Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: celebrate


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Ruffles and horseshoes.

We used to play croquet. Lawn darts. Frisbee. We’d throw or knock almost anything around the lawn on a Sunday afternoon. But it was horseshoes that my mother loved. That may surprise you. She, always so elegant. Bloused without a wrinkle. Creamed without a wrinkle. But once her church clothes were hung, folded. Her shoes put back in the original box. Her jewelry in the dresser. We would play. And she was good. Leaners. Ringers. She could really do it! And maybe it was the unexpected that added to the joy. This letting go. This letting fly. Tossing and clanking every “should have” and every “supposed to”. 

Walking through Centennial Lakes park, I see them playing croquet and mini golf. Pedaling big ducks on the water. Not to win. Not to get anywhere, but just to be! The freedom of play. And I think, wouldn’t it be great if we allowed this for everyone. Allowed people to not just be one thing. Didn’t put them in a box. Label them. That if they had one thought, they could only have that thought. 

I don’t want to be contained. I can still hear the mantra of the Stevie Nicks 45 that my mother played again and again, “Leather and Lace.” It could have easily been ruffles and horseshoes. 

This trip I have shopped at the finest stores in the Galleria. I have thrifted at the Goodwills. Joy is everywhere. Not to be contained. I, we, can toss and clank the “rules,” and just enjoy! 

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WWED.

It was in the first aisle of Jerry’s Jack and Jill that I got a nose bleed. My grandma, hands already full with a sack of toasted marshmallows, told me to reach into her folded sleeve around her right elbow. Sure enough, there was a Kleenex. It wasn’t long before I needed another. “Check the other arm,” she said. I switched to the opposite side of the cart, reached into her folded left sleeve, and pulled out another. In aisle three, even after the bleeding had stopped and the marshmallows were nearly gone, I wanted to see how far this went — if Grandma Elsie was actually some sort of magician. “I think I need another one,” I said. “Check my right bra strap,” she said quite confidently. And just like a rabbit from a hat, I pulled out another Kleenex. 

And it was magic — the ease with which she could fix any situation. How I counted on it! I suppose we all did. But I never saw the weight of it — the things she carried. How lightly she skirted through the aisles. And certainly things had to bother her – she was a woman of this world, and no one escapes, but still she never weighed upon, but lifted up. 

I think about it now. Am I traveling lightly? What is it I’m choosing to carry? The solution, or the burden? I ponder, WWED? (What would Elsie do?) I smile, and I choose the lightness of magic, the lightness of joy, wearing my heart on my sleeve, and sometimes under my bra strap. 

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Driving to the airport.

Maybe our sense of chance is diluted by the daily barrage of “last chance” emails. For the fourth day in a row I have received my “really, this is your final chance” to take advantage of this sale.

But I suppose I can’t really blame the internet. Maybe we’re just not designed to see it. Prepare for it. All of these final chances. These last times. The poets and singers have even tried to warn us — “Live like you were dying”; or “Live today like it was your last day on earth.” I get it, but I can’t say I really adhere to this way of thinking. There seems to be a lot of pressure within, or perhaps even desperation. I heard something recently that I like much better. It is from the author of Between two Kingdoms, Suleika Jaouad. Living with cancer, she was, and is, seriously confronted with this every day. But she explains, rather than living like this day is her last, she decides to live like it’s her first. Seeing the wonder and beauty of everything around her. This is how I want to live.

I thought I already loved him. But he was a country away. Meeting him in real life for the first time I was nervous and excited. My hands gripped the wheel, unsure of how to keep the car and my heart on 494. I slipped my foot from my shoe. I needed to feel the pedal. The energy seemed to be racing from my toes, changing to butterflies in my belly, to songbirds in my heart, and tingling straight out of my updooed hair. I was alive. Alive in every first of my being. I circled the airport once, not seeing him. Our phones, foreign to each other, couldn’t communicate. I circled the airport again. Pulling up slowly this time. There he was. Just like his picture. Sitting on the sidewalk. All of my first were real. Especially love.

Time has a way of covering the path in laurels…go ahead and rest, it says. I’m as guilty as the next person. But I don’t like it. And when I hear the shuffle of my feet in said laurels…when I get annoyed by the little things…it takes me a minute, sometimes longer, but then I hear the voice, “You better drive yourself to the airport…” And I smile. I make the first breakfast with the first toast from the new loaf covered in the new jam. Have the first coffee under this first sun with my first love and the day begins. I begin. I am alive!

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Spinning into stove.

Rita will turn 98 on the fourth of July. I only know this because of an apron.

It was her niece who bought it for her — this apron of mine. She had been a ballroom dancer with her husband. Still dancing in her nineties. And wasn’t that the whole point of what I wrote on that apron — “and then one day you realize, every floor is actually a dance floor…” Life is something! We are pushed and pulled, sometimes knocked over, knocked flat, by the pulsing beat..but the wisest, the strongest of us all, keep dancing.

It was my mother who taught me to dance in our kitchen. Nothing stopped her. In the green house on Van Dyke Road, in her lengthy arm exuberance, she knocked the light fixture from the ceiling. It fell like a disco ball, just missing both of our heads and crashed to the floor. A broom, a paper sack, and the record kept playing. When we moved to the brown house, she turned up the stereo in the dining room, and we danced within the frame of the orange countertops until we lost the house, and began apartmenting. Each floor became smaller, but never the dance. Still she pushed her hand into mine to signal the turn, and I would – sometimes spinning into stove, sink or fridge, but the dance continued.

So it seems no accident after all that I was invited into Rita’s kitchen. Aproned and joyful, she led me onto her dance floor. Watching the video she shared, I wanted to capture everything. I knew I would paint her. Every dish in the cupboard, plaque on the wall, it all felt so important. And it is!

I finished this painting yesterday in France. This image of her in California. Beginning from the lessons I had learned in Minnesota. We are all connected by this joyful beating of hearts. This music that never ends. This rocket’s red glare!

I often use the word “she.” Today I mean Rita. I mean my mother. Myself. (And hopefully you!) When I write the words, “…and so she would dance.”

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Tight against my smile.


I never saw my grandma holding a camera. The thought of her turning down the flame beneath the gravy so she could take a photo of the meal to come would have seemed ludicrous. The kitchen stove was in constant rotation, as was the table. If she did have a matching set of dishes, I never saw them. And the thing is, we never wanted to match. We sought out our favorite color from the aluminum juice cups, or one of the coveted A & W Rootbeer bear glasses. And maybe the images that roll through my head are more vivid than any photo could ever be. Heart captured, heart carried. Ever.

Yesterday I made bread and raspberry jam. The scent of bread baking that wafts through walls and stairs is only visible from the back part of my brain, the part with strings that pull at the corners of my mouth. My fingers have grown accustomed to the heat, just like grandma’s, as I lightly grab the bread just out of the oven. I laugh as I place it on the cooling rack because we won’t wait. We never let it cool. I make the too-soon cuts and add the French butter that melts in cracks and nooks. Then the jam. A sweet river of rouge. When the taste hits my tongue and my eyes roll back, it is then I can see the strings that are pulled tight against my smile — a smile that struggles to keep it all in. This is the photo I didn’t take. Nor did I shoot the one where Dominique got up in the middle of the night for one more slice.  But these are the images I share with you, and will carry with me forever, right beside my grandma’s stove, my grandma’s table, my grandma’s hands. 

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A Schwan’s delivery.

It was hard to believe that something so delicious could make me ill. But it was evident after only a few tries, I couldn’t eat ice cream. Somehow still, I found it very exciting when the pale yellow blur of the Schwan’s ice cream delivery truck drove toward my grandma’s house. I began running up the gravel, hands waving in air, directing him into the driveway. I knew full well that my grandma’s love of root beer floats would never allow her to miss a delivery. I hopped and skipped and ran with the truck to the house. Uniformed and certain, he jumped the steps and went to the back of the truck. “You’re Elsie’s granddaughter?” “Oh, yes!” I said proudly. I could tell by the smiling way he said her name that he liked her. He unloaded two of the giant tubs as my grandma came out the screen door. Her hands ever floured or wet, or both, she wiped them on her apron before signing for our haul of vanilla. 

How wonderful, I thought, to deliver ice cream. Everyone must be so happy to see you. I was, and I didn’t even eat it. The only other delivery person that I knew was my Uncle Mike, who drove a beer truck in the Twin Cities. I asked him if people jumped up and down when he arrived. He looked confused. Like I do with the Schwan’s truck, I explained. Not so much, he said. Maybe you should paint your truck yellow, I said. He smiled. 

Surely it has to be taught. There must have been a million things my grandma delighted over with me. Things she had no interest in. How else would I have known, known this joy of feeling good for others. I loved art and clothes and drawing and crayons and “Look, look what I made! It’s flowers glued to a scrap of bark! Look!” And my grandma showed all of her teeth in love. An ear to ear joy. This is the only explanation I have for being happy, truly happy, to celebrate a Schwan’s delivery, not for me, but for her!

Joy is not owned. It is passed and given away freely. It is run along beside. A yellow blur of others. The day is pulling toward the driveway. I raise my hands in the air and skip to whatever joy it may bring. 

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There is motion at your front door.

Maybe it’s because I want to hear it. Maybe it’s because Mr. Iverson told us in the first grade that they could be about anything, the poems that he wanted us to write — the poems that he would inscribe neatly on the black board and our hearts, measured out note by note. And they were special. Lyrical. The ordinary things, our houses and shoes. Our games and basements and cars and trees. They all became magical because we called them poetry. 

We recently got a new doorbell for our gate. It is connected to our phones. It gives us the alert whenever motion is detected, even when it’s us. When I go for my morning walk, just past the gate, she pings in my ear and says, “There is motion at your front door.” And every day it is the poem that starts my journey. There IS motion at my front door – and isn’t it a good reminder! I always smile. Because isn’t it what we’ve been told in movies and books. By philosophers and teachers. “When you stop learning you die.” “It’s over when you stop dreaming.” “Sharks never stop swimming. You gotta keep moving.” The list goes on. It’s all about motivation. And could there be a better place to start than your front door? So I hear it. I feel it. There IS motion! I AM alive! And so I begin with my doorbell’s poem, off in search of another. Because we get to decide. We hold the chalk that turns the cursive words into prayers and sets the path of our journey. 

I have to go now. Begin. Create something. There is motion at my heart’s door. 

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Hand held possibilities.

I don’t know that I was necessarily being so “good,” but that’s how it was interpreted. My grandma used to marvel — “I could just put you down, and that’s where you’d stay until I told you that you could move again — such a good kid!” 

I remember her roll-top desk. She plopped me in the chair. I could just reach the handle. It made a little thwapping sound as I pushed it up and then back down. I thought it was the greatest thing, riding this wave, the greatest thing that is until I caught a glimpse of what was inside. Pens and paper and my favorite, the pencil. I loved pencils from the moment I discovered them. The smell of the lead. The feel between my chubby fingers. The newness. Everything was just waiting to be created. I don’t know how long I held the pencil before she noticed me, rubbing it between my fingers as if to will the genie from the bottle, but she wiped her dish soaked hands against her apron and reached the scrap paper from the top shelf.

Tiny squares of white. Some blank. Some with abandoned grocery lists. I covered them all. Scribbles and drawings and near words. I was in heaven. I could have stayed forever. Was I being good? I was being me. 

It should come as no surprise, whenever visiting a museum or landmark, my go-to souvenir is the pencil. I have a favorite — from the Pierre Soulages museum. The weight. The feel. Perfection. I use it in my sketchbooks. But truth be told, I often just hold it in my hand for a moment. And on those days when the world, the day, decides to plop me in an unfamiliar place, I hold on. I take comfort in all of these hand-held possibilities, and I smile, because I find myself saying, “I’m good.”  

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Proper nouns.

We learned pretty early on the power of words. We began writing letters to each other during our summer vacations from grade school. Living in the same town, armed with banana seat bikes and endless sunny days, we easily rode to each other’s houses, to the beach, to main street in downtown Alexandria, but still we felt the need to connect. 

This gift that we had been given in the first grade strengthened with each letter written. Straight from the playbook, I wrote thank yous for birthday parties. Recaps of “events” attended and unattended. Who did what, said what, to whom. Wrote in solidarity of mutual enemies — never capitalizing their names because as Mrs. Bergstrom had stated, we capitalize the proper nouns to show their importance. We capitalized our friends’ names. 

It would be easy to say that we had more time then. And as hard as it is for me to admit, we have the same amount of time. Always have. Always will. It’s just how we choose to fill it. I want to get better in my choices. Capitalize on the goodness. Forget the things that aren’t really all that important — the things that don’t deserve my, our, full attention. Focus on the “thank-you”s. The “it’s great to be your friend”s. Knowing that it is worth the repeat. The writing down. The chronicling. How spectacular it is to have support. To have encouragement. To have combined laughter. To have shared experience. To have friends!  

I’m writing to you this morning. Every morning. It’s great to be your Friend! 

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Between bus and bell.

We knew nothing of love or roses, but that didn’t stop us from singing along with Donny Osmond on the counter of our fifth grade classroom. It was Miss Green who provided us with the 45 and the record player, solidifying that she was indeed not one of the elderly teachers that came before us, but she was one of us, still tethered to the longings of youth…and so she hummed along to Paper Roses. We moved the needle back again and again, allowing our hearts to spin as many times as they could before the first bell brought it all to a stop. 

It always came as a surprise — that morning bell. It seemed as if we had just stepped from the bus into the school, and it was over. Maybe we should have taken it as a warning, this fleeting time…and I didn’t. Not for years. Maybe no one does. But I’m trying to now. Not out of fear or desperation, but gratitude and respect. These gifts that we are given from moment to moment. Spectacular! 

Yesterday on my morning walk — the place where I hover between bus and bell — I saw this pink flower. I took a photo. I got down to really look at it. The pink petals were so lovely. “They look like paper, silk paper,” I thought. It’s funny how something so weightless can lift you. Transport you. I hummed the notes that formed a youthful string, a string that tethers me still. My heart sings as if no lessons have been learned. And I give thanks for the time. 

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