Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Sleeved.


When you’re the last one in line, the hand-me-downs have to go back up. 


I bought the black leather vest in New Mexico while traveling with my mother many years ago. I wore it proudly, then passed it up to her. She looked fabulous in it. Black pants. A popped white crisp collared blouse underneath. Scarved for a little color. (Scarf is the new black, she would say.)


I have it back again. That black leather vest. When I get compliments, I always say it was my mother’s. Because that’s the most important part of the story for me. They don’t need to know the whole “Sisterhood of the traveling pants” version. That beats quietly beneath the zipped leather. 


I like that we shared the clothes before it was, pardon my pun, in fashion. Long before vintage was cool. Truth be told we didn’t even use the word vintage — we only had hand-me-downs, and hand-me-ups. But we weren’t looking to be on trend, we wanted to be connected. For that same reason, my mom handed down clothes to her sister Karolynn. To be connected. 


Just last week my cousin Kalee wore my mother’s coat to our cousin’s funeral. The coat that my mother handed to her sister, that she handed to her daughter. The coat I would wear on winter visits when I didn’t bring one of my own. I like to think that love is sleeved. Each time we slip through, we pass on the hugs, we pass on the love. And it gets handed off, up and down and all around. 


I guess what I’m saying is, it doesn’t have to end. We can all stay connected. Once we allow the passing through, it, we, can always be passed along. Held in the arms of love. 


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Still life of Elsie.



I’ve often wondered if Cezanne hadn’t seen the beauty in fruit, in the mountain, would I have seen it?

My grandma didn’t have matching dishes. I don’t remember the table ever being “set.” We knew the contents of the cupboards, and we grabbed what was needed. A plate. A fork. A glass. As children we drank out of these multi-colored aluminum tumblers. They were indestructible. You could dig a hole with it in the dirt to bury a treasure, wash it out with the garden hose, then fill it with milk and Nesquik – chunky style because you didn’t have the patience to keep stirring. The color of tumbler chosen worked as our first “mood rings.” Blue was sad. Red, you had a temper. Green was kind. Gold, surely a winner! They could be swapped, dropped, thrown, and fit perfectly into our sweaty, chubby hands. So much adventure. So much beauty.

I’ve seen them now, these tumblers, in antique stores. Over priced, surely, but never overvalued. I smile because I did see it. We saw it together — before anyone told us it was beautiful, that they were beautiful.

My grandma never went to France. I doubt that she knew of Cezanne. But make no mistake about it, long before I studied in school, she taught me about art appreciation. How to see the beauty of everything. My real education.

When I paint the most simple still life, (my long lost treasure uncovered) I think, yes, I would have seen it. Not because of Cezanne, but because of Elsie. My grandma Elsie. I hang the painting, my heart knowing, she did make it to France after all.