Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Lucky.

Most of the houses on VanDyke road had screen doors for the summer. There is a freedom in the sound of that screen door gently banging itself shut, because no matter who’s door you were racing through, who’s house you were leaving, you simply ran fearless out into the wild, the wild of a gravel road and more time than our school free minds could imagine… still, we ran, with newly tanned legs, in and out of neighbors’ houses, never looking for cars, or danger of any kind. 

It is something to grow up in a neighborhood. Not just a place where people lived near one another, but a true neighborhood, where you were part of something bigger than yourself. You were part of every home behind each swinging door. You were cared for, and watched over. You were free to roam under every sun, and gathered home each night with your mother’s call from the front stoop. To look, wander, and explore, unafraid, that made us not only rich, but the luckiest kids alive. 

They say if you see a bird looking away from itself, it is a sign of good luck because it means that bird doesn’t feel like it has to protect itself from danger. I suppose that’s what we were — young birds – flitting and flying about Van Dyke Road, never worried, free to look in any direction. 

And then one day, we all flew away, with all of our wildly different high hopes.  

What a gift we were given. These open skies over Van Dyke Road. Sometimes, even now, if the summer breeze gently blows my cares away, I look around without worry, and think, how lucky I was, to learn to fly.


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Produce

I have professed my love for libraries, over and over. The Washington School Library. The Alexandria Public Library. One small room. One small building. Each opened a world to me that will never close. I can smell the wood that housed the paper. The slight hint of sweet mildew, like an open window.

The truth is, this was not my first impression of books. My first collection of words on pages — words mixed with colorful art – these books held the smell of fresh produce. It was at Olson’s Supermarket. My mother hoisted me into the shopping cart. The silver denting the back of my thighs. Legs dangling. Her purse beside me.

Just after the cart corral was a long display of Golden Books. I can feel my arms reaching. They were the most beautiful thing I had ever seen. She placed one in my chubby hand and I was changed. Words on paper. My arms will be forever reaching.

I can hear her voice reading each page. Night after night. Year after year. And then I started to hear my own. How do you thank someone for giving you the world? I suppose the only way I know is to use the same words I was given. Again and again.

I was speaking to the young woman who is currently working on my new website. Not a small task. She has to handle each piece of art, each word. She told me yesterday, because she is so immersed in all of the work, “I feel like I know you.” My heart is still smiling. My arms are still reaching. We are in different countries. From different generations, and my paintings of the apples remind her of her mother’s kitchen. Once again, the sweet smell of produce… My world opens, and I give thanks with the words that first saved me.


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Just breathe.

We knew a little about team work, from playing in school sports, or even gym class, but this was different. We weren’t just working together, “It was more than that,” he said. We had to breathe together. Breathe together? All of us? Was that even possible?

We were just a group of teenagers in a band. We had never heard of breathing exercises. Certainly never heard of yoga. We were preparing for the state high school band tournaments in Minneapolis. Maybe some of us had grand aspirations, but I don’t really think so. We got to get out of school early. Ride a bus to Minneapolis. That was about it. But for some reason he believed in us. Wanted us to believe in ourselves. Reach for something more. And he stood in front of us, with that baton, that wiggle, all that hair, smiling, and we started to believe too.

It was the first time I even brought my clarinet home. Practiced. This was new. For most of us. We were all learning our individual parts, but it wasn’t enough he said. He said we had to be “one.” And the only way we could be “one” was to breathe together. For the first time I listened to my own breath. I was aware of my actions. Aware of the girls on either side of me. The boys behind me. We had different interests. Different skill levels. But we could do this. We could breathe together. We could do this for ourselves. We could be better. And we were. Every day.

That bus ride to the competition was fantastic. We sang. Arm in arm. Shoulder to shoulder. Our instruments snuggly packed in the compartments below. We played better than we ever had. Cohesive. One unit. It sounded beautiful — to us. We didn’t make it past the first round. I don’t suppose that was the ending you imagined. You were expecting some sort of victory. OH, but you see we were victorious. We thought so! And he thought so, our conductor, Mr. Christianson.

On the bus ride home we sang and laughed, still arm in arm, shoulder to shoulder, because we had done what we thought impossible. We became one. And that was the victory after all. We were part of something. I can hear a big band song on the radio today, and feel it!. I breathe in, once again, the gift he gave us, the gift we gave ourselves. And I belong.


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No abandonings

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When I was little, small enough to carry, my grandma (as she told it) would put me in a chair, and I would stay there. Watching her do the kitchen work. If she had to change rooms, she would put me in another chair. And I stayed. Watching. Watching her make the beds. Sweep the floor. Watching her watch Days of our Lives (or, her “story” as she called it). Even when she called her friends on the telephone’s party line after the show, she still reached out a hand to me. Oh, it would wave in the air, as I watched her go on and on about the Horton’s, Ma Horton and Pa Horton as she called them, but every few minutes, she would reach her hand down in my direction, wiggle her fingers, saying everything was fine, don’t worry.

She thought I was so good. I’m not sure that’s what I was thinking. If I know myself at all, I was both fascinated by her, and constantly making sure that she didn’t leave. And she never did.

I don’t know the characters, the plot line, or even if it still airs, but I can hear the opening, “Like sands through the hour glass, so are the days of our lives.” And I can feel her, right beside me.

My mother has the same hands of my grandma. Maybe not exact in size in shape, but the same in the reaching out, the always there. No abandonings.

They say nothing lasts forever. I’m not so sure about that. I’m still carrying the stories with me. The love. And perhaps I write them, each day, with the hands that someone is waiting for, counting on, to never leave.


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What remains.

I don’t know if it was important to her or not, but she – my aunt Sandy, was in fact crowned the Dairy Princess. She was probably just a teenager. It’s odd to think of adults in your life as young. To think of them having hopes and dreams. To be sashed in victory, and hearts broken later. But they are human. These aunts and uncles. These grandparents and parents.

I remember doing the math of when my Uncle Ron was born, and when my grandparents got married. My grandma telling me how she kissed a boy behind the Alexandria motel. Was it grandpa? I still see her smiling.

I earned a box full of trophies in high school for sports. I have no idea what happened to them. And I don’t really care. Yesterday, one of those girls from a high school team sent me a message. A girl that got the lyrics wrong to the song Beast of Burden by The Rolling Stones, returning on the team bus from an away game. This girl emailed me a bit of her broken heart from a brand new loss. We are still connected. I suppose this is the trophy that I will keep forever. These connections.

The Alexandria Motel is no longer a Motel. But stolen kisses live on. Sashes and trophies long gone. Friendships remain. How easy they are to carry in my heart. Never lost. What remains.


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Family farm.

I don’t remember which pronoun we used. I have to choose one now to write this story, so I will say he, and respectfully hope that that’s correct.

My mother’s cousin was born a female, but lived as a man. Now, see, I’m not even certain that’s the right way to put it, because I’m sure to him, he was born a man, and lived as a man. I want to move beyond my clunky way of describing him and get on to the heart of the story.

This was long before support groups. Long before anyone thought of being politically correct. Long before people spoke of gender. Certainly no one ever heard of fluidity. These were farmers. They spoke of farming.

And he was an excellent farmer. The hardest worker in the family. My mom spoke of how he saved the family farm. I only have one image of him, and that is leaning against the barn. Overalled. Tired — I pray from working.

I was too young to judge, to be unkind. I hope we all were.

I bring it up because it occurs to me, at some point in our lives, we have all found ourselves, leaning against the family farm, tired, wanting only to be accepted for who we are, the work we have done, praying for the kindness of fresh eyes and open hearts.

Tanned and weathered by the heat of so many summer suns, I stop, under today’s and think, what a glorious time to grow.


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A part of the story.

First I sanded it. Then cut it. Then sanded it again. It smelled brand new, this wood — this wood that he gave to me from the scrap pile. I squared it. Nailed it. Then stretched the material over this frame. I gessoed the canvas, and gessoed it again. And then I began to paint. I was invested long before the image came out. Long before the yellows and greens. Before the dimension rose from the surface. It was a part of me. A part of him. A part of the field of overgrown weeds, on the side of the mountain. A part of the story.

I was reading the reviews to the last book I read — a book that I adored. I wanted to be a part of the group – a part of the people talking about the experience. Most of the reviews were positive, but there was one that I just couldn’t believe. Now, I know that everyone doesn’t like the same thing, and that’s fine, but this negative review was so ridiculous in its reasoning. It said,(surrounded by a lot of other unflattering words) “it was just a bunch of stories.” What??? I still can’t believe it. Yes, it was, as you say, a bunch of stories. It was a grouping of beautiful stories. A gathering of lives. Because isn’t that all we are – a gathering of stories? Those we have lived through. Shared. The stories that trigger your memory. The stories that help you get through your own story. Gather you into mine. The stories that make a path. Guide you into the future. Comfort you in the darkness. Laugh with you in the light. These are our lives. All of these stories. And to me, that is beautiful!

These stories of my mother, my grandparents, my schoolmates and friends, these are the piles of scattered wood that, when treated with care, take on new form, new life. I know this painting of the lemons won’t last forever. But I’d like to think that one day, after it hangs in one home, then another, maybe it gets painted over, and hung again, or maybe restretched with a new canvas, maybe the wood frames a different painting, or braces a different structure, maybe eventually it burns in the fireplace, and comforts you as you share your story with the one you love.

Life…it’s never just a lemon. Share your story.


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Rolling.

I didn’t know my great aunt Ellen very well.  It was clear though, that she was the opposite of my grandmother. In size, weight, humor, and day to day living. She seemed to be afraid of life itself. She was thin as a rail, but watched everything she ate. She didn’t drink coffee, only hot water. She carried what she called a purse-snatchers purse — a decoy, while her important items were stashed in a different location. She also wore extra undergarments, just in case… I was too young to know in case of what.  

I hope there was more to her life than I remember. Otherwise, I’m not sure that she really lived. 

On occasion, my grandmother must have worried. She had nine children. Pick any day, and something had to have gone wrong. John got kicked in the head by a cow. Kay had rheumatic fever. The crops needed rain. But through it all, she never seemed paralyzed by daily fear. She seemed more to be rolling. She was chubby and laughing and  always believed in the good. She died thinking she was just about to win the Publisher’s Clearing House Sweepstakes. 

I will admit that I get frightened by many things. We all do. But I try to keep rolling, even when my tears are doing the same – I keep rolling. Because I, too, believe in the good. And I don’t want to be paralyzed by fear. I want to be known, always remembered, in full stride, with my purse of youth dangling from my arm. Alive.


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On top.

Perhaps one of the biggest dangers of social media is the act of comparison — comparing your life to what you think is the life of the other person on the screen. And I say, “what you think” because you really don’t know how the other person is living. You just get this small glimpse of perhaps what they had for dinner. You might see them in their best outfit. On vacation. Their best photoshopped image. And even if it is “real,” it doesn’t change your life. You decide if your life is big or small, happy or sad, empty or full – and believe me, you will probably experience all of these – more than probably.

The birds in our yard love the cherry tree — and I don’t blame them. Cherries are delicious. Someone told us to hang cd’s from the branches, and it would scare the birds away. The cherries are all gone. Turns out they were not afraid, but perhaps even enjoyed the music while they ate. You just never know. I imagine the fun they had in the tree – their own social gathering place – singing along to the shiny objects. I could waste my time and feel bad about not eating cherries, but nothing would change, so I’m going to be happy for them! After all, they sing for us every morning.

Remember, you will not always be the biggest bird. You will not always be the smallest. Find the joy in both. The grace in both. That is the cherry on top!


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Table by table.



We’re always told – “look at the big picture,” “the grand scheme of things.” I understand what that means and most of the time I agree, but I must admit, I can often be overwhelmed by the “grand scheme” of anything.

Every day I swim laps in the pool. Often times 100. But I never start out counting backwards from 100. I tell myself, just do twenty. And when I finish twenty, I think, well, 30 is easy, and I can do twenty easily later. So I do thirty. And slowly work my way to 50. 50 is fine for the day, and if I want to more later, I do it. And most days, I do. Et voila! 100.

This is the way I do most things. It works for me. Bit by bit. I need the tiny wins. So I let myself have them.

It wouldn’t be possible to paint a giant canvas every day. Not for me. It would take too much of my heart and soul and brain. So I make sketches. Small paintings. And it fills me. Gives me practice. Gives me joy. Confidence. Sets me up for the larger works. So I paint a small vase with a small apple on a small table. And it is complete. It is enough. I am enough. And I guess that’s where I’m trying to get to every day — where we all need to get to every day — that place where we know we are OK, we are good, we are enough.

Take the journey today. Lap by lap. Table by table. And know that you are enough. What could be more “grand” than that?