Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: art history


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Promises kept.

It was clear to me that they wanted to come with, the lineup of baby dolls and stuffed animals on my bed. We had the conversation every summer morning, of where we would go. What we would do. They wouldn’t all fit in the basket of my banana seat bike. Perhaps it was the elephant, or the koala, maybe even Malinda who told me to take the old wagon. All in agreement, I dragged it from behind the garage to the front door. Had it ever been put away, as I’m sure my mom suggested, perhaps it wouldn’t have been so rusty. I hesitated to put down the blanket. It still smelled like the top of a baby’s head, or at least the plastic that made up Malinda’s. So I grabbed from the newspaper pile — previous editions of the Alexandria Echo Press. I left enough to clean the mirrors for Thursday’s chores. I spread them on the wagon. Then the blanket. Then each animal. Each baby doll. And we were off.

They never complained about the gravel road. And they were such good listeners. They believed me when I told them I would love them forever. As much as I believed it myself. 

I thought of them as I picked up the pine cones from our yard and put them in the rusty wheelbarrow. I am a lifetime and a country away, but never too far. As the wheelbarrow filled, I added the promises kept — they took up no space at all. And I smiled. Love. It’s what I hold on to. 

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On with the lesson.

He sat next to me in kindergarten, where our only source of hierarchy came from the size of our Crayola crayons box. My mom couldn’t afford the largest, but I did have a good solid 24 pack. A few in class had the coveted 64 with the sharpener included, but not many. He pulled his tiny 9 pack from inside of his desk. He barely made a scribble during the allotted coloring time. At first I thought it was because he didn’t have that much to choose from, so I offered to share. He declined. And he didn’t seem embarrassed, he just didn’t seem to care. This was most surprising! It was my favorite time of day. To be set free. To color. To create. Then hang it on the wall! Wow!  His lack of enthusiasm was doubled down with the use of only the color brown. And I must admit that there was probably some judgement in my second offer of crayon sharing, more of a “Are you sure you don’t want to try some of my crayons?” He shrugged them away. 

One day he was called out of class for a few tests. We all whispered in wonder. Well, not wonder really, but confirmation that he must indeed be stupid, like we thought. He came back to the classroom all smiles. He was colorblind. We all welcomed the diagnosis. Mrs. Strand hung his brown paper on the wall, and we went on with the lesson. 

It’s hard to see things the way other people see them. And I am just as guilty. I ask again and again, how can they not see it???? I suppose sometimes it’s so clear that it’s invisible. I would like to think we have learned and grown since the age of five, but I’m not always so sure. 

Facing the same direction, I guess we will always see things differently. And we will rarely receive the reasons why. We will be asked again and again to get from desk to wall without diagnosis, but only pure understanding. We must sit in our differences and try to learn.

The sun comes up. We go on with the lesson. 

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A dip in the magic.

My mother wasn’t one to swim, but she made sure that I learned. And right along with it she taught me how to take a DIP — how to access the Dream In my Pocket. “You never know when you’re going to need it,” she explained. So before anything ended, we made sure our pockets were filled. Before making a return trip home, a new trip would be planned. After an event, we’d plan our outfits for the next one. And one of the most important, in the last pages of a current book we would add to our “To Be Read” pile. 

I finished “Killers of the flower moon” yesterday. Within hours, I went to my TBR. I had purchased these two books about a week ago. I chose Paul Auster’s “The New York Trilogy,” because he had recently passed. I had only planned on getting this one, but on my way to the counter I saw the book, “The Details,” by Kira Josefsson. I had just listened to a podcast about it on my morning walk, so I grabbed that book too. They both waited patiently by my bed.

I was tired last evening. I had taken my actual first dip in our pool. This summer’s dream was officially out of pocket!  The water that may have been splashed onto the lawn was replaced with smiles.

Getting ready for bed, I randomly grabbed the top book, “The Details.” I wasn’t even six pages in, when the magic outshined the lamp clipped onto the pages. The character in the book began talking about her love for reading, specifically for her love of the author Paul Auster. My heart giggled. She went on, her favorite book was “The New York Trilogy.” You just can’t make this stuff up! 

I’ve always trusted the readers, and the dreamers. My mother gave me that. Perhaps these pockets were filled from heaven. I don’t know, but I slept in the knowledge that I was still surrounded by magic. And I will take a luxurious dip in all of it, every chance I get!!!

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The shape of Minnesota.

If you made a line of every bike ride. Every walk on gravel. Every stroke in one of 10,000 lakes. And if you swept that line through golden fields, and trudged it through snow that spilled into boots. Then climbed it through grades and classrooms. Danced in through gymnasiums. Drove it through the DMV. Set it into the sky and released it to an open door. That line would form the shape of Minnesota.

I learned pretty early on, what could be taken away, and what couldn’t. There is no physical home for me to go to in my birthplace. No scratches of growth marked on a wall. No cedar chests. Gravel driveways have been paved. Empty lots over-filled. Schools torn down. But I am not sad. Everything that has given me form remains. My heart will ever know the way. 

My friend from the first grade, and friend still, gave me a Minnesota cookie cutter for Christmas. Yesterday, here in France, with the spring of a schoolgirl, I rolled the sweet dough and cut out the shape of my heart. 

I am part of the roads that lead to and from here,

the neighbors near and far, all 

under one sky, trying to get to their own place 

of unconditional, outstretched arms, 

I am part of it all…

and I am home.

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My singing pinky.

The physical therapist for my hand wants to be a singer. I like knowing that she plays guitar. That her fingers create music. Maybe the song she’s humming in her head is traveling down into her heart, through her arms, then fingers, and into my hand. (I may have heard my pinky sing.) 

I suppose as a dreamer, I’ve always trusted those with a dream. 

My mother wanted to be a dress designer. And it was that dream that carried us from Herberger’s, to malls, to boutiques, to dressing rooms around the country. It was pure joy that reflected off of three-way mirrors and bounced from her heart to mine. Lives well designed.

Sitting at the table, drinking egg-coffee and eating home-made pastry, I asked my grandma what she would like to be. “A UPS driver,” she said quickly. “Then I could drive from house to house and sit with people and have coffee and visit.” “I think we’re doing that right now,” I said. We smiled in the moment of that dream come true. 

When we think of people not just as who they are, but who they are trying to become, I think maybe we can be a little more forgiving, a little more empathetic, perhaps more understanding, and certainly more joyful — what could be more fun that travelling along on a dream?!! But we have to be willing to dare, and willing to share. I encourage you to do both. My singing pinky is proof that everything is worth the dream. 

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Carried.

It was the heaviest book I bought in college — The Riverside Shakespeare. Weighing in at about 6 pounds, it would have been a lot to carry across campus for any English major, but for me, who spent the majority of my college years slinged and on crutches, it was extraordinary. Yet, I loaded it, joyfully, in my backpack, and hopped on one foot from M5, our fifth floor walk-up dorm apartment, across the quad to the humanities building, sometimes over ice and snow. I never fell. You could argue that the weight of the 2000 pages kept me stable, glued to the ground, but I will tell you it was most probably the strength of the words that held me. Still do. 

When moving to France, I let go of most possessions. And it wasn’t that hard. Furniture and shoes. Clothing and decorations. Dishes and beds. Table and tv. Trading it all in for love was an easy decision. I kept personal items. Paintings mostly, and a few books. It might surprise you, that this heaviest of books made the trip. Shakespeare rests on my shelf. Do I love the book? Yes. Do I love the words, the poems, the plays? Of course. But maybe most of all, I know that you can’t let go of what got you here — what held you, carried you, gave you strength. I suppose that’s why I have this heaviest of books beside me still. It’s why I write of my mother, my grandparents, my teachers and friends. I know what brought me here. What keeps me upright to this very day. 

Walking yesterday, I was listening to a podcast of Dame Judi Dench. She rattled off the words written by Shakespeare, and they lifted me over rock and trail. The announcer was so surprised that she still had all of these words at the ready. I wasn’t. The heart takes on the carry, and allows the journey, still. 

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As I come clean.

I suppose it was at my grandparent’s house that I first learned to come in clean. Winter snow or summer dirt was wiped from shoes in the entryway before climbing the couple of steps into the kitchen where grandma wiped her floured hands inside of her apron pockets and brought you in for a loving belly hug. After the apron imprinted your cheek, there was nothing to do but come directly with the truth. The truth of what you had been doing outside. What you touched that maybe you were told not to touch, like the electric fence, or a baby bird from a fallen nest. Maybe it felt safe, because it had been proven safe, time and time again, with wiped shoes and warmed cheeks…so we told all, and she loved us still. 

If I come to you with that same truth today, I will tell you that I have battled it throughout the years — love and trust. Maybe we all do. But it has yet to change. The only way any of it seems to work is when I come in clean. When I come clean. When I tell you my truth, and accept the same from you. It’s not as complicated as I, we, often like to make it. 

I grab the straw broom from the corner and smile. It has never needed instructions. Nor does my heart — its screen door swings open, and I dare it all again. Safe. Welcomed in the loving arms of home. 

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After the pétanque.

I can’t go back to when they played there, these sun-kissed French boys just out of ear-shot of their grandmother, (intentionally or unintentionally). Back to when they played with sticks and sometimes fists, like only brothers and cousins can. They wrestled below and within the smells of tobacco and cut grass and stove pots wafting through open shutters.

But when we gather each year on August 15th, Napoleon’s birthday, (and one young cousin Guillaume’s), if the wind is just right, and the wine has settled, the vine that hangs above and beside the old house whispers to me, “Listen…listen to them play.” And I hear the clinking of the Pétanque balls, and the spirited calls of who is closer, with arms pointing to the ground, pleading cases, just this side of youth’s wrestle. And these now men, very grown men, are still pinkened by the sun, and the thrill of a summer that just might not end. 

And for the moment, I belong. Because the language of family is universal. And laughter and hope and joy under summer’s whisper, after the pétanque, rings loud and clear, and needs no translation. 

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There is motion at your front door.

Maybe it’s because I want to hear it. Maybe it’s because Mr. Iverson told us in the first grade that they could be about anything, the poems that he wanted us to write — the poems that he would inscribe neatly on the black board and our hearts, measured out note by note. And they were special. Lyrical. The ordinary things, our houses and shoes. Our games and basements and cars and trees. They all became magical because we called them poetry. 

We recently got a new doorbell for our gate. It is connected to our phones. It gives us the alert whenever motion is detected, even when it’s us. When I go for my morning walk, just past the gate, she pings in my ear and says, “There is motion at your front door.” And every day it is the poem that starts my journey. There IS motion at my front door – and isn’t it a good reminder! I always smile. Because isn’t it what we’ve been told in movies and books. By philosophers and teachers. “When you stop learning you die.” “It’s over when you stop dreaming.” “Sharks never stop swimming. You gotta keep moving.” The list goes on. It’s all about motivation. And could there be a better place to start than your front door? So I hear it. I feel it. There IS motion! I AM alive! And so I begin with my doorbell’s poem, off in search of another. Because we get to decide. We hold the chalk that turns the cursive words into prayers and sets the path of our journey. 

I have to go now. Begin. Create something. There is motion at my heart’s door. 

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Coo-coo and hum.

I have know idea how they got them in the house. It never occurred to me to think of those things — the logistics of moving an organ, a clock. And just as I assumed this clock that coo-cooed on the hour was called a Grandfather clock because it was his, I thought it was a Grandma organ, because it was hers. 

But it must have been fairly spectacular – this finding of an organ mover, a clock mover, to a farm house just outside of Alexandria, Minnesota. And they must have come through the front door – a door we never used, never even considered. And even if they came through this front door, there would have been a stoop to be navigated. A tiny hall before reaching the living room. But as I said, I didn’t think of it, how they got there. But I did count on it, them being there. 

And that was the gift, I suppose. It was all an assurance. One I didn’t ask for, or prayed to keep, I just had it. I knew, without a doubt, what would be found in this house. Coats and overalls hanging in the entry. A kitchen table with uneven legs. Candy in the corner cupboard on the lazy-susan. Sugared cereal beneath the silverware drawer beside the kitchen sink, a kitchen sink that was forever filled with dishes. Something on the stove. Publisher’s Clearing house magazines on the dining room table. The hint of pipe tobacco and baked goods. Television on. A ticking clock. The hum of the organ at the ready. And a love, no matter how many doors or windows were left open, would never leave. 

So it continues to be spectacular — this never knowing how it all got in — mostly the love. I just remember always having it. I still have it. And what a thing to move! To carry throughout a lifetime! Enough to make a heart ever coo-coo and hum.

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