You had to want to see them — and we did. We were even told where to look, and yet, for a split second, it was hard to distinguish them from the rocks of every other beach. And they weren’t beautiful, until I realized that they were seals. When I imagined these lumps up from their naps, barking and flopping, when I watched the slow up and down of their jiggly breaths, they became alive, real, fascinating even! The longer I looked, stories were revealed. One pup headed back from the water (I guess even seal children struggle to take a nap.) Two snuggled a little closer to each other. They weren’t all the same. These seemingly lifeless rocks at first glance had a story to tell.
I worry about how much we miss. How much we pass by. How many humans we just write off. What if we took the time to really see? I suppose it’s impossible to know everyone’s story, but what if we just acknowledged that everyone has one, that everyone is on a journey. What if we allowed each other to explore? To dare the sea? What if we allowed each other to rest? All in our own time. From ship to shore. Wouldn’t it all, wouldn’t we all, seem a little more beautiful?
It probably wasn’t obvious, given the size and gender — and the Hvezda boys, these strapping sons of Rueben, these born of the earth, farm raised young men, quite probably held their own in the country school just up the road — but I would have to say that it was my mother on more than one occasion who proved to be strongest.
And she was tired. She, being the second of nine, and the oldest girl, worked side by side her mother. Washing the continuous dishes. Changing the diapers. Retrieving the dolls thrown up apple trees by brothers endlessly tormenting sisters. Her arms weary from rocking and cradling babies she didn’t choose, but took in, one by one.
But those arms, that dangled long and heavy by her side, weighted by work, and books, and a metal lunchbox, found the strength to defend her brother Tom, from the endless teasing of Arne Zavadil. He never saw her coming, as he pushed and taunted this young boy struggling with words. He never expected this quiet, arm-weary sister to rise up from the ditch in front of the white school house and swing that metal lunch box with all of might, and flatten him to the ground. She wiped the blood from the lunch box on the grass and walked home to help her mother.
I don’t imagine Tom thanked her. He still found a way to tease his sisters. But strength untouted is still strength. Without the need for boast or gratification, those who do the work, the endless work, and still show up, these are the strongest of us. The most brave.
Sometimes, in a moment of weakness, I can wonder if it all matters. Heart and arm weary I wonder if the words on page make a difference. If the paint on canvas is wasted. But then I feel her, walking to school, step by step, and I am stronger. Ready to swing with all of my might. To defend what’s right. To rise up from the ditch and protect the ones I love, even the ones who just hours before “left my favorite doll out in the rain.” I am ready to defend. To rock and cradle. To swing if necessary. To love with a strength undenied.
I suppose we always want what we can’t have. So when she asked me if she could bring me anything from the US, I said red licorice. We don’t have it in France. Nor jelly beans. This shouldn’t be a surprise when you know that Hershey chocolate bars are in the exotic aisle of the grocery store, along with the peanut butter.
I kind of forgot about it. They had been here for hours, my American friends, before she brought out the gift bag. As she placed it in front of me, I saw the tip of red sticking out. Twizzlers! A two pound bag! I said, “If there are jelly beans in there as well, I might just pass out.” There were, and I didn’t. And then he said, “I brought some too. It’s my go-to travel candy.” He went to his suitcase and brought out at least another pound. “The bag is resealable,” he said, both thinking that seems highly unnecessary, and I knew I was with my tribe.
If we remembered the countless things that connect us, maybe our country, our countries, wouldn’t feel so divided.
My mother loved jelly beans. Red were her favorite (mine as well). Then yellow. Orange. Green sometimes. White in desperation. Purple, never. She gave purple to the birds and sometimes her mother in the back seat on long car journeys. Driving, I would never have to wonder or even ask what color she passed back to my grandma, be it jelly bean or Tootsie pop. Before her hand even reached over the seat, we would begin to laugh. It’s not like she didn’t know. Even Helen Keller would have seen the lack of randomness in candy choice. It didn’t take many miles for her to join in. Cupping her hands around the sugared treat, she said, “You know I like purple.” I’m still laughing.
What a thing it is to know someone. Without labels. Only by experience. To know my mother needed narrow shoes. My grandma, wide. Yet, their hands were surprisingly similar. Maybe no one “needs” three pounds of Twizzlers, but as the weight dwindles day by day, I am reminded where I come from. My joyful red heart beats wide open, never to be resealed.
If you made a line of every bike ride. Every walk on gravel. Every stroke in one of 10,000 lakes. And if you swept that line through golden fields, and trudged it through snow that spilled into boots. Then climbed it through grades and classrooms. Danced in through gymnasiums. Drove it through the DMV. Set it into the sky and released it to an open door. That line would form the shape of Minnesota.
I learned pretty early on, what could be taken away, and what couldn’t. There is no physical home for me to go to in my birthplace. No scratches of growth marked on a wall. No cedar chests. Gravel driveways have been paved. Empty lots over-filled. Schools torn down. But I am not sad. Everything that has given me form remains. My heart will ever know the way.
My friend from the first grade, and friend still, gave me a Minnesota cookie cutter for Christmas. Yesterday, here in France, with the spring of a schoolgirl, I rolled the sweet dough and cut out the shape of my heart.
I am part of the roads that lead to and from here,
I have know idea how they got them in the house. It never occurred to me to think of those things — the logistics of moving an organ, a clock. And just as I assumed this clock that coo-cooed on the hour was called a Grandfather clock because it was his, I thought it was a Grandma organ, because it was hers.
But it must have been fairly spectacular – this finding of an organ mover, a clock mover, to a farm house just outside of Alexandria, Minnesota. And they must have come through the front door – a door we never used, never even considered. And even if they came through this front door, there would have been a stoop to be navigated. A tiny hall before reaching the living room. But as I said, I didn’t think of it, how they got there. But I did count on it, them being there.
And that was the gift, I suppose. It was all an assurance. One I didn’t ask for, or prayed to keep, I just had it. I knew, without a doubt, what would be found in this house. Coats and overalls hanging in the entry. A kitchen table with uneven legs. Candy in the corner cupboard on the lazy-susan. Sugared cereal beneath the silverware drawer beside the kitchen sink, a kitchen sink that was forever filled with dishes. Something on the stove. Publisher’s Clearing house magazines on the dining room table. The hint of pipe tobacco and baked goods. Television on. A ticking clock. The hum of the organ at the ready. And a love, no matter how many doors or windows were left open, would never leave.
So it continues to be spectacular — this never knowing how it all got in — mostly the love. I just remember always having it. I still have it. And what a thing to move! To carry throughout a lifetime! Enough to make a heart ever coo-coo and hum.
We took it on good faith that these were actual words, what Grandma Elsie named her desserts and baked and fried treats. Through the years, I suppose, I brushed them off as perhaps Bohemian. Maybe they came from the “old country,” as some called it. Maybe I’d just been saying it wrong — after all, I was in my pre-teens before I realized that Aunt Mavis was not in fact Aunt Navis as I had been mumbling. In my defense, there were just so many of us, and when the treats were being made, even more gathered around, claiming relations that no more existed than the names we had apparently made up for the passing of said treats.
After moving to France, I had both the time and inclination to bake. I became curious about some of these desserts of our youth. Google seemed just as baffled as I was. I asked a few relatives. All remembered eating, but the names varied, each still ungoogleable.
I hadn’t realized it until I looked at yesterday’s painting for the blog and compared it with today’s image. I have been thinking that I’m painting in the colors of Provence, while it looks exactly like the colors of Hugo’s field next to my childhood home.
Memories are malleable. They appear at our table without knowledge or invite, like a farm neighbor riding the scent of misnamed desserts — welcomed, and finding comfort in the ever changing knowledge of what we call home.
The way they warned us, the teachers at Washington Elementary, trouble seemed to be a place, a spot. “Don’t get into trouble,” they said. The only “trouble” I was having was figuring out where this place was exactly. Because when the teacher said, “Now Steven is in trouble,” he seemed to still be right there, sitting beside us. Hadn’t he said “present,” when she called out his name? Why couldn’t I understand? How come I couldn’t see it? Maybe trouble was invisible, I thought.
It sounds funny, I suppose, but it turns out, I wasn’t all that wrong. We never know what people are going through. We see the outsides so easily, but that’s usually not the whole story. To see the real story, we need to actually be present. It’s not enough to just call it out. We have to be there. Show up. Again and Again. And ask questions when we don’t understand. Listen. Raise our hands. Reach out. Find a way to connect. See with our hearts what our eyes cannot. Make all around us visible.
And if you saw that I am not just my face, but all that I have faced, and if I did that for you…
There is a natural instinct, I suppose, when you experience something wonderful, to want others to feel the same. “You’ve gotta taste this,” we say. “You’ve got to see this!” And I enjoy sharing things from around the world. But these are the obvious things. The guaranteed positive response. The Eiffel Tower, example. The Vatican. I feel blessed to have stood beside the Colosseum. Floated in Venice. But it’s not a surprise really. I expect people to like these photos.
Winter in Minneapolis. Not the expected destination for travel. But there is beauty. And I see it. Maybe it’s all just a reflection of the people I’m with, but the light!!!! The beautiful light of this city. One that I claim. This is something! I shared the image with my French family. When she replied, in French, how beautiful she thought the light was, it made me feel special. Not just because I took the photo. But that she could see it too. We were a little more connected. Sharing this truth.
It’s why I share the stories of the places I love, but even more so, the people. When I wrote this poem about my mother, The Truth about you, I did it because sometimes I just can’t imagine the incredible luck, the pure blessing, of having such a mother, and I just want everyone to know. To see it. To see her. So pardon my repeats, as I keep spreading the news. The joy. The love I have for my mom, my city. This world.
The light is coming in from the window. I hope when you see it this morning, you will know, it’s for you too!
It was my mother who taught me to be a come-with gal. Both by being one, and by asking the same of me.
When I started having surgeries in my teens, on every joint available, my mother was there. She made appointments during her lunch hours. She used vacation time for hospital stays. She overnighted in questionable parts of strange cities to be there when I woke the next morning. She was the driver. The nurse. The companion. The entertainment. Each and every step of the way, she came with.
Returning home, still releasing anesthesia through tears and hanging limbs, she would say, “Well, I’m going to the mall.” I didn’t want to miss out. She knew that. She also knew this would get me off the couch. On crutches, or slinged, sometimes both, I slapped on the lipstick that she already had raised from the tube, and I limped along beside her. She tried on every outfit that Herberger’s had to offer. Some to stun. Some just to make me laugh. And I did. I got over, because I came with.
Just the other day I sold a painting that turned out to be a two-fer. Sometimes when I run out of canvas, or panel, I paint on the opposite side. As I was wrapping up the painting of Lake Agnes for shipping, I smiled, because there she was, the woman on the other side of the painting — the come-with gal. How appropriate, I thought. On one side, the image of where I came to life, Lake Agnes of Alexandria, Minnesota. And on the reverse, the symbol of how I came alive, just by coming with.
No days wasted. My mother saw to that. The sun is calling, and I must go.
It would be hard to see at first glance, I suppose, but the chairs I recovered when first moving to France, remind me of my grandfather.
He didn’t say a lot. My grandma was the talker. So to know him, you had to watch him. It was his actions that told the story. And the truth that I saw was that he could fix anything. His tools were simple. Most, it appeared to me, could fit into a small handled, rusted box that he could carry in one hand from the shed to the field, where the tractor waited patiently.
This was business. He took it seriously. But one time he let me walk with him. Two steps to his one, I bit my lips to mute the million questions in my head. Just watch, my brain kept telling my curious heart. The music of the tools rattling seemed to lead the dance. With great precision he flipped and turned. Jolted and eased. Mumbled under breath. And the tractor started again. I sat on his overalled lap and he drove me back to the house. I told him I would return the toolbox to the shed. It wasn’t just to be helpful, I actually wanted to feel the weight of magic. It was surprisingly easy to carry.
When I first moved to France, I needed to find a way to fix the time. The real “difference,” was not just seven hours ahead, but how it could be filled. I didn’t understand the television. My phone didn’t work. Stores were often closed. People spoke in an unfamiliar rhythm. I had my painting. My writing. But there was still time to fill. I went to my heart’s shed and grabbed my toolbox. I decided to recover two chairs. I had never done it before. Never even knew that I wanted to, but here they were, these two chair frames, so I began to work. With Dominique’s help, I found the fabric, the stuffing, the upholstery nails, the sandpaper, the paint. And began. The sanding and the painting went well. The stretching of fabric over the cushions took some trial and error, but I figured it out. Then the nailing — the endless nailing — hour after hour of nailing. But I did it! I did it, I said again to the heavens. And as I placed one in the entry and one in our library, I could hear the engine roll over, feel the puff of smoke, and the tractor wheels turn. It was magic.
Without saying it, he taught me to find a way. Each day has its challenges, but I’m carrying a box of magic.
