Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: courage


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Open.

Bracing her hands against her knees, still looking up at the painting, smiling, joyful tears filled her eyes. I stepped closer in, wanting too, to be caught in her moment of happiness.

It isn’t often that I get to finish the sale in person. Normally it’s online, and then I ship it out. The grateful emails are nice, but nothing like being face to face. Yesterday, I got to witness her reaction. In real life. In real time. Of course the money is always nice. There is validation to the dollar amount. But to see the reaction. To know that this painting brings her and her husband home, this is priceless. This is why I keep painting.

There is an intimacy to this life, that should never be missed. When people allow you into their moments, be it tears of joy, or sorrow, go all the way in. Stand beside the raised arms or bent knees and feel the moment. It is the most precious gift we have to give. We have to receive. It takes courage, for sure, to do both, but the rewards are immeasurable.

I hope you see these words each day as doors. As windows. Come in, you and your heart sit down.

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Open road.

It was just after recess. Even on the coldest of days, we were always sweaty. We hung our coats back on the pegs. Mrs. Erickson stood at the front of our third grade class. She had a stack of papers in her hand. She told us to sit and take out our No.2 pencils. She gave a handful to the front person of each desk row. We passed the sheets back to the person behind us, along with our comments and guesses of what was to come. Each pass was like a short game of “whisper around the world.”

I held the horizontal lined paper between my fingers. It seemed all good things started with paper at Washington Elementary. The paper was lined, but not just single lines. Groups of three. Two solids middled by a dotted line. I was certain they were little highways. I would turn out to be right.

She used a three pronged chalk to make the same lines on the blackboard and began our cursive journey. She had the most beautiful penmanship I had ever seen. Upper and lower cases flowed along the paper highway, and we were off! We had already learned to read. Mrs. Bergstrom saw to that. But this, she said, was how we would communicate. It would be part of our identity. I opened the windows of my imaginary car. The wind blew through my hair and hand and I began to write. My name. My address. Sentences. Tiny trips at first, and then I was out on the open road. Faster. Longer. Free!

In the tenth grade, they taught us “behind the wheel,” in Driver’s Ed. But it was Mrs. Erickson who first gave us the keys.

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Held in mine.

In the “wee, small hours” of the night, when thoughts can get so big, I have a practice to calm them down. She has been gone for so many years, my grandma, but she continues to walk me through those uncertain hours. And it could be for anything really, tiny chaotic thoughts, or grand concerns — she’s there, unworried (as she always seemed), as I recite the poem of her life. It’s a long poem, as is her legacy, but it usually only takes the first line or two, and I am saved… 

“She was a beauty like he’d never seen,

Elsie turned his head with a smile,

When Rueben looked back

He knew for sure

That she’d be in his heart for a while.”

These words are the hands that held my mother’s, and my mother’s hands that held mine.

I have a weird little pinky finger. I will need a small procedure to fix it. The condition is apparently genetic. He asked if I remembered my mother’s hands. My heart’s response, of course, was to say I’m still holding it, and my grandma’s too… but certainly I remembered no imperfections. How could I? Their beauty will forever be unmatched.

Maybe it’s all the imperfections that make us beautiful. Or how we use them. I only know this for sure — they held, they gave, they touched. Beauties, that I’ll ever see…

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The in-betweens.

She was sitting just a table away from the band. Was it a wedding? In between the ceremony and the dance? To see her sitting there at the table, my not-yet mother, early twenties, I know her. One eye on the other woman at the table. One ear on the music. Size tens slightly tapping under the table. Ready for the dance.

It wouldn’t have been “old time” dancing then. Just dancing. Surely there would have been a polka — I see the tuba. But she was good at the in betweens, my mother. Teaching me that what we had, was exactly enough. It was easy as a child to get caught up in the next of it all. Rushing through Halloween. Making a path with the candy to lead to Thanksgiving. Clear the table. Get the dishes done so we can decorate. Wrap the gifts. Shake the gifts. Unwrap them. Happy New Year! But she taught me to enjoy the middle.

We both loved to read, so she compared it all to a book. Those center pages, when you are so immersed in the story, you don’t want to stop reading, but you don’t want it to end. This was the glorious part of living. This is where I want to live. Still.

It’s still easy for me to get caught up in the what ifs and whens of it all, but then I look at the photo. And I sit in the moment just before the dance. Breathe in the music. I will be happy. Right here. Right now.

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All is as it should be.

As paintings sell, our entryway changes. But not the welcome.

When I came back from my first visit to France, it was to let go of my apartment, and a majority of my things. But being my mother’s daughter, I still visited one of my favorite stores – Anthropologie. The first thing that caught my eye, other than the reflection of myself in a new dress, was a box of large letters. It struck me that I was in the process of melding my name with another. Orsolini and Hills. OH! How fitting that these two letters would describe our new life together. OH, what a surprise to have even met! OH, what delight! OH, my goodness I’m moving to another country! OH, how I will miss my mother! OH, I am in love! OH, I’m doing this!

These letters hang proudly on our front door. LIfe continues to surprise and delight. And certainly, from time to time, they symbolize a hanging heart, an empathetic “oh, understand….” And always, I am welcomed in.

We hung the new painting together. And maybe it’s ironic, or just that all is as it should be — either way, the recently sold painting is going back to my old neighborhood in Minnesota — OH!

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Here.

I would always sit in the front row. I loved my English LIterature courses. I wanted to be a part of it all. My hand shot up before my mouth even knew what was going to come out. “You’ll think of something, ” my fingers encouraged as they waved in the air. It wasn’t about assuming I was right. Not about proving my point. I just wanted to be involved. To be among the words. Part of the discourse. 

I sat slunched in my chair. Sweating. Sick. My roommate had told me to stay in bed, but I didn’t want to miss out. Within the hour, my mom was on her way to pick me up from college and bring me back home for an emergency appendectomy. When Dr. Merickel gave the diagnosis of acute appendicitis, I smiled. He asked why I was smiling. “You said it was cute.” We hear what we want to hear. 

I went back to school two days later, a little lighter, but no less enthusiastic. All that learning prepared me for what was to come. Not in the way you might think. I didn’t learn any foreign languages. So when I moved to France, arms at my side, I feared the conversation. Even the most simple were acute! Trapped inside an introduction, I heard my brother-in-law introduce me as his belle-sœur, I beamed. I heard the word belle and thought “pretty.” And the word soeur meaning “sister.” It turns out that belle-sœur means sister-in-law. But once again, in this need to belong, to be a part of the conversation, I heard what I needed to hear. 

I don’t always get it right. I don’t think it’s always necessary. What we do have to be is brave. Curious. Willing to open our hearts and get involved. Be a part of it all. When I raise my hand today, it’s to wave you in. Welcome to my conversation. I’m glad you’re here.

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The gallery given.

I can’t say it was the most comfortable lap, my grandfather’s. If you wanted something soft, you went to my grandma. Her lap was pillowed with sugary treats, and as soft as the toasted marshmallows she loved to eat from Jerry’s Jack and Jill grocery store. You could easily get lost in her folds of love. So what was it that my grandfather had? First of all, I rarely saw him seated. He was skinny. The farm saw to that. He smelled of earth and pipe tobacco. And just where my head would reach, between his chest and shoulders, were the hooks and buttons of his overall straps. The real comfort came, I suppose, straight from the heart. To be let in, this was the magic. To be offered these rare moments of respite. Between the field and the plate wiped clean with a sheet of bread. To be given the time, when time was currency. This was pure love. Perhaps it’s not visible to the naked eye, but I know the button imprint remains on my cheek, and somewhere deep in my heart. 

People often ask me, “Do you come from a long line of artists?” My first thought is the quote from Vincent Van Gogh — “There is nothing more artistic than to love people.” My grandmother’s quilts still keep me warm across the sea. The portraits I painted of my grandfather keep me safe. Protected. My mother’s blouses wrap me in a love that will never die. I was loved. I am loved. Still. I walk daily within this gallery given. So, YES! The answer is always yes! I come from a long line of artists. Today, in my most humble of ways, on canvas and paper, I attempt to pass on the line. To pass on the love.

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Set free

It’s ironic, I suppose, that we only played freeze-tag during our Minnesota summers. Lit only by the tenacity of the hanging summer sun, and the surrounding porch lights, we gathered in the vacant lot next to Dynda’s. It was usually Lynn or Shari Norton, being the oldest, who decided what game to play. I loved kickball. And softball. Even kick the can — though I’m not sure I ever understood the rules. The only game I didn’t love was freeze tag. If the person who was “it” touched you, you had to stop. Immobilized. Standing still. Alone. While others tripped in giggles and weeds, you had to just stand there. Excluded from the fun. Hoping that someone would come and touch you to free you. 

It was just a game. I knew, standing there, I still had cool sheets to rest in. A kiss good-night waiting from my mother. But still. It became pretty clear to me, even then, that we need each other. 

There are so many distractions in this world. It’s easy to lose sight of the lost. Those frozen in time and space. When maybe just a simple tag, a touch, a smile, could set them free. I’m as guilty as the next person. But I want to get better. And let’s be honest. It really doesn’t take all that much. A returned email. A letter. A phone call. A knock on the door beneath the porch light that waits. Maybe one day, we can all be tripping in the giggles and weeds.

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Find the good.

The first set of paper dolls I received was for my 7th birthday from Wendy Schoeneck. My mother had always taught me to smile when receiving a gift. I didn’t know why she had made such a point of it. I suppose up until then, I had always been thrilled with my presents. Wendy was smiling so intently, watching me tear the wrapping paper. So pleased with what was about to be revealed. I scraped the yellowed Scotch tape from the last reluctant piece, only to reveal, to my horror, Buffy and Jody paper dolls. Not only had they spelled my name wrong, but Jody was the boy. I glanced up at my mother. I knew she knew. I guess her constant reminders paid off, because I forced a smile in Wendy’s direction. She couldn’t seem to tell that it was more pain than gratitude.

We played music. Pinned the tail on the donkey. Dropped the clothespins in the bottle. Passed around the presents. Laughed and held sweaty hands in circles. All had been forgotten and forgiven.

One of my presents was a Winnie the Pooh giant story book. We all started to sing the Pooh song, when one of the girls noticed that Winne the Pooh could quickly and easily be translated to Wendy the Pooh. Others joined in. Some giggled. But not Wendy. I knew she felt bad. I opened the box of paper dolls and my mom got out the scissors. We cut out the clothes and quickly forgot about both Poohs. It was a good gift after all. Wendy was smiling. My mom was smiling. And so was I, for real this time.

Sometimes it’s hard to see life’s gifts. They often come ill-wrapped at unwelcomed times. But even the hardest day is kind enough to pass. Find the good. It’s out there.

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Love’s evidence.

It’s easy to think it’s beautiful at first glance. The perfection of the unused pastels. Pristine. Untouched. And I will admit I open the box slowly. Remove the padding. And let it sink in, all the possibilities. But for me, this is not the real beauty. No, things have to get messy to become beautiful. The pastels will lose their perfect shape as I stroke them against paper and canvas. The colors will cling to my fingers and get wiped on pants legs and on cheek bones as I bring the painting to life. I’ll be covered in the evidence of creation when I bring the finished product from the studio to the house. Viewing the colors still on my face, my husband will call me a warrior. And I proudly smile, because I am. I joyfully give my all.

I suppose it’s the same with love. With life. Some will never risk getting hurt. Never take a chance on anything. Never using the pastels of their heart. Not me. I want to get in deep. Covered in the evidence of experiencing it all. Even the shattered pastel has the ability to color. To create. To make something beautiful. Your heart is going to feel it, sure…but oh, the colors — the glorious colors of scattered love. It’s not to be missed. 

I wake to this sun, labels peeled, middles cracked, rubbed uneven, and joyfully covered in love’s evidence. It looks like an imperfectly beautiful day.

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