Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Beyond the apron.

My grandma’s basement was filled with preserves. I was too young to see all the work. We were all shooshed outside when the knives were brought out. When the pots began to boil. The sweet scent of nature’s sugar wafted through the open farmhouse windows and curled under our noses, leading us round and round the house like we were cartoon characters being led by the mystique of color and magic. It was only after the sticky aprons were washed, after the jars had cooled, after they were stacked in a row on basement shelves, that I got to touch them. All those fruitful colors. I gently ran my hand across the glassed blend of oranges and reds and yellows. I thought maybe the colors would enter through my fingertips and up my arms, directly into my heart, and all that magic beyond the apron would enter into me.

It did.

Before moving to France, I never made bread, nor jams. But I suppose that’s the beauty of magic — it is patient — there for you when you’re ready. Our fruit trees are ripening. I made my first batch of
Confiture de pêches (peach jam). The kitchen is summer warm, as Grandma Elsie scoots beneath the open windows, magically dancing, beyond my aproned heart.


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From bowl to oven.

I can no longer say that I always make a test cookie. I did, until yesterday.

It still makes sense. And I will, when I can, test out the dough with one cookie before baking the whole batch. But yesterday’s recipe required a little faith, and a little Elsieing. I googled the French delicacies. There were so many variations to these crackling little almond cookies, both in French and in English, so I Elsied my best guess, and made a little combination.

One thing they all agreed upon was the speed that the dough must go from creation to oven. Containing no flour, the few ingredients, like the egg-whites and sugar, would separate if you hesitated. Having to bake for 20 minutes, there was no time for a test cookie. Having thrown myself into stronger French winds than this and survived, I plopped the wet dough onto the baking sheets and believed, or at least hoped.

We ate them nearly as fast as it took to get from bowl to oven. Delicious. I knew if they turned out that Dominique would like them, but I was surprised at how much that I did! I loved them. It turns out, faith is a tremendous ingredient!

I mention it only because when I recall my greatest pleasures, they have all been accompanied with risk. Becoming an artist. Sharing my stories. Daring the markets of New York. Falling in love, big love. Moving to France. Creating a family. None of these allowed for a test cookie — straight from bowl to oven!

Are there trips and failures along the way – of course, but they aren’t the taste that lingers — that, my friends, is nothing but sweet.

Fill your heart. Feed your soul. Taste this life.


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Dish towels and dancing.

I don’t think it makes me a serial killer just because I like my dishtowel to hang neatly. (They seemed to imply this in the movie Sleeping with the Enemy.)

I suppose I could have gone either way. My grandma’s kitchen was always, well, I’ll say it, a mess. Dishes piled head high. Pots still on the stove. My mother liked a clean sink. The dishrag hung alone over the faucet, testing the humidity level of her apartment. It was a good day for her if she woke to a dry rag in an empty sink.

It’s funny what brings us comfort. An ironed dish towel hanging neatly in the kitchen is enough to start my day off right. And it doesn’t mean I love my grandma any less, I just know what works for me.

There was a tiny plaque by my grandma’s stove. Above the picture of a very pregnant woman it read, “I should have danced all night.” Perhaps my mother took that advice to heart. She never taught me how to cook, but she did teach me how to dance. Her kitchen recipes included “Slow, quick-quick. Slow, quick-quick. 1-2-3, 1-2-3. A heel and a toe and a polka step.” And so we danced in that clean kitchen, never disrupted by a boiling pot.

I suppose there’s a little of both of them in my French kitchen. I know my grandma is watching as I boil the fruit from our trees to make jam. And it is my mother’s hand that gives me the slight nudge to change direction as she dances me through my clean kitchen.

When my son-in-law washes his hands and leaves the towels in a heap, I don’t really want to kill him. But I would like to tell him a story. Of a chubby woman laughing, a tall woman dancing, both leading me in love.

It’s a crazy world. We all have to find our own joyful way. Do what works for you. (And don’t forget to wash your hands.)