The way they warned us, the teachers at Washington Elementary, trouble seemed to be a place, a spot. “Don’t get into trouble,” they said. The only “trouble” I was having was figuring out where this place was exactly. Because when the teacher said, “Now Steven is in trouble,” he seemed to still be right there, sitting beside us. Hadn’t he said “present,” when she called out his name? Why couldn’t I understand? How come I couldn’t see it? Maybe trouble was invisible, I thought.
It sounds funny, I suppose, but it turns out, I wasn’t all that wrong. We never know what people are going through. We see the outsides so easily, but that’s usually not the whole story. To see the real story, we need to actually be present. It’s not enough to just call it out. We have to be there. Show up. Again and Again. And ask questions when we don’t understand. Listen. Raise our hands. Reach out. Find a way to connect. See with our hearts what our eyes cannot. Make all around us visible.
And if you saw that I am not just my face, but all that I have faced, and if I did that for you…
Throughout all of history, hearts have laughed at what the hands try to carry.
I always overpack. It all seems so necessary, so “I can’t live without it,” until I have to drag it from car to hotel to car again.
I write the stories of my hometown daily. I have them with me, even a country, and what some may call a lifetime away. Truth be told, driving into town yesterday, almost none of it is there. The pool were I learned to swim is gone. My high school is an empty lot. What’s left of my middle school is part of the courthouse. Washington Elementary — condos. Even the old public library — empty. So why do I still hear the words? Feel the splashes? Raise my hopeful hand in a class that isn’t there?
Waking up in the Best Western, I certainly can’t call this home, can I? My bursting suitcases try to make the case, with things that I brought from France. Things I picked up in Minneapolis. Duluth. Brainerd. Vintage shirts purchased from the Alex thrift store reminding me of when I was a Cardinal. I suppose we’re all trying to gather in the proof that being here matters. (Wherever that here may be.) And we struggle to drag that proof beside us. And the funny thing is, I know the answer. I have written it. Painted it. Lived it. What remains may only be in the heart.
Sitting with friends yesterday in memory’s laughter of burned pizzas, and chances taken, tears shared and future plans, everything is still alive. Pools and teachers and libraries and mothers. Everything remains. Brushing against arms. Leaning into hugs. I know my heart is the only suitcase I need. And it fills, even when full. It’s all that matters.
It was a cathedral I had to fill, my first solo show in France. I laughed as I made one canvas larger than the next, because it had been all I had prayed for — space.
I used to paint in my small apartment’s bathroom in Minneapolis. It was the only place that I could spill and clean. The seating was built in. Small canvases were easy. Large ones I could balance on my legs, the towel bar and the edge of the tub. I guess I hadn’t been all that specific in my prayers. I didn’t know the answer would come with a move to another country, but there I was, in the south of France, covered in paint, love, and “well, this is what you asked for…” so I filled the space with my story. Canvas by canvas.
Perhaps it is the most open I have ever been. And maybe that’s what love gives you — space. And I don’t just mean romantic love (which does help a great deal!) but also love for yourself, love for the chances that life offers, love for the answers that come as a complete surprise.
I have it now, in home and country and studio, but I still pray for it daily, for my heart That I will find the space for all those trying to share their stories, their talents, their imperfections, their lives. May I be open to them all.
I suppose it all takes time. To see the ordinary. And to appreciate it. Those of you that follow me here, have come, I hope, to know my grandparents, my mother, my schoolmates, and teachers. Some might say “just plain folks.” And that’s probably true. But maybe that’s the real beauty of it all. To find the spectacular in farmers, housewives and receptionists. To see the extraordinary in the daily living.
And in seeing them, it helps me see myself. Helps me find the gratitude of the day given. Of the toast for breakfast. The smell of coffee. The hand that reaches out for mine.
I am reading the book, “Love, Kurt (The Vonnegut Love Letters). I have this book, only because I have a special friend. Last year, together with our husbands, we went to Stillwater, MN. My friend and I stood in the bookstore as if before the Christmas morning tree. So many gifts in front of us, we had a hard time deciding. We each settled on our present. I loved her choice as much as mine. This year, she gave her book to me. Those simple words don’t seem to give it enough meaning, but I will tell you that it fills my heart. It brings me back to a laughter filled day on brisk streets and slow choices. It, for me too, is a love letter.
In the book, Kurt Vonnegut writes with his young pen, to his young wife, “Angel, will you stick by me if it goes backwards and downwards? Holy smokes, Angel: what if I turn out to be just plain folks?” Tears fill my eyes. I imagine we’ve all had the worries. Will I be special enough to be loved?
It’s these memories, of course, that give me that comfort. That give me the yes. My heart is packed full of the love from these glorious and plain folks. And I have loved them. Love them still. And I am one. Proud to be living with these extraordinary people. It is plain to see, they, we, are more than enough to be loved.
She hadn’t told me anything deep, dark, or hidden. It wasn’t a designated secure place. Neither church, nor Switzerland. But for some reason, on the return bus trip from an out of town volleyball game, I felt safe. In this back seat, looking straight ahead. Knees pushed against the seat in front of us, I told my friend, as I had told no other contemporary, my secret.
This friend listened. Without judgement or questions. Braced, as if I were passing her the ball. I could feel the words spank off from my overworked forearms. She took the ball. What a relief to pass it on.
We had Judy Blumed our way through Junior High, but when I asked, on this yellow-orange school bus, “Are you there, it’s me…” she listened. No solutions offered. Just release.
I don’t know who we played that day after school. I don’t know if we won or lost. But never had I felt more a part of something. I had a real teammate. We didn’t speak of it again. We didn’t need to.
It’s not necessary to me that she remembers. I won’t forget. I had such a friend.
It was just after recess. Even on the coldest of days, we were always sweaty. We hung our coats back on the pegs. Mrs. Erickson stood at the front of our third grade class. She had a stack of papers in her hand. She told us to sit and take out our No.2 pencils. She gave a handful to the front person of each desk row. We passed the sheets back to the person behind us, along with our comments and guesses of what was to come. Each pass was like a short game of “whisper around the world.”
I held the horizontal lined paper between my fingers. It seemed all good things started with paper at Washington Elementary. The paper was lined, but not just single lines. Groups of three. Two solids middled by a dotted line. I was certain they were little highways. I would turn out to be right.
She used a three pronged chalk to make the same lines on the blackboard and began our cursive journey. She had the most beautiful penmanship I had ever seen. Upper and lower cases flowed along the paper highway, and we were off! We had already learned to read. Mrs. Bergstrom saw to that. But this, she said, was how we would communicate. It would be part of our identity. I opened the windows of my imaginary car. The wind blew through my hair and hand and I began to write. My name. My address. Sentences. Tiny trips at first, and then I was out on the open road. Faster. Longer. Free!
In the tenth grade, they taught us “behind the wheel,” in Driver’s Ed. But it was Mrs. Erickson who first gave us the keys.
In the “wee, small hours” of the night, when thoughts can get so big, I have a practice to calm them down. She has been gone for so many years, my grandma, but she continues to walk me through those uncertain hours. And it could be for anything really, tiny chaotic thoughts, or grand concerns — she’s there, unworried (as she always seemed), as I recite the poem of her life. It’s a long poem, as is her legacy, but it usually only takes the first line or two, and I am saved…
“She was a beauty like he’d never seen,
Elsie turned his head with a smile,
When Rueben looked back
He knew for sure
That she’d be in his heart for a while.”
These words are the hands that held my mother’s, and my mother’s hands that held mine.
I have a weird little pinky finger. I will need a small procedure to fix it. The condition is apparently genetic. He asked if I remembered my mother’s hands. My heart’s response, of course, was to say I’m still holding it, and my grandma’s too… but certainly I remembered no imperfections. How could I? Their beauty will forever be unmatched.
Maybe it’s all the imperfections that make us beautiful. Or how we use them. I only know this for sure — they held, they gave, they touched. Beauties, that I’ll ever see…
As paintings sell, our entryway changes. But not the welcome.
When I came back from my first visit to France, it was to let go of my apartment, and a majority of my things. But being my mother’s daughter, I still visited one of my favorite stores – Anthropologie. The first thing that caught my eye, other than the reflection of myself in a new dress, was a box of large letters. It struck me that I was in the process of melding my name with another. Orsolini and Hills. OH! How fitting that these two letters would describe our new life together. OH, what a surprise to have even met! OH, what delight! OH, my goodness I’m moving to another country! OH, how I will miss my mother! OH, I am in love! OH, I’m doing this!
These letters hang proudly on our front door. LIfe continues to surprise and delight. And certainly, from time to time, they symbolize a hanging heart, an empathetic “oh, understand….” And always, I am welcomed in.
We hung the new painting together. And maybe it’s ironic, or just that all is as it should be — either way, the recently sold painting is going back to my old neighborhood in Minnesota — OH!
I suppose we all have different destinations. I used to walk down Hopkins Crossroad and take a left onto Minnetonka Blvd. The obvious attraction to many was the bright red roof of the Dairy Queen. But not for me.
It was no accident, I suppose, that there was usually a Dairy Queen next to the softball fields of my youth. In dusted and grass stained uniforms, with skinned knees and sweat matted hair, all the young girls gathered behind cones, and cups. Celebrated or commisserated with frozen cream. Intolerant, being a word well above my reading level, I just knew I would get sick. (After two very unsuccessful attempts.) Sometimes I opted for the Mister Misty – the DQ’s version of shaved ice – but mostly I just went without.
I could have felt sorry for myself. My mother didn’t allow that. “Look around,” she said, on her way back to work, “You have a banana seat bike and a beautiful summer day, figure it out…” So I rode. I rode that bike to lakes. To swingsets. To ballfields. And neighbors. The North End. Parks. On gravel and hills. In cemeteries. Empty school yards. To the public library. Ben Franklin. Hugo’s field. I saw everything. I pedaled the paths and when the paths got too thick, I dropped my bike and walked. And walked some more. As I wore the flowers from my banana seat, and the soles from my bumper tennis shoes, without my knowledge or permission, I was indeed figuring it out.
I still think of it as my superpower — seeing beyond the obvious red roof. During my Minnetonka stay, I saw it almost every day, the weeping willow just before the DQ. One autumn, after dancing with it for an entire summer, I came home and gave thanks on the canvas. For the willow. The road. My mother. The love of the dance.
I would always sit in the front row. I loved my English LIterature courses. I wanted to be a part of it all. My hand shot up before my mouth even knew what was going to come out. “You’ll think of something, ” my fingers encouraged as they waved in the air. It wasn’t about assuming I was right. Not about proving my point. I just wanted to be involved. To be among the words. Part of the discourse.
I sat slunched in my chair. Sweating. Sick. My roommate had told me to stay in bed, but I didn’t want to miss out. Within the hour, my mom was on her way to pick me up from college and bring me back home for an emergency appendectomy. When Dr. Merickel gave the diagnosis of acute appendicitis, I smiled. He asked why I was smiling. “You said it was cute.” We hear what we want to hear.
I went back to school two days later, a little lighter, but no less enthusiastic. All that learning prepared me for what was to come. Not in the way you might think. I didn’t learn any foreign languages. So when I moved to France, arms at my side, I feared the conversation. Even the most simple were acute! Trapped inside an introduction, I heard my brother-in-law introduce me as his belle-sœur, I beamed. I heard the word belle and thought “pretty.” And the word soeur meaning “sister.” It turns out that belle-sœur means sister-in-law. But once again, in this need to belong, to be a part of the conversation, I heard what I needed to hear.
I don’t always get it right. I don’t think it’s always necessary. What we do have to be is brave. Curious. Willing to open our hearts and get involved. Be a part of it all. When I raise my hand today, it’s to wave you in. Welcome to my conversation. I’m glad you’re here.
