Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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By name.

Left to my own devices each weekday of summer, I became quite adept at navigating this solo world of play. On the alternate days when I didn’t have a softball game, I figured out a way to play catch with myself. My mother bought a net that was strung between a metal square. If you threw the softball directly into the sweet spot it bounced directly back to you. I thought I was making a good decision when I placed the net in front of the garage. Because our driveway faced Van Dyke road, I didn’t want to throw the ball directly into what I loosely will call “traffic” (the random neighbor’s car).  Perhaps I overestimated my throwing accuracy. Hitting the target several times in a row, I gained the confidence to throw harder. I “wound up” and let the ball fly. Missing the target completely, the ball shattered the glass window of the garage door. 

I panicked. I looked around to see if anyone saw. There was no one there. Only my banana seat bike. It seemed to be the only answer. I dropped my glove and straddled the banana seat. Kicking the air. Trying desperately to keep up with the pedals as I raced down the hill toward the North End. The North End was the undeveloped land at the end of our neighborhood. Undeveloped by housing, but certainly overdeveloped in every school age kid’s mind that lived on this road. It was where every bad thing imagined or otherwise was sent to live. It was the threat of the unknown. The Bermuda Triangle of this small Minnesota town. Exactly the place where thieves or window breakers would go to hide.  I threw my bike into the side of the gravel pit and waited. 

It could have been hours, or a lifetime, I’m not sure how long. I imagined my story. It was robbers who did it. Certainly bad people who just wandered by while I was innocently playing. Or maybe it was one the Norton girls. Surely I could throw the blame at one of them. I kicked the dust with my bumper tennis shoes and thought and thought and thought. 

When I first heard my name called, I was sure it was the police. I held my breath. I heard it again. It became louder, but not angry. Almost sweet. Almost welcoming. I knew that voice. I got on my bike and rode towards it. My mother stood at the top of the hill. Every excuse fell from my heart and hands as I dropped my bike beside her on the gravel road. “I did it,” I said, hugging her nyloned work legs. “I know,” she said. We walked my bike back home.

Love will always call your name. Heart open, I walk the road. And listen.

Heart open, love called her name.


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On her way.

It’s rarely a problem. I walk almost every day without incident. But it is annoying when it happens — when that one big fly decides that this is his path. And for some reason needs to tell you face to face. Flying at full speed toward your nose. Your eyes. Your mouth. Circling your head. Round and round. Poking. Prodding. Relentless. I wave my hands and shake my hair. To no avail. The buzzing rings in my ears and my pace quickens along with my heart. Finally, not being able to take another bzzzzz, I shout to seemingly no one in sight, “Oh for crying out loud!!! You have the whole world!”

As I said, this can be annoying, but what’s really unexceptable is when my own thoughts are the relentless buzz. I’m sure you’ve experienced it, when that thought gets stuck in your head (in your way). And your pesky brain plays it over and over. The tape of this ridiculous thought. Maybe it’s “but he said…” or “she did…” or “they never…” or “what if…”   Bzzzzzzzzzzz!  I’m not proud of it. And most of these glorious days, I can, and do, walk without incident. But the buzz…. Those sneaky thoughts that want to take over my path… So I look around. The sun. The open air. The house. The love within. The paint. The paper. The possibilities. The sugared fruits and comforted beds. The right now. My feet. My heart. The path. The beautiful rocky path… And I have to shout it to myself — “Oh for crying out loud!!!! You have the whole world!”  I do!!!!  

I laugh! And I’m on my way. 


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Guts. Grace.

I was reminded of it yesterday while doing a podcast. Something I had written years ago. Words I carry with me — “Now is the time for guts and grace.” Of course the words “guts and grace” are key, but perhaps they are far less important without the word “now.” Now means ever and always. 

Some might say, “well, from time to time, sure, but I don’t need guts every day.” I’m not sure I agree. For me, I think if I’m doing it right, living the way that I want to – I DO need them daily. Because if I need them, that means I’m pushing myself to do more, to be more. It means I’m taking risks. Trying to grow. Letting people in. Feeling everything. And all of that takes real courage — real guts!  But I don’t want to be bulldozer brave – knocking over everything, everyone in sight. Hence, the grace. And what a delicate balance to stumble through. And I do stumble. I do fumble. So I carry the words with me. Now.

They asked me in the interview yesterday if my mother was an artist. “Well, she made me, didn’t she?” Her openness, her pure love and joy in allowing me to be me, was more of an artistic gift than if she had handed me the paints and brushes and guidebook of Cezanne himself. Her standing tall, shoulders back, bloused in white ruffles, lips rouged above a softened, forgiving jaw, even as her heart dragged behind her size 10.5 Herberger shoes, was the most beautiful, the most artistic example of guts and grace I had ever seen. These words were written long before they settled on paper. I carry them now. She is with me now.

It’s not to say she wasn’t worried about being brave. She often did. Who doesn’t? (I guess to answer that — those not really living.) I don’t know what today will bring, but I do know what I’ll carry with me — what has been passed from my grandmother to mother to me. From their now to mine. Ever. Guts and grace.


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Four and Twenty.

We were doing so well, until we got into the higher numbers. Not only did we have to learn the language, the French words for the numbers, we had to do the math as well. To say the teacher explained to us — (A “we” that could be only described as a collection of people from the land of misfit toys. Myself – the American, the two women from South Korea, the Cambodian, the Russian, the Mexican, and the 5 Arabs.) — this would be an overstatement. But in her defense, what good reason could there be to stop giving the additional numbers their own names and start combining them in different math problems? For example — the number for eighty is not given its own name, no, it is quatre-vingts (4×20).

Deep in my wandering brain, I thought of the first time I had heard this four and twenty. Yes, yes, baked in a pie…

“Sing a song of sixpence,
A pocket full of rye.
Four and twenty blackbirds
Baked in a pie.

When the pie was opened,
The birds began to sing.
Wasn’t that a dainty dish
To set before the king?”

It was my first music box. It was red and yellow, shaped like a tiny radio. You spun the knob and it sang the nursery rhyme. This one was my favorite. I dialed it in. The birds survived every time. Imagine that I thought – baked in a pie – and they survived! Glorious! I sang it again and again.

As the nursery rhyme repeated in my head, the teacher had already gotten to the nineties. It was even worse. In the nineties, you have to multiply and add. You can imagine the nightmare that 99 brings for a non-French speaking person — quatre-vingt-dix-neuf (4×20+10+9).

I suppose it will come as no surprise. To test out of this first unit, we had to hold imaginary conversations with the French officials. The first scenario, she explained, was in a store. I was to be the clerk selling dresses (so far so good.) She would be the customer. I looked at the pictures she gave to me. It showed a dress hanging on the rack. As big as life the tag read, $99.99. My heart sank. She asked how much it was. I started doing the math. The numbers raced in my head…all clunked together with the Song of Sixpence. I began my quatre-vignt-dix-ing… then stopped and said, in my best French — this dress was on sale. (Wasn’t that a dainty dish, I thought?) She laughed. I passed the exam.

I have been given the tools I need to find my way in and out of life’s pie. And so I keep singing!


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Exposed wire.

When our house was built, long before I arrived, it was still legal to burn things in the backyard — hence the firepit that rests next to my studio. I use it for display. It has a glorious texture that no doubt came from use. Cracked. Wired. But still strong. Still beautiful. Maybe I’m only able to see it because of my own exposed wires, those holding together all of the cracks that make me, well, me.

I was listening to a psychiatrist explain this so elegantly on a podcast yesterday. Human need is what really holds us all together. We so often confuse these needs as weakness. But in reality, these needs bring us closer. Crossing our experiences like a trellis, thus connecting, strengthening all of us.

The first painting I hung on our pit and then photographed for my website sold almost immediately. The fire never died.

I hang each new creation on the challenged wire that holds together the pit, that holds together my heart. In fact, nothing rests cold. And we are connected. We are stronger. Together.


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A passing moo!It was the first language I ever tried to learn — cow. 

Of course the car windows weren’t automatic. We had never even heard of such a thing. You had to turn the handle round and round to make the window go down. (I think I still make the cranking motion to indicate opening a car window.) 

There were lots of fields en route to my grandparent’s farm. Sitting in the back seat of the chevy Impala, I waited to see them — the giant black and white beasts. If I caught a glimpse at 55mph, I cranked the window and urged my mother to slow down. I sucked in a giant breath and mooed out the window. They stopped chewing for one brief moment. Staring at me with such confusion. Almost bewildered by what was coming out of my mouth. 

I stare into that same look quite often here in France. With deep breathed delivery, I converse in what sounds to me like perfect French, but I understand what they are hearing — a passing moo. 

Some days, I really have to crank to return to that childlike confidence. That willingness to open myself to the world around me. To be brave. Vulnerable. Present. 

I suppose we all have to do that for varying reasons. Every day. 

The sun is up. I crank my arm round and round with youthful vigor! I am ready! I am here! Mooooooo!


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Filling pockets.

I have come to the conclusion that most of the world must be completely terrified.

Yesterday, while walking on the gravel path, I came to a violent stop, seeing what I can only imagine was some sort of hybrid weasel. My heart raced, but my legs could only tremble. He gave me a solid look, then walked back into the brush. I had to get by this area to continue my walk, so I did the only logical thing — the only form of defense I learned from the age of five — to walk briskly past the imminent danger while speaking very loudly. (Because surely nothing would harm you, not robber, intruder, ghost, nor weasel, if they assumed you to be in the midst of a conversation.) 

Obviously I made it home, or I would not be typing this today. After hearing my short tale of woe, Dominique replied, “Well, he was much more frightened of you than you were of him.” Again, I didn’t believe this at 5 years of age, nor now. He sauntered easily down the hill, while I ran on tippy toes yelling out my best franglish, never hearing any random weasel chatter. Clearly, I was more afraid.

And that’s exactly what the hybrid weasel mother told my pathmate.

As with most fear, I suppose, I’m laughing about it today. A lesson I keep learning. Filling my pockets with evidence of things survived. Maybe one day these pockets will be filled, and I can walk through this world with complete confidence. Until then, I will keep pulling out what’s needed, the proof of “look, you made it through this day.” The evidence of “you survived that, certainly you can survive this.”

I will stroll today’s path. Perhaps more curious than confident, but I’ll take it. I don’t want to miss out. I’ve got things to do. Things to see. And pockets to fill!


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A love song in silver.

I raced the stairs to his class. He was a stickler for detail. One must be on time, or you will get a “greenie.” A greenie was a small piece of green paper, denoting some poor behavior – like being late, talking out of turn, not doing an assignment. And a certain amount of greenies resulted in detention or grade reduction. Of course this was incentive enough to race the halls of Central Junior High and up the stairs to his classroom, but it was more than that, I was excited for his class, English Literature. I was excited to see him. He postured straight at the front of the class. Suited and bow-tied, a pocket filled with green paper, one finger pressed to lips like a conductor waiting for the orchestra of the English language to begin.

In his fitted plaid lime green jacket he introduced us to T.S. Eliot. He read to us in perfect pitch “The Love Song of J. Alfred Prufrock.” The boys giggled. Mocked. Rhymed words with “frock” and quieted down after receiving their greenies. “I have measured out my life with coffee spoons,” the lyrics danced in my heart. Never to be careful, ordinary, predictable, monotonous — this was the lesson. I put it in my heart and quietly vowed the same.

In my mother’s silverware drawer, there was one spoon different from all the rest. Before I knew of words and poems, or even what was ordinary, I loved this spoon. It was the only one I ever used. My mother made sure that for each meal it was clean. My spoon. My different spoon. Not matching. Not safe. Extraordinary.

When I moved to France, the hardest thing, (the only thing that could have made me stay) was my mother. In the first weeks, my lonesome heart ran through the doubts. Had I done the right thing? No one can give you life’s permission, but I waited for a sign. A letter arrived. Small, but an odd shape. I opened it. My spoon. My different, glorious spoon — a love song in silver.

It sits by my desk. Telling me daily to choose the extraordinary. The sun comes up. I race its stairs to the beautiful unknown.


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Within the flutter.


The first time I showed her the painting of her dress we were at Barnes and Noble in St. Cloud. It was half the driving distance for each of us. Just an hour difference, but so necessary. This excitement that was bursting inside of me – a heart trying to contain a mass of butterflies – I just couldn’t hold back for that extra hour. And neither could she. We ordered our lattes. Found our table. And I ran out to the car and dragged the four foot painting inside. If people stared, it was probably due more to the butterflies than the painting. Our joy was palpable, and not to be contained.

When I walk up the stairs in our house, I pass her picture and there is a swelling, an ache, in my heart. I do yoga in the bedroom. The third pose turns my head toward her image on the dresser, and my there is my heart again. Sitting at my computer, typing these words, her dress hangs on the wall. My heart. For months after her passing, I would have called this pain. But it occurred to me this morning, sitting by her painting, I can still smell the coffee from the Starbuck’s counter at Barnes and Noble. It’s so strong, I’m waiting for the barista to call my name. I hear my mom’s laughter. Touch her purse with the side of my foot. Marvel at the crisp white of her blouse. As my heart sends those twinges, those heart swellings to my brain, I think this is not pain, these are the butterflies. This is love. This is joy.

I have been following the book bannings in the US — particularly one ruling in Florida – something about banning anything that made people “uncomfortable.” What a ridiculous notion. Not to mention impossible. I don’t want to live in that world. How would we learn anything? How would we grow? How would we even love? Yes, my heart may ache, but I wouldn’t trade that for the world. I want to feel the discomfort of every butterfly. The glorious discomfort of change, growth, of life itself. This is nothing to be feared — and I almost said “but embraced” here – but really, not even embraced, for butterflies as you know will never be contained. They can only be released.

I sit, books surrounding me. The scent of coffee in the air. The sound of my mother’s joy. This is love, I tell my heart, and run along in its flutter.


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Tools.


It isn’t often. It’s only happened a couple of times in 10 years, but it’s been enough to keep me humble. To keep me aware. I respect my electric saw. It cuts the angles to make the frames to enclose the paintings.

The first time it occurred, it terrified me. I can’t say why it happened. Maybe a flaw in the wood, or an extra strength… I don’t know. I always check for nails or screws in my reclaimed wood. I wear goggles. Take the usual precautions. But something snapped. And I mean cracked with the most vengeful noise and a piece of wood shot across the studio. Like a gun or canon went off! It took me several days to go back to it. To be calm enough to try again. But I did. And the fear slipped into knowledge. It became an additional tool. It happened again the other day. Less terrifying, but I knew enough to step away. To think it through, and return with a clear head.

I hope I’m smart enough to do the same in my relationships. I hope we all are. Gathering in the fear, the surprise, the anger even, and turning it into knowledge. To know when it’s time to engage, and when it’s time to step away. We are given all the tools. Right from the start — I guess we just have to keep learning how to use them.

Trust is a big one. I will admit that it has been a hard one for me to re-learn. Taken away with a bang at a young age, it took me a long time to go back to it. But I have been lucky. The door has been opened and opened again with the kindness of others. And I can’t turn away. There is beauty to be made. Joy to be felt. Love to be loved. Life to be lived. The day begins – my heart is a tool – I’m not afraid to use it.