Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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But the choir.

We weren’t supposed to eavesdrop. And I could understand for the phone, the party line. No one wanted to hear the wringing of our sweaty hands around the mouthpiece, or our muffled giggles. But sometimes, we were just there, in the thick of the conversation. Running in through the screen door, jumping straight into the debate over the current episode of Days of Our Lives. Hearing words like affair and betrayal. Not knowing the meaning, nor the context, desperate to work them into the next conversation with cousins. My grandma, giving me, us, the “zip your lip” signal from across the kitchen. 

So I knew the routine. But sometimes, my curiosity got the best of me, and I risked it. Surely something about church couldn’t be so bad. “What did she mean about the choir?” Now I knew my grandma, she went to church, but she wasn’t the minister. So why did the neighbor lady, sipping egg coffee from her stained cup, say it to my grandma? “Say what?” Grandma asked. “She said you were preaching to the choir?” “Oh, that’s just an expression,” she replied. “But what does it mean?” “It means ‘you’re telling me something I already know.’ You know, like the choir is always there hearing the message…and maybe the ones who need to hear it the most aren’t there.” “So why do we do it? Why do you do it?” I asked. She wiped her hands on her apron, picked up her ever present cup of coffee, brought it close to her lips, grasped it with the other hand — like it was the thought itself she was holding — lowered the cup a little and smiled, “because the choir keeps singing.” I smiled in return. I knew I had heard something special, with no constraint of the zip it sign. I ran out into the summer song. From what I could hear, all was well, would be well, on Reuben and Elsie’s farm.

Each song has wings.


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A flutter.

I forget how small they are. When I paint them, they become larger than life. Then I’ll see one in the yard. Almost nothing but a motion. A flutter in the leaves. Then it stops for just a second. And I see it. The most lovely little bird. I try not to blink. Capturing all the colors on wings. Knowing it will be gone from the tree in just a second, but it will remain in my heart.

Perhaps I’ve always done it. My grandma used to say that when I was a baby, she could put me in a chair, and I’d stay. I wouldn’t fidget, or fuss. Just watch her. I can’t say I was aware of how quickly it would all pass — this aproned love that fluttered by me. But maybe my heart knew. Maybe the heart always knows. So I sat quietly in the kitchen chair that my grandpa made out of an old tractor seat, and I tried not to blink.

We hung the portrait of the kids yesterday. It won’t stop time, but it does capture it. Even for just a moment. That moment when they stood before the open water. Daring the waves. Willing the breeze to give them flight. When they could see that all things were possible. I smile as I walk by and tell them not to blink. 


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Given wings.

When I sent her a photo of me standing on the London Bridge, her first comment was, “Where did you get that jean jacket? The collar pops up so nicely!” London Bridge wasn’t “falling down,” but it didn’t sit high in my mother’s priorities. 

 Just as Wonder Woman gained the ability to fly using the power of her Lasso of Truth, my mother did the same with the pop of her collar. I saw the magic happen daily. As she finished getting ready for work, I began to get ready for school.  Crossing mirrored paths, the last thing I saw her do was pop her collar. She went from an unsure 5’7″ to a confident 5’9″ and out the door she went. Crossing Jefferson Street, her feet never touched the ground.

It’s no surprise that as I flew into my own truth, I did the same. I DO the same. (When the golden lasso is passed on to you, it would be a shame not to use it.) Popping from state to state, country to country, I stand a little taller, not because my mother gave me a map, but because she gave me wings. 


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Each song has wings.

The worse we sang, the balder he got. Each wrong note hit in our seventh grade choir raised Mr. Dehlin’s hand to the top of his head, rubbing in desperation. How could he direct us to the right note? He seemed to be willing the answer inside his brain with the hand that carried the baton.

I don’t remember the note, nor the song, but no one in the alto section seemed to be hitting it. He directed David Alstead to hit the note on the piano. Again. And again. The note rang through the choir room. The problem was that that one poor note had to compete with all of the noise in our teenage heads. The noise of the upcoming exams in English and Math. Who was dating whom. Who was about to break up. Why was she wearing that? Would we be invited to the dance? Would there be time to get to get to the locker room to grab the forgotten book? Who would we sit next to on the bus. Again! — he pointed the baton at David. Again! He played the note and we sang something close to it as a section, but not close enough. Mr. Dehlin went down the line of altos, pointing the baton at each person. One by one. Note by note. Each missing by a hair – a hair that seemingly fell from his head to the floor. Twice through the line. Getting closer each time. He had our attention now. And we sang. We sang that glorious note. He raised both hands in the air, then collapsed them to his knees. We all cheered (in the right key!). It was only a note. But he got us there. There was still a whole song to learn. But he gave us our victory. Our moment. He stood tall again. Tapped the baton on the music stand. Gave a look to David. One quick flick of the baton, and we were off – in song!

Through our junior high years we held countless concerts. Parents gave us standing ovations for the mere fact of being born. But it was that impossible note reached that I remember the most. And what it took to get us there.

My love for music has never faltered. It has layed beside me during the darkest times. Danced with me through the highest. Pushed my lawn mowing legs. Moved my paintings, stroke by stroke. Brightened breakfasts. Made sacred each holiday, each friendship. Gave me the soundtrack for hellos and goodbyes. Note by note.

I suppose we never forget those who walk with us, battle with us, just to get us through — see us through — to become our best selves… those who give us not only the note, but also a reason to sing!