Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Unlaced.

My first and only question to the clerk at Iverson’s shoes was, “Are they fast?” He assured me that they were, but encouraged me to race to the front window of the store. He neglected to time me, but still, these felt faster than last year’s pair. He put my old pair in the box. My mother paid. I wore my new bumper tennies home. Not certain if I was racing them, or they were racing me.

I don’t know what we did with the box, but I assume they didn’t come with directions. I was left to my own devices. I decided it was completely up to me, what these beautiful shoes could or couldn’t do. Testing if they could pedal faster, I took my banana seat bike from the garage and set out for Lake Latoka. It was hard to gauge on the gravel of Van Dyke Road, but when I hit the paved hill by Lord’s house, I began to really move! They were faster! On the long stretch toward the lake, my knees blurred into the blue of my new shoes. I had never gone so fast. Perhaps in my eagerness to give them a spin, I had neglected to tie the laces sufficiently. In a scramble of laces and chain and heel hitting the tiny spikes of the pedal, my right shoe flew off my foot into the air. For a brief second, my heart in my throat, my legs in the air, the pedals still spinning, my shoe beside my head, it felt — no, I was sure — I was flying! That’s the thing about magic, no one can ever prepare you.

Time moves faster than last year. I have the final pair of Van shoes my mother bought. I don’t know if she asked, but they turned out to be fast. They sit beside me now. Unlaced. Almost brand new. I was unprepared for this as well, but heart in my throat, I know she is flying.

I can’t be sure if I’m carrying the magic, or it’s carrying me, probably a little of both. The pedals keep turning — what a ride! My heart keeps believing — What a ride!


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The language of the Mockingbird.

“…But who tells you what to do?” I asked this of my grandfather every summer before he walked out to the field alone. He smiled and went about doing it. At five years old, I thought he must be just about the smartest man in the world. Because whether he knew what to do or not, somehow he was doing it. Planting. Growing. Fixing tractors. Trucks. Harvesting. Selling. There was no google. No experts. No daily planners. Long before Nike encouraged us, or even thought of it, he “just did it.” 

I suppose it was this knowledge that served for me, almost as permission, to forge my own path. To become an artist. People through the years have looked to me with those same questioning eyes…wondering how to do it. People want answers. Solutions. Guidelines. A reason to get up in the morning. But the thing is, you can’t wait for a reason to get up, you have to get up and go find that reason, that solution, every day. 

And my five year old questioning self can sneak in from time to time. It happens for all of us. Receiving my new sketchbook, I hesitated to begin. The blank pages offer no outlines. No directions. 

I saw the signs everywhere in Mississippi for their state bird — the Mockingbird. We learned about them from Harper Lee.  Mockingbirds don’t do one thing but sing their hearts out for us. They don’t have sheet music. No back-ups. They just sing. I opened my sketchbook to the middle and started my song. 

The sun is coming up today in New Orleans. We don’t have a plan. We smile, and go about doing it, singing, in the language of the Mockingbird.


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Cheating hearts.

If it was only 29 years, it was 29 of the hardest years I had ever seen.

Visiting the Hank Williams museum was our first choice in Montgomery, Alabama, after finding out the Rosa Parks Museum was closed, the Legacy museum was closed, and the art museum was closed. Even F. Scott Fitzgerald’s house, closed.

Of course I had heard of “Your cheatin’ heart,” and perhaps a few other songs, but I can’t say I was a real fan. I just assumed he was old, as I had with anyone I was introduced to when I was young. And the images didn’t tell a different story. In the videos and photos, I would have said he was in his seventies.

The man at the front counter said to be sure and ask questions. There were mostly stage outfits and record labels, nothing that questionable. The wooden Native Americans caught my eye. This made me wonder, until I saw the story of his song, “Kaw-Liga.” The whole thing made me a little uncomfortable. The story of the Native American turning to wood by the water, waiting for his true love. They spelled it differently on the marker by the bridge. Differently on the carved statue in the museum. Someone got it wrong. (I was having the feeling that we all did.) Of course I asked about the spelling. He didn’t actually spell it, but said the word slowly, claiming that this was correct because “he fished in that very lake.”

Still confused, we walked to Hank’s statue just down the street. I saw the date listed, 1923 – 1953. It took a minute to compute. Certainly this wasn’t his age. Were these the years he lived here? The years of his songs? 30 years old? Maybe it was the same engraver who tried to spell Kaw-Ligi. It just couldn’t be. I asked Siri. 29 she said. “It’s even worse,” I shouted to Dominique in the street. He was only 29! A hard 29!

So many things get by us. So easily. It’s hard to believe, even when the images are right there in front of us. The Freedom Riders. Bloody Sunday. The Civil Rights Movement. We learned the dates in school. But did we ask the questions? Are we asking the questions? Are we curious enough, open enough, loving enough, not to repeat the same horrific mistakes?

I suppose that’s the one thing the man at the Hank Williams counter got right – “Be sure to ask some questions.”

If you saw that I am not just my face, but all that I have faced… and if I did that for you…


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Heaven nods.

For most things, an outfit for example, my mother’s decisions were slow and methodical, including several trips to the store, three-way mirrors, test runs with the right shoes, the accenting jewelry, the perfect shade of make-up applied in the proper lighting. Such gentle care she took to reach her destination. So it was surprising to me, on any given road trip, how quickly she could decide whether a city was the right stop for her. It wasn’t often, but it was swift and sure when it happened. Pulling off the exit, as I opened my car door, her decision would be made. “Nope,” she would say, and I knew she wouldn’t be getting out of the car. “I hate it,” she said.  And just in case her point wasn’t clear, she added, “with a passion.”  The echo of my laughter rang in the rear view mirror as we pulled out of town. 

But that’s how we did all things I suppose, with a passion. The cds turned along with the wheels beneath us and we sang! We sang as if each lyric was happening to us at that very moment. It was, we were, wild and free! So many things in this life are out of our control. And maybe that’s why she did it — say no. It feels so good. So freeing. To decide what’s right for you. Not out of spite or anger, but pure passion, passion for your own life, your own living. 

We pulled into the city yesterday (I won’t say which one – we all have our own right to decide.) I had to use the restroom. Dominique kept one hand on the car door. The words were French, and not exactly identical, but I knew we weren’t staying. I laughed as we sang ourselves down the road…with a passion.

Once again, heaven nods. 


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Seeing the gift.


I never asked for toys. My friends had every page of the Sears Christmas catalog marked. It wasn’t what I wanted. I wanted to make something. Something I could paint. Something I could form, or mold, or color. Because I saw it as an extension. When they opened their gifts — their plastic toys — the excitement was there for a minute, but it seemed to end. For me, to get the gift of creation, it was like I got to open a new gift every day. It kept giving and giving.

Thumbing through my photos this morning, all the lights of Christmas were shining. And for just a brief second, my heart felt a little melancholy. It’s all so fast. How do we keep those lights burning? I reached into my suitcase for the answer. A gift I received. A beautiful leather bound book of ancient paper. Ready. Waiting. Just for me to create. I touch it. Feel the possibility. The endless hours to come. The love in the gift that says “I know you.” Once again I am five years old, beginning, warmed by the light of it all.

I suppose we’re all given that gift, daily. The day opens and we get to decide what we’re going to make of it.

Let me always see the gift. Ever be part of the giving.


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Through any door.

My grandma pulled into her driveway. Put the car in Park. I unbuckled my seatbelt. Pulled up the lever to unlock the door. As she opened her door, she looked over at me and said, “Don’t say anything about her arms…”

I didn’t have time to question her. She was already half way to the front door.

My grandmother made quilts. She made rugs. Some of her friends did too. The friend we were visiting on this day had a giant loom. And apparently, something wrong with her arms. I raced my six year old legs behind her. My grandma pushed me through the door first. Her hand on the small of my back was both the courage and decisiveness I needed. She had done it since I could walk. Even when she was phone sitting at the funeral home, she guided me through each room in this very way. She taught me to enter boldly and gently. To greet whomever was inside. (Even the ones who were no longer with us.) So with the help of her farm hand, I entered the home of the loom woman. She was the largest woman I had ever seen. I’d like to think I didn’t stare, but the extra pinch on my back said differently. “Hello,” I said. I told her my name. “Ivy’s daughter,” my grandma continued. We went to the loom. Her giant arms waved in a way that impressed us differently, but we were equally amazed at the beauty she could create.

My grandma didn’t travel. But you would be mistaken to say that she didn’t see the world. She taught me that not all who lead are out front. Someone has to be there. Behind you. To support you. To make sure you walk through that door. Even when you are uncertain. Perhaps afraid. To present yourself with the assurance of who you are, where you come from. And through it all, to be kind.

I have seen more of the world than I ever could have imagined on that gravel road. But I know, I have never walked through any door alone.








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When someone shows you their hope, it’s hard to unsee it.


Living in the south of France, I see the Sainte Victoire mountain daily. Each time, I give thanks for my current view, and also for the view Paul Cezanne gave us in his paintings. Would I have seen it without him? Would I have noticed the extraordinary beauty of this mountain without his vision? I’m not sure, so I give thanks with each passing step.

I suppose it has always been this way. My grandfather did the same with his farm. Without him, perhaps these fields would have just been blurs from a car window. But not for me. Not since walking with him. Holding his roughened artist hand that turned those fields from black to green to gold each year. Work. Magic. Love. I slow down the car.

We all have a responsibility to find the beauty. To share it. It’s everywhere. Poets and philosophers have tried to explain it. (Certainly smarter than me.) But maybe it’s all about hope. Maybe that’s what makes everything beautiful. So that’s what I try to create. In the faces. In the paintings. In this life. There is hope. Always, if we choose to see it, and share it with each other.


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Present.

The way they warned us, the teachers at Washington Elementary, trouble seemed to be a place, a spot. “Don’t get into trouble,” they said. The only “trouble” I was having was figuring out where this place was exactly. Because when the teacher said, “Now Steven is in trouble,” he seemed to still be right there, sitting beside us. Hadn’t he said “present,” when she called out his name? Why couldn’t I understand? How come I couldn’t see it? Maybe trouble was invisible, I thought.

It sounds funny, I suppose, but it turns out, I wasn’t all that wrong. We never know what people are going through. We see the outsides so easily, but that’s usually not the whole story. To see the real story, we need to actually be present. It’s not enough to just call it out. We have to be there. Show up. Again and Again. And ask questions when we don’t understand. Listen. Raise our hands. Reach out. Find a way to connect. See with our hearts what our eyes cannot. Make all around us visible. 

And if you saw that I am not just my face, but all that I have faced, and if I did that for you…


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Finding place.

We were taught that it was sacred, right from the start. “Children, be quiet,” she urged, as Mrs. Bergstrom walked us from our first grade classroom to the library. I don’t remember asking why. I guess I always assumed it was because the books had so much to say, we needed to listen.

With this opening of worlds, it became necessary from the start to mark our places. The librarian told us, pleaded with us, never to “dog ear” the page. Imagine, she explained, if every time you walked into your home, your mother grabbed you by the ear and folded it over and pulled you in to show you your place. We all agreed that would be terrible. I know some still did it. I can’t say who for sure, but I had my suspicions. And the proof was often there in a big crease going diagonally down the story. I didn’t do it. I still don’t. Not because I was so perfect. No, it was because just down the hall, in art class, it was Mr. Opsahl that taught us paper had a memory. When you folded it, it stayed. Everything we were being taught at Washington Elementary told us that these books, these pages with words, were alive. And it was here, that I found my place.

I still live there. Here. In the word. It’s where I find my truth. My hope. My joy. It’s here I can find company. Comfort. I can welcome you in, and with any luck, give you the same. Because I think that’s what they were always telling us, as we raced to make our mark — to listen, to be kind. We can do this. For each other. We’re all hear to tell a story.


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What remains.

Throughout all of history, hearts have laughed at what the hands try to carry.

I always overpack. It all seems so necessary, so “I can’t live without it,” until I have to drag it from car to hotel to car again.

I write the stories of my hometown daily. I have them with me, even a country, and what some may call a lifetime away. Truth be told, driving into town yesterday, almost none of it is there. The pool were I learned to swim is gone. My high school is an empty lot. What’s left of my middle school is part of the courthouse. Washington Elementary — condos. Even the old public library — empty. So why do I still hear the words? Feel the splashes? Raise my hopeful hand in a class that isn’t there?

Waking up in the Best Western, I certainly can’t call this home, can I? My bursting suitcases try to make the case, with things that I brought from France. Things I picked up in Minneapolis. Duluth. Brainerd. Vintage shirts purchased from the Alex thrift store reminding me of when I was a Cardinal. I suppose we’re all trying to gather in the proof that being here matters. (Wherever that here may be.) And we struggle to drag that proof beside us. And the funny thing is, I know the answer. I have written it. Painted it. Lived it. What remains may only be in the heart.

Sitting with friends yesterday in memory’s laughter of burned pizzas, and chances taken, tears shared and future plans, everything is still alive. Pools and teachers and libraries and mothers. Everything remains. Brushing against arms. Leaning into hugs. I know my heart is the only suitcase I need. And it fills, even when full. It’s all that matters.