Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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The art of living.

I suppose we all hope for it — a little of the magic to rub off. The plaque on the outside wall says the author lived here. I stand in sturdy on the sidewalk, ready to catch any discarded words from a hundred years ago. Words left hanging in the cement’s cracking, perhaps ready, in this moment of my standing, to release themselves. I open my pockets and umbrella my shirt. 

I go to museums and restaurants. Vowing to paint this. To make this. I will turn the kitchen table into the coffee shop, and sip slowly, slip gently into the romance of it all. And isn’t that what we’re here for, after all. To enjoy the art of being alive, but also to leave a touch of the magic behind for others to climb upon, to rest upon, to become. 

I was lucky. I saw it early. I sat at my grandparents’ kitchen table, and held. The wood had already absorbed them. These Hvezdas. Scents of kolaches and pipe tobacco. Imprints of elbows calculating and cards slapped down in victory. Dice shook. Recipes tweaked. Books of crops and yields gone over and over again. Radio vibrations of Paul Harvey and rain forecasts. Over it hands shook. On it hands folded. And underneath, four angular legs that stuck out too far for a racing toddler, but held strong, this sturdy table, this gathering of life. 

I take it with me everywhere. I’m sprinkling it now on this kitchen table where I type the morning words. Reach out your hands, your heart, the magic is falling.


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Sleeved.


When you’re the last one in line, the hand-me-downs have to go back up. 


I bought the black leather vest in New Mexico while traveling with my mother many years ago. I wore it proudly, then passed it up to her. She looked fabulous in it. Black pants. A popped white crisp collared blouse underneath. Scarved for a little color. (Scarf is the new black, she would say.)


I have it back again. That black leather vest. When I get compliments, I always say it was my mother’s. Because that’s the most important part of the story for me. They don’t need to know the whole “Sisterhood of the traveling pants” version. That beats quietly beneath the zipped leather. 


I like that we shared the clothes before it was, pardon my pun, in fashion. Long before vintage was cool. Truth be told we didn’t even use the word vintage — we only had hand-me-downs, and hand-me-ups. But we weren’t looking to be on trend, we wanted to be connected. For that same reason, my mom handed down clothes to her sister Karolynn. To be connected. 


Just last week my cousin Kalee wore my mother’s coat to our cousin’s funeral. The coat that my mother handed to her sister, that she handed to her daughter. The coat I would wear on winter visits when I didn’t bring one of my own. I like to think that love is sleeved. Each time we slip through, we pass on the hugs, we pass on the love. And it gets handed off, up and down and all around. 


I guess what I’m saying is, it doesn’t have to end. We can all stay connected. Once we allow the passing through, it, we, can always be passed along. Held in the arms of love.