Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Tools.


It isn’t often. It’s only happened a couple of times in 10 years, but it’s been enough to keep me humble. To keep me aware. I respect my electric saw. It cuts the angles to make the frames to enclose the paintings.

The first time it occurred, it terrified me. I can’t say why it happened. Maybe a flaw in the wood, or an extra strength… I don’t know. I always check for nails or screws in my reclaimed wood. I wear goggles. Take the usual precautions. But something snapped. And I mean cracked with the most vengeful noise and a piece of wood shot across the studio. Like a gun or canon went off! It took me several days to go back to it. To be calm enough to try again. But I did. And the fear slipped into knowledge. It became an additional tool. It happened again the other day. Less terrifying, but I knew enough to step away. To think it through, and return with a clear head.

I hope I’m smart enough to do the same in my relationships. I hope we all are. Gathering in the fear, the surprise, the anger even, and turning it into knowledge. To know when it’s time to engage, and when it’s time to step away. We are given all the tools. Right from the start — I guess we just have to keep learning how to use them.

Trust is a big one. I will admit that it has been a hard one for me to re-learn. Taken away with a bang at a young age, it took me a long time to go back to it. But I have been lucky. The door has been opened and opened again with the kindness of others. And I can’t turn away. There is beauty to be made. Joy to be felt. Love to be loved. Life to be lived. The day begins – my heart is a tool – I’m not afraid to use it.


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Passing through.

It’s no surprise really, that when I first started to paint, a lot of the women looked like my mother. Even the greeting cards that were a bit cartoonish, carried her smile, and that unexpected wit. Proof positive, I guess, that what’s inside of you will always find a way out. 

It’s still happening, without my knowledge, or permission, people get in and come out on the canvas. I finished a small painting in my sketchbook the other day. Dominique said, “Oh, that looks like my cousin.” His son agreed. And now when I look at pictures of her, I see it. I see her. People get in.

This, I suppose, is why it’s so important to surround yourself with good people. Positive people. Positive information. Books and music that teach us. News that is actually news, and not propaganda. Because it all gets in. And if it gets in, the negativity, it will have to find its way out. And then it just grows and grows. I don’t want that passing through the stream of my heart and mind. So I make choices. Some are easy. Some are not. But all necessary. Leaving space for the joyful surprises of the goodness that travels all around me. All around us. 

The canvas continues to remind me, to “Let someone in. Let someone go. After you’ve seen it all, you won’t remember the windows and doors, but who passed through.”


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Pebbles and paths.

It’s unlikely they are Laura Ingalls Wilder fans, but she is my first thought as I pass the sign each day on my walk. It points and reads, “La Petite Maison” — the little house. Surrounded by trees on the gravel path, I am transported from the south of France to the northwest of Minnesota, crouched in the corner of our living room, reading “Little House in the Big Woods,” by Laura Ingalls Wilder. 

I read all of her books. Each one a safe haven to dream. Moving me forward from place to place. Opening doors. Revealing the possibilities of words, of stories, of living. They were the cars of my underground railroad. 

With each gift comes a responsibility. I, we, were given so much. So easily. And I don’t think it’s enough to just give thanks — thanks for the path. We need to keep digging. Keep paving. Putting up the signs, as small as they may be. Because someone will see them. Will feel them. These small acts of kindness. These words of hope. These gravel roads to possibility. 

I continuously have a rock in my shoe. I think that’s the wink of the universe. A reminder of where I’ve been. A reminder to keep going. That my tiny life, as petite as it may be in this “Big Woods,” has to matter. Has to mean something. So I gather the words and the pebbles and make paths. Walking ahead. Walking behind. Walking beside. Always with you.


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The clinking of spoons.

It wasn’t instant cocoa, but it didn’t take long. My mom heated the milk on the stove and added the Nestle Quick. She poured it into grown-up mugs and handed us spoons. We stirred vigorously, and much longer than necessary, immersing ourselves in the healing. Because it was usually when we were sick, a cold, or touch of the flu, or just a bad day at school — this was when she made the cocoa. And then the bread popped out of the toaster at just the right time. Buttered, we dunked it into the steaming cocoa, because that’s really all it was for, and we were, if not healed, at least saved. 

Two pieces of toast – that was usually enough for me. I was young, and full of feelings. Some might have thought me as weak. Often full of tears and poems, but I knew. I could see it. Some days, it took my brother a full loaf of bread. He was bigger, faster, taller, but even then I was pretty sure it was me – I was stronger. 

You have to get inside to know. Hear the clinking of spoons. The beating of hearts. To be sure. Outer appearances can be so deceiving. I encourage you today to really look. Really listen to those around you. Because it takes more than an instant to know someone. To know what they need. To immerse ourselves in the lives of others. And maybe, just maybe, if we do, take the time, we will all be saved.


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Word by word.

She loved to read by the window, sitting on the deacon’s bench. The sun lit the words, almost in reverence, just, I thought as it should be. 

It was Mrs. Bergstrom who taught me how to read, but it was my mother who taught me how to love it. Reading and rereading each library book. Words that calmed me when I was scared. Words that lifted me when low. Words that paid for the tickets when money was scarce. Filled the car with gas. Lifted the plane. Took us on adventures. Gave us not just happy endings, but happy beginnings. Told us that all things were possible. I know I was just a child, but when I saw my mother with a book in her hand, I knew that I was saved. We all could be.

Mrs. Bergrstrom wrote on the blackboard the word career. She went around the room asking what does your father do? What does your mother do? Maybe it wasn’t surprising, we were only six, but most of the kids didn’t know. Some said they went to a building. Did a job. Left in the morningtime. Set the table. When she pointed to me – asking what my mother did – I knew for certain, and said it clearly – “Well, she’s saving the world.” Some snickered, but I just smiled, because for me, it was true. Word by word.

I began a new book yesterday. These Precious Days by Ann Patchett. I sat at my desk, the sun shining through the window, illuminating each magnificent word, warming my shoulders. I could have vacuumed, or dusted. Washed clothes. But I was doing something more important. I felt the power. From sky to window to shoulders to page to heart. It was all love. And she was with me. All things were possible. Word by word, we were saving the world.


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Carry the impossible.

My cousins Shawn and Kalee first introduced me to Knox Blox. The Jello (gelatin) that you could eat with your hands. What had previously been limited to spoons, bowls and tables, was now portable. You could run with it. Squeeze it through the space your last baby tooth left behind. Take it downstairs. Outside. It was indestructible really. You could stomp on it. Throw it. Take it in the pool if you like. The only problem, it didn’t taste very good. Soon, the remains of abandoned red rubber lined the Tupperware container, and we set off to carry the impossible.

There seems to be a lot of people running around this world with hearts made of Knox Blox. No worries. No consequences. And I have envied them at times. Me, struggling with spoonful after spoonful of fragile feelings. But if given the chance, I wouldn’t change it. I want to feel and taste it all. Even this sweet pain of love and loss.

I suppose we all knew, even then, it wasn’t going to be easy. But we didn’t crave easy. We hungered for the challenges under the summer sun. We craved the skinned knees and knuckles. The sun-burned shoulders. Legs that wobbled weary at the end of the day. We wanted it all. Each morning, the screen door slamming behind us, we dared the day. Dared our hearts. To bring it all. Feel it all.

With eyebrows raised, the sun smiles in my direction. OK, I say. Heart and hands full, I reach for the door.


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Eager hearts and fingers.

Mr. Opsahl’s art room was lined with windows. Street level. In all the other classrooms of Washington Elementary, you would be reprimanded for staring out the window. But not here. Not in the art room. We were encouraged to look at everything. Even out the window. Find your palette, he said. I’m not sure we even knew what that meant, but to be free to wander, beyond the glass — glass smudged with eager hearts and fingers — this was something! He gave us, not just a way beyond, but a way home.

My palette has changed from time to time. From year to year. Adapting to the ever changing needs of hearts and fingers. Today I live here. In the calm of blues and greens, browns, tans, beiges and taupes. Grays and creams. All things natural. Telling myself — all is as it should be. Resting in earth and sky. The here and there melding together. One. A gift I was given. A gift I continue to give.

Take a look around. Find your palette. Give yourself permission to create the world you need. Dare to smudge the windows with hopes and dreams. Find your colors of comfort and beyond. Find your way home.


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Paying attention.

Cluttered with nightmares and nonsense, I don’t normally put that much stock into my dreams. But all last night, I was trying to sign up for another year of university. Hour after hour I searched for the registration. Went through the pamphlets. Made appointments with my advisor. Even after waking up twice, I went right back to it. Would I rent the apartment near campus? Would I get an advanced degree? Academia all night long. I’m not complaining – it was far from the normal hauntings. So was it a sign?

Signs are funny things. They are probably all around us – all the time. Some meant for us. Some maybe not. Some gathered in. Some trampled over. I guess it is what we choose to see. And maybe when we miss it, it repeats itself. Over and over again. Until we pay attention. 

I guess it’s time for me to keep learning. Or maybe, it’s a sign to tell myself that I AM still learning. I will forever be learning. And that is not a nightmare, but a gift. And that’s a hard one for me to, well, learn. I can get myself trapped in a worry. Stuck in a pattern of fearing the unknown. But it will always be there — through all the nightmares and nonsense — there will be growth. There will be challenges. There will be learning. Beauty in it all. 

The sun rises brand new, telling me, “If I’m not happy in this time, in this place, I’m not paying attention.”


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Lighthouses.

It sold almost immediately after she put it in the window of her gallery in Wayzata — this 4’ lighthouse painting. I suppose we are all looking for the light. We painters and sailors. We who bob up and down. Knocked over, then lifted, by the same waves.

I’ve always been a morning person. Everything seems possible in the morning. Everything lightened, not just in color, but weight. But, oh, that nighttime. That darkness. Oooh, that can really get away with me. I’ve always tried to fight it. But recently, I’ve tried something new. Not fighting, but challenging. Not going toe to toe with it, round and round with it in my brain. When those thoughts start creeping in, I acknowledge them. “I see you,” I say. “But not tonight. We can talk about it again in the morning if we need to.” It’s not a perfect system, but it seems to be helping.

I have always been up for a challenge. But rarely a fight. My grandfather taught me that in the fields. My mother taught me that in the trenches. Both houses of hope, of light.

I heard a line in a song once, “My heart is a boat on the sea.” That feels about right. So I keep riding the waves, toward the light. Hopeful for all the light to come. Grateful for all the shine I have been given.

The gallery was named The Good Life. How appropriate I thought, it is indeed. I woke to all of the possibilities coming through my window, and said to the sun, “Challenge accepted.”


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I called it.

We were always running. To the neighbors. On the field. In the sand toward the water. To our bicycles – to go even faster. Racing to the joy of it all. But there was something so special about riding in the front seat of the car, we not only raced toward it, we “called it.” And for some reason, we abided by these rules – even if you didn’t get to the car first, if you, in fact, had shouted out “I call the front seat,” then it was yours. The power we held.

I was thinking, wishing actually, praying even, for some of that power. Some of that joy. “If only I was able to reserve it – call it out to be mine.” And as I was thinking, my mind racing in bumper tennis shoes, it occurred to me, maybe I still do. What if I decided today was going to be filled with that speed, that speed that only comes from pure joy? That feeling that blows your hair back and your heart forward. That’s what I want. What if I just “called it?” 

We raced through the streets of Chicago. New York. My mom and I. It never occurred to me that she was aging. We ran. Arms draped with packages. From the Magnificent Mile (and it was true to its name!) to the city that never sleeps. We ran. Nothing but joy. And the thing is, in my heart, it’s still happening. My heart races in the memory of it all. 

Today might not be easy, but there will be joy, lifting my feet, lifting my heart. I believe in it. I have to. I already called it!