Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Some days, pastel.

All papers are different. Some work better with water colors. Others, pencil. Acrylics. Pastels like it a little rough. If gessoed, you can use oil. I dance through all of them. Mixing. Matching. Stumbling. One working better than the other. Some not at all. But every once in a while, the color goes on so perfectly, so easily, so accepting of all my imperfect strokes. And the beautiful irony is, this doesn’t lock me in, but sets me free. It dares me to try. To move forward. To experiment. To attempt. To get better. 

I had three such “papers” growing up. My grandfather. My grandmother. My mother. All so very different. One stable. One carefree. One dancing between. And when I came to each, of course I tested them as a child will test any paper. Will you love me if…? Each one did. No matter what I scribbled. They loved me. 

Even with all this love. This undeniable proof, I’m not proud of the fact that I can still worry. But I learn the lesson, again, and for the first time, daily. In the midst of creation, I forget all of the what ifs, and get completely gathered in the what is — and what is it? — beautiful. Even on the roughest of days, I have to laugh and think, today, I’m a pastel. 

Just writing the words, “worry less. create more.”  — the curve of each letter carries the love that dares me to try. 


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Woulds and weeds.

It’s amazing the power they have, these weeds. Even the ones in the garden.

Whether you call it imagination or worry, or awfulizing even, I can conjure up a lot of situations long before they have a chance to even occur. Most, thankfully, don’t occur at all. 

I was at my grandma’s house, stooped over on the front cement steps. Waiting and worrying about my cousins arriving. Alone and surrounded by woulds. Would they still like me? Would they remember me from last summer? My grandma saw me, face curled, resting on clenched fists. “Why are you sitting here in the weeds?” she asked me. I looked around the cement. I didn’t understand. “I know that little brain of yours. Popping out all that worry, faster than a garden of weeds. Look out there. Are the birds worried? Do the cows have their heads in hooves?” Heads in hooves — I laughed. She waved her hand and scooted me off of the stairs. The woulds and weeds dropped from my chubby legs as I raced under the summer sun.

I was pulling the weeds surrounding our front entry. I tried to match them pluck for pluck. One from the garden. One from my brain. It made me laugh. Both put up a bit of a fight, but getting my head out of my hooves, it made it a lot easier.

I think a lot about the things my grandma did and said. When they were uniquely hers, we called it “pulling an Elsie.” Her letting go of the weeds was and is the main Elsie I’d like to pull. I keep the drawing of her hands behind me and try to live in the words, “If she did worry, it never showed in her hands. She held. She gave. She touched.” 


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Saying grace.

I never had an alarm clock growing up. Just the thought of it sounds, well, alarming. My mom did though. It was just one of the many things she took on, so I wouldn’t have to. She absorbed the morning jolt, tiptoed to the bathroom, brushed and washed. If I wasn’t roused by the gentle clinking of her makeup, she would come into my bedroom, and start my day with whispered hand on shoulder. Toast popped up in the kitchen. Smiles set the day’s intention. Maybe we didn’t fold hands in prayer, but you’d be wrong to say she didn’t start the day saying grace. 

Of course there was a world of concern around her, around us, but if she woke with worry, it never showed in her hands. I guess she learned that from her mother. I pray I’ve done the same. 

I begin each day now, in another time, another country. But there’s coffee on the table. And kindness in the air. I give thanks, and whisper with the gentle clink of the keyboard — Good morning.