Rhonda Steen was the best pitcher in the Alexandria Girls’ Elementary School Summer league when I was in third, fourth and fifth grade. I can’t tell you the name of her team because we didn’t have uniforms, and in fact, each year we randomly chose new teams. We didn’t keep stats, so I have no actual proof that she was the best, I just remember that I could hit a home run off of almost every other pitcher but her. She brought something new to the game. It was slow pitch, so this was all technique. Every other pitcher up until then threw the ball gently toward home plate, almost as if they wanted you to hit it. Rhonda threw each pitch with the most aggressive arc we had ever seen. The ball seemed to sky into the blue, hover a bit over the batter (as they tried to swat it like a fly above their heads), and then drop directly behind them, magically in the strike zone. Most of us, with no sun glasses, no hats, certainly no tar beneath the eyes, lost every ball in the summer sun and just waited to see what the teenage umpire called… inevitably it was a strike.
We didn’t receive ribbons or trophies. Except for the year that my team lost every game, I don’t remember the wins or losses. I don’t remember that is was important. I remember riding my bike to the games. I remember the fields, the dirt, the girls. We were friends in the heat of summer, not tied together by uniforms or sponsors, but by friendship. We just played. We didn’t know it then, but I suppose Rhonda’s expert pitching was a sign that we would eventually separate, follow different paths…keep track of the scores, the wins, start worrying about whether or not this life was actually a success.
I still have my baseball glove. It was a hand-me-down from my brother, who’s name eventually wore off and I permanently inked my own. I introduced my husband’s grandchildren to the game. I pitch to them a tennis ball and if they hit it, they race each other around the trees until they fall over. It is pure and it is beautiful. And we all win.
I don’t think Rhonda made a career of her special skill, certainly I did not. But wait, maybe I did. I guess my job is to bring you the pure love of these and other stories, through pictures and words. And I hope I can do that. I hope you can feel that. When you reply “oh, that was my mother,” or “that was my neighborhood,” it connects us all. When we get down to the pureness of it all, in the disinfected light of a summer day, we truly are all connected. Sure, we can see we have different skills, different goals, different teams… but under that one sun’s warmth, wearing the same dust on our knees, we are one, we are more than winning, we are truly living.
I went for a walk this morning. The sky was mostly gray. The ground wet from last night’s rain. I listened to a few podcasts for inspiration. The words were good, but they didn’t really leap into my heart. So I kept walking. Looking. Turning corners, passing trees. And then the prettiest little bird flew directly in my path, landing in the tree that guards our garage. The most elegant mix of blues and yellows. I know that bird. I have painted that bird. It was, in fact, the first bird I painted in France. The first bird I heard in France. With a song, so delicate, so lovely, saying, “Every day she decides to be happy, and sings.”
I was visiting with my mother on the phone yesterday. Remember when I told you that I know my grandmother’s handwriting, and how important that is? Well, maybe even more importantly, I know my mother’s laugh. It starts almost as a little chuckle and grows into the most delightful giggle. In this laugh she is young, and possible and cancer free, and she sings. She sings a song so beautiful, that when I start to laugh with her, it becomes a dance. Because it was just yesterday when she felt the breezes from Lakeside Ballroom, dreamed of Frank Sinatra, gave her heart, smelled the youth of her children, broke her heart, and trusted her heart again…It was just today when the wind brushed her skirt, and she hoped and twirled like a little girl.
What a gift she gives me with her song. What a gift we all have been given – another day! Another day!!!! Be happy! Sing it out loud!
My plan today was to show you a time-lapse video of me painting an apple. There is no video. I’d like to say that the battery died, which it did, right from the start, and I changed it. But I guess in my excitement to start painting again, I forgot to hit the button, and now I have a delightful little apple, but no video. So today’s offering is not a video, but a painting of an apple. I like the apple. I liked painting it. You didn’t get to see it happen, but it did. And I hope somehow, in knowing the story, you can see the love in that.
I am not the same person I was when my canvas was blank. I have worked and blended and stroked and changed, and I have become. You haven’t seen each step along the way, but I show you now, who I am, who I have become, and I hope you can see the love in that. Maybe we could all do that for each other — accept who is here today, right in front of us — and know that it took a million strokes to get here — a million blends to reach these colorful lives. And if we could see the beauty in these vulnerable presentations of these little apples, these little and beautiful lives, then I guess it would be hard to miss the love in that.
In 2019, we went to the Van Gogh museum in Amsterdam.
I don’t want to gloss over anything in that sentence. We were traveling – oh the glorious days of travel. Van Gogh, after Cezanne (I live in Aix en Provence, so I want to, and am slightly obligated to profess this) is one of my favorite artists. Amsterdam – it never ceases to amaze me the places I’ve been able to see – truly.
So, that Spring of 2019, the museum was having an exhibition “The Joy of Nature”, featuring David Hockney alongside Vincent Van Gogh. David Hockney has always expressed a fascination with Van Gogh. They both paint in full movement with visible brush marks. Hockney says, “When you’re drawing one blade of grass you’re looking and then you see more. And then you see the other blades of grass and you’re always seeing more.”
That’s what I want – to always see more! This is the joy of learning from those who went before us. Then taking that knowledge and expanding it, creating beyond it, becoming that blade of grass for someone else. A few years ago, I created the book, “I’m not too busy.” It’s all about taking the time to see everything and everyone around us. I illustrated each page with blades of grass. If you’re not paying attention, you will miss that the grass is growing on every page, until you reach the end, when it is in full bloom.
I don’t want to miss anything. I want to enjoy every moment.
We were walking back to our hotel after a full day in the city. Seeing, eating, exploring, laughing, drinking – there’s a lot to do – and of course by the end of the day, your feet do get tired – your whole body gets tired…but as I put each foot in front of the other, it occured to me this simple thought, “I’m walking in Amsterdam.” I said it over and over. I was no longer aware of my feet, but my steps. Each step was magical. I was in a new country, a new city, a new life, wasn’t that amazing???
When I’m done typing here, I’m going to go for a walk around our house. (Covid restrictions do apply). But I will not say, I am in quarantine. I will not say, but we could be going places – doing things – why can’t we… NO… I will say, the sky is blue, the grass is green, not every blade, but most – and I will look at them all, and joyfully know, “I’m walking in Provence!” (And isn’t it amazing!)
I don’t really know how he got his name. Was he always Big Ole? He was to me. He was just always there. Could it be that we were really the birthplace of America? We had the Rhunestone too. Or a copy. We never spoke of it in school, never read of it in books – but there it was – the claim that was so large, Birthplace of America. True or not- everything that happened was on either side of Big Ole. So, it was right in that sense. It was our birthplace. It was all we new of America. Of our dream.
I have a memory of a neighborhood. For it was a neighborhood, you see, we had neighborhoods back then. Do we still? We had houses and people that matched them. Cars that matched the houses and the people. We knew the houses and cars and the people, and the wood, the linoleum, the carpeting, the clotheslines. We knew the jobs, the gardens.
Mrs. Muzik lived next door to the Nortons. She had a daughter. Melody. Say it in your head, Melody Muzik. Mrs. Muzik had the greenest lawn. We all had the same weather, yet it favored her. Her lawn was always freshly cut, thick and luxurious. You weren’t allowed to walk on it. I didn’t want to. Not because my summer bare feet didn’t imagine it to be magical. I didn’t want to because there was no Mr. Muzik. I never asked where he was. I assumed he died. Until my own father left, I had no reason to believe that anyone did, or would. Just knowing that a Mr. Muzik was missing, I remember thinking, but she has this, this green lawn, these perfect flowers. She should have this. This was hers. I didn’t walk on her lawn.
Dyndas lived across the street from them. It was Frank and Sylvia Dynda, with his parents, Grandma and Grandpa Dynda. It was a neighborhood. It felt right to call them Grandma and Grandpa Dynda. It was not too familiar. It was just familiar. Oh how glorious it was to be familiar. To walk in between the sheets that Sylvia had hanging on the line. To let them brush, cool and wet against your sun drenched legs, to walk through the open screen door, to say, hello Grandma, and to get a cookie that she had made, to answer her grandma-like questions, and leave through the same screen door, never worrying of when you would see her again. Nothing was disposable.
Alf drove the oldest pickup in the neighborhood. He might have scared children from a different neighborhood, but I, and maybe we, had thought his name was Elf. An Elf wasn’t scary. An old Elf on Van Dyke Road. He lived next to the Schultz’s and the Weiss’s. The Shultz boys would give us all a good reason to behave. Most of us, under the age of 10, were threatened when rooms were left uncleaned and beds undone, “Do you want to go live with the Shulz boys?” The Weiss family was older than the Nortons, younger than Elf – Alf. They were quiet and reliable. As quiet as the peach that colored their quiet house. Then the Mullens. Maybe it was Carol Mullen that drowned out the sound of the Mr. and Mrs. Weiss. She had the loudest voice for the dinner call. “Patsy!!!! Patsy!!!” She had three children, but I only remember her calling for Patsy. She was the only one to stray I guess.
As I rode my bike further down Van Dyke road, the names became less familiar, but some stood out – The Lords, The Lees, The Vaceks. And how comforting to put a “the” in front of these houses and cars and people. Because they were the families. Each family had cupboards of cereal and single-line telephones and one television and tables and grocery bags from Olson’s super market and we knew them. We knew who and how many and how long and where the baby aspirin was kept, and the color of bikes and the grades in school and the wet hair and the bus… we were part of something, behind Big Ole. We were a neighborhood. We were people listening to “open-line” on the radio, running barefoot, through swinging doors, not just your own, and we were home. That’s what I tried to stuff in my pocket. That’s what I stuffed into both pockets, my lungs, my toes, deep inside my heart, when I rode my bike home from volleyball practice and there was a sold sign in our driveway. My father had walked away. Sold the house. My mother and I would move to the other side of Big Ole. To an apartment. With Van Dyke road still on my shoes.
The Norton girls anchored Van Dyke Road. They were the team leaders – without the five of them – there was no kickball, no kick the can, no softball. They led us each summer night to the empty field next to Dynda’s house, and we played until the sun lay low. And a little longer. Until our parents called us home. And a little longer. They were the gatekeepers of the North End. The last to get on the big yellow school bus. The Tech School student studying law enforcement, who drove the bus, turned us around in their driveway, and brought us back up the gravel road. I don’t think there was a time when all five Norton girls were on the bus together. The driver would open the door and one, two, maybe three would run in with books and wet hair, smelling of shampoo and the fresh air that clung to it. We didn’t take selfies. It would have been absurd to take a picture of someone on the bus and then take the film to Peterson Drug store and wait for a week to see an out-of-focus girl hiding behind her books, with a glazed look of sugared cereal. We didn’t text. We didn’t have Google. We had to be curious. If we wondered who was the actor who played Peter on The Brady Bunch, we had to wait a week until the next episode and watch the credits. We also had mystery. I didn’t know what was in the North End, though my imagination had conjured up many stories of runaways and robbers and other various Nancy Drew cases. I didn’t have the words for it then, but I needed them. The Norton girls. They were pretty and athletic and accessible. They were older and younger and I found myself wedged in the middle. It was familiar, and possible. I can hear the creaks on their staircase. The screams running down their backyard. The running. The biking. The breathless racing of secrets and time. And the bus door would open, with the certainty that one Norton girl would get on board. I needed that. We all did. We needed each other. We needed the lawns and the fields and stories and this building of lives. This neighborhood. We claimed each other. We grew up together. This was the birthplace of our America. Our pockets were full.
Sometimes I stop myself and think, did it all really matter that much? Did it change us to know the wood work, the bed times… and the linoleum? The linoleum. Decades later, at the Atlanta Gift Mart – 7.1 million square feet hosting over 200,000 people, I would run into Melody in the passing crowd. With instant recognition and a calm that only a shared past can contain, I simply said, “Oh, hi Melody,” as if she just got off the bus in front of her house on Van Dyke Road. Did it matter to remember the sound of lawn mowers and cards in bicycle wheels? Decades later, changing in every way, every direction, even moving to another country, I would come home for a visit and Lynn Norton would pass as I climbed a tree over Lake Agnes wearing my mother’s coat. I would see her the next day and she would say, “Didn’t I see you up a tree yesterday?” It did matter. To be known. To be seen. To be held in the arms of 5 girls, an empty lot, an unrelated grandparent, and the swing of a summer screen door — it mattered. It still does.
“You only are free when you realize you belong no place — you belong every place — no place at all. The price is high. The reward is great…” Maya Angelou
It took me a long time to understand this quote. Decades. Oh, I was familiar with the “no place at all.” That didn’t seem to be a problem. I never thought I fit in with my town, or even my family. And that is a lonely place. Because we all want to belong, it’s our nature as humans. It’s why we have gatherings, schools, religions.
And so I began my journey. Away from this town. Away from this state. And eventually, away from this country. But each new place, Minneapolis, Chicago, New York, France…did I belong to them? Not really. But I was becoming comfortable in my own skin. I was creating a world from inside my heart. I was learning that just because some people don’t love you, or can’t, doesn’t mean you are unlovable. It doesn’t mean you don’t belong.
From each new destination, each new experience, I was able to see the other places with a new perspective. I could go back to my hometown, my home, and I could wear the letter “A” for Alexandria with pride, no longer in the Hester Prynne sense, but in the “cheer oh cheer for Alex” sense.
Maya was right all along. She continued her explanation with, “I belong to Maya.” And with that, she belonged everywhere, and nowhere. She could be somewhere or alone and she was home. What freedom! This freedom has allowed me to travel, to be open, to love and give with my whole heart and know that is good. It is enough. Maya was right – it can be terrifying (“the price is high”), but it is beautiful (“the reward is great!”).
Today, I belong here. Every place. No “place” at all.
The first movie (without Jiminy Cricket) I remember seeing in grade school was The Autobiography of Miss Jane Pittman, starring Cicely Tyson. The teacher wheeled in the television, pulled all the shades, and we sat on the floor with our legs crossed (I am ashamed now that we called it Indian style – I won’t any longer – when you know better, you do better). It felt important, and it was. Miss Pittman aged before us like magic. And I wasn’t sure if it was happening in real time. I was so young, and television was still magic, and I didn’t know if Cicely Tyson was young, or if she too, was 100 years old. I know when she drank from the “whites only” fountain at the end, I cried. I know I went home from our all white classroom to our white house and talked to my mom about it. But what did I say? What did she say? I’m not sure. I hope we talked about the civil right movement. But did we? I can’t be sure.
And in a blink of an eye, as quickly as Ms. Tyson aged on that screen, she did the same in real life, and the year became 2021. She died a few days ago. I wonder if it felt as fast to her. Two blinks. Two lifetimes. Has anything changed? I can’t be sure.
Blessed Assurance. The choir sang it to her, with her, around her, at the Kennedy Center Honors in 2015. She was being honored for her lifetime achievements – so yes, some things were changing. But were they really? People were marching in the streets with signs of Black Lives Matter. Things hadn’t changed enough. People are still questioning it. People aren’t assured. I think the best explanation I have heard for the Black Lives Matter movement is this — I know people say, well, all lives matter, we should just say all… and yes, all lives do matter, but now, now more than ever, we need to recognize this movement. Take for example, when a country or a state has a problem, a hurricane, an earthquake, a shooting, we post their flags on facebook – saying Spain matters, or Texas matters – and we raise up their symbols or flags. In doing so, we aren’t saying that other countries don’t matter, other states don’t matter, but we are saying at this time, our neighbors, our friends, in this hour of need, they matter. Well, my friends, in this hour (because we are here now, no magic of screens) our black friends need us – they need us to raise their flag and say that they matter. In doing so, I think, I have to believe, that that blessed assurance can, and will come.
I don’t have the innocence of youth to rely on. I have to be better, because I know better. We all have to be better. We have to talk about the difficult things, the important things, and make action of our words, live out the lessons we have been taught, from Miss Jane Pittman, to Martin Luther King, to Maya Angelou…when we know better, we do better. Stacey Abrams can’t be the only verb in our sentence. We must all be in the conversation, the difficult, uncomfortable, growth of humanity. Because isn’t that where all the blessings lie, in these difficult, most beautiful truths?
It all goes so fast, but I want to capture a moment between the blinks. I want to be sure that I tried. Blessed Assurance, in knowing we tried. Let’s roll up the shades, and let a little more light in.
The first movie (without Jiminy Cricket) I remember seeing in grade school was The Autobiography of Miss Jane Pittman, starring Cicely Tyson. The teacher wheeled in the television, pulled all the shades, and we sat on the floor with our legs crossed (I am ashamed now that we called it Indian style – I won’t any longer – when you know better, you do better). It felt important, and it was. Miss Pittman aged before us like magic. And I wasn’t sure if it was happening in real time. I was so young, and television was still magic, and I didn’t know if Cicely Tyson was young, or if she too, was 100 years old. I know when she drank from the “whites only” fountain at the end, I cried. I know I went home from our all white classroom to our white house and talked to my mom about it. But what did I say? What did she say? I’m not sure. I hope we talked about the civil right movement. But did we? I can’t be sure.
And in a blink of an eye, as quickly as Ms. Tyson aged on that screen, she did the same in real life, and the year became 2021. She died a few days ago. I wonder if it felt as fast to her. Two blinks. Two lifetimes. Has anything changed? I can’t be sure.
Blessed Assurance. The choir sang it to her, with her, around her, at the Kennedy Center Honors in 2015. She was being honored for her lifetime achievements – so yes, some things were changing. But were they really? People were marching in the streets with signs of Black Lives Matter. Things hadn’t changed enough. People are still questioning it. People aren’t assured. I think the best explanation I have heard for the Black Lives Matter movement is this — I know people say, well, all lives matter, we should just say all… and yes, all lives do matter, but now, now more than ever, we need to recognize this movement. Take for example, when a country or a state has a problem, a hurricane, an earthquake, a shooting, we post their flags on facebook – saying Spain matters, or Texas matters – and we raise up their symbols or flags. In doing so, we aren’t saying that other countries don’t matter, other states don’t matter, but we are saying at this time, our neighbors, our friends, in this hour of need, they matter. Well, my friends, in this hour (because we are here now, no magic of screens) our black friends need us – they need us to raise their flag and say that they matter. In doing so, I think, I have to believe, that that blessed assurance can, and will come.
I don’t have the innocence of youth to rely on. I have to be better, because I know better. We all have to be better. We have to talk about the difficult things, the important things, and make action of our words, live out the lessons we have been taught, from Miss Jane Pittman, to Martin Luther King, to Maya Angelou…when we know better, we do better. Stacey Abrams can’t be the only verb in our sentence. We must all be in the conversation, the difficult, uncomfortable, growth of humanity. Because isn’t that where all the blessings lie, in these difficult, most beautiful truths?
It all goes so fast, but I want to capture a moment between the blinks. I want to be sure that I tried. Blessed Assurance, in knowing we tried. Let’s roll up the shades, and let a little more light in.
Last night I finished the book, “Big little lies,” by Liane Moriarty. Oooh, I want to say things, but the ride was so good because of the not knowing — so I’ll only say this, enjoy the ride.
I am a reader. I have always loved to read. I love libraries and books and ebooks and magazines and well, things with words. I love the smell of slight mildew on paper, getting so deep into a book that you’re almost wet. This escape, travel, immergence, I love it all, all the time.
There is an art to the book review. I love listening to the New York times book reviews podcast. They know how to review a book. For real reviews, I recommend them. As for me, I won’t give you the thumbs up, or likes, or ranking, I can only review a book by how much I miss it when I’m done reading it.
I have been voracious this past year, and often lonesome. If I must rank, I would have to say the book I miss the most is Hamnet, by Maggie O’Farrell. Not since college has my heart and mind been cracked this wide open, where so much gets in and rattles around, and remains, a permanent jangling. I remember sitting in the classroom, reading Shakespeare aloud, dancing about the textbooks. What was this noise?…this ballet of words, straining muscles and stretching brain limbs. This is Hamnet. It will test you and bruise you and comfort you. It will leave you with a tiny little hole in your heart, the shape of a feather and a page. If you like that, (which I do) (my husband thinks that sounds like pure torture), then open up Hamnet and break your heart.
If you’d like to make some new friends this year, let me introduce the following. I won’t review each one, but I will tell you that I really enjoyed our time together!
The Vanishing Half, by Brit Bennett
Bridge of Sighs, by Richard Russo
Bird by Bird, by Annie Lamott
Anxious People, by Fredrik Backman
Separation Anxiety, by Laura Zigman
Dear Edward, by Anne Napolitano
Chances Are…, by Richard Russo
Nothing to See Here, by Kevin Wilson
The Shakespeare Requirement, by Julie Schumacher
Every single book by Elizabeth Strout – I mean every single book – many times!
Writers and Lovers, by Lily King
Pretend I’m Dead, by Jen Beagin
Words between Us, by Erin Bartels
An American Marriage, by Tayari Jones
Meet Me at the Museum, by Anne Younson
Disappearing Earth, by Julia Phillips
The Most Fun we ever had, by Claire Lombardo
The Dutch House, by Anne Patchett
Fleishman is in trouble, by Taffy Brodesser-Akner
The Nickel Boys, by Colson Whitehead
The Editor, by Steven Rowley
This should get you started. No time is ever wasted inside the pages. Read anything. Everything. Become a part of the story, your story. It’s beautiful!