Running feral as I did, from sun up to sun down, on the equally untamed gravel of Van Dyke Road, it’s counterintuitive, (and yet true), to believe that I never wanted to get dirty. Of course dust gathered on my once-only-white gym socks, creating a permanent outline of my bumper tennis shoes. This was unavoidable. But I mean really dirty, purposefully dirty, like when the Norton girl added more water to yesterday’s rain soaked garden and scooped the mud by hand into discarded EasyBake oven tins scattered in their back yard. “The horror!” I exclaimed to my mother, “Mud pies!” She, being ever crisp in her white blouses, understood completely, as she tried to rub out the wayward splatters on my shorts and t-shirt.
I still find a way to run wild, mostly on canvas now. I have specific clothes just for that. Yesterday, in the studio, K.D. Lang was singing along with each stroke. It wasn’t lost on me that I noticed the brown oil on my sleeve as she sang, “Wash, wash me clean. Mend my wounded seams.” And isn’t that what love does? Accepts us. Gathers us, in all of our commonalities, all of our discrepancies, washes us clean.Maybe this is what allows me to dare the palette. To navigate this beautiful mess we’re in.
She left them in my care. Her most crisp and white. It’s healing for me. Tending, wearing, my mother’s blouses. It mends my wounded seam, and keeps her near, through wayward splatters.
I can reach it through the tree line when I’m mowing the lawn, this portal to my childhood years. Pushing up, pulling back and pushing up again, I saw it — the outline, the invitation, of a small chair. I idled the lawnmower to peek through the leaves. There was a tiny table. Two abandoned plastic cups from the most recent party. One of the attendees, a small stuffed bear, obviously warn out from the festivities, was taking a nap in the shade of the table. Without unhandling the mower, my heart maneuvered through the thistled brush, and I, in my white flowered dress from my sixth birthday, sidled up to the table. Everyone came. All of my dolls and stuffed animals. My mom with her extra-frosting cake sat beside me. We clinked tiny cups of water disguised as tea and we spoke in the language of Alice, and danced behind the looking glass. Fueled by youth and love and the belief in all things possible, I finished cutting the grass.
I bake her cookies, the little neighbor girl. In exchange, I suppose, unknowingly perhaps, she keeps the door open.
In 1938, Douglas Corrigan earned the nickname “Wrong Way” for mistakenly making a trip across the Atlantic from New York, when he was headed for California. I only know this because in the fifth grade, during an orienteering field trip, my team, after completing the wrong course, and also backwards, was awarded with our “Wrong Way Corrigan” certificates. I’m sure this is not the sole reason, but I have been making my own path ever since.
That’s not to say that I’m completely flockless. I have come to rely, appreciate, value and enjoy a wide array of people. And I know that I belong, but that doesn’t mean I always “fit in.” Fitting in asks you to change yourself so others accept you. Belonging asks you to stay true to yourself no matter what. This is what I encourage you to (forgive me) flock to.
So if you see me in the trees. In the sky. I’m probably the one wearing the beret, playing the violin, as most of the others sing. But isn’t it all music? Beautiful, sweet music teaches us, you don’t have to blend to belong.
I finished the book Pachinko yesterday. When I went for my walk in the afternoon, I started listening to a podcast about the World Creative Director of Disney. He began the interview by saying that if you have read the book Pachinko, you would understand his history. (Sometimes the universe is quite obvious in letting you know you’re on the right path.) There was no one else around, so I smiled to the birds in the sky, thinking surely they, too, must feel a part of it all.
I don’t know that I really believe in coincidence. I think the more we put ourselves out there, the more vulnerable we are, the more we connect. All of this knowledge, this exposure to others, to books, and art, and music and science and creation — perhaps these are the feathers that lift us. The wings that give us a better view.
It was a joyful walk. It seemed to pass more quickly than usual. I remember smiling, but I don’t recall the ground beneath my feet.
It is said that John Steinbeck had a writing ritual with Blackwing pencils. In order to not waste time while he was in the middle of writing, he would sharpen 24 pencils and place them tip side up in a pencil box. Next to it would be the same box, but empty. He would take the first pencil and write until it became dull, place it in the empty box tip down, and take the next sharpened pencil. His advice, “Repeat this, until you have the Grapes of Wrath.”
I laughed when I heard it. I laugh when I tell it. But the truth is, that’s really what it comes down to, simply doing the process again and again. I suppose it’s true for everything. How do you get to Carnegie Hall? Practice, practice, practice. I can’t say that I will write the next epic novel, or hang in the Louvre, but I want to be the best that I can be. To get better each day — this I suppose is my gathering of Grapes. My ritual of art. My daily practice. Some may say that is simple, and I’m fine with that.
She wrote a comment on a post featuring my Grandpa. She said she always admired him. That he was kind. That my Grandma brought them sandwiches. That times were simple – but she could see, feel the love in that. (And that was the greatest compliment, I suppose.)
So I use my pencils. I clean my brushes. I write and paint and post my “sandwiches.”
My cousins had a wood burning stove. Each weekend their family would, as they called it, “make wood” — which meant cutting down trees, then into usable pieces, then bringing to their house. When the teacher asked him what he did over the weekend, as was standard each Monday morning in school, my cousin said they “made wood.” The teacher corrected him and said they probably cut some, loaded some, put it in their trucks, but certainty they did not “make” wood. The next week when the question came around to him, “What did you do over the weekend?”, he answered, “We certainly didn’t make any wood.”
I thought about it yesterday as I began to finish the panel for painting. I cut the piece first in half. Sanded it. Measured to make the frame. Sanded those pieces. Glued them to the back of the panel. Clamped. Sanded again. Then Gessoed. For me, there is a real satisfaction as I rub my hand across the smooth surface, the smell of forest still lingering, traces collected on the tops of my shoes. Soon it will enjoy a new life. Become a painting. And while I know with all humble certainty that I didn’t make the wood, I do know that I am a part of it all — the nature of things. And that feels good.
It’s easy to get caught up in wanting to feel masterful, powerful, useful. I know I have caught myself thinking – I made that out of nothing. Certainly I didn’t. It began, as all things do, I suppose, as a gift. And the best thing, I think, is not to squander. Not to look away. But aid in the becoming. To be a part of it all, to humbly, joyfully, creatively, lovingly participate — that might be, well, everything.
I recently learned that when birds sleep in a row, the two on the outer edges keep one eye open to protect and allow those on the inside to fall asleep. It doesn’t surprise me, I have rested within that protective watch.
There is a big scientific name for it, which I’ve already forgotten, this act of being able to keep “one eye open” while being in a half sleep — we’ve always just called that “pulling an Elsie.” She had to have been doing the same thing — birding her way through every card and dice game played on her kitchen table. Able to sleep while we pondered over our next move, then waking at the exact moment to handily beat us with chirping joy! And I saw her do it everywhere. In the funeral home where she phone-sat. At the grocery store check-out line (she did indeed check out). Even once in the car. But I was never worried. The speed at which she could belly-jiggle herself awake allowed all of us to rest, to play, to run in a carefree summer, to sleep soundly under her watch.
I suppose you could just rule it all as nature. But I know not everyone was blessed with a Grandma Elsie. So I give thanks. And make my way to the outer edges.
It won’t make international news, but it was the most hopeful thing I saw online yesterday — A 105 year old woman renews her library card.
I wasn’t sure what I wanted to paint. Or even if I wanted to. But I primed the panel. Put on the underpainting. Just sketch it out, I thought. Maybe paint a little bit. A little more. An hour went by. Then two. Wash the brushes. Maybe just a little more. And the time that was promised from youth — the time that said fill me with love and I will not pass — it disappeared within the paint, holding strong, and I couldn’t stop. Unsure of what I loved more, the woman, the bird, the time, my life itself, I knew one thing for certain, I would keep renewing, again and again, and I would be alive!
The world is pretty big. It’s an amazing place. Mostly I enjoy it. Marvel at it really. So much to see. To feel. But it can get overwhelming. And then I take a moment. A moment to focus on a spot, the spot. Where? It changes. All the time. It is where I need it to be. I look at that flower – so delicate, so beautiful, even after the rain, or maybe especially. A rock. So strong. So steady. Yet, it can be moved, shaped even, by just a drop of water. I look at a blade of grass. Really look at it. It doesn’t seem to be worrying. It doesn’t seem to disappear, even in this field of green. It’s here. All here. It becomes unclear if they are here for me, or I am here for them. But I’m happy they’re here. I’m happy I’m here. I just breathe. And watch. And I think. What if I’m that spot, you know, for someone. And I still myself, to take my turn. To be the flower. To be the rock. The blade. The shoulder for the bird to land. The spot in the garden. And it’s then I know. Everything is going to be ok. Amazing even. And I marvel in it again.
I don’t know if it was a conscious decision, or just the body’s way of coping. I didn’t have the words for it then, nor the thought to question it. But within a week of moving her family from Minnesota to Texas, my Aunt Sandy adopted the southern accent. And just as easily I suppose, I changed the northern pronunciation of aunt to “ant”. And that’s how she remains.
Maybe everything is just a choice. Right down to how the day is going to be.
Each surface that I paint on accepts the substance so differently. How it holds, smooths. I can say, well, that’s not how you did it yesterday in the sketchbook. And it doesn’t care. This is how it is, it says. And so I make the adjustments. And I don’t fight the rough surface of the hand crafted paper, but it embrace it. Doesn’t it add to the character? Not imperfections, but details. And they are beautiful.
Singing along to the Spotify station in the car yesterday on a French highway, how easily I Tanya Tuckered into Delta Dawn, and I thought of her, my Aunt (Ant) Sandy. We’re all characters, rough and hand crafted, and isn’t it beautiful?!
