Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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A fourteen.

There is an older couple on YouTube that reviews restaurants and bakeries. Normally I can’t swipe away fast enough. I really don’t care what people eat. I only stopped one day when I saw they were giving a rating of 14 out of 10. It made me smile. How rare to see such positivity!  

I don’t know their names to direct you. They show up on my feed now because I stop when I see them. It’s nothing new, this “power of attraction.” I mention it more as a reminder to myself. 

When I first started my own art business, I gave myself two rules. Pay attention and surround yourself with the best people. It worked. It still does. And not just for business. Whether you are involved or not, positivity will always lift you. Everything else is quicksand.

I tried a new recipe for bread yesterday. We had it for breakfast. With a little French butter (a lot actually), lavender honey for me, my homemade apricot jam for Dominique — I give it a 14! I’m still smiling.

Fill your heart. Feed your soul. Taste this life.


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Graveled beginnings.

Just outside my dorm room, I came across a red balloon. Nearly deflated after its apparent celebration, it merely hopped in front of me, seemingly hoping for one last hurrah. Who was I to turn away? I gave it a little tap with my foot. Did it blush deeper red as it popped up to my hand? I waved it on ahead. And we danced. It didn’t occur to me that my normal three minute walk to class had now taken upwards of nine. I took on the same blush of red as I walked in late. The professor looked at me and asked why I was late. “Because I grew up on a gravel road,” I said. Always a proponent of the specific, he smiled and let me sit down. 

It was true what I had said. I had consumed hours kicking a single rock down the gravel of Van Dyke Road. It’s something, I suppose, to kick a rock on the paved streets of town, but it took special attention to traverse your specific rock in a sea of them. It started out simply, just a little tap by Weiss’s house. Then a quick passing of Alf’s. Once between Muzik’s and Dynda’s, I really gathered steam. Passing Norton’s I was ready to make it all the way to the North End, where all gravel went to rest in giant cliffed piles. Simply acquaintances at the edge of my driveway, we had now become friends. So certainly, as with any friend, I was ready to take it back home with me. Back up the hill. Maybe it was a foretaste of the feast to come, but I was unwilling to settle for any abandoning. 

You get over being left, but one has to decide if you are going to be a part of the leaving. I wasn’t. So I kicked that red balloon all the way to my creative writing class, in a story that began on Van Dyke Road. 


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Bird and…

Knowing that the number one rule in improv (perhaps the only) is to always continue the conversation with “yes, and…” —  and thinking that life is really one big improvisation — I try to do the same in my daily practices. 

I got up early this morning to make the baguettes. The sticky dough questions my every move, and yes, I continue. My tiny spatula is barely a match for the fluidity. It’s like trying to herd cats or gather water in the palm of your hand. But the scent of bread baking is priceless. The impossible cut straight from the oven melts the butter, and beds the lavender honey, and there really is no better way to begin the day. 

It feels good to begin in all that agreement. I will ride it to my sketchbook — the current sketchbook whose only rule is “Bird, and…” Every page must contain a bird. It started from the need to lighten the moment. To feel barely more than air. To fly. Thus, the birds, and… whatever I wanted to paint with them. Be it ukulele, purse, or human, it always continues with the bird, and…

The two most recent humans in the book, although pages apart, seem to belong together. And how telling of our world, I suppose. This “pages apart.” But I’m encouraged by the ease of paper turning…the smell of fresh bread, the taste of lavender honey… So as the sun questions, “Will we rise to the moment?” — I can only answer, YES!


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One Terry.

It wasn’t long after I realized that everyone didn’t have them, these Tech-ers in the basement, that they were gone. It’s clear now that we needed the money more than the space. We went through at least three cycles of young men from the law enforcement class. I only remember one’s name – Terry Eilers. Maybe because he was also our bus driver, but mostly I think because he was nice to me. And wasn’t that everything? —when there was just one unlocked door at the bottom of the stairs that separated them from our laundry. 

Before lessons were learned, I race from upstairs to downstairs without a glance. It was one of the men from the first group of three. (Everyone over 17 seems like a man when you are six.) He was building a canoe in the driveway to our basement. Fascinated by anything being built, I was probably annoying. Watchful. Eager to know the bend of wood. And what was that green stuff? What was he putting on the shell? Certainly he must have my best interests at heart, I thought, he lived with us after all.  He was going to enforce the law. He told me to touch the canoe. I poked one hesitant finger out of my sleeve and touched it as if it were a hot pan on the stove. No, really get in there, he said. Rub your arm across it. I don’t why I did. Just like the heat from a hot pan, it took a minute for the tiny shards of glass, the insulation, to reach my brain. And it took longer, I suppose, wondering not why the pain, but more, why did he want to inflict it? 

I wasn’t going to let him see me cry. I ran up the browning hill of fall grass. Through the garage door. Down the stairs to the laundry room in the basement. Took off the painful sweater and placed it in a basket. It was the first time I noticed there was no lock on that door. It was the first time I needed one. 

I stayed upstairs for the rest of their time. The next group came. They called one “Buzz” I think because of his hair, but I remained at a distance. 

When Terry Eilers came the next year, slightly overweight in his tan shirt and brown pants, the new uniform of the students, he smiled at me from behind the big bus wheel. I don’t know how many rides it took before I trusted him, but I did.

It’s no longer a technical school, but a college. They have their own housing now, I guess. Call it whatever you want, I hope we’ve all learned along the way. Kindness is memorable. 

Some will try to take it away. Innocence. Curiosity. Joy. Others still will pick you up when you need it most. It only takes one Terry.


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Amid the tatters.

Before Google, my mother had recipe cards with chocolate stains and bits of dough. A Betty Crocker cookbook so tattered, pages dogeared more with hope than actual meals made. She had a Bible with verses underlined in tears and yellow highlighter. Quotes from books stuck to the phone to remind her of what was actually funny now. Cassette tapes cued to the kitchen dance. And a phone book nearly rewritten with vital numbers like the Clinque counter at Macy’s. 

And it was tangible, this chain of life. How it moved from heart to page to note to smile. I suppose it is what I’m still trying to do. To create the images. Meld them with thought. (Neither artificial.) So you can touch and feel, and pass them on, with your own notes and heart and smiles. And amid all the tatters and laughter, what we will have is real. So very real. 

Love tangible.


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At the ready.

It’s no spoiler to tell you that men are different from women. I’ve been exposing Dominique to that beautiful truth for many years now.

When she sat at our kitchen table yesterday, an ordinary Tuesday, she began to cry. “I’m just so tired,” she said. For me, completely understandable. Now, men will often look at us like we’re on fire, and something must done. And it makes me laugh, because maybe they’re not so far from the truth after all, it’s just that we are built to put out our own fires, with the gentle flow of tears. Oh, those beautiful drops are always at the ready. With no need for alarms or sirens, they know when it’s time. I can hear them, mid eye-lid, “Are we going? Is it time? I’m ready, let’s go. Here we go.” And down the tears come. 

My mother always called them tears of tenderness. Because they weren’t there out of anger or sadness, only comfort. The ebb and flow of life’s tide.

So often the things we fear turn out to be gifts. I like thinking that my brain tells my heart, daily, go ahead, set the world on fire, we’ve got you covered.  


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To the mountain.

I see the Sainte Victoire mountain every day. It always catches my breath. On the halfway point of my daily walk I get the best view. I try to drink it in slowly. It is the latte I order extra hot to make it last longer. It is the tentative first sip of familiar and spectacular against my lips. Delicious.

Sometimes I wonder if I would have noticed it. Would I have just gulped it in and moved on? It was Cezanne who led me to it. Painting by painting. Image by image. In books and museums. Telling me again how worthy it was. How beautiful. And I believed it before I stood beneath it. Before I climbed it. Before I painted it. 

That’s what we can do for each other. It’s why I love a latte, I suppose. Because of each one shared with my mother, with my friends. Each sip an experience. Of laughter and tears. An extension of a meal. A way to make the afternoon last longer. A gathering of love, sip by sip. 

And the thing is, we can do it with everything. When we share what we love. The things we find important. When we show each other the view from our hearts, it can be the familiar turned spectacular. I mean it’s just a rock, a giant rock, this Sainte Victoire. So if we can turn that into a “breath-taker” — just imagine what else love can do! 

It’s time to show our hearts. Look at things differently. Open our minds. And just see!!!!


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A moment.

Being allowed to use the can opener was almost as freeing as learning to ride my bicycle. I went to great lengths to enjoy my five minute lunch alone in Hugo’s summer field behind our house on VanDyke Road. Perhaps it was the responsibility I displayed with my two-wheeler that gave my mother the assurance I could handle the responsibility of staying home alone. She taught me to tear off the label from the Campbell’s can of chicken noodle soup before I brought it anywhere near the burner. I poured the noodles into the pan. Then turned it on — I was only allowed to use the lowest temperature (You have more time than money she would tell me. No need to burn the house down.) I warmed it to luke, then poured it into the styrofoam thermos I had painted in stripes. I Tupperwared a stack of crackers. Filled another thermos of ice water. Put them all in my corduroy book bag that my mother had sewn for me. Placed that into the wicker basket of my bike. Kissed good-bye my dolls and stuffed animals as if going off to war. Then rode the five minute trail along Hugo’s field. Sat down in the smallest clearing just off the edge. Emptied the book bag. Made it into a tablecloth. Drank my soup. Drank my water. Relished in being my summer self. It was only a moment, but it was beautiful. 

Here in France, I learned to bake the worshiped bread. Normally I do it in the afternoon. Freeze it for our toast each morning. But once in a while, I have the desire to start the day with fresh break. That means making the special recipe before bed. Getting up early. Then finishing the kneed, the roll and the baking. Washing the dishes while it bakes. Our house becomes a boulangerie. My fingers dance on the crust, as I cut the pieces. The butter melts without urging. Even the honey and jam feel special. It is only for this breakfast. There will be additional bread, but only this one moment, eating in the waft of this happy morning. 

Some might say it wouldn’t be worth it. But then they wouldn’t have can-openered their way to magic. I guess that’s for all of us to decide. Me, I hope I will try to make the most of each moment. What else do we have? 

Here comes another, what will you choose?


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But I am.

We learned early on at Washington Elementary that so many of our problems could be solved by sitting quietly. If we were too hot, “Sit quietly,” the teacher would say. Trying to memorize our times tables, it was important to “tune everything else out.” Even in our excitement of knowing the solution to the problem on the chalkboard, she never called on the ones that “Ooooh, Oooooh, Ooohed,” — no, she smiled and pointed to the steady hand raised silently in the air. 

It followed me through high school and even college. I could never do my homework in front of the television, nor with the music blaring. The answers, for me, always came in a whisper. The same has held true for everything, I suppose. Recovery, hope, dreams, even love, has never arrived as the Tabernacle Choir, but more of a hum, a bird song in my heart, that to be heard requires the silencing of all the doubt, fear, and chaos that surrounds us. 

There will always be the chatter of those who are so eager to shout, “you can’t,” “you shouldn’t,” “you won’t.” To them (and mostly to myself) I say in a gentle hush, “Oh, but I am.” 

Softly.


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Huile d’olive.

Of course I was going to get in. Everything I had done up until this moment was about taking the chance, saying yes. So when she pulled her car up next to me and stopped, I walked up to the open window. She said the French equivalent of “get in” twice. And it’s surprising how quickly the brain can weigh all the options in a splintering of a second. I opened the door and sat down, and said “OK…” We both let out a nervous laugh, neither quite sure of what we were agreeing to.

It was her husband and son-in-law I had painted. The two men on my daily path. She had stopped me once before and applauded me in my paint splattered shorts from behind the car wheel. We were connected by nothing but sharing the same path. (And isn’t that everything?)

My mind tried to leave the proverbial bread crumbs as she wound us down the gated path. Through the sea of olive trees. Past the pool. She apologized that it was becoming green. She opened the shutters and we walked into her home. She unlocked the armoire and pulled out the most beautiful bottle of olive oil. This was their art — their exchange for the painted portrait. I held the weight of it close to my heart and thanked her in both languages.

I asked about her husband. I don’t see him anymore on my daily walk. The Alzheimer’s no longer allows his trip. A small tear, hers or mine, said he still makes the journey each day on the canvas.

I walked home knowing we always have the tools to connect, if we share the best of us. If we dare the best of us, ourselves.

It’s only a painting. It’s only olive oil. But it’s everything.