Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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We’re all going to get there.

Long before ever hearing of the word “blog,” I put words to paper to keep a record of our lives. We called it writing.

For my highschool graduation, my mother gave me a small journal and a cross country train ticket to Washington State. In a class of 400 or so, I graduated 13th. To commemorate, my sister-in-law gave me 13 cans of Hi-C grape drink (my favorite at the time). My mother and I packed our non-rolling suitcases, along with the Hi-C and boarded the train.

As we rolled along the uneven tracks, often reaching 50 miles per hour, I began writing down the details of our adventure. We couldn’t afford the sleeper cars, so for more than 24 hours we watched the other passengers. I wrote down everything I saw. The man handcuffed to the federal agent (possibly just local law enforcement). The man kissing the “other” woman between cars, then returning to his seated wife and children. The older couple cutting their food so finely it could almost be described as pureed. The fielded landscape that passed so slowly outside the window allowing me to describe stalk by stalk.

I wrote it all down. We passed the journal back and forth. Laughing loudly with purple stained lips.

I still have the journal. Reading through it, one thing becomes quite clear — I stopped writing once we reached the destination. I suppose it has always been, and always will be, about the journey. These are the most precious moments.

I recently bought a booklet of handmade paper from a small French mill. Far from being filled, it has already given me hours of entertainment. It won’t be for sale. The profit comes in the daily escape. The magic as the images come to life. The stories behind their expressions. The lives revealed. The wheels of brush to paper click along at a reduced Amtrak pace, and I’m able to see everything. To feel everything, below the speed of this summer afternoon.

You can call it whatever you want. Journaling, writing, creating, blogging. However it is you fill your day. And you can do it for whatever reason you want — that is not for me to say. But if it’s purely for “likes,” for approval, the destination… you could be missing out on the most fantastic part of living.
This is the advice I give to myself — Relax. Breathe. Don’t worry. Look around. We’re all going to get there.

The sun is rising. Let the journey begin.


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My heart beats in red.


We used to differentiate our toothbrushes by color. It was something if, for the lifecycle of your toothbrush, you had your desired color. Mine was red. I suppose it was because red was also my favorite flavor. Red jelly beans. Red Jello. Red popsicles. To brush my teeth in the same “flavor,” seemed quite the event.

I was listening to a podcast yesterday with two tech guys. One was laughing because he was receiving a text on his watch from his toothbrush, informing him that it was time to replace the brush heads. Yes, his smart toothbrush was communicating with his smart watch.

Perhaps thinking that my toothbrush was smart if it matched the sugar on my tongue pales in comparison. But not for me. Because I thought I had everything. Standing waist high next to my mother in front of the bathroom sink, singing the happy birthday song for timing, with pink foam around my lips, my world was complete. My brain, my heart, felt so very smart.

This is not to say that technology isn’t fantastic. I’m using it right now to tell you this story. But I am sure of one thing, nothing will ever replace relationships. To start and end your day with someone who knows your every flavor, and loves you because of and still — this is an irreplaceable knowledge.

So if you ask me, “You think you’re pretty smart?” I can only answer, “Well, I do wake up with the one I love…”




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The teachers.

It’s not lost on me that the math problem Mr. Lee was trying to explain on the overhead projector, was indeed, over my head. I suppose it was this focus on words and other such artistic attractions on my three ring binder that kept me from understanding the equation. We were all told to secretly write down the answer and walk it up to him. One by one I saw my classmates make the trip. Some racing with delight. Others tripping back to their desks in defeat. My hair, still wet from swimming class the period before, dripped on my blank paper. The bell rang and with a giant sigh of relief we all got up to head toward the door. No, he said, raising his one arm. Even with one sleeve folded and pinned to his shirt in that arm’s absence, he was the most intimidating teacher we had at Central Junior High School. He said we couldn’t leave without the answer. The few that had gotten it, laughed and raced into the filling hallway. Had I spent less time calculating my route to Mr. Temple’s Social Studies class, and more time on the problem, perhaps I would have gotten the answer. Mr. Lee made a few marks on the plastic with his red pen. This apparently was enough to get a few more students out the door, but the rest of us remained. He winced at the phantom pain of his empty sleeve. We did the same for our answerless sheets of paper.

He shut the projector off. Looked at me. Directly at me. I smiled — not because I was acting “smart.” (That ship had sailed.) No, I smiled to tell him it was ok. We’d do better tomorrow. I smiled because we were neighbors after all. He couldn’t keep us here forever. People knew my schedule. I rode the bus with his children. My mom had Saturday coffee with his wife Yvonne. He wrote the answer down on the hall passes that he gave us to get to our next class.

The answers weren’t always clear. But we were always learning. You couldn’t help it. The examples were everywhere. In every room. The courage, patience, and strength displayed each day from those who stood in front of us. Willing us to a better understanding.

Later that evening. When my hair was dry. And my thoughts were clear. I looked at the problem again. It made sense. “Showing my work,” I penciled my way to the answer that he had given. After dinner, I walked the gravel of Van Dyke road to his house. I could see the lights on in their dining room. Lincoln, Tracy and Tony were still eating. I printed my name in the upper right hand corner of the paper and placed it on their front porch.

My mother was standing in the well lit doorway as I walked up the drive. She smiled. There was so much to learn.


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Chamade.

I spend a good percentage of my life lost in translation. That seems reasonable, living in another country, but it has actually been the case for most of my life.

And I don’t mean this in a bad way. Maybe because my mother was so different from her siblings and not only survived, but thrived, it made it all seem possible. She spoke a language of fashion and make-up, of poetry and romance. A language I understood. A connection so familiar that it turned this “other” into something spectacular. I didn’t need to be understood by everyone, because I was understood by her. A safety net I count on still.

Perhaps it was this security that set me free.

This French that I think I’m speaking, is mostly understood by my husband. I often hear him repeat to others the very thing I heard myself saying. And I could let that bother me, or I can choose to see it for how special it actually is, to have this one human really understand me.

I stumble upon new words every day. Not ones I hear in conversation. No, those are rare. So often when I ask what does that mean, I get the response, “it really doesn’t translate.” And I must admit that is a lonely feeling. To be left hanging, alone, with no connecting words. But the other day, I found one. Such a gorgeous word. Chamade. Even without knowing, it sounded familiar. I looked up the meaning. Chamade — a wildly beating heart. It was my “jimbly.” My racing, excited, almost nervous, anticipating, open, risking, love-filled heart. Inside this word, these beautiful letters, I was not lost in translation, but found.

I shared my glorious discovery with my husband. He smiled and said that his mother loved that word. I was, am, connected, still and again. My heart beats wildly!


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In the beautiful folds.

They say that paper has a memory. Meaning, if you fold it, the crease remains. Perhaps the same is true of the heart. 

The limb I found myself wobbling upon yesterday was a bit more unstable than usual, so I gathered in my heart and took it to the paper. It always welcomes me. And even with all of its security, it still challenges me. Dares me to create. To learn. To grow. To find the beauty even in this moment of uncertainty.  

I didn’t plan the portrait, I just started to paint. As she came to life, I knew what she needed to wear. My mother would have loved this ruffled blouse. How it gently gathered around the neck and framed the face. She was the queen of white ruffles, my mother. Such a delicate beauty. 

And there it was — found — the uncertain beauty of the moment. 

My heart is not broken. But it will be forever creased. Remembering and saving all the love. And it is here, in the beautiful folds, that I have the courage to move from limb to limb. To dare the lift of love, ruffle my feathers from heart to face, and let myself fly.


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Of all things important.

Until yesterday, I had only ever heard my grandfather use the term “…and stuff.” I was listening to a podcast and this man was explaining how he got his job distributing vacation brochures at the rest stop. “Well,” he said, “the guy who had the job before me got sick and stuff…” He continued, “He got the diabetes and stuff… and then he passed away and stuff…”

As I mentioned, my grandfather used the term quite frequently, but certainly not for the important things. He would have never “and stuff”-ed someone’s death.

He was a man of few words. He didn’t suffer fools. He said the things that needed to be said, and that was it. I think he used the term “and stuff,” not to be rude, but just to end the conversation already and get back to the things he deemed truly important.

I stood by the kitchen window, looking out at the barn. I couldn’t hear the exact words my mother was telling my grandfather. I was breathing so heavily, the wind that traveled from heart to nose to ears made a deafening sound. Of course I knew. We were going to be alone, my mother and I. She was scared. Hurt. Embarrassed even. So many feelings. So many words. He listened. Patiently. He was still overalled from the field, but I could see that he had washed his hands (and I could smell Grandma’s perfumed soap). His nails were scrubbed. I suppose he already knew. Knew that he would be holding my mother’s hand. Telling her, without words, that he would be there. For her.

He pulled me away from the window. Bent down. Looked me in the eyes. “You can turn in, or you can turn out…it’s all up to you.” There was no “and stuff.” No walking away from the conversation. He would be there. That was the promise we sat in. Silently.

I learned early on that you can walk away from the unnecessary, but not the uncomfortable. The real trick, I guess, is in knowing the difference. I’m still learning, but as I look out my kitchen window at the morning, I know days can be difficult, times even, but I am secure in the gift that of all things important, I am one.


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Scraps of life and growth.

I began using the paper purchased this summer at the Fontaine de Vaucluse. It’s handmade. The mill sits right next to the river. It is the most beautiful, accepting paper I have ever used. I suppose because it’s natural. Nothing to fight against. The paint goes on so smoothly and becomes a part of the paper. And the most amazing thing is I’m low on paint. I need to reload. I’m down to my most average. But even this paint takes on a whole new life when combined with this paper. 

And the paper is far from perfect. No, in fact, that’s probably what makes it so special. You can see, feel, all the flecks that go into it. The scraps of life and growth. Beautiful!! No shame of imperfections. 

Maybe it’s too simple to say, but I’m not sure everything has to be so hard. I think we need each other. And I’m pretty sure we can bring out the best in us if we want. So I come to you daily, with my humble, most average of self, and ask you to join me. You, the imperfect paper. Together, we can make something beautiful. Together, we become!


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Grounded.

In Greek mythology, Antaeus had super strength whenever he was grounded. Touching the Earth (his mother), his strength was always renewed. In combat, even if thrown to the ground, he was invincible. It was Heracles who discovered the source of his strength and, lifting him up from Earth, crushed him to death.

I always wanted to do the sleepover. But when the sun began to set, when it was time to go to bed, the battle began. It didn’t matter if it was a best friend’s house, or even in the beginning at my grandma’s house, I just wanted to go home. And home was with my mother, the source of my power. 763-5809 was the life line that grounded me. Making the call, without question, she dropped what she was doing and came to pick me up.

I suppose some would call that spoiled. I call it loved. You might think, oh she’ll never learn if she isn’t forced to do it. On the contrary. I would come to learn because of it. Secure in this love, I was able to go beyond my wild imagination. And not just physically. But emotionally. Artistically. I had the strength to dare in it all. To brave my heart and soul. To live. To love.

There are a million things, people, that try to pull us away from what we know. What we believe in. Sometimes it can even be our own silly worries that try to rip us away from the very thing that gives us strength. And I can see it. Feel it. When my feet begin to lift off the ground. When defeat feels imminent… I return to the story. I write it again and again. The love is always there. Will always be there. Invincible. And I am forever strong. 



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“Isn’t it romantic?”

We had just finished watching the Days of our LIves episode, or “the Hortons,” as my grandma called it. It wasn’t educational television in the traditional sense, but I certainly did learn a lot. During this particular episode, they used the word “romantic,” several times. My five or six year old brain wasn’t familiar. “What is romantic?” I asked my grandma. “Lots of things are romantic,” she said. “No, but what does it mean?” I continued. “You know when your heart feels all a flutter?” she asked. “Oh, jimbly…yes…” I said. “Sure,” she said, “jimbly…”  “So Uncle Ron is romantic?” I asked. “Why do you say Uncle Ron?”  “Well, yesterday, when I crawled inside the closet of the upstairs room with the loom inside, there were uniforms, and they were so crisp and beautiful, and something made me want to hug them, and you said they were Uncle Ron’s service uniforms and my heart felt funny inside the closet so…” “It’s not just people. You were feeling a different time and place. And that can be romantic. In the past, or the future even. I feel it when I turn your old clothes into quilts. It’s magic. It’s experience. It’s life. And that can be very romantic.” 

I annoyingly spent the rest of the day picking up items like perfume bottles and canned pears. Overalls hanging on the wall. Photographs and rugs made by hand. “Is this romantic? What about this?” 

When I think about the real magic of the day, it wasn’t in each of the items discovered, but in the time spent with my grandma. The time she answered yes to all of my questions, again and again, with patience and love. Pure romance. 

So maybe you won’t find it surprising when I tell you that I think one of my most romantic paintings is the one of the Volkswagon sitting in this European street. Maybe it’s the color palette. The small route that will only allow a one-way passage — a love that knows there is no turning back, this is it. A calm that doesn’t judge how you got here, simply welcomes you in. The name of the piece is “Something in my heart told me to wait for you.” 

I’d like to think that journey began at noon, in front of the television, with my grandma, on a farm just outside of Alexandria, Minnesota — and somehow, led by a trail of “yes” after “yes,” continued to the south of France. Even as I type the words, I can’t help but think, “Isn’t it romantic?!”


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36 pastels.

I think some made the mistake of gauging how much they were loved by the number that was displayed on the box of Crayola crayons.

I don’t remember my first number. I suppose it was 12. Possibly 24. It certainly wasn’t the biggest box with the flip top and the built in sharpener. Those were way too expensive. But what I do remember is the waxy scent of possibility. I remember holding each crayon in my hand. The smooth paper wrapper against my fingers. How each color felt different and demanded a certain touch. There was a necessary combination of gentleness and strength. The crayon had to be within control, but not gripped too tightly, or it would crack in the middle. Such a delicate dance to put image on paper.

I can’t count the number of times I made a picture for my mother. Or the number of times she clutched her imaginary pearls in delight. The number of times I hugged her knees as she hung the images on the refrigerator. The beats of love that continue in my heart to this very day. This is what I count on.

It’s probably not a surprise that I still love it. That I am what I am.

For Christmas one year, my brother-in-law gave me a box of pastels. I didn’t count them. I don’t even know what sizes they actually come in. But I knew that I was seen. That I was loved. And joyfully, there are still no numbers for this.