Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: children


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Through.

David Hovda and I were wandering, slowly and aimlessly around Jefferson Senior High School, both in knee-high plaster casts. (This was in my dream last night. I’m sure he’s actually fine.) I had no idea what my schedule was. The halls were empty and the classroom doors were closed. The bell had rung. And I didn’t know where to go. The cast part was real, but not once in my high school years did I ever forget my schedule. It surprises me that I would still have this dream.

I woke up before either of us found our way. I’d like to think we went to the Superintendent’s office. That’s where our parents would have been. His father. My mother. And in typing this, the dream just made sense. My mother sat too close in age and distance to Dr. Hovda. When he passed away first, something told me it wouldn’t be that long. 

In high school, I suppose I thought that I would just learn things, and that would be it. The knowledge would stick, and everything would be fine. I had no idea how many times I would have to learn the same lessons. They first told us that we would understand when we got bigger, when we got older. We did both, but oh how the world can make you feel so small. So lost. And you have to learn again. Grow again. And find your way. 

Normally a dream like this will unsettle me. But I didn’t wake up afraid. I guess it’s because my heart knows where the Superintendent’s office is. I know I can walk down the terrazzo hall, open the door, and my mother will still be sitting at the front desk, full smiles, overhearing something that Dr. Hovda shouted from his open-door office. And I, we, will all be saved.

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The come-with gal.

It was my mother who taught me to be a come-with gal. Both by being one, and by asking the same of me. 

When I started having surgeries in my teens, on every joint available, my mother was there. She made appointments during her lunch hours. She used vacation time for hospital stays. She overnighted in questionable parts of strange cities to be there when I woke the next morning. She was the driver. The nurse. The companion. The entertainment. Each and every step of the way, she came with. 

Returning home, still releasing anesthesia through tears and hanging limbs, she would say, “Well, I’m going to the mall.” I didn’t want to miss out. She knew that. She also knew this would get me off the couch. On crutches, or slinged, sometimes both, I slapped on the lipstick that she already had raised from the tube, and I limped along beside her. She tried on every outfit that Herberger’s had to offer. Some to stun. Some just to make me laugh. And I did. I got over, because I came with. 

Just the other day I sold a painting that turned out to be a two-fer. Sometimes when I run out of canvas, or panel, I paint on the opposite side. As I was wrapping up the painting of Lake Agnes for shipping, I smiled, because there she was, the woman on the other side of the painting — the come-with gal. How appropriate, I thought. On one side, the image of where I came to life, Lake Agnes of Alexandria, Minnesota. And on the reverse, the symbol of how I came alive, just by coming with.

No days wasted. My mother saw to that. The sun is calling, and I must go.

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The weight of magic.

It would be hard to see at first glance, I suppose, but the chairs I recovered when first moving to France, remind me of my grandfather.

He didn’t say a lot. My grandma was the talker. So to know him, you had to watch him. It was his actions that told the story. And the truth that I saw was that he could fix anything. His tools were simple. Most, it appeared to me, could fit into a small handled, rusted box that he could carry in one hand from the shed to the field, where the tractor waited patiently.

This was business. He took it seriously. But one time he let me walk with him. Two steps to his one, I bit my lips to mute the million questions in my head. Just watch, my brain kept telling my curious heart. The music of the tools rattling seemed to lead the dance. With great precision he flipped and turned. Jolted and eased. Mumbled under breath. And the tractor started again. I sat on his overalled lap and he drove me back to the house. I told him I would return the toolbox to the shed. It wasn’t just to be helpful, I actually wanted to feel the weight of magic. It was surprisingly easy to carry.

When I first moved to France, I needed to find a way to fix the time. The real “difference,” was not just seven hours ahead, but how it could be filled. I didn’t understand the television. My phone didn’t work. Stores were often closed. People spoke in an unfamiliar rhythm. I had my painting. My writing. But there was still time to fill. I went to my heart’s shed and grabbed my toolbox. I decided to recover two chairs. I had never done it before. Never even knew that I wanted to, but here they were, these two chair frames, so I began to work. With Dominique’s help, I found the fabric, the stuffing, the upholstery nails, the sandpaper, the paint. And began. The sanding and the painting went well. The stretching of fabric over the cushions took some trial and error, but I figured it out. Then the nailing — the endless nailing — hour after hour of nailing. But I did it! I did it, I said again to the heavens. And as I placed one in the entry and one in our library, I could hear the engine roll over, feel the puff of smoke, and the tractor wheels turn. It was magic.

Without saying it, he taught me to find a way. Each day has its challenges, but I’m carrying a box of magic.

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Heart smiles.

.

Long before it became my “living,” it was my life. Before I could write, I colored in the feelings jumping around my heart with off-brand crayons, in the coloring books my mom purchased at Olson’s Supermarket. As Mrs. Bergstrom handed out words at Washington Elementary, I added them outside the lines of the images on the page. With increasing confidence in heart and hand, I graduated to blank sheets of paper, creating my own images, my own poems. The silent urging of closeted dolls, (Big Suzy and Malinda), told me to go show my mother. And I did. Every phrase. Every drawing. Because she caught me, with guaranteed safety and wild approval, each time I dared to fling myself from the cliff of my bedroom floor, feelings-first, straight into her outreached arms, waving my newest creation that revealed my entry-level heart…this…this is the reason she was always my first set of eyes — and would be, the rest of her life.

As I began to sell my work, she had the greatest response ever. When I would complete a piece and show her, she would say, “That’s going to sell immediately!” She said it as a compliment, for sure, but also with the slight melancholy of “let’s never let it go.” (My safety net. Those outstretched arms.) When I would make the sale, with the widest of prideful smiles, she would say, “Ooooh, no….” and we heart-giggled in delight.

Pablo Picasso said, “We are all born artists, the problem is to remain an artist as we grow up.” My mother never let me forget. As I put new pieces up for sale on my website, I smile, hearing a faint passing giggle from the sky, “Oooooh, no…” (Still. Those outstretched arms.)

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Folds of worth.

I found ten euros on the path yesterday while out for my morning walk. I picked it up. Smiled. Looked around. There was no one in sight. I folded it neatly and put it in my pocket. It was at the beginning of my walk, so I had almost an hour left to check it repeatedly. Like a five year old with birthday money stashed in my shorts, I clutched it in my chubby fingers again and again. It’s not that I needed ten euros so badly (although it’s always a treat!). What I really needed was not to lose the proof. I was so excited to show Dominique that even though out of season, I still had the “asparagus” eye. Out of all the people that strolled the path that morning, with dogs and phones and step-counters, I was the one who spotted the surprise! It made me feel special. I patted my pocket to feel the folds of worth.

My grandma was the first to give me a five dollar bill every year for my birthday. It continued well into my thirties. While the currency lost value through the years, the envelope that arrived each March 27th, addressed with her handwriting, became priceless. Opening the mailbox, I clutched it in hand. Forever a five year old, held heart-close in my grandma’s attention. I still have the last envelope she sent. Framed, it stands next to her picture. She loved me. I will forever feel special. Worthy.

“Guess what I found!” I said.

“I don’t know,” he said.

“Guess! Go ahead and guess!” I said, while unfolding the bill.

“Ohhhh!” he exclaimed, “You have the asparagus eye!” I am loved. You can’t put a price on that.

It’s all about the choices we make. We can choose to stay or to cross over. We are offered these bridges as gifts. It’s not always easy to dare to cross over, to get through, to get beyond… but it is a choice. So many rivers to cross. And with one step, we choose… we decide to love, to be loved… we decide that we are actually worthy of the giving and receiving… we choose to live… and we cross over… we cross over to the beauty that lies ahead. What a journey!
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Smile by heart.

Smile by heart.

It was the first thing we always checked — the lighting in the bathroom. Whether hotel or apartment, this was the most important thing, my mother taught me. After all, she explained, a lady had to get her face on in the proper light. And she always did. I watched her do it. Even on her darkest days, she began each morning in the bathroom light. Transferring it to her face. Going to work with a heavy heart, and a well-lit smile. In my younger years, I imagined the corners of her mouth attached like pulleys, lifting her heart into that same light. Just typing it now, mine did the same. 

When traveling to different art shows across the United States, I would call her when arriving, and the first thing she would ask was “How is the lighting?” I only just realized, maybe it had always been code for “how is your heart?” 

Even in the last apartment she lived in, we checked it first. She used her walker to get into the light. It was perfect, she said. She had already decided. Maybe this is what I loved about her the most — this decision to find the light. To become it. Smile by heart. 

She could get her face on in here, she said. She filled the adjacent cupboard with the finest make-up. Moisturizers. Creams. She put them on each morning. Her lip-lined corners once again pulling up her heart. 

Missing her now, I’m asked to do the same. And I do. Morning by morning. Smile by smile. My heart gets lifted. Into the light.

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Doing Better.

It’s no secret that I read a lot. Often they make the books into movies. Often I’m disappointed. For me, the words seem to paint a more realistic picture. A vivid representation of the person or people inside the story. Not tainted or swayed by the pressures of Hollywood. I wonder when we were first sold the idea that people, in order to be a hero, or heroine, had to “look the part.” I, I say with great fortune, have lived a life to the contrary. 

I have written about so many that have saved me through the years. Mr. Whitman, the caretaker of the cemetery, dirtied and slumped from the weight of burying the people from town. My grandfather, callused hand reaching behind his stained overalls to bring me along, bring me through. Chubbied Grandmother wiping kitchen hands on apron, just to give us something sweet. Wearied teachers, still finding a way to say the words that just might carry us. Tear-stained mother who laughed with unfaltering grace. 

So it came as a surprise to me, the woman in New York standing in front of my portrait of Maya Angelou — a sage I return to again and again. She read the words and seemed to be moved. She praised them. I thanked her. She wanted to buy copies, but whispering sheepishly now, “maybe without the picture.” Whispering even lower now, “you know, maybe she could be a bit polarizing to my customers.” 

I laughed. How ironically and completely opposite of the words that she claimed to love. 

Kindness. Truth. Beauty. Wisdom. Hope. Leadership. Strength. Love. It comes in all sorts of “packaging.” Each a gift. 

Maya would have forgiven her. As she always said, “When we know better, we do better.” I put the words and paintings before you, before myself, daily, in the hopes of doing just that… better.

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Security and Surprise

I don’t know who it belonged to. It certainly wasn’t my grandma — even though we found it, my cousins and I, in her upstairs closet. Digging beneath the sombrero, the military uniform and the extra bedding, we jumped back, toppling over each other on the hardwood floor. Was it alive? It had eyes! Fur! What was it??? With a pool cue from the corner of the closet, we moved it into view. A dead fox. Long straight, headed and tailed. Did it crawl in from the field for a siesta (under the sombrero on this Minnesota farm)? And then died? We kicked it down the stairs beside my grandma standing in front of the kitchen sink. (She was always in front of the sink, yet the dishes were never done — but that’s another story.) 

“It’s just a stole,” she said, “a fox stole.” Not understanding the word, we assumed the dead fox was now some sort of robber. “No, to wear around your neck,” she said. The explanations kept getting worse. It was unimaginable. We threw it at each other. Maybe she said who it belonged to, but I don’t think so. We soon grew tired of it. We would have left it on the kitchen floor, but she told us to put it back, never asking why she wanted to keep it. We loved her. So we did. 

The only accessory we knew Grandma Elsie to wear was an apron. And that was enough for us. She donned what some called sensible shoes and house dresses, which made it easy, I suppose, for us to forget that she was not just a grandma, but a woman of this world. 

Pardon the reference, but it’s hard to see “everything, everywhere, all at once.” We get bits of people, glimpses really. We grab onto the parts that serve us best, and a lot remains, well, in the closet. This is not to say we need to know everything about everyone. But I think it’s good to realize that we don’t know everything. People have riches and reasons that we will never realize. And instead of being afraid of that, we should respect it, celebrate it even. 

I don’t know if my grandma was ever in Mexico. But in my head she was. Possibly even wearing a fox stole. Or maybe it was just Great Aunt Ellen’s. Maybe she bought it at Tvrdik’s garage sale, just up the road. It doesn’t really matter. What I love is that there was a world to discover in her home. A home where we were allowed to run free. To become exactly who we wanted to be. This beautiful farmhouse, with security and surprise, that grew so much, grew so many.

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Of wind and wave.

I suppose it’s impossible to find out right away. We make our friends, from the start, in the most joyous of times. We gravitate to the laughter on summer vacation beaches. Buoyed by the play. And between the giggles and the hands held in the sand that we skip upon, we shout to all the blue above, “This is my friend!!!!” And we can’t, for one second, imagine that the moment is not eternal. Until it isn’t.

Perhaps it is here where real friends are made. When the skies darken and the path can no longer be skipped, but only trudged. When the only sound that can break the noise of wind and wave is the close whisper of “I’m still here…and it’s still beautiful.” Maybe the skies can’t hear it then, and maybe they don’t need to, but my heart shouts with eternal joy, “This is my friend!”

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The Cardinal beat.

We were never asked the question when we were young — “How do you identify?” I smile now, thinking about it, because I probably would have answered — “A cardinal.”

I didn’t see it for the blessing that it was at the time — maybe that’s the way with all blessings — but despite time and distance, it has stayed with me, this feeling of belonging, being, and I remain a cardinal.

Even on the teams we didn’t play for, we still came together in our red and black. Sometimes on the field. Sometimes in the band. Sometimes in the bleachers. Forever donned in our mascot, the Alexandria Cardinals. Because no matter what we were, hoods, geeks, nerds, jocks, preppies, we were always cardinals. We stomped and clapped to the Cardinal beat. Competed. Learned. Fought. Made up. Grew. Fell. Got up. Together.

I put on my second-hand Cardinal T-shirt yesterday. Wondering why it couldn’t all be this simple. Weren’t we, aren’t we, all a part of something bigger? I’d like to think so. Maybe the red and black is never all that black and white. But it is something to be connected. To be a part of the bigger picture. I want that. For all of us. For this world. We could come together. And identify as one.

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