Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Look up.

A jolt rushes through my body like lightning. Straight up through my back and out the top of my head. It takes only a millisecond for my brain to realize that the tip of my shoe has hit a rock mid-step on the gravel path. Not enough to fall, but enough to be grateful to still be standing. It’s funny how we always look back to see the culprit. Like it matters which rock. But I do. And I won’t remember it. I probably won’t even remember the feeling. 

You’d think growing up on a gravel road, that I would be accustomed to it all. Wearing the scars on knees and elbows and knuckles. But I can still get tripped up from time to time. Yet I don’t stop. I’m out there. Daily. Twice daily. Because I love it. Still.

I imagine it’s the same with the heart. If mine had stopped wandering the gravel every time it got bruised or scraped, I would be stuck. Alone. But thankfully, the beat that carries me is skinned-knee tough, and it keeps choosing love. I wouldn’t have it any other way. 

They say when walking or running, you need to always look ahead — that you’ll fall a lot more if you’re focused on what’s beneath you, if you’re looking down. Always good advice, I suppose, for everything. Today, I will forget my near fall, and feel the open path in front of me. Sometimes, you just have to look up!


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Building soul.

According to the song, we were not yet even “puppies,” but each morning around 8:15 — just after being dropped off of the school bus at Washington Elementary, and just before Miss Green began our 5th grade class — we sang alongside the turntable with Donny Osmond, “And they called it puppy love
Just because we’re in our teens…”

Of course we weren’t in our teens, but even just having a record player, we felt old enough to experience all the emotions. The closest we actually got to boys was playing four square on the playground. We rotated through the boxes, never touching, hovering somewhere between wanting to beat them and wanting to be liked. I suppose we thought the answers would come in the next song. But none of us actually had the money to buy a new 45 at Carlson’s Music Center, so we sang it again and again, 

Someone, help me, help me, help me please. Is the answer up above? How can I, oh how can I tell them,this is not a puppy love.”We began to lean on Mr. Iverson, our music teacher. Each week he gathered us together to learn a new song — new meaning new to us, but certainly old, perhaps older than our parents. We were desperate for new. “Please please please,” we begged, “let us sing something from the radio.” Our hands shot up straight in the air when he asked for suggestions. “Seasons in the sun” was the overwhelming response. They played it constantly on KDWB, the radio station that intermittantly came in from Minneapolis. Unfamiliar with the lyrics, he said he would play the record and decide. He placed it on the turntable and immediatlely his face turned. None of us had heard the actual verses. We were all just mesmorized by the chorus — “We had joy, we had fun, we had seasons in the sun…” Unfortunately, the majority of the song was about dying. Somehow we had missed that. He scratched the record racing to get the needle out of the groove. I guess we were all in such a hurry to become older, at least puppies, that we missed it.

And that’s the gift, isn’t it? I’m always surprised as summer turns into fall. It happens year after year, and I’m still hovering between the bus ride and when class actually begins. Luxuriating in the 15 minutes of unsupervised freedom. Still ready to believe. To become. To begin again.


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A love letter to my hometown.

Dear Alek,

I know you know that’s not a typo. Those who knew you called you Alek, not Alex, or even Alexandria, for we, I, knew you with an intimacy that required something familiar, a term of endearment, like Alek.

And we were intimate, weren’t we? Those hot summers, almost endless with the first sun, the first swim…rolls in that green grass. And then bundled together in the whites of winter. Yes, I knew you. I knew you on school buses, through mutual friends. and fleeing family. You made me smile, you made me cry. You heard me sing. And watched me hope.

But if we’re being honest, I couldn’t get away from you fast enough. After high school, I ran as far as I could. I hope I said something like “we can always be friends,” but I’m not sure I did. I think I didn’t look back.

There was so much to see. So much I have seen. And Alek, the world is really
beautiful. So beautiful. It has taken so much time, as I suppose all good things do, for me to see that you too are part of that. You, who knew the beginning, should deserve to know the middle – I pray it’s somewhere near the middle… Because life is good, Alek, so good, and I can share that with you now. I can tell you that I’m happy. And I can see you now, so much clearer, and I need to tell you that. I need to tell you that I hold everything dear. The good days remembered, the bad forgiven. I hope you can do the
same for me. Remember my good days, forgive my bad. Because we had something special. We gave our love, didn’t we? We even gave it big, sometimes. And that has to matter.

So, Alek, you gave me my youth, and I thank you for that. If I may be so bold, I ask for just a little more. Take care of my mother’s memory. She gave you her heart, the best heart maybe you will ever know. And watch over my family, especially the young ones, they will give you the future that you so deserve. And one more thing, Alek, keep me in your heart for a little while, you are forever in mine.

All my love,
Jodi


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Come-with gal.

She would go to almost anything. See almost anyone. One ring of the party-line telephone and she’d be getting in the car. With me hesitating on the steps of her farmhouse, she’d look back and say, “Be a come-with gal.” And even though it sounded like a horrible thing to do — this garage sale, this coffee in the church basement, this visitation at the funeral home– she would continue to smile at me, and the curl of her upper lip cartoon-pulled at my t-shirt, and soon I’d be getting in the car. 

“Oh, it’s gonna be great,” she said, talking over the farm report on the radio. I loved her and I wanted to be convinced. Only Paul Harvey could stop the sell. We rolled up the windows and listened. 

Each event itself would have been, well, uneventful, but it was the time with my grandma that made it so special. Everyone knew her. From the moment she entered a room, or a lawn, the words, “Oh, Elsie…” rang through the crowd. All I could do was watch the show. I marveled at the fun she was having. More than anyone else it seemed. I guess it was because she had already decided while opening the car door, that she was going to have a good time. All worries and expectations flew out the window. Her extra wide house shoes turned into ruby slippers and she was determined to have some fun. 

It’s easy to forget. The mundane tasks of grocery and hardware can seem like a drudgery at times. Dominique will ask if I want to go to Leroy Merlin (our version of Home Depot) and it feels like it would be so easy to turn away. But then I see her. Hear her smiling. “I’m a come-with gal,” I say, and get in the car.

If she missed a day, I didn’t see it. I think she heard the voice that called daily, to come along for the ride. I wake up to the morning, smile, and listen.


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Four and Twenty.

We were doing so well, until we got into the higher numbers. Not only did we have to learn the language, the French words for the numbers, we had to do the math as well. To say the teacher explained to us — (A “we” that could be only described as a collection of people from the land of misfit toys. Myself – the American, the two women from South Korea, the Cambodian, the Russian, the Mexican, and the 5 Arabs.) — this would be an overstatement. But in her defense, what good reason could there be to stop giving the additional numbers their own names and start combining them in different math problems? For example — the number for eighty is not given its own name, no, it is quatre-vingts (4×20).

Deep in my wandering brain, I thought of the first time I had heard this four and twenty. Yes, yes, baked in a pie…

“Sing a song of sixpence,
A pocket full of rye.
Four and twenty blackbirds
Baked in a pie.

When the pie was opened,
The birds began to sing.
Wasn’t that a dainty dish
To set before the king?”

It was my first music box. It was red and yellow, shaped like a tiny radio. You spun the knob and it sang the nursery rhyme. This one was my favorite. I dialed it in. The birds survived every time. Imagine that I thought – baked in a pie – and they survived! Glorious! I sang it again and again.

As the nursery rhyme repeated in my head, the teacher had already gotten to the nineties. It was even worse. In the nineties, you have to multiply and add. You can imagine the nightmare that 99 brings for a non-French speaking person — quatre-vingt-dix-neuf (4×20+10+9).

I suppose it will come as no surprise. To test out of this first unit, we had to hold imaginary conversations with the French officials. The first scenario, she explained, was in a store. I was to be the clerk selling dresses (so far so good.) She would be the customer. I looked at the pictures she gave to me. It showed a dress hanging on the rack. As big as life the tag read, $99.99. My heart sank. She asked how much it was. I started doing the math. The numbers raced in my head…all clunked together with the Song of Sixpence. I began my quatre-vignt-dix-ing… then stopped and said, in my best French — this dress was on sale. (Wasn’t that a dainty dish, I thought?) She laughed. I passed the exam.

I have been given the tools I need to find my way in and out of life’s pie. And so I keep singing!


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Nothing shouted.

The first time I visited New England was with my mother. I was just out of college. Up until then all of my “vacation” time had been used to have surgery. To say we both fell in love immediately would not be an exaggeration. The main street was lined with seemingly freshly painted white houses. Porched and welcoming. A street sweeper (by hand) waved us in. Washed windows revealed the contents. Clothes. Beautiful clothes for sale lived in this house. My mother looked at me and beamed. We walked the white stairs and opened the door. Was that the slight hum of angels singing? Or just my mother’s heart. 

It was all like this – this understated elegance. Lobster on paper plates. Lawns mowed. Cars washed. Nothing gilded. Nothing shouted – it wasn’t necessary, it showed. 

I visited again. Several times. I have never harbored a New England address. And though I may have never actually “there,” I have lived in it, here. 

There are so many gorgeous places around the world. I have been lucky enough to visit so many of them. And as the saying goes, “if you’re lucky enough to be here, you’re lucky enough.” 

I have, in the past, been guilty of waiting — waiting to be happy if I was in the right place. I’m learning, daily, to create those places, those feelings, that joy, that comfort, in the exact place that I am. Making the hotel breakfasts. Dressing up to go to the grocery store. Eating slowly. Seeing the day for the first time, because, aren’t we all? Today is really our vacation from yesterday. Our journey towards tomorrow. I’m going to take those photo opportunities along the way.

The electrician was here the other day. He finished his job. I don’t know his name. But I invited him inside. He vacationed for a few brief moments at our kitchen table. A cup of coffee. A plate of cookies. I smiled, hoping, for these few moments, that maybe I was his New England. He asked where I was from. And, as so many people do, asked which place I liked better, the US or France. How could I explain that I was trying to live in the best of places. That I carried a piece of it all within me. That I was a French breakfast in a New England town. A relic of Rome. Dancing to the joyful music in Spain. Dangling my feet in a summer Minnesota lake. Standing in front of my own painted “Mona Lisa.”  My heart jimbled at the thought. I could hear the angels softly sing, my mother now one of them. “I love it all,” I said. And meant it. 

I’m here. And I am home.


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…and then the beauty comes.

My grandfather was perhaps the first to teach me about color. Each year he planted in the black dirt. He worked under blue skies. Prayed under gray. And with the daily stroke of his hands turned the field from green to gold. It was the most beautiful canvas I had ever seen. Were it not for him, would I have seen it? I can’t be sure.

I often speak of the Sainte Victoire mountain. It rests in our daily view. Cezanne was perhaps the first to point it out to the world. Painting it again and again. Showing its beauty in every light. Dominique was the first to point it out to me as he drove me from the airport. Would I have seen it? Would I have felt it? Would I have painted it without either of them? Probably not.

Georgia O’Keeffe had her own mountain. Her own “Sainte Victoire.” She painted the big mountain (as she called it) again and again. Braving the heat and the cold. The solitude. The doubters of women. All to show us the beauty of what was around her. The beauty of what she saw.

I suppose all of it was unlikely. Seemingly almost impossible at times. But this is what gives me hope. This is what enables me to put my grandfather, Rueben Hvezda, alongside Paul Cezanne. Alongside Georgia O’keeffe. To write about him. To write about my grandmother making kolaches and quilts. My mother dressing in the crispiest of whites, even on her most crumbling days. OH, my beautiful mother! Were they artists? (…a rose by any other name…) They took what was in front of them, inside of them and made it beautiful. Not only showing me, but showing me how.

So I make the pictures with paint and words. Each daily stroke, with brushes of Rueben and Elsie and Ivy — my open fields, my sturdy mountains. What are we here for, if not to show each other the beauty? The beauty of living.

You have something. Right here. Right now. Live it. Something beautiful will come. The world is waiting to see.


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A love song in silver.

I raced the stairs to his class. He was a stickler for detail. One must be on time, or you will get a “greenie.” A greenie was a small piece of green paper, denoting some poor behavior – like being late, talking out of turn, not doing an assignment. And a certain amount of greenies resulted in detention or grade reduction. Of course this was incentive enough to race the halls of Central Junior High and up the stairs to his classroom, but it was more than that, I was excited for his class, English Literature. I was excited to see him. He postured straight at the front of the class. Suited and bow-tied, a pocket filled with green paper, one finger pressed to lips like a conductor waiting for the orchestra of the English language to begin.

In his fitted plaid lime green jacket he introduced us to T.S. Eliot. He read to us in perfect pitch “The Love Song of J. Alfred Prufrock.” The boys giggled. Mocked. Rhymed words with “frock” and quieted down after receiving their greenies. “I have measured out my life with coffee spoons,” the lyrics danced in my heart. Never to be careful, ordinary, predictable, monotonous — this was the lesson. I put it in my heart and quietly vowed the same.

In my mother’s silverware drawer, there was one spoon different from all the rest. Before I knew of words and poems, or even what was ordinary, I loved this spoon. It was the only one I ever used. My mother made sure that for each meal it was clean. My spoon. My different spoon. Not matching. Not safe. Extraordinary.

When I moved to France, the hardest thing, (the only thing that could have made me stay) was my mother. In the first weeks, my lonesome heart ran through the doubts. Had I done the right thing? No one can give you life’s permission, but I waited for a sign. A letter arrived. Small, but an odd shape. I opened it. My spoon. My different, glorious spoon — a love song in silver.

It sits by my desk. Telling me daily to choose the extraordinary. The sun comes up. I race its stairs to the beautiful unknown.


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Tools.


It isn’t often. It’s only happened a couple of times in 10 years, but it’s been enough to keep me humble. To keep me aware. I respect my electric saw. It cuts the angles to make the frames to enclose the paintings.

The first time it occurred, it terrified me. I can’t say why it happened. Maybe a flaw in the wood, or an extra strength… I don’t know. I always check for nails or screws in my reclaimed wood. I wear goggles. Take the usual precautions. But something snapped. And I mean cracked with the most vengeful noise and a piece of wood shot across the studio. Like a gun or canon went off! It took me several days to go back to it. To be calm enough to try again. But I did. And the fear slipped into knowledge. It became an additional tool. It happened again the other day. Less terrifying, but I knew enough to step away. To think it through, and return with a clear head.

I hope I’m smart enough to do the same in my relationships. I hope we all are. Gathering in the fear, the surprise, the anger even, and turning it into knowledge. To know when it’s time to engage, and when it’s time to step away. We are given all the tools. Right from the start — I guess we just have to keep learning how to use them.

Trust is a big one. I will admit that it has been a hard one for me to re-learn. Taken away with a bang at a young age, it took me a long time to go back to it. But I have been lucky. The door has been opened and opened again with the kindness of others. And I can’t turn away. There is beauty to be made. Joy to be felt. Love to be loved. Life to be lived. The day begins – my heart is a tool – I’m not afraid to use it.


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Seeing it!

“What a horrible looking snack,” I thought as they handed me the cone. I was raised to be polite, so I didn’t say anything. I looked at the other 6 year olds in line. Were they horrified? They didn’t seem to be. I held the cone filled with… with what? What was this? Were they nuts? Maybe. Or dogfood? They wouldn’t feed us dog food? Would they? Not on a school field trip. No one else was eating it, thank goodness, as we walked single file into the Deer Park. The Deer Park. Before Funland. Before Valley Fair. Before Six Flags. This is what we had. No rides. No lights. No games. But still, we were excited. Excited because it meant leaving the classroom. Getting on a bus. Singing. Tickling. Pushing. Anticipating. We got out into the gravel parking lot. Went beyond the fence. Got our cone filled “snack” and proceeded to the deer. What a relief it was to see the first boy in line hold his cone out to feed the ever-so-tame baby deer. It was for the deer! “Ohhhhhhh!” I exclaimed, my audible realization. All the other kids turned to look at me, and so I covered with — “Oh, look, at the pretty deer!” We all smiled and wriggled in our single-file.

“Did you touch their noses? They were wet!” “I did! I touched a nose!” “Well, I was licked!” “You were licked?!” “Well,” not to be outdone, one boy professed, “I was bit!” “Bit????” we screamed in unison. Mrs. Bergstrom smoothed her stern face down to her stern skirt. “Maybe just a nibble.” he said. She continued to stare him down. “No,” he said, “I guess just licked.” She winked. Mrs. Bergstrom winked. We sang out the open windows, wishing the day would never end.

Back at Washington Elementary, our legs bounced beneath our desks. She told us to put our heads down. “Relax,’ she said. Relax? How could we relax? What we had experienced! It was so joyfully overwhelming. Heads down, we danced in the memory.

We had no cameras. We had each other. We saw and felt everything. I have no proof but for the space that remains filled in my heart. A tiny space where deer may nibble at the truth, and children may wriggle in the dream. I raise my head and see out the morning window. “OOOOOOOOOHHHHHHHHH, Look!!!!”