Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Roll on by.

She wasn’t a screamer, nor a fighter. I suppose I get that from her. But I know that my mother got stressed. And somehow it had to get out.

I wasn’t yet of driving age. We had a blue Chevy Malibu station wagon. It wasn’t built for speed. Not known for its quick pickup. The light blue remained unblurred, but for those special moments when out of traffic’s way, safely buckled in, she would wink at me, slam her Herberger shoed right foot onto the gas pedal, roaring the engine! We could only squeal tightly along with the tires. We released our breath and she, her foot off the gas. “I just had to get the soot out,” she said. And we laughed. Louder than any engine’s roar.

It took awhile, but I would come to realize it wasn’t to release the “soot” from the car, but from our very spirits. Life can clog you down. And somehow, you have to release it. Laughter seemed to be our favorite route!

I can’t Malibu myself out of today’s stress. But I have found my own ways. On the gravel path. In shades of blue on the canvas. Sometimes, just word by word on the page, hoping they take you along for the ride, sometimes with a laugh, sometimes with a tear, sometimes both. The sun is coming up, hop in, my friends, let’s get the soot out!


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A love song in silver.

I raced the stairs to his class. He was a stickler for detail. One must be on time, or you will get a “greenie.” A greenie was a small piece of green paper, denoting some poor behavior – like being late, talking out of turn, not doing an assignment. And a certain amount of greenies resulted in detention or grade reduction. Of course this was incentive enough to race the halls of Central Junior High and up the stairs to his classroom, but it was more than that, I was excited for his class, English Literature. I was excited to see him. He postured straight at the front of the class. Suited and bow-tied, a pocket filled with green paper, one finger pressed to lips like a conductor waiting for the orchestra of the English language to begin.

In his fitted plaid lime green jacket he introduced us to T.S. Eliot. He read to us in perfect pitch “The Love Song of J. Alfred Prufrock.” The boys giggled. Mocked. Rhymed words with “frock” and quieted down after receiving their greenies. “I have measured out my life with coffee spoons,” the lyrics danced in my heart. Never to be careful, ordinary, predictable, monotonous — this was the lesson. I put it in my heart and quietly vowed the same.

In my mother’s silverware drawer, there was one spoon different from all the rest. Before I knew of words and poems, or even what was ordinary, I loved this spoon. It was the only one I ever used. My mother made sure that for each meal it was clean. My spoon. My different spoon. Not matching. Not safe. Extraordinary.

When I moved to France, the hardest thing, (the only thing that could have made me stay) was my mother. In the first weeks, my lonesome heart ran through the doubts. Had I done the right thing? No one can give you life’s permission, but I waited for a sign. A letter arrived. Small, but an odd shape. I opened it. My spoon. My different, glorious spoon — a love song in silver.

It sits by my desk. Telling me daily to choose the extraordinary. The sun comes up. I race its stairs to the beautiful unknown.


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That driveway’s end.

We were best friends in the second and third grade. Too young to know that it’s hard for three. My grandma would warn me of this years later when skating with my two cousins, but it came too late for Jan, Shari and me.

We did everything together — not that our everything consisted of that much, but it felt like more than enough to equate to BFFs!  It was mostly Chinese jump rope. Sleep overs. Giggling. Soon to be illegal clicky-clackers that my grandma brought to us from Florida. Birthdays. Bedrooms. Pinky swears. American jump rope. A lot of, well, just jumping – from bicycles and jungle gyms. From car doors into freshly mown grass. From the pages of Archie comics. Maybe we should have seen the warnings — it was always Betty and Veronica. Never Midge. Never three.

I don’t remember the date. Nor the reason. My mom dropped me off at Shari’s house. There was no Jan. Something about a phone call. A fight. Tears. “Never again,” she said to me. How easy it was to say never at 7 years old. Within minutes the first surprise would be exceeded by the second. If there was no three, she explained, there would be no two. She had decided for all of us. I sat at the end of her driveway and waited the long two hours for my mother to pick me up. I thought of the last time we jumped rope together. Having no idea that when I was singing, “Vote, vote, vote for Shari…knock, knock, Jodi at the door, she’s a better woman she can do the wibble wobble, so we don’t need Shari anymore…” that it would be the last time.

I suppose the “last time” always comes too soon. I could not foresee living this lesson again and again. But I would. I have. I will. Again.

Some days I miss my mom so much, the weight of that driveway’s end seems unbearable. But I wave as I pass by her picture. Put on one of her blouses. Recall a memory of a trip. Jumping from store to store. See her dancing the wibble wobble. And I smile. The wait is never long. She continues to “pick me up.”


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It suits you so.

It was July 2nd in 1994 that we saw Robert Goulet perform in Camelot. I know the date because my mom wrote it in her journal. She kept record of all the important things. Where we went. The dresses we wore. Because unlike in the song, one of her favorites by Robert Goulet, “I won’t send roses,” he sings, “I won’t send roses, or hold the door. I won’t remember which dress you wore.” And when she sang the last line, “and roses suit you so,” she meant it for me, and most importantly, she meant it for herself. 

She played that record again and again to get the point across. What a lesson to learn! A lesson every woman should embrace and pass on. You have to know your worth, and be prepared to accept nothing less, to give nothing less.

We sat side by side in that theatre in Minneapolis, listening to him sing the “impossible dream,” knowing, we had always, would always “run, where the brave do not go!” 

Today, when I play fashion show, (and I play a lot), there is a bit of vanity involved, sure, but there is so much more. I am my mother’s daughter, daring to bare shoulders and heart. Daring to give the love that I want in return. In front of the mirror, in my black and white dress, a black as dark as Mr. Goulet’s mustache and hair, my heart sings, because I am dressed to receive all the “roses” this life can offer. It is written in her journal, inscribed in my soul — it suits me so.


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Loving through.

When I told her I was never going back to school, I meant it. It was in the first week of my first grade at Washington Elementary and the first time I had ever been called a bad name. It being my first time, I didn’t remember the name, but I remembered the venom that spewed from Steve Brolin’s mouth and landed directly on my heart of firsts. 

Of course it happened the first thing that morning on the playground, so I had to hold it in all day. By the time my feet jumped from the last step of the bus, the tears began to flow. Big, bulbous bubbles that caught for several seconds in my eyelashes. Tears that puddled in the fold of my new dress as I sat on the cement floor of the garage, willing my mom to come home early from work and receive the news.

She knew something was wrong immediately, seeing me sprawled on the cement, with my backpack laying atop the garbage can. “I’m never going back,” I said. “Ok,” she said calmly. She didn’t argue with me. Just took my hand. Washed my face. Kissed my eyelashes. 

It being autumn, the nights had just begun to get cooler. “Would you like to put on your winter pajamas?” she asked. The feel of the soft plaid down my arms. Down my legs. Wrapped early for Christmas, she tucked me under the crisp white sheet. “I don’t think I want my books in the garbage anymore.” “I’ll get them,” she said. “But just for me,” I said, “I’m not going back.” “OK,” she said. 

I could hear her getting ready for work. Smell the coffee. My chubby feet wiggled beneath the plaid and hit the carpet. I brushed my teeth. My hair. My brown sack lunch was ready at the end of the table, right beside my backpack – it along with my heart – rescued. I guess we both knew I was going back. “I don’t like Steve Brolin,” I said. “That’s OK. Do you remember what he said,” she asked me for the first time. “Not really,” I said. “Do you remember I love you?” she smiled. “Yes!” I smiled. She got in her car and waved to me as I stood by the mailboxes waiting for the bus. It was the first time I got over something. It wouldn’t be the last. My mother showed me how to love my way through. I walk by her photo and wave, smiling, and knowing, everything is OK.


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Pocketful.

I suppose one of the reasons I loved her the most was because she never tried to explain away the magic.

The first time I descended the stairs to my grandparents’ basement, I’ll admit I was a bit nervous. It was dark — even with the light on. Each step had a voice. My 5 year old imagination ran wild. But about halfway down, it started to smell familiar. Books, I thought. It smells just like the library. I raced the remaining steps. Wet, overworked overalls hung by the furnace.This was the army, I thought, that helped my grandfather in the fields. This one sized army, that was just his size alone. This pinstriped gathering of strength. These dampened blues and browns hung thick with the words that told his story. I ran my fingers across each page.

I wasn’t surprised to see my mother waiting at the top of the stairs. She was always the first to gather me in. Listen to me. To take whatever I had experienced and make it real. “It smells just like the library,” I said. “Pockets and pockets and pockets of stories! That’s where he keeps them, isn’t it?” “Yes,” she smiled. She always smiled, and I was home. 

She could have explained that the smell was merely the dampness of the paper, the material, perhaps even mold under the collective weight of age and use. But she didn’t. She never would. Some of my older cousins would try — LaWanna said I was a baby, with baby thoughts. But not my mom. She never took the magic away. Maybe that’s why I still have it. Still believe in it. Still carry it. By the pocketful!


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Unnecessary.

It’s not lost on me that it was orange. When she handed it to me at the pharmacy — this promotional bag, a gift with purchase, I think my whole body sighed. It wasn’t the first time an orange bag came to my rescue. 

It had been a stressful morning. To give it more time is not useful. We were dealing with visa paperwork and government employees. The stress of it all seemed too much for my heart to carry. When leaving the building, we knew we had to do something quickly to change our minds. The most obvious, and most French thing to do, was to head to the pharmacy. I needed some lip balm. I added a couple of items, but my entire purchase fit in the palm of my hand. Two tubes of lip balm and dental floss. Out of nowhere, (or straight from my mother’s hands) the clerk behind the counter put my tiny purchase in the largest orange cloth bag. It was beautiful. And the pure randomness, some might say unnecessary-ness of it all, felt in this moment, so glorious, and completely, well, necessary. 

I was 5 years old the first time I had to go to the hospital. Naturally, I was terrified. It was not only my first time in a hospital, but the first night that I would spend away from my mother. I loved books. I loved words. I loved when my mother read to me. When she let me read to her. The only book I knew by heart was “The Little China Pig.” We had read it so many times together. Each night, despite the dark, and all things scary that could occur, I was safe within the words. My mother knew this. Before leaving for the hospital that morning, my eyes packed with tears, my hands clutching the words of this little pig, my mom gave me the most glorious gift. A hand made orange book bag. It was ridiculously too large for my one book, but she knew it also had to carry the weight of my heart. And so I filled it, with book and needless worry, and I was saved. 

Lips balmed, heart unburdened in a bright orange sack, (surely touched once again by the hand of my mother) I begin this beautiful new day! Fully prepared to do the unnecessary!


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Oranges. Poranges.



For a brief moment, we had orange countertops. Some of my friends’ mothers wouldn’t allow you to sit in or on the kitchen cupboards, but my mom did. Maybe it was because I told her I liked to read in that sea of orange — like I was balanced on a giant spoon in a bowl of sherbet. Or maybe it was because she was never really all that precious about things. Or maybe she knew we wouldn’t have them that long. They didn’t have time to go out of style before we had to sell the house.

It wasn’t that long ago that she wondered aloud, perhaps she should have cooked more. Taught me things in the kitchen. Oh, but you did, I said. Cooking, no. But the things I learned! To imagine! To dream! The freedom to sail orange waters! Nothing could have fed me more! And perhaps just as important, the lesson in letting it all go, with grace, and with hope. That’s how she lived.

There was a cartoon at the time. H.R. Pufnstuf. I loved it. Every Saturday morning. In one episode they sang a song, “Oranges Poranges.” It was ridiculous. But it always made me laugh. Everything was packed and in the moving truck, but for the weight of having to leave — that we carried with us. I was standing by the back door. I watched my mom take one more look around. I didn’t want to cry. She looked at me. Brushed her hand across the countertops, then gave it one final tap, as if to cue the song. “Oranges Poranges,” she sang at the top of her voice, “Oranges Poranges, who says, there ain’t no rhyme for oranges!” We smiled and walked out the door one last time. She taught me everything.


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1, 2, 3…

She was hesitating at the side of the pool. Dipping toes. Looking back to the sun-filled lounge chairs. Adjusting her swim goggles, the elastic of her suit. I had already been in and was wrapped securely in a towel. I wanted to help her, so I just counted to three out loud, “un, deux, trois…” And in she jumped on trois!  

I don’t know why it works, this counting. Maybe it’s just the simple direction of it. The three footprint stickers placed on the floor to show you the path. An easy way to say you’ve done this before, and you’ll do it again. A veritable encouragement of “On your mark, get set, go!” 

We went to see Dominique’s mother yesterday. Each week, I get stuck on one. The pain of seeing her struggle deepens the pool of missing my own mother. But one, I get in the car. Two, we make the drive to 

Vauvenargues. I know how important this is. Yet, I know how hard it will be. Dominique signs us in at the door. My heart beats quickly. I put on my mask. In my ear, it’s my mother who whispers, “three.” We walk through the door.

Love. It’s what I count on.


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Soundtrack.

The first few notes played on the radio this morning. So iconic. We both put down our toast and jam. “Start spreading the news…” we sang. New York. New York. Perhaps one of only a handful of songs about a city that is known internationally. “I can name that tune in five notes,” I said. “What?” I explained to him the game show Name that Tune. 

It was my mother’s favorite. And she was good at it. She loved music. She knew the notes. The words. As easily as my grandma could beat me at cards, my mother could beat me at Name that Tune. But as we sang together, laughed together, sometimes even danced, it felt like we were both winning. 

I don’t think the show was on the air that long, but we kept it alive in the car. It was difficult at first, with cassette tapes. Trying to cue up the song to the right position. We kept a pencil nearby to wind up the ribbons that we abused. The game was significantly improved when we graduated to cds. It was so easy to cue up the song. To start and stop. To Name that Tune.

We didn’t really keep score. We knew the music we owned. And of course we always created a playlist for the city we were driving towards. A trip to Chicago always included Frank Sinatra singing “My kind of town…Chicago is!” 

It seems funny to even mention it – because we never really gave it a thought – but neither of us were particularly good singers. That was never the point. What we were really good at was being friends. I suppose nothing else really matters. When you know someone, really love someone, above all the flaws and the shortcomings, you only hear the music.

I had the privilege of taking my mother to New York three times. I can’t hear the song without descending in the plane over the Statue of Liberty. Sitting beside her on Broadway. Looking up in Times Square. Drinking the wine. Trying the clothes. Singing on the sidewalk. There’s a reason your heart “beats”  – to keep time with the ones you love. 

Ask me anything about my mother. I can name that tune. The music never ends.