We were talking about decorating. She asked if I had ideas for her bathroom. The first thing that came to mind was, “I like an unexpected lamp.”
It’s no secret that lighting is important. It seems to answer most questions. How do we want to see ourselves, each other? “In a good light.” How do we get to the truth of the matter? “Well, we shine a light on it.” What’s the greatest disinfectant? “Light.” How will we find our way? “Lights will guide you home.”
My mother’s makeup routine was quite a process. And she needed good lighting. Even in basement apartments, where we couldn’t drink the water, if she could light the bathroom, find herself beyond the damage and the dust, then she was, we were, saved.
It’s all about giving ourselves the warmth of chance, the illumination of possibility. So we can set off into the world and find the best of us, the lights that offer joy, comfort, direction, hope — all the glowing of grace. And quite often it won’t be from the people we expect, the ones who are “supposed to.” Often mid stumble, they come. And they do the impossible. Offer so much light, you find yourself shining. And you find out, you too, can be the unexpected lamp.
It was the first poem I ever wrote. I was six years old. In Mr. Iverson’s music class.
Houses, houses, houses red.
In it is a pretty bed.
Houses, houses, houses green.
In it is a pretty scene.
And so began my search. My fascination. With home. I would go on to paint images of houses and doors. Windows and shutters. I wrote the stories as if they were maps. Each word opening. Letting in a little more light. A welcome breeze. Until one day, one moment, one heart beat, in the warmth of that sun whisking through cracks, it became so clear that there was no “there,” only “here.”
We have been traveling for several months. I have been asked handfuls of times, “Are you excited to go home?” I always smile, in the slight breeze of my answer.
Sitting at the breakfast table, in a friend’s house, a country away, my husband is drinking coffee from one of my cups that reads, “Come in, you and your heart sit down…” I’m already here. I’m always home.
The first time driving into Houston I was still in my teens. My mom and I were going to see her sister Kay. The approach to the city is a cluster of freeways. I wasn’t yet sure if the rumors were true, but certainly the cars were bigger, mostly being trucks, and they were fast! I sped to keep within the blur of the car in front of me, and out of the one behind me.
The time between then and now feels almost as quick. The memories whir in multiple lanes.
Yesterday I was at the wheel again. This time my husband beside me. We got caught up in the medical district. So many hospitals. One beside the other. Each bigger than the next. I weaved my way through the care, both urgent and long, while Dominique searched for a hotel on his iPad. I could see him swiping out of the corner of my eye. “They’re so expensive,” he said.
I wasn’t surprised. This I had known from being a teenager as well. Being a teenager always in the hospital. My mother by my side until visiting hours were over. Having to drive in the dark. No directions, internal or external. No GPS. No phones. Having to drive beyond the security and nearness that only money could buy. She drove to what we could afford.
Anesthesia wearing off, worry setting in, I had no way to know if she made it. If she dared to close her eyes. Dared the comfort of sleep. Miles apart. Still. Quiet. We waited for morning’s heal.
Time has blurred so much, but not the love. Not the love that I felt as my hospital door opened and my mother’s smiling face entered. What she did for me. Still does.
It’s not a spoiler to say that we made it. Then and now.
Life moves pretty fast. Somehow, slowly, thoughtfully, joyfully, we save each other along the way.
From the age of five we began looking to see if things fit.
We got our feet measured at Iverson’s shoes, checking for the length and width in the silver contraption. After wiggling our toes inside the bumper tennies, the man on the triangle seat pinched the ends in search of our toes. If he gave the all clear we raced to the glass windows and back. And we were shoed.
In Herberger’s basement, when it was still on Main Street, we tried on pants. The clerk pulled at our waistbands to check for room. Tugged at the length and estimated the time before they would be too short. Up the stairs, past the billing department, were the dresses. Beautiful dresses that were measured to our knees. Zipped up our backs. Smoothed down the fronts.
Dr. Blanchard checked for space in our mouths. Dr. Perkins took our heights and weights. We stood in lines in the school gymnasium to check our eyes and our hearing. All, I supposed, to see if we actually fit.
I had my own checks and balances. Accompanying my mother to Olson’s Supermarket. I waited for her in front of the book section, right by the check out lines. I would pick out the words I understood. Look at the pictures. Then clutch it to my heart. Somehow my heart always knew. The woman in the red smock asked what I was doing. “Just seeing if it fits,” I said. My mother never had to ask. She knew me.
I suppose I’m still doing that. With everything. People. Places. Time. The only way I have ever been able to tell if something really fits is by clutching it to my heart. Sometimes it still stumbles over the bigger words. The tighter spots. The growing pains. But pulled in close, beat by beat, it always leads me home.
If Herberger’s was ever low on pantyhose, there was a distinct possibility that my mom just restocked her drawers.
She was always prepared. Had she been a scout, and they offered a fashion badge, her sash would have been decorated immediately. Eagle status. Not only did she have the right pair for every outfit, and any future outfit, she kept them in pristine condition. After wearing and washing, she folded them back into their original packaging and filed them neatly, easily visible by color, into her pantyhose drawer. On days when the world just didn’t make sense, I, we, could look to that drawer and find hope.
Sure, it may sound silly. And it probably was. But so what. It brought her joy. It brings me joy. Still. When I see the advertisements to “Shop Small,” this holiday season, I think of her drawer. I think of all the little things she gave to me.
I think we can all get caught up in the “it has to be bigger, grander, more expensive,” to mean something. But, I suppose, it’s always the little things. With gifts. In life. In love. It’s the small things that we will carry. That will fill us for our entire lives.
I bought a pair of green pantyhose two days ago. They match perfectly with my green dress. I wore them yesterday, with all of my mother’s pride. And I saved the packaging. My heart is filled with small mercies.
In the “wee, small hours” of the night, when thoughts can get so big, I have a practice to calm them down. She has been gone for so many years, my grandma, but she continues to walk me through those uncertain hours. And it could be for anything really, tiny chaotic thoughts, or grand concerns — she’s there, unworried (as she always seemed), as I recite the poem of her life. It’s a long poem, as is her legacy, but it usually only takes the first line or two, and I am saved…
“She was a beauty like he’d never seen,
Elsie turned his head with a smile,
When Rueben looked back
He knew for sure
That she’d be in his heart for a while.”
These words are the hands that held my mother’s, and my mother’s hands that held mine.
I have a weird little pinky finger. I will need a small procedure to fix it. The condition is apparently genetic. He asked if I remembered my mother’s hands. My heart’s response, of course, was to say I’m still holding it, and my grandma’s too… but certainly I remembered no imperfections. How could I? Their beauty will forever be unmatched.
Maybe it’s all the imperfections that make us beautiful. Or how we use them. I only know this for sure — they held, they gave, they touched. Beauties, that I’ll ever see…
I suppose everything is about context. It’s not like I’d normally be afraid of a pony. (I’ve even painted them.) But yesterday, when I looked up from the path to turn the corner and almost ran into one, I must say it was alarming. And he wasn’t alone. There was a donkey. A llama. Many sheep. Rams. Other ponies. I don’t know who was in charge of this gang by the river. There were no other humans in sight. Neither the sheep, nor the donkey seemed to care that I was there, but what I can only assume as the lead pony, looked at me like I was the suspicious one.
After taking pictures, I kept walking. The whole path seemed different. I felt disoriented. This path, that I could normally navigate in my sleep, suddenly felt completely strange. Had that always been there? What about this? Did I miss my turn?
I started to take inventory. I knew this rock. This tiny bridge. To walk up the slope on the left side. The smell of these trees. The purple flowers growing out of the concrete fence. I knew this path.
Life can throw you the strangest curves. And you can’t prepare for everything. And sometimes each step can become unfamiliar. When it happens, it may sound silly, but I always take my own inventory. Am I safe? Yes. Am I loved? Yes. Do I have to be afraid? No. I step aside from the wayward pony, smile, and keep walking.
It’s no secret that I read a lot. Often they make the books into movies. Often I’m disappointed. For me, the words seem to paint a more realistic picture. A vivid representation of the person or people inside the story. Not tainted or swayed by the pressures of Hollywood. I wonder when we were first sold the idea that people, in order to be a hero, or heroine, had to “look the part.” I, I say with great fortune, have lived a life to the contrary.
I have written about so many that have saved me through the years. Mr. Whitman, the caretaker of the cemetery, dirtied and slumped from the weight of burying the people from town. My grandfather, callused hand reaching behind his stained overalls to bring me along, bring me through. Chubbied Grandmother wiping kitchen hands on apron, just to give us something sweet. Wearied teachers, still finding a way to say the words that just might carry us. Tear-stained mother who laughed with unfaltering grace.
So it came as a surprise to me, the woman in New York standing in front of my portrait of Maya Angelou — a sage I return to again and again. She read the words and seemed to be moved. She praised them. I thanked her. She wanted to buy copies, but whispering sheepishly now, “maybe without the picture.” Whispering even lower now, “you know, maybe she could be a bit polarizing to my customers.”
I laughed. How ironically and completely opposite of the words that she claimed to love.
Kindness. Truth. Beauty. Wisdom. Hope. Leadership. Strength. Love. It comes in all sorts of “packaging.” Each a gift.
Maya would have forgiven her. As she always said, “When we know better, we do better.” I put the words and paintings before you, before myself, daily, in the hopes of doing just that… better.
In the seventh grade at Central Junior High School, for approximately one week, it was decided that all students would learn the metric system. This foreign secret of measure, based in 10s and 100s, was brought out like a dirty, family secret on a Monday afternoon, and by bus time on Friday, we never spoke of it again.
I’m not sure why we gave up, but as I struggle to convert grams to cups and kilos to pounds, I think it may have been useful. I never imagined that I would take pride in being able to weigh myself in another country, but here I am.
Through the years, the metric system became very low on the scale of “I wonder why we never talked about it.” There are so many things that got brushed under the rug. So many hurts. So many feelings. Confusions. As I stand here smiling before the scale, I imagine how many other things could have been so much easier had we only talked about them. I don’t say this in regret, but as a prompt, to keep things out in the open. Feel them as I feel them. A reminder to wear my heart on my sleeve and my face, giving it away at any measure.
Adding the flour to the bread dough this morning, I don’t use cups, nor grams. I have done it so often, I go by feel. A mixture of farine complète and farine de blé, my own special recipe. And it feels right. It feels like me. Heart wide open — this is where life becomes delicious!
We were never asked the question when we were young — “How do you identify?” I smile now, thinking about it, because I probably would have answered — “A cardinal.”
I didn’t see it for the blessing that it was at the time — maybe that’s the way with all blessings — but despite time and distance, it has stayed with me, this feeling of belonging, being, and I remain a cardinal.
Even on the teams we didn’t play for, we still came together in our red and black. Sometimes on the field. Sometimes in the band. Sometimes in the bleachers. Forever donned in our mascot, the Alexandria Cardinals. Because no matter what we were, hoods, geeks, nerds, jocks, preppies, we were always cardinals. We stomped and clapped to the Cardinal beat. Competed. Learned. Fought. Made up. Grew. Fell. Got up. Together.
I put on my second-hand Cardinal T-shirt yesterday. Wondering why it couldn’t all be this simple. Weren’t we, aren’t we, all a part of something bigger? I’d like to think so. Maybe the red and black is never all that black and white. But it is something to be connected. To be a part of the bigger picture. I want that. For all of us. For this world. We could come together. And identify as one.
