Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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From the front.

It was only the handle that stuck out of the back pocket of our jeans, but it was enough, this plastic curve of the comb, to tell everyone who we were. Enough to tell everyone we had seen the movies, read the magazines, understood about the proper hair style (for both boys and girls). 

My mom bought it for me at Peterson’s Drug. The light blue plastic was easily seen, but not too showy. The widely spaced teeth of the comb feathered my bangs perfectly, and inserted me smack dab in the middle of the hope that “I belong here too.” 

The level of things that would have connected us more deeply were reserved for secret poems written while lying beside the stereo — poems that only my mother and Casey Kasem understood and were privy to. 

It would take years for me to gain my voice. Find the courage to use it. It’s joyfully ironic, when I stopped thinking about belonging and concentrated more on becoming, only then did I gain both. I did belong. To myself and to this world. The heart that I wear on my sleeve is decisively more connective than any comb I wore in my back pocket.

We’re given the tools we need right from the start. It takes a lot of growing, a lot of courage to use them. But it is what connects us. This sharing. It’s so delightful when I offer up an experience, and then you share yours.  More delightful even than running together wildly down the halls of Jefferson Senior High! Today I see you! From the front! 


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Still and again.


It was the most delightful combination of comfort and brand new. 

I made a book of photographs for Dominique’s mother. Each visit we would go through the book, again, for the first time. Her short term memory collapsed upon itself within just a few minutes, but the long term — the love of her family — this recognition remained until the end. So we turned, page by page, holding.

Maybe it’s the heart that takes over, when the brain has had enough. The brain that has warned us, urged us. Shot the warning signs again and again. But thankfully the heart seems to win — turning the the brain’s fears of “remember when…” into the heart’s gathering of “aaaah, but remember when…” 

They say memory is unreliable. I suppose if you’re using the brain, that’s true. So I write the stories from my heart, where they seem to be holding, strong. Each day turning the page, saying the “I love you’s” again, and for the first time.


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My singing pinky.

The physical therapist for my hand wants to be a singer. I like knowing that she plays guitar. That her fingers create music. Maybe the song she’s humming in her head is traveling down into her heart, through her arms, then fingers, and into my hand. (I may have heard my pinky sing.) 

I suppose as a dreamer, I’ve always trusted those with a dream. 

My mother wanted to be a dress designer. And it was that dream that carried us from Herberger’s, to malls, to boutiques, to dressing rooms around the country. It was pure joy that reflected off of three-way mirrors and bounced from her heart to mine. Lives well designed.

Sitting at the table, drinking egg-coffee and eating home-made pastry, I asked my grandma what she would like to be. “A UPS driver,” she said quickly. “Then I could drive from house to house and sit with people and have coffee and visit.” “I think we’re doing that right now,” I said. We smiled in the moment of that dream come true. 

When we think of people not just as who they are, but who they are trying to become, I think maybe we can be a little more forgiving, a little more empathetic, perhaps more understanding, and certainly more joyful — what could be more fun that travelling along on a dream?!! But we have to be willing to dare, and willing to share. I encourage you to do both. My singing pinky is proof that everything is worth the dream. 


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Without fuss or fury.

If the truth has to come at you like a ton of bricks, maybe it really isn’t the truth at all.

Grandpa Rueben didn’t say a lot, but when he did, we believed him. He was one of the hardest working people I ever knew, (other than Grandma Elsie), yet I never saw him labor with the facts. There was a quiet certainty that rose from his overalls. His right elbow raised from the table. His open hand began with the slightest of beats. Like a conductor, his rhythm held our eyes. Chosen carefully, the words, without fuss or fury, slipped into our hearts and minds and filled them.

I suppose that’s why today, if it comes at me too hard, I can’t let it in. It’s only noise. There are some who think if you say it loud enough, repeat it again and again, then it must be true. I still am of the belief that the real work has to remain in the fields. The truth, when balanced on the uneven legs of the kitchen table at day’s end, should come lightly, easily, ever without harm.

It only just occurred to me — they often say before you speak, take a beat. I smile. I see Grandpa’s hand gently keeping time, and my heart knows what’s real.


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Tight against my smile.


I never saw my grandma holding a camera. The thought of her turning down the flame beneath the gravy so she could take a photo of the meal to come would have seemed ludicrous. The kitchen stove was in constant rotation, as was the table. If she did have a matching set of dishes, I never saw them. And the thing is, we never wanted to match. We sought out our favorite color from the aluminum juice cups, or one of the coveted A & W Rootbeer bear glasses. And maybe the images that roll through my head are more vivid than any photo could ever be. Heart captured, heart carried. Ever.

Yesterday I made bread and raspberry jam. The scent of bread baking that wafts through walls and stairs is only visible from the back part of my brain, the part with strings that pull at the corners of my mouth. My fingers have grown accustomed to the heat, just like grandma’s, as I lightly grab the bread just out of the oven. I laugh as I place it on the cooling rack because we won’t wait. We never let it cool. I make the too-soon cuts and add the French butter that melts in cracks and nooks. Then the jam. A sweet river of rouge. When the taste hits my tongue and my eyes roll back, it is then I can see the strings that are pulled tight against my smile — a smile that struggles to keep it all in. This is the photo I didn’t take. Nor did I shoot the one where Dominique got up in the middle of the night for one more slice.  But these are the images I share with you, and will carry with me forever, right beside my grandma’s stove, my grandma’s table, my grandma’s hands. 


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As I come clean.

I suppose it was at my grandparent’s house that I first learned to come in clean. Winter snow or summer dirt was wiped from shoes in the entryway before climbing the couple of steps into the kitchen where grandma wiped her floured hands inside of her apron pockets and brought you in for a loving belly hug. After the apron imprinted your cheek, there was nothing to do but come directly with the truth. The truth of what you had been doing outside. What you touched that maybe you were told not to touch, like the electric fence, or a baby bird from a fallen nest. Maybe it felt safe, because it had been proven safe, time and time again, with wiped shoes and warmed cheeks…so we told all, and she loved us still. 

If I come to you with that same truth today, I will tell you that I have battled it throughout the years — love and trust. Maybe we all do. But it has yet to change. The only way any of it seems to work is when I come in clean. When I come clean. When I tell you my truth, and accept the same from you. It’s not as complicated as I, we, often like to make it. 

I grab the straw broom from the corner and smile. It has never needed instructions. Nor does my heart — its screen door swings open, and I dare it all again. Safe. Welcomed in the loving arms of home. 


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After the pétanque.

I can’t go back to when they played there, these sun-kissed French boys just out of ear-shot of their grandmother, (intentionally or unintentionally). Back to when they played with sticks and sometimes fists, like only brothers and cousins can. They wrestled below and within the smells of tobacco and cut grass and stove pots wafting through open shutters.

But when we gather each year on August 15th, Napoleon’s birthday, (and one young cousin Guillaume’s), if the wind is just right, and the wine has settled, the vine that hangs above and beside the old house whispers to me, “Listen…listen to them play.” And I hear the clinking of the Pétanque balls, and the spirited calls of who is closer, with arms pointing to the ground, pleading cases, just this side of youth’s wrestle. And these now men, very grown men, are still pinkened by the sun, and the thrill of a summer that just might not end. 

And for the moment, I belong. Because the language of family is universal. And laughter and hope and joy under summer’s whisper, after the pétanque, rings loud and clear, and needs no translation. 


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A Schwan’s delivery.

It was hard to believe that something so delicious could make me ill. But it was evident after only a few tries, I couldn’t eat ice cream. Somehow still, I found it very exciting when the pale yellow blur of the Schwan’s ice cream delivery truck drove toward my grandma’s house. I began running up the gravel, hands waving in air, directing him into the driveway. I knew full well that my grandma’s love of root beer floats would never allow her to miss a delivery. I hopped and skipped and ran with the truck to the house. Uniformed and certain, he jumped the steps and went to the back of the truck. “You’re Elsie’s granddaughter?” “Oh, yes!” I said proudly. I could tell by the smiling way he said her name that he liked her. He unloaded two of the giant tubs as my grandma came out the screen door. Her hands ever floured or wet, or both, she wiped them on her apron before signing for our haul of vanilla. 

How wonderful, I thought, to deliver ice cream. Everyone must be so happy to see you. I was, and I didn’t even eat it. The only other delivery person that I knew was my Uncle Mike, who drove a beer truck in the Twin Cities. I asked him if people jumped up and down when he arrived. He looked confused. Like I do with the Schwan’s truck, I explained. Not so much, he said. Maybe you should paint your truck yellow, I said. He smiled. 

Surely it has to be taught. There must have been a million things my grandma delighted over with me. Things she had no interest in. How else would I have known, known this joy of feeling good for others. I loved art and clothes and drawing and crayons and “Look, look what I made! It’s flowers glued to a scrap of bark! Look!” And my grandma showed all of her teeth in love. An ear to ear joy. This is the only explanation I have for being happy, truly happy, to celebrate a Schwan’s delivery, not for me, but for her!

Joy is not owned. It is passed and given away freely. It is run along beside. A yellow blur of others. The day is pulling toward the driveway. I raise my hands in the air and skip to whatever joy it may bring. 


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Packet to packet.

I have carried the remaining one or two tissues left in the pocket pack for over a year now. That means passing through three allergy seasons, yet I can’t bring myself to use them.

She followed me around for two hours, this woman from Anderson Funeral home. During the visitation before my mother’s funeral, I wept and hugged and bent and wept some more. And she was there, this small, gray haired woman, hired, certainly, but it felt sincere. It felt like she was truly there to follow my trail of tears. And she did her job well. I was never without a tissue. She began handing them one by one, and then switched from packet to packet. 

I could have picked her out of a lineup that first day, but her image is fading. I don’t remember if she had glasses. I think she had glasses. She was wearing a dress. Maybe a blazer. A dress with a blazer? Lipstick for sure. She wasn’t tall. Perhaps at my shoulders. But it felt like she was lifting me. 

As with all grief, supporters move on. They have to. It is natural. It is necessary. We all know it. We all know it, that is, until it’s you that is grieving. And the grief changes shape. It doesn’t require the same kind of attention. I don’t need her to follow my trail, but I need to not forget. As I watch the fading image of the gray haired woman, I bring to life the stories of my mother. And tears of pain turn to tears of tenderness, tears of joy, never to be wiped away. No, these tracks of love and laughter must remain. 

I reach into my purse for my lipstick, or my signature fragrance, and I smile. I touch the tattered plastic and know that I am ok. So grateful for those who walked with me, for those who walk with me still. I mention it in hopes that these words will follow those who need it. That the stories will catch your tears, will lift your smile. And the face that follows will change from mine to yours to theirs, and we will all be there, for each other. Heart to heart. Packet to packet.


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There is motion at your front door.

Maybe it’s because I want to hear it. Maybe it’s because Mr. Iverson told us in the first grade that they could be about anything, the poems that he wanted us to write — the poems that he would inscribe neatly on the black board and our hearts, measured out note by note. And they were special. Lyrical. The ordinary things, our houses and shoes. Our games and basements and cars and trees. They all became magical because we called them poetry. 

We recently got a new doorbell for our gate. It is connected to our phones. It gives us the alert whenever motion is detected, even when it’s us. When I go for my morning walk, just past the gate, she pings in my ear and says, “There is motion at your front door.” And every day it is the poem that starts my journey. There IS motion at my front door – and isn’t it a good reminder! I always smile. Because isn’t it what we’ve been told in movies and books. By philosophers and teachers. “When you stop learning you die.” “It’s over when you stop dreaming.” “Sharks never stop swimming. You gotta keep moving.” The list goes on. It’s all about motivation. And could there be a better place to start than your front door? So I hear it. I feel it. There IS motion! I AM alive! And so I begin with my doorbell’s poem, off in search of another. Because we get to decide. We hold the chalk that turns the cursive words into prayers and sets the path of our journey. 

I have to go now. Begin. Create something. There is motion at my heart’s door.