Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Without fuss or fury.

If the truth has to come at you like a ton of bricks, maybe it really isn’t the truth at all.

Grandpa Rueben didn’t say a lot, but when he did, we believed him. He was one of the hardest working people I ever knew, (other than Grandma Elsie), yet I never saw him labor with the facts. There was a quiet certainty that rose from his overalls. His right elbow raised from the table. His open hand began with the slightest of beats. Like a conductor, his rhythm held our eyes. Chosen carefully, the words, without fuss or fury, slipped into our hearts and minds and filled them.

I suppose that’s why today, if it comes at me too hard, I can’t let it in. It’s only noise. There are some who think if you say it loud enough, repeat it again and again, then it must be true. I still am of the belief that the real work has to remain in the fields. The truth, when balanced on the uneven legs of the kitchen table at day’s end, should come lightly, easily, ever without harm.

It only just occurred to me — they often say before you speak, take a beat. I smile. I see Grandpa’s hand gently keeping time, and my heart knows what’s real.


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What’s taught is what’s known.

Miss McCarty said the composition must be typed. This was in my tenth grade year. A year when typewriters still existed. A year before I would take typing class. A year when senior girls would type your paper for ten dollars. A year when ten dollars coming out of my mother’s paycheck (a paycheck from the very school that requested the typed composition) could rock our monthly budget enough that something else had to be denied. A year when I couldn’t bear to be that rocking cause. 

Miss McCarty was, for the most part, terrifying. I sat in the front row because I thought it would be easier “to see it coming.” Oh, there were some teenage boys that tested her, but only once. I always finished my homework. Early. And I my handwriting was neat. It was my last class of the day. The final bell rang. I sat in my seat. I had two copies of my composition, not yet due for several days. One in cursive. One printed. “You can read it easily,” I tried to explain. “No,” she said. I could feel it welling, this one tear. I willed it not to escape. It rested on my eyelash. She tidied her desk. Stood up. Starting walking to the door. I stayed seated. “I don’t have it,” I quivered. “What?” she asked. “The ten dollars. I don’t have it.” She took the papers from me. Put them on her desk. “It has to be typed,” she said and walked me out the door. The tear let go and I walked across Jefferson Street.  

I don’t know if she paid for it. If she typed it herself. But when I returned to class the next day, it was sitting on my chair. Typed. I looked up at her. She wasn’t smiling, but she gave me a nod. And it was done. 

I turned it back in with the other students. I knew she didn’t want a gushing thank you. That wasn’t her style. 

She returned the graded papers. I received an A, and a note at the bottom — “You can always find a way.” I caught her eye and nodded. 

I’m typing with my left hand and two on my right. Ever healing. Ever grateful. Finding my way. 


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Gentled in.

Perhaps it was because she was “giving us the keys to it,” but when Mrs. Bergstrom wrote the word ‘cast’ on the chalk board and called out to my hand that shot in the air, I yelled proudly, “Castle!” Her hair was pulled back so tightly, her smile was almost permanent, but this was more than that, almost gentle was her grin, “No,” she said softly, “but almost, and it’s a great word.” She let me come to the board and write out my word. Showed me the difference. It was an error in spelling, yes, but it never felt like a mistake. It felt like learning. I suppose that’s the greatest gift she gave to me.

Some of my paintings sell very quickly. Others don’t. They are all my castles. Each has taught me something. All have led me to my current palette. The place that fills my soul, comforts my heart and stretches my creativity. The place I live. It’s a process. I’m not always this gentle with myself. I can be short. Discouraged. Impatient. But I’m learning. And when I remember this, I see her face, smiling beside me, and I feel gentled into the lesson at hand. Some last a lifetime.

What’s taught is what’s known.


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The romance of the keys.

We learned to type on electric typewriters at Jefferson Senior High. You could hear the click of the keys from down the hall. It was located on the other side of the school building from the band and choir rooms, but there was a music to it, all the same. 

I certainly don’t miss the “white out,” or replacing the ribbon. But there was an art to it. Even when we were all typing the same thing — “The quick brown fox jumps over the lazy dog.” — we would make our own mistakes, different letters would be painted over, then typed over again and each sheet was an original, with it’s own look, it’s own sound. 

I type now on my iPad. It can go with me anywhere. I can correct mistakes in an instant. There is an ease, a freedom, unmatched. But I must admit, there is a tiny part of me that longs for the music. The romance of the keys.

I want to allow for this in my daily life. I want to see the romance in all of my mistakes — and oh, I am making them for sure — daily tangled in my not so quick brown foxes. I, we, need to see the beauty of the learning. 

Today’s blank sheet opens with the sun. I set off, not in search of perfection, but poetry. Click, click, click, begins my imperfect heart. 


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Social studies.

We never had a lack of things to judge each other by, and Central Junior High made sure that we never ran out. Of course there was the usual hierarchy of those in advanced courses. The grading system. The hands raised in class. The sulking heads in the back of the room. But then they sent us to gym class. They timed us around tracks and arm-flexed hangs. They measured and weighed us. Tested us through units of gymnastics and every ball game. With no self-esteem to spare, they sent us to the pool once a week. It would have been enough to be on display in our one piece suits and skin-capped heads in front of the other 20 or so girls, but the pool was adjacent to the lunch room, separated only by glass windows. Like the theatre view in an operating room, the 9th grade boys eating cafeteria pizza had a thirty minute view. We longed for the “eyes on your own paper” rule of law.

I suppose the greatest gift was the lack of time. The allotted 5 minutes to shower, dress, and speed walk (no running allowed) with wet hair flinging down the halls, to math, or English, or Social studies, didn’t allow much time for scrutiny. It’s only as I’m typing this that I realize there was really no need for the social studies class, we were living it, from beginning to ending bell.

I only mention it, because I use the skill they gave us, almost daily. I can get trapped in the moment of self-awareness. How do I look? How do I appear? Am I being judged? But really, nothing has changed since junior high. I don’t have the time to worry about what everyone else is doing…so certainly others don’t either. (And if you do have the time for judgement, maybe it’s time to switch course. Quickly. Down another hallway.)

There is so much to learn. I hope I continue. I’m sure I stumble on my way to daily social studies. But then I see you, my friends, my fellows, my human contacts, all trying to make our way, and I smile.





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Open road.

It was just after recess. Even on the coldest of days, we were always sweaty. We hung our coats back on the pegs. Mrs. Erickson stood at the front of our third grade class. She had a stack of papers in her hand. She told us to sit and take out our No.2 pencils. She gave a handful to the front person of each desk row. We passed the sheets back to the person behind us, along with our comments and guesses of what was to come. Each pass was like a short game of “whisper around the world.”

I held the horizontal lined paper between my fingers. It seemed all good things started with paper at Washington Elementary. The paper was lined, but not just single lines. Groups of three. Two solids middled by a dotted line. I was certain they were little highways. I would turn out to be right.

She used a three pronged chalk to make the same lines on the blackboard and began our cursive journey. She had the most beautiful penmanship I had ever seen. Upper and lower cases flowed along the paper highway, and we were off! We had already learned to read. Mrs. Bergstrom saw to that. But this, she said, was how we would communicate. It would be part of our identity. I opened the windows of my imaginary car. The wind blew through my hair and hand and I began to write. My name. My address. Sentences. Tiny trips at first, and then I was out on the open road. Faster. Longer. Free!

In the tenth grade, they taught us “behind the wheel,” in Driver’s Ed. But it was Mrs. Erickson who first gave us the keys.


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A stroke of Mrs. Bergstrom.

There is a reason we call it spelling. The magic of the letters, when put together to form words, can indeed cast a magical spell within and around us. 

She stood in front of the class of first graders. Mrs. Bergstrom. Tall and straight. Not with a robe, nor a hat, but she did have a wand. Some might remember it as just a teaching pointer. But not me. As she tapped it against each letter chalked perfectly on the blackboard, white dust — fairy dust I was sure — sprung into the air. We were spelling. And it was magic. 

That magic moved from the blackboard to our Big Chief notebooks. Then marched with us single file to the library down the terrazzo halls of Washington Elementary. With each book we moved into neighborhoods. Made friends with dogs. Rode horses with cowboys and bloomed into teenage girls, and boys with paper routes. Everything was possible in the words. 

I’d like to think it still is. As I type each morning, I take that magical journey. With each letter I make a path. Sprinkling it with a stroke of Mrs. Bergstrom. Because it’s all beautiful, even the hardest of days — when wanded into the words of “look what we survived,” and “look what we’ve become” — are nothing short of magical! I still believe it. I have to believe it. I hope we all can.

Because she didn’t just give us the happy words. She taught us how to spell. How to make our way through it all. Today, I too will stand straight and tall. And I promise, I will not waste the magic.


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Still. And again.

In Mrs. Strand’s kindergarten class at Washington Elementary, there wasn’t a problem that sitting still couldn’t solve. If we were too hot, “Sit still,” she would say softly. Too excited. Too nervous. Too tired. Too anything. We solved it all by sitting quietly at our desks. In the saving grace of her whisper, we knew everything would be ok.

I listen for her voice, still, and still. Those calming words that told us not to run away from it, but just be in it. I think we often get afraid to feel. We want to fight it. Push it away. Outrun it on the playground. It’s a lesson I’m still learning. Even knowing it. Living it. Creating it on the canvas, I still have to keep learning. But she was right, Mrs. Strand. And when I allow myself to just feel it, calmly, trusting the words that my five year old self found to be true, it is then that I can breathe, recover and become. I can love, still, and again.

I sit in this morning whisper, and know everything will be ok.