Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Gently nesting.

Having long hair, I would often come home after a tumultuous day navigating the Washington Elementary School playground with a bit of, what my mother called, a bird’s nest. Often tangled in hood or cap. Sometimes even zipped in the collar of my coat. Falling out of one ribbon and retied into another. Bungied, bungled and bouncing around my face. But I was never worried. She took her time. Untangling with care. Strand by strand. Story by story, of the birds that could live there. Until my blonde locks lay gently upon my shoulders. 

I suppose I took it for granted. I did until the day that my friend Lisa said her mother really worked her rat’s nest hard the night before. What’s a rat’s nest, I asked. My hair, she replied, it was all snarled, you know, messed up. A rat’s nest — I was silently horrified. Is that what they called it? Not my mother. Never. She would never give me a rat. Always a bird. 

I’ve said it before, and I’ll say it again, it takes strength to be gentle and kind. But how do we know, unless we are given the example, to first be gentle with ourselves? 

I cried when we crossed the border into Minnesota yesterday. I did not fight the handlful of silent tears. I let myself long for the nest that wasn’t there, then cradled myself in the nest that is always with me. My mother gave me that. I will have it ever. Nesting. Gently.


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Mostly.

It was either in yesterday’s Phoenix coffee shop or sometime in my Junior year of high school on the gymnasium floor…I can’t be sure, because the feelings were exactly the same, but I knew this woman, coach then, friend now, (the roles could be easily reversed), I knew that she was someone special.

She was young and looked like Janet Fonda, and we, in our teenage years, were eager to tell her both. Eager, and yet we made sure she knew how much we loved her predecessor. We had just begun to learn about love and trust and leaving, so all our cards in the colors of red and black, our team colors, were laid out on the table.

Of course I didn’t think about it then, how hard it must have been to join us. We, who had been friends since five years old. Moved from playground to gym. Knew the language of dropping the x in Alex (our beloved hometown) and replacing it with a k. And here she was, with her new ways and new shoes and I, we, stared through the glass of her office door.

Of course mine didn’t match our volleyball uniforms. My shoes were a light blue. Not Nike, but an off-brand, half-swoosh, that fooled no one, but the only ones we could afford. But I don’t remember ever feeling bad. Not even envious. We were friends, with no where else to go after school, playing in a gym. And I do mean play. Oh, of course we cried when it was all over, but mostly we just laughed. We laughed at the songs sung wrong on the bus, the girl who “mooned” out the back window, and the way none of us really knew how to do the flamboyant flop as we to took the floor before the match. (And we had the floor burns to prove it.)

I don’t mention the games, or our record. I barely remember. What was important is that she became friends with my mother. And sitting with her yesterday, in a coffee shop in Phoenix, she said, “…that’s exactly what your mom would have said…” and I was home. We talked of how those same volleyball girls recently visited me in France. We spoke of my mother, both of us eager to share our love and longing. We gave our compliments freely, and all cards, of every color, were once again laid upon the table.

She smiled when she said, “You were just friends, playing…” I smiled, because that was true about my friends in the gym, and my mother who worked just down the hall in the superintendent’s office.

Of course we cried when we had to say goodbye. But mostly, we laughed…


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Disregarding pebbles.

I wasn’t sure that I could go back there — the last place that I saw my mother. I hadn’t even been on the road since she had passed. But I had made a promise to Phyllis Norton. Phyllis Norton, the anchor of our childhood home on Van Dyke Road. The road I write so often of now. But the same road I couldn’t revisit for more than 20 years. Because gravel has a memory, I suppose. And it releases into you when you travel upon it. Pebble by pebble. But what took me twenty years to learn the first time – that the heart has a filter – only took two, and I found myself on the way to Windmill Ponds to visit Phyllis Norton. 

It was only moments in…when her smile was too big to even turn up at the corners, that I forgot the place, and I only remembered her. It could have easily been Van Dyke Road. And I could have been five. Kneeling next to her with a skinned knee. Hovering secure between these mothers of our Van Dyke Road. These women that kept me safe, whether on top of the hill or at the bottom. 

The roads that we travel are not always easy. But always worth the journey. The heart knows this. My heart knows this. Disregarding pebbles. Knocking them off one by one. Eager to get to the joy. To get to the love. Always more willing, and ever telling my feet to go, to get there. 

Nortons always had the good band-aids. The pink baby aspirin that tasted like candy. A smiling Phyllis to distribute both. Any hurt was always diminished, overtaken by safety, surpassed by joy. Kneeling beside her yesterday, it was the same. 

A road by any other name…


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The adventure begins.

Most of us cried when we lost the last game of season. I can’t say what all the tears were for — but I know for me it wasn’t about winning or losing. It was the ending. Every day for three months I sat in front row of Mrs. McCarty’s English class, watching the last few ticks of the clock that hung just above the door. My toe tapping in time with the second hand. My arms clutched around my books just before the bell rang — the bell that released us into the after school special that no one would film. 

I raced down the hall. Past the locker that I never used. Down the stairs. Past the front doors. Waved at my mom at her front desk in the Superintendent’s office. Down another half flight of stairs. A quick drink at the fountain. Into the girls’ locker room. Changed into my shorts and t-shirt. Hiked up the knee pads. Joining Mrs. Anderson and all of my teammates for volleyball practice. 

This is why I cried that last game. In slow motion, the last ball hit the floor on our side, and with that one splat, I had nowhere to go. No clock to watch. No hall to race. Nothing. 

Not to be all dramatic…of course it wasn’t true. I still had the books to read from the English class that I adored. I had a mother who loved me. All the friends I had from the day before. And a permanent gym locker that Mrs. Anderson let me use throughout the school year. We sang on the bus ride home from the game. Everything was beginning.

Each year for a minute on the 26th of December, I can feel that “ending.” That hollow. And then I go through my list. I smile.  I have everything I need. And just enough to wish for. No tears. I’m ready to get on that bus! To take the next ride! Let the adventure begin!

The adventure begins!


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Graveling well.

When I look at the people in one of my sketchbooks, they all look like they belong. The paper becomes part of them. I suppose it’s the same in real life.

If you would have put the first grade class of Washington Elementary in a lineup, I think it would have been rather easy to tell who was growing up on a gravel road. Skinned knees and elbows. Dusty shoes, worn on the heels from braking our bicycles. Eyes in half squint. Just a hint of feral. It was only a mile from town, the gravel of Van Dyke road, but it was different on the north side of Big Ole. I imagined we cursed the gravel while rolling up windows. Kicked the ground that so often tripped us. And perhaps I didn’t see it then, how it formed me, formed us. But I do now.  Proudly. And even a country away, I wear it still. 

We are being formed constantly by our surroundings. There are regulars on the path that I walk each morning. I don’t know them by name, but how they walk on the gravel. It’s only recently that I’ve seen two of them out in the “real” world. One at a green grocery. One at an electronics store. And I had the same feeling for both. It was quite strange, but I noticed how they both looked smaller in this new context. And I can only think that on the gravel path, in this untamed world that we inhabit together, we walk a little taller. We stand strong. We stand out. Without words we take pride in our collective journey. And it makes me smile. 

We can be proud of the paths we walk. Each stone that we have traveled over. Each rock pulled from shoe. They are victories. Don’t hide your journey. Shoulders back. Head high. Walk in it. Stand tall. Wear your gravel well.


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Saving Provence.

I always rationed out my Halloween Candy. Counting each day. Indulging in a piece or two. Doing the math. The goal was to make it last until Thanksgiving. I imagined that each piece was a link in the joy chain. Even on the days when I limped along with my least favorite candy, like a circus peanut or a Jolly Rancher, I was keeping the sweetness alive. 

Most of you celebrated your Thanksgiving yesterday. Here in France, of course, it is not a holiday. No days off. So the tradition that I dragged along with me won’t be celebrated until Saturday. As I read the posts of you already walking off your gratitude, I could let it get me down, but I choose to think of it as the luxury of keeping my chain alive. I give thanks again, and check the turkey parts thawing in the refrigerator.

I suppose it’s what I’m doing with everything, trying to keep the chain alive, with a painting of a niece, a grandma, a brother-in-law, a cousin. What if somehow we could all connect? In this most unlikely of scenarios, (and aren’t they all) we could come together and find the joy. 

Of course I have my days, my moments, limping through the “circus peanuts” of life. But even the worst days connect me to a chance of something better. So I give thanks. And wait. Today is going to be delicious.

Saving Provence.


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Meaning.

We toss around the word so easily — this passion. “You have to find your passion. Follow your passion.” Like everything would be solved if you only did this — as if all joy would be received in your passion. When actually, when you discover, or simply admit, to the things you truly love, that’s when the real work begins.
And I suppose we’d know this, if we looked at the word itself. 𝐓𝐡𝐞 𝐰𝐨𝐫𝐝 𝐏𝐚𝐬𝐬𝐢𝐨𝐧 𝐞𝐦𝐞𝐫𝐠𝐞𝐝 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐋𝐚𝐭𝐢𝐧 𝐫𝐨𝐨𝐭 𝐰𝐨𝐫𝐝, 𝐏𝐚𝐭𝐢𝐨𝐫, 𝐦𝐞𝐚𝐧𝐢𝐧𝐠: 𝐭𝐨 𝐬𝐮𝐟𝐟𝐞𝐫. (Far from the mouth’s of today’s influencers using it to describe the latest storage options from IKEA that they are obsessed with and so very passionate about.)  But don’t be afraid, we’ve basically altered the meaning for suffer as well. The word suffer comes from the Greek word pathos, which usually means to experience or undergo. And it’s this pathos or suffering, that refers to an element in an experience, like a work of art for example, that makes us feel compassion.

I mention it only because I have to learn it as well. Daily. I can easily confuse the feelings in my heart for pain. For suffering in its modern definition. But what it really is, is love. And this is meant to be endured. To be felt and passed on. To move from my heart to page, to canvas. To be offered in the most compassionate of ways. 

So yes, I will be, am, passionate! Images surround me — experiences of heart and mind. I sit across from the painting at the breakfast table, excited to do the work of the day — to experience it all. Knowing, if I do, love will endure. Love will ever endure. 


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Bouncing between.

I was never one for magic — I mean the “magician” kind. I guess I was always afraid of disappearing.

I didn’t have the words for it then. I’m not even sure I was aware of what I was doing when I began to write and paint at five years old. But I knew how it felt. This creating something. An extension of myself on the paper, through words and images. When I would present it with two hands to my mother, just outside of my bedroom door, she would stop whatever she was doing. Whatever occupied her hands at the moment, be it dishrag or mascara, she put it down, and gave me her full attention. And never was I more seen. My heart. My being. On full display. In full acceptance. The warmth that bounced between us seemed to light up this hallway stage, and I thought this was the only magic I ever needed. 

When my father left, and my mother felt sad, I could feel that light begin to dim. I wasn’t going to let her disappear. I began writing about her. Poems, prayers and promises. On sheets of paper. On pieces of wood. And the stage changed from house to apartment, to apartment again. But the magic remained. 

Maybe it’s the way with all artists. We begin to create to prove that we exist, and then continue to show the others that they do too. 

I was only a few strokes in yesterday when I began to cry. It’s my first painting of Grandma Elsie. I wasn’t sad. Nor nervous. I hadn’t even yet called on the magic before it dropped in. She is coming to life in my studio. 

I guess it’s the same with real life — the more we see others, the more we connect, the more we feel alive. Now that doesn’t mean you have to paint. Or write. But you do have to connect, however it may be, to keep that light shining, bouncing between. There are a million different forms it can come in, but I suppose it’s always love — love is the only magic that keeps us from disappearing. Ever seen. Ever alive.


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On bloom. 

I expect to have roses in the summer. And they are beautiful for sure, but the late autumn roses…the ones that come out of nowhere, welcoming me into the crisp mornings, when all others have let go, succumbed to the force of the fall, these, well these are something spectacular. 

We’re not all green when we’re asked to grow. I was fortunate to see my mother bloom. Long after, I suppose, her peers and townspeople expected. Some might think I brought her to shows, to galleries, to book-signings because I was kind. While I always want to be kind, I wanted her next to me because she was blooming in full sight. She was a long-stemmed rose in my booth. Attracting all who had grown weary of the expected vine. Her delight in this crisp and open new world, was infectious. And I knew, we knew, we were lucky to bouquet around her.

Maybe one never gets over an autumn bloom. I’m hoping that’s the case. I can’t imagine it any other way. How can you look at it and not feel spectacular? I have to imagine, we are given the responsibility — to bear witness. What a privilege it is to keep sharing the story, her story. 

In recent years, we have all heard the saying, “if you see something, say something.” Why we reserve that for the bad things, I’ll never know. This should be something we live by, for all the good things around us — the spectacular blooms we are privileged to walk within and beside. 

It’s a daily choice we’re given, to trample, or bouquet. May we ever choose to bouquet.


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The tender fields

I only had to hear it once for it to stick. “There are no stupid questions,” Mrs. Strand said, addressing the thirty strained-necked five year olds looking up from their cross legged positions at Washington Elementary. So the questioning began.

Behind our house on VanDyke Road, there was a field of grain. Hugo’s field. Lined from green to gold every summer. My grandpa had the same, but he also had a field for the cows. Unlike the fields of grain, it was fenced and trampled — “But still a field?” I asked my grandpa. “Yes, he said. “But what will grow?” “The cows,” he said. I shook my head in agreement.

I was surprised the first time my mother dropped me off at the field to play softball. This was a field too? This sanded and based lot. The teenage boy who we loosely called coach said he would teach of the basics – hitting and fielding. Fielding? No one else raised their hands. Why wasn’t anyone else questioning all these forms of field. I put down my hand and began to play.

It wasn’t lost on me that when you were asked to choose your line of work, it was your field. And when you became good at your chosen profession, you were “outstanding in your field.” The first time I heard this, probably because of Mrs. Strand, Hugo, because of Grandpa, because of the teenage boy, I heard, “out standing in your field.” I still think of it that way. Because this is where I go to create, to the tender fields that led me here. And they were tender. Even through every cracked bit of earth, with every run and trample, I learned. When yields were low. I learned. Each season, I grew. Never with a guarantee, but always a promise of hope. It is with this welcoming of wonder, I wander today’s field.

Something will grow from all of this, and it will be me.

Something will grow from all of this, and it will be me.