would teach of the basics – hitting and fielding. Fielding? No one else raised their hands. Why wasn’t anyone else questioning all these forms of field. I put down my hand and began to play.
It wasn’t lost on me that when you were asked to choose your line of work, it was your field. And when you became good at your chosen profession, you were “outstanding in your field.” The first time I heard this, probably because of Mrs. Strand, Hugo, because of Grandpa, because of the teenage boy, I heard, “out standing in your field.” I still think of it that way. Because this is where I go to create, to the tender fields that led me here. And they were tender. Even through every cracked bit of earth, with every run and trample, I learned. When yields were low. I learned. Each season, I grew. Never with a guarantee, but always a promise of hope. It is with this welcoming of wonder, I wander today’s field.
Something will grow from all of this, and it will be me.
Something will grow from all of this, and it will be me.
I have to admit, (physically and metaphorically) I’m shooting most of my photos in the wind. As I walk along the gravel path, the wildflowers seem to pop up, blooming as proof that it can be done, even in the strongest of winds that race directions through the hills. Some barely petaled, they still have the audacity of hopeful beauty, and I think, if I could just catch them mid sway, it would be like capturing the wind…and if I did, in fact, capture that wind, it would find its way into my heart, spreading limb to limb, and even against all forces of the natural and unnatural, I too, would dance.
So even as the sun blinds the screen of my phone, I point and shoot, not knowing until much later what will appear. Looking at yesterday’s photos from the comfort of home, I have to swivel in my chair. I smile at the blurred backgrounds — the forgotten hardships — and see the dancing petals. So fragile. So strong. So beautiful. And I smile, knowing today, it just might be me, who flowers in all of this wild. Me, barely petaled, who dances in the wind.
I want to hold her – this little girl that sits in front of me. Tiny tears cling to her eyelashes, knowing that if they fall, so will the secret — the one she kept, mostly from herself. One salty drop lands upon her thigh, and she says she had told her mother that she didn’t want to have a babysitter anymore. Not this one anyway. But she couldn’t tell her why. She couldn’t say that this young woman frightened her. Wanted her to do bad things. Dirty things. She couldn’t say that she took her behind the barn, (where nothing good ever happened.) I suppose that’s what they always count on, that you won’t be able to say anything. And what she couldn’t say then, she says to me now. She tells me. And I want to hold this little girl. Pick her up. Wipe away tears and replace them with promises. But she has already grown. She has already peaked only bangs above covers during sleepless nights. She has already learned to pocket the secret and dilute it with morning’s light. Learned to take care of her little sisters. No one else would watch them but her. She has already grown into a woman who carries her own children. Who carries me.
Maybe there always comes a time when the lines become blurred. For mothers and daughters. Sisters. Friends. When we’re all just little hearted girls, trying to hold on, trying to let go, daring both. Trusting each other with tears and stories.
I trusted my mother. And she trusted me. It would be easy for the story to end there, but it can’t. I won’t let it. Not for me. Nor you. Not for any little girl, no matter what her age. We must be the sisters who keep them safe. Tuck them in with stories of hope and joy, of kindness and progress and freedom and learning…so heads and hearts remain above covers — all night long, and all the days after.
I wander in and out, around every barn. I am safe because of her. I reach out my hand, so you can feel the same.
I used to imagine that the front stoop of my grandma’s house was only there for the family of Hollyhock dolls that grew on either side of the cement steps. I was only allowed to pick a few each season. She showed me how to pluck the flower from the stem, flip it upside down and push an unopened bud through the then top to make a head that rested above the pink flowing dress. And for the rest of the afternoon, this small gathering of elegant ladies danced outside the entrance reserved just for them.
I gave them the voices to compliment each other. “How lovely is your pink dress!” “And yours is beautiful!” I danced them together like my mother once did at the Lakeside Ballroom with her cousin Janet. And the music from the transistor radio scratched in and out as I adjusted the antenna in the summer breeze. The lessons of last summer were forgotten. I had no fear of the wilting dresses. I only played. And played, believing that all beauty on Rueben and Elsie’s farm would ever remain.
I wasn’t wrong. Yes, the flowered dresses lay almost flat by the end of the day, but decades and countries away, the beauty remains. Yesterday, in the French countryside, she showed me the one Hollyhock flower that somehow grew between the century old crack of the house entrance. I wasn’t surprised. I had enough French words to tell her of how I made the pink ladies on my grandma’s stoop. We both smiled and touched the rhythm of her little pink dress.
I wrote in a poem, “This year… let’s love like no lessons have already been learned…” Of course we have to grow and educate and evolve. But some “lessons,” like those that deal with lost love, disappointment, unreached expectations — to keep our pink ladies dancing, we have to let those go. The heart stoops must remain clear and ever hopeful.
Countless things grew on Rueben and Elsie’s farm. Again and again. And the beauty will ever remain. I wake to this morning sun, and keep on dreaming.
He sat next to me in kindergarten, where our only source of hierarchy came from the size of our Crayola crayons box. My mom couldn’t afford the largest, but I did have a good solid 24 pack. A few in class had the coveted 64 with the sharpener included, but not many. He pulled his tiny 9 pack from inside of his desk. He barely made a scribble during the allotted coloring time. At first I thought it was because he didn’t have that much to choose from, so I offered to share. He declined. And he didn’t seem embarrassed, he just didn’t seem to care. This was most surprising! It was my favorite time of day. To be set free. To color. To create. Then hang it on the wall! Wow! His lack of enthusiasm was doubled down with the use of only the color brown. And I must admit that there was probably some judgement in my second offer of crayon sharing, more of a “Are you sure you don’t want to try some of my crayons?” He shrugged them away.
One day he was called out of class for a few tests. We all whispered in wonder. Well, not wonder really, but confirmation that he must indeed be stupid, like we thought. He came back to the classroom all smiles. He was colorblind. We all welcomed the diagnosis. Mrs. Strand hung his brown paper on the wall, and we went on with the lesson.
It’s hard to see things the way other people see them. And I am just as guilty. I ask again and again, how can they not see it???? I suppose sometimes it’s so clear that it’s invisible. I would like to think we have learned and grown since the age of five, but I’m not always so sure.
Facing the same direction, I guess we will always see things differently. And we will rarely receive the reasons why. We will be asked again and again to get from desk to wall without diagnosis, but only pure understanding. We must sit in our differences and try to learn.
The physical therapist for my hand wants to be a singer. I like knowing that she plays guitar. That her fingers create music. Maybe the song she’s humming in her head is traveling down into her heart, through her arms, then fingers, and into my hand. (I may have heard my pinky sing.)
I suppose as a dreamer, I’ve always trusted those with a dream.
My mother wanted to be a dress designer. And it was that dream that carried us from Herberger’s, to malls, to boutiques, to dressing rooms around the country. It was pure joy that reflected off of three-way mirrors and bounced from her heart to mine. Lives well designed.
Sitting at the table, drinking egg-coffee and eating home-made pastry, I asked my grandma what she would like to be. “A UPS driver,” she said quickly. “Then I could drive from house to house and sit with people and have coffee and visit.” “I think we’re doing that right now,” I said. We smiled in the moment of that dream come true.
When we think of people not just as who they are, but who they are trying to become, I think maybe we can be a little more forgiving, a little more empathetic, perhaps more understanding, and certainly more joyful — what could be more fun that travelling along on a dream?!! But we have to be willing to dare, and willing to share. I encourage you to do both. My singing pinky is proof that everything is worth the dream.
