Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


Leave a comment

With all that raggedy trust.

When I was five I began drawing. Six, writing. Every paper in my tiny bedroom was filled. I sat on my twin bed and poured out my heart to the Raggedy Ann and Andy sheets. Emboldened with their always smiling and gentle approval, I held the paper in my plattered, chubby hands, and presented it to my mother. She knew the gift that it was, and welcomed it with a caring so safe, so loving, that I knew I could do it again and again. 

I did it daily. When my mother passed, it was that little girl that looked directly at me, that looks at me every day, hands and heart extended, she asks me where she is to go. And she’s so small. And I don’t want to hurt her. She’s still so filled with ideas and belief, and I can’t turn her away. When she comes to me, with all that raggedy trust, I smile, and do the best that I can with what she is offering. I tell her what she has made, what we have made, is something special, and I clutch it to my beating chest before setting it free. 

If you’re reading this, I, we, stand before you, so small, but still believing it matters. And I will do it, again, and again.


Leave a comment

Around every barn. 

I want to hold her – this little girl that sits in front of me. Tiny tears cling to her eyelashes, knowing that if they fall, so will the secret — the one she kept, mostly from herself. One salty drop lands upon her thigh, and she says she had told her mother that she didn’t want to have a babysitter anymore. Not this one anyway. But she couldn’t tell her why. She couldn’t say that this young woman frightened her. Wanted her to do bad things. Dirty things. She couldn’t say that she took her behind the barn, (where nothing good ever happened.) I suppose that’s what they always count on, that you won’t be able to say anything. And what she couldn’t say then, she says to me now. She tells me. And I want to hold this little girl. Pick her up. Wipe away tears and replace them with promises. But she has already grown. She has already peaked only bangs above covers during sleepless nights. She has already learned to pocket the secret and dilute it with morning’s light. Learned to take care of her little sisters. No one else would watch them but her. She has already grown into a woman who carries her own children. Who carries me. 

Maybe there always comes a time when the lines become blurred. For mothers and daughters. Sisters. Friends. When we’re all just little hearted girls, trying to hold on, trying to let go, daring both. Trusting each other with tears and stories. 

I trusted my mother. And she trusted me. It would be easy for the story to end there, but it can’t. I won’t let it. Not for me. Nor you. Not for any little girl, no matter what her age. We must be the sisters who keep them safe. Tuck them in with stories of hope and joy, of kindness and progress and freedom and learning…so heads and hearts remain above covers — all night long, and all the days after. 

I wander in and out, around every barn. I am safe because of her. I reach out my hand, so you can feel the same. 


1 Comment

My one day is every day.

We stood among the empty boxes in our first apartment. A mere quarter of our possessions from the house on Van Dyke Road easily filled the space. Standing silent, exhausted, knee deep in abandoned cardboard, it seemed as if the moment was calling us to either laugh or cry. I looked up to catch my mother’s eye, to find her lead. Packing tape still stuck to one elbow, she Vanna White-ed her arms across the brown mess and said, “One day, this will all be yours…” We burst into laughter.

And it was true! Is true! This ability to find joy in the moment, this knowledge that one way or another, we’re going to have to let it all go, emotionally, physically, spiritually… this is what she gave to me.

It was a special week for me. I sold a painting and I gave one away. Joy requires no measurement. Both were different experiences, but completely filled my heart!

She’s still the first person I want to call, my mom, amid the joy. But somehow I believe she knows. She’s standing by as I pack the painting to be shipped. She’s holding my vulnerable heart as I spin the other for the big reveal. The gift that was given to me so long ago, bubbles to the surface, and all I can do is laugh.

I am loved. My one day is every day. I do have it all.

“Would it be easier for you if I went with you?”


Leave a comment

Corralled in all that I love.

Besides fields of grain, my grandfather had cows. And while he taught me many life lessons, the actual day to day farming, how the cows got from one field to the next, into the barn, I really have no idea. But it’s possible the instincts were not lost on me, as I have the continuous desire to corral my make-up, shower products, and various items on the coffee table. 

It’s hard to explain the satisfaction if you are not of like mind. But if you are straightening your mouse pad as you read this, cornering your books, gathering pens in a holder, then you know. Some might argue that it’s a “control thing.” Maybe, but I think, for me, it’s more of a coming together, a calmness, a peace. No competition of chaos and clutter.

When I walk into our library, my joyful heart exhales. The details of art, books, music and plants, down to the Paris Review on the footstool I made from a stump in our garden — they make me, I want to say happy, but that’s not exactly right. It’s more than that. I am corralled in all that I love. It is a calm and safe place where my heart can rest, and my mind can wander. I suppose that’s home, isn’t it?

I love to roam the fields. Walk. Run. Fly even, in the yet to be traveled. In the unknown. And maybe that’s only possible because of the safety (disguised as love) that I was given first from an earth-roughened heart, on a farm just outside of Alexandria, Minnesota — one that rests me still in the south of France. 


Leave a comment

Promises kept.

It was clear to me that they wanted to come with, the lineup of baby dolls and stuffed animals on my bed. We had the conversation every summer morning, of where we would go. What we would do. They wouldn’t all fit in the basket of my banana seat bike. Perhaps it was the elephant, or the koala, maybe even Malinda who told me to take the old wagon. All in agreement, I dragged it from behind the garage to the front door. Had it ever been put away, as I’m sure my mom suggested, perhaps it wouldn’t have been so rusty. I hesitated to put down the blanket. It still smelled like the top of a baby’s head, or at least the plastic that made up Malinda’s. So I grabbed from the newspaper pile — previous editions of the Alexandria Echo Press. I left enough to clean the mirrors for Thursday’s chores. I spread them on the wagon. Then the blanket. Then each animal. Each baby doll. And we were off.

They never complained about the gravel road. And they were such good listeners. They believed me when I told them I would love them forever. As much as I believed it myself. 

I thought of them as I picked up the pine cones from our yard and put them in the rusty wheelbarrow. I am a lifetime and a country away, but never too far. As the wheelbarrow filled, I added the promises kept — they took up no space at all. And I smiled. Love. It’s what I hold on to. 


Leave a comment

On with the lesson.

He sat next to me in kindergarten, where our only source of hierarchy came from the size of our Crayola crayons box. My mom couldn’t afford the largest, but I did have a good solid 24 pack. A few in class had the coveted 64 with the sharpener included, but not many. He pulled his tiny 9 pack from inside of his desk. He barely made a scribble during the allotted coloring time. At first I thought it was because he didn’t have that much to choose from, so I offered to share. He declined. And he didn’t seem embarrassed, he just didn’t seem to care. This was most surprising! It was my favorite time of day. To be set free. To color. To create. Then hang it on the wall! Wow!  His lack of enthusiasm was doubled down with the use of only the color brown. And I must admit that there was probably some judgement in my second offer of crayon sharing, more of a “Are you sure you don’t want to try some of my crayons?” He shrugged them away. 

One day he was called out of class for a few tests. We all whispered in wonder. Well, not wonder really, but confirmation that he must indeed be stupid, like we thought. He came back to the classroom all smiles. He was colorblind. We all welcomed the diagnosis. Mrs. Strand hung his brown paper on the wall, and we went on with the lesson. 

It’s hard to see things the way other people see them. And I am just as guilty. I ask again and again, how can they not see it???? I suppose sometimes it’s so clear that it’s invisible. I would like to think we have learned and grown since the age of five, but I’m not always so sure. 

Facing the same direction, I guess we will always see things differently. And we will rarely receive the reasons why. We will be asked again and again to get from desk to wall without diagnosis, but only pure understanding. We must sit in our differences and try to learn.

The sun comes up. We go on with the lesson. 


1 Comment

From the front.

It was only the handle that stuck out of the back pocket of our jeans, but it was enough, this plastic curve of the comb, to tell everyone who we were. Enough to tell everyone we had seen the movies, read the magazines, understood about the proper hair style (for both boys and girls). 

My mom bought it for me at Peterson’s Drug. The light blue plastic was easily seen, but not too showy. The widely spaced teeth of the comb feathered my bangs perfectly, and inserted me smack dab in the middle of the hope that “I belong here too.” 

The level of things that would have connected us more deeply were reserved for secret poems written while lying beside the stereo — poems that only my mother and Casey Kasem understood and were privy to. 

It would take years for me to gain my voice. Find the courage to use it. It’s joyfully ironic, when I stopped thinking about belonging and concentrated more on becoming, only then did I gain both. I did belong. To myself and to this world. The heart that I wear on my sleeve is decisively more connective than any comb I wore in my back pocket.

We’re given the tools we need right from the start. It takes a lot of growing, a lot of courage to use them. But it is what connects us. This sharing. It’s so delightful when I offer up an experience, and then you share yours.  More delightful even than running together wildly down the halls of Jefferson Senior High! Today I see you! From the front! 


2 Comments

Spinning into stove.

Rita will turn 98 on the fourth of July. I only know this because of an apron.

It was her niece who bought it for her — this apron of mine. She had been a ballroom dancer with her husband. Still dancing in her nineties. And wasn’t that the whole point of what I wrote on that apron — “and then one day you realize, every floor is actually a dance floor…” Life is something! We are pushed and pulled, sometimes knocked over, knocked flat, by the pulsing beat..but the wisest, the strongest of us all, keep dancing.

It was my mother who taught me to dance in our kitchen. Nothing stopped her. In the green house on Van Dyke Road, in her lengthy arm exuberance, she knocked the light fixture from the ceiling. It fell like a disco ball, just missing both of our heads and crashed to the floor. A broom, a paper sack, and the record kept playing. When we moved to the brown house, she turned up the stereo in the dining room, and we danced within the frame of the orange countertops until we lost the house, and began apartmenting. Each floor became smaller, but never the dance. Still she pushed her hand into mine to signal the turn, and I would – sometimes spinning into stove, sink or fridge, but the dance continued.

So it seems no accident after all that I was invited into Rita’s kitchen. Aproned and joyful, she led me onto her dance floor. Watching the video she shared, I wanted to capture everything. I knew I would paint her. Every dish in the cupboard, plaque on the wall, it all felt so important. And it is!

I finished this painting yesterday in France. This image of her in California. Beginning from the lessons I had learned in Minnesota. We are all connected by this joyful beating of hearts. This music that never ends. This rocket’s red glare!

I often use the word “she.” Today I mean Rita. I mean my mother. Myself. (And hopefully you!) When I write the words, “…and so she would dance.”


Leave a comment

Without fuss or fury.

If the truth has to come at you like a ton of bricks, maybe it really isn’t the truth at all.

Grandpa Rueben didn’t say a lot, but when he did, we believed him. He was one of the hardest working people I ever knew, (other than Grandma Elsie), yet I never saw him labor with the facts. There was a quiet certainty that rose from his overalls. His right elbow raised from the table. His open hand began with the slightest of beats. Like a conductor, his rhythm held our eyes. Chosen carefully, the words, without fuss or fury, slipped into our hearts and minds and filled them.

I suppose that’s why today, if it comes at me too hard, I can’t let it in. It’s only noise. There are some who think if you say it loud enough, repeat it again and again, then it must be true. I still am of the belief that the real work has to remain in the fields. The truth, when balanced on the uneven legs of the kitchen table at day’s end, should come lightly, easily, ever without harm.

It only just occurred to me — they often say before you speak, take a beat. I smile. I see Grandpa’s hand gently keeping time, and my heart knows what’s real.


Leave a comment

Tight against my smile.


I never saw my grandma holding a camera. The thought of her turning down the flame beneath the gravy so she could take a photo of the meal to come would have seemed ludicrous. The kitchen stove was in constant rotation, as was the table. If she did have a matching set of dishes, I never saw them. And the thing is, we never wanted to match. We sought out our favorite color from the aluminum juice cups, or one of the coveted A & W Rootbeer bear glasses. And maybe the images that roll through my head are more vivid than any photo could ever be. Heart captured, heart carried. Ever.

Yesterday I made bread and raspberry jam. The scent of bread baking that wafts through walls and stairs is only visible from the back part of my brain, the part with strings that pull at the corners of my mouth. My fingers have grown accustomed to the heat, just like grandma’s, as I lightly grab the bread just out of the oven. I laugh as I place it on the cooling rack because we won’t wait. We never let it cool. I make the too-soon cuts and add the French butter that melts in cracks and nooks. Then the jam. A sweet river of rouge. When the taste hits my tongue and my eyes roll back, it is then I can see the strings that are pulled tight against my smile — a smile that struggles to keep it all in. This is the photo I didn’t take. Nor did I shoot the one where Dominique got up in the middle of the night for one more slice.  But these are the images I share with you, and will carry with me forever, right beside my grandma’s stove, my grandma’s table, my grandma’s hands.