Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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In the birdsong.

Maybe nature knows, how the gifts are only borrowed. From nest to song, how it’s all impermanent. We’re given everything we need between sky and tree, but it has always been for the sharing. We were meant to live in the birdsong.

I think all creative ideas (and I’m including love here, perhaps topping the list) are like dandelion seeds floating on a summer breeze, with the bravest of barefoot children chasing them, stretching to pluck them from the blue, knowing if they don’t, there are countless chubby legs running behind and beside, willing to make the journey. And just as the summer child borrows the fleeting day, I gather the words and the paint, into the shape of love, and hope and try and pray it makes it to the next season.

Painting in a new room yesterday, brush in hand, I sang along with each stroke, the Christmas songs so generously lent to me, to us, each year. Within the music, somewhere on the canvas, I am suspended in time, in the gift of the moment. No doors of advent are opening. No rushing toward the next. I’m catch myself in the song of the bird, in a moment of happiness, and I find myself in the most wonderous gift of all. I know I won’t keep the painting. It must be shared. Chubby summer legs will be waiting.

The gift we only borrowed.


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Trying it on.

In the “Age of Innocence,” (if there were ever a time), they used to say, “I didn’t think they’d try it on,” meaning, I didn’t think they’d have the guts to do it. Some may have said that about my mother, but not me.

I’m not sure she ever really knew how brave she was. I know she wanted to be. I guess I knew first, because my grandfather told me. Standing in the kitchen, opposite the sink – grandma in elbow deep – in front of the window that framed the stripped and hanging cow from the tree, he told me I could turn in, or turn out. That I could armored like my Aunt Kay, or be open like my mother. He didn’t mark either as good or bad, both would be difficult, it was just a choice. My mother returned from the other room. Broken, she had the guts to still be ruffled in white. I had already made my choice. To be wounded, but still believe in love, I would ever be “trying it on.”

It was years later, I relayed his message to her. She hadn’t known that he saw her. It wasn’t the way. I suppose it was thought, “Well, it goes without saying…” but mostly I think that means it simply goes unsaid. I can’t let it be one of those times. Ever ruffled in ruffles, I come to the page, to the canvas, to you, wide open, daily. And on those days when you think you don’t have the strength, the courage, the will, you will think of these words, these images, see my mother’s face and heart, and you will find yourself “trying it on.” 


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Heart song.

My mother had just begun piano lessons. Only a little girl. I don’t know how many lessons she had, but not many, and it was in these few moments that this piano teacher (and I loosely use the word teacher, because clearly she was not, as you will see in a second), it was this awful woman that said, not to my grandparents (which would have been bad enough) no, she said it to my mother, this sweet little hopeful fingered girl, she told her, “You’re wasting your parents’ money.” I’m still aghast! What a soul crushing thing to say. Now, my mother may have never become a concert pianist, but we’ll never know. And it was only for her to decide. But she didn’t get that chance. Then.

Most of our children of the world will not become professional athletes, professional singers, or dancers, or painters. But we aren’t raising “professionals,” we are raising humans. Humans with thoughts and hopes and dreams and souls. And it takes a long time to build a soul, filling it with music and movement and kindness and possibilities. And we should never be defined by money (I guess that’s what we are basing the word professional on). We can still be dancers, even if we make our living at the bank. We can be singers if we sing. Painters if we paint. And we get to decide.

It took a long time, but she got there, my mother…After all the tears and questions she realized that only she could decide if her heart was disposable or not…and it wasn’t. It was bruised and possibly even broken at times, but the amazing organ that it was, is, it kept beating, keeping time to her own true rhythm, the beat that would soothe her, save her, and play once again, the lovely heart song that only she could create.


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Vision of youth.

We were visiting them in the US. She was maybe 5 or 6. We were playing a game at the table, and I told her (Layne), that I had to go pee-pee. Without pause she said, “Well, we use the toilet.”
I’m still laughing. It was so delightfully simple. So easy. So direct. But I guess, things don’t always have to be so difficult. Layne saw a need and filled it — that simple.


Maybe if we all kept that perspective, we could live a little easier. A little lighter. It was Picasso who said, “All children are born artists, the problem is to remain an artist as we grow up.”


To be an artist is all about seeing. Whether you are a painter, a photographer, a dancer (any human really)… you have to see it, very clearly see yourself doing it, creating it. Being it. Living it with the pure vision of youth.


I painted Layne, when she was an artist – a beautiful girl, with the clearest of vision. I hope she hangs on to it, sees the world in this way — easily, clearly, with all the color and laughter it can bring!