Some would argue that in the song “Feeling Good,” the singer has already found their desired freedom. Others say that they are singing to convince themselves of the possibility. I seem to be, not unlike the dragonfly, somewhere hovering in between.
The birds have their songs. The bees, their honey. So what about that dragonfly? Are we not in the same sky? Under the same sun? Sure we’re not all given the same gifts, the same advantages, but we are given the same day. The same 24 hours to make the most of it. I don’t want to waste my time envying the bird, but celebrating my own flight.
And I don’t always get it right. But on those days, I try to sing even louder —
“It’s a new dawn, it’s a new day It’s a new life for me, yeah It’s a new dawn, it’s a new day It’s a new life for me, ooh And I’m feeling good!”
There’s a reason for the chorus. The importance of it. That’s why it’s repeated again and again. So on the days when I make the same mistakes, I sing myself out. Not with shame or worry, but simply a welcoming of the chorus.
Those that play know it’s there, the piano in our library. It’s one of my favorites spots in the house. A collection of art, music, books and photos. And it will call to you, in the voice that you need to hear.
I suppose we’re all drawn to it, what we love, if we dare to follow the radar that pulses from each heart beat. I’m always surprised when people say they don’t know. It’s literally pounding inside of you. I guess they are afraid.
It has been said that we’re driven by one of two things, love or fear. Love will lead you to the piano. Will never allow it to go unplayed. Love will encourage the stumble through each note. The beginning again and again. Love will music your family in, and soon you will all be part of the song.
Fear is quiet. Lonely. Cold. (It’s not lost on me that my painting above the piano reads, “all my heart ever wanted, was just to come in from the cold.”) And it has. This is my hope for all. My welcoming.
In recent days, within minutes of entering our house, our nephew, who was vacationing from the US, was at the piano. I suppose one never takes a vacation from the self. So many miles away, almost instantly, he found his way home.
The best we can do is keep them in sight – the pianos and books, the kitchen tables, the art supplies and open corners on beds, the hearts between outstretched arms. But we all have to listen, to follow, to become. It’s up to each and every one of us to be brave enough to try. To come in. To dare the unplayed piano.
The thing was, you had to be a reader to even understand the advertisement. A book was always within arms reach, so when it aired in between Saturday morning cartoons, promoting books, I rose up from my “head in elbowed arms” position and got a little closer to the television. “Reading is fundamental,” they said. I didn’t bother to ask my mother. I had been trained by Mrs. Bergstrom at Washington Elementary, and my mother repeated it daily, so I raced to the bookshelf to pull out the giant red dictionary to “Look it up.” I put my index finger in the section marking the “f”s. My finger traced through the pages as I sounded out the words. Fe, Fo, fun, funda, fundamental! Important, necessary, I was in agreement with it all. I ran to the laundry room. Saturday meant cartoons for me, and laundry for my mother. Her head bent over pulling clothes out of the dryer, I eagerly tapped her shoulder. “Reading is fundamental,” I said proudly. “It is,” she smiled, still filling her basket. I asked her about her next load, working fundamental into the conversation, remembering that to make a word your own, you had to use it three times. I often went to four or five, just to make sure. Satisfied that I had gained ownership, I went back to the tv. I saw my library book there. I turned off the set. Grabbed my book and went back to the laundry room. Nothing was more necessary, nor more important than she was. “I better read to you,” I said. She smiled and listened. We both leaned against the rumble of the washer, gathered in the greatest importance. Together.
I was always aware of time when it came to the things I loved. I thought I could outrun all of it. Pumping my thighs just ahead of aging. If I got up early enough, made a pact with the summer sun not to waste a moment, ran beside Hugo’s golden fields, ate my self-packed lunch in the green of the yard, read books in lakes, rode bike on gravel, hit balls on fields…then summer, (even though deep in the back of my mind I knew it would end), somehow it would always last. The promise still holds.
My mother was that summer. Maybe that’s why I still get up early, to meet her in the promise. To gather in all that I love — the “Joie de vivre” (the joy of life).
Walking on the path yesterday morning here in France, I heard the slow pop of the gravel beneath the approaching car, and I was immediately on Van Dyke Road. I wondered if my new French friend recognized my chubby hand in the gathering heat. Her “Phyllis Norton-like” wave out her rolled-down window told me yes. We both smiled as the years disappeared with each pop under her wheel. We bounced our smiles into the blue of ever and spoke the language, the hope, of youth.
Love and summer make the same promise. So I keep my end and wake up early to gather it in, gather myself in…knowing with each gravelly step, I am home.
I bought it at an antique store in Hopkins, Minnesota and carried it back to France with me. You know it’s valuable when I allow it space in my ever overpacked suitcase.
It’s from a time when people still wrote letters. When desk objects were given beauty along with function. On the right is a tiny scale for the weight of the words, and the left a circular housing for the precious stamps that carry them. Of course I don’t need the scale. I have a pretty good idea of the weight of the words. At least I hope the receiver knows — knows that I could have just sent a text, an email, but instead thumbed through all of my cards, along with the thoughts of this person, picked out the one that fit the situation, borrowed my husband’s best pen, wrote in cursive (like nobody’s taught anymore), signed it, meant it, sealed it with wax, and walked it to the post office. And isn’t it just as important that I know?
My little antique scale can’t weigh all that, but it does remind me to keep doing it. Yes, I have an Apple Pencil, an iPad. I love modern technology. It is connecting us today. But I keep reminders around me — that there is more. The more of photographs printed. Books with spines. Jams without preservatives. Art with actual signatures. And I make the connections with heart and hand. And the joy that it brings, that I carry so easily, daily, makes me smile, because it actually weighs nothing at all.
Perhaps panic is too strong of a word, but I am unsettled when hovering between reads. It took three days of sampling between my last book and the one I’m currently reading. Three days and three nights. Three nights of wanting to get into the next one, but stumbling over the words. Feeling like the story was all jumbled, or even worse, not there at all. No connections. Nothing serifing to my heart.
It was the same concern I had starting in the first grade, when we were allowed to check out books from the Washington Elementary library. We were allotted approximately ten minutes to pick our choice of the week. Ten minutes. I spent longer in my discussion with my mother each night about how that wasn’t enough time for such an important decision. I showed her the whole production — of how most of the class just walked up to the shelf. I opened the cupboard door as I was explaining and picked out a box of minute rice, or paprika, and shook it in my spaghetti arm to explain how they just blindly picked anything. Anything! Without a care in the world — I had heard that phrase on the party line at my grandma’s house. But I did care. And my mother knew it. So she didn’t argue. She just shook her head in agreement. Clutched her imaginary pearls, and I did the same. We both loved books. No further explanation was needed. “In your time,” she said, “and if you need more, you ask for it.” So I did. And it was given. During recess. Lunch hour. I was given the freedom to peruse. To let it remain important. What a gift!
And I suppose that’s why it never reaches a panic now. I remember — it’s only because it’s important. And I still have the luxury to feel it. To believe it. I am wandering today in the 1500s of Italy, in Maggie O’Farrell’s “A Marriage Portrait.” My mind safely adrift here in France, all made possible by my access to the Washington Elementary library. Hooked, connected, serifed by heart, I live in the word, all in my time.
I told him I needed a ladder. No, my grandfather replied. “But I have to get it back into the tree,” I said without crying, but just barely. Not about to change his response, but curiosity getting the best of him, he asked what. “The nest,” I said. He just smiled and again shook his head no. “A bird’s nest,” I reiterated, as if he just didn’t understand and surely with the added description he would go get the ladder and help me. But he didn’t. “The babies…” I pleaded, having never actually seen them, only heard them from below. “They’re fine. They’re already gone,” he explained. “How did they know? Were they ready?” I asked, still assuming we were all afforded that luxury. “You find a way,” he said, both of us knowing we were no longer talking about the birds. Both of us knowing that it was my house, my nest, that I missed. It was a ladder back to when my father lived with us. When everything seemed certain. A ladder back to the nest of trust and security. There was no ladder. We both knew I would have to find a way. He put his finger on the sore part of my heart, “They will be ok,” he said without crying, but just barely. And I knew, with the certainty of tree and the absence of ladder, that I would be too.
I can’t say that through the years I have not asked for the ladder. Thinking, just get me over this. But I eventually get there. Never over. Always through. And my heart moves from sore, to soar. And I am saved.
It’s not to say that we took our wounds seriously, but my mother never purchased designer Band-Aids. There were no cartoon characters or Disney royalty. In fact, I’m pretty sure they weren’t even the Band-Aid brand. Possibly Curad. Or simply flexible adhesive bandages. And often times, just a Kleenex (which was really only a facial tissue) and a piece of Scotch tape (most likely just tape).
No matter what she used, she did accomplish the main goal, which was just to return us to the gravel road, be it on bike or foot, skinned knees and all, as quickly as possible. No time for worry, or to go over the latest spill. Nor was there time to take pride in the survival. Who hadn’t fallen on Van Dyke Road? Her goal, I see now, was to keep me at play. Sometimes I would look up from the tattered tissue barely hanging on, as if to ask, “Really?” She would answer, “You think Phyllis Norton can do better? Go get in line.” We would laugh. And for this I will be ever grateful.
Injuries change from year to year. Some wounds go unseen. But the goal is to always keep pedaling. Keep walking. Keep living. Because it is where we were wounded that we will continue to find the joy.
A country and a lifetime away, I race out the morning door with a bit of Van Dyke Road still on my shoes.
The most fun was not when we got it right, but when we got it wrong. Maybe it was the hum of the wheels, or just the fact that we were together, but there was definitely something about being on the bus that made us all want to sing.
We had to rely on each other. We had no cell phones. No radios. Just the memory of the last song we heard on KDWB-63. And I don’t know where the confidence came from. Maybe it was youth. The comfort of open windows. Or just being on a bus with no judgement. That’s not to say there wasn’t laughter. Mid song, someone would always stop between gasps of giggles to say, “You think it’s what?????”
“I’ll never be your beast of burden,” was easily mistaken for “I’ve never seen a pizza burning.” Or when we “heard it in a love song,” — someone sang the ending of “can’t be wrong” — as “ten feet tall.” And we would laugh longer than the length of any song.
And it’s this freedom that I miss the most. The freedom we gave each other. The freedom I gave myself, to make gigantic mistakes. And not be concerned about how it looked, how it sounded — to just have fun!
You know we can still do that. Be free. Free as the birds to just sing it out loud. Without knowledge or permission, we can have a little fun! The buses are running. The skies are open. Will you join me?
I suppose we could have been called anything, and I would have loved it, but we were Cardinals, so the moment I put on the red uniform, for volleyball, basketball, track, band, whatever, whenever, I, we, represented Independent School District #206, and proudly became those beautiful red birds.
We shortened everything. Perhaps we were in such a hurry to grow up. The name of the town, Alexandria, became Alex, and then simply Alek. Cardinals became Cards, always led with a “Go!” I see the urgency now. To get somewhere. To win. And now, it all seems like a fluttering, a blur of red and black wings.
The Alexandria Boys’ Basketball team won the state championship this weekend. I don’t live there anymore. Not even in the country. The high school that I went to has been torn down. I can’t name a player on this year’s team. But somehow, magically, in that winning flutter, I am part of the we — the “We did it!”
Perhaps more than any team, I think the same when remembering my mother. With each victory big or small. Selling a painting, surviving a hard situation, conquering a fear, just being happy for no reason on a Monday morning — I look to the heavens and joyfully say, “We did it!”
We are only as strong as our connections. They don’t have to be cardinals, but they should lift you, help you reach things you never even imagined. They should be the ones you look to, recognize, call you by name, ever tell you, “one way or another, we are going to fly!”