Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Find the good.

The first set of paper dolls I received was for my 7th birthday from Wendy Schoeneck. My mother had always taught me to smile when receiving a gift. I didn’t know why she had made such a point of it. I suppose up until then, I had always been thrilled with my presents. Wendy was smiling so intently, watching me tear the wrapping paper. So pleased with what was about to be revealed. I scraped the yellowed Scotch tape from the last reluctant piece, only to reveal, to my horror, Buffy and Jody paper dolls. Not only had they spelled my name wrong, but Jody was the boy. I glanced up at my mother. I knew she knew. I guess her constant reminders paid off, because I forced a smile in Wendy’s direction. She couldn’t seem to tell that it was more pain than gratitude.

We played music. Pinned the tail on the donkey. Dropped the clothespins in the bottle. Passed around the presents. Laughed and held sweaty hands in circles. All had been forgotten and forgiven.

One of my presents was a Winnie the Pooh giant story book. We all started to sing the Pooh song, when one of the girls noticed that Winne the Pooh could quickly and easily be translated to Wendy the Pooh. Others joined in. Some giggled. But not Wendy. I knew she felt bad. I opened the box of paper dolls and my mom got out the scissors. We cut out the clothes and quickly forgot about both Poohs. It was a good gift after all. Wendy was smiling. My mom was smiling. And so was I, for real this time.

Sometimes it’s hard to see life’s gifts. They often come ill-wrapped at unwelcomed times. But even the hardest day is kind enough to pass. Find the good. It’s out there.


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Love’s evidence.

It’s easy to think it’s beautiful at first glance. The perfection of the unused pastels. Pristine. Untouched. And I will admit I open the box slowly. Remove the padding. And let it sink in, all the possibilities. But for me, this is not the real beauty. No, things have to get messy to become beautiful. The pastels will lose their perfect shape as I stroke them against paper and canvas. The colors will cling to my fingers and get wiped on pants legs and on cheek bones as I bring the painting to life. I’ll be covered in the evidence of creation when I bring the finished product from the studio to the house. Viewing the colors still on my face, my husband will call me a warrior. And I proudly smile, because I am. I joyfully give my all.

I suppose it’s the same with love. With life. Some will never risk getting hurt. Never take a chance on anything. Never using the pastels of their heart. Not me. I want to get in deep. Covered in the evidence of experiencing it all. Even the shattered pastel has the ability to color. To create. To make something beautiful. Your heart is going to feel it, sure…but oh, the colors — the glorious colors of scattered love. It’s not to be missed. 

I wake to this sun, labels peeled, middles cracked, rubbed uneven, and joyfully covered in love’s evidence. It looks like an imperfectly beautiful day.


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The wayward pony.

I suppose everything is about context. It’s not like I’d normally be afraid of a pony. (I’ve even painted them.) But yesterday, when I looked up from the path to turn the corner and almost ran into one, I must say it was alarming. And he wasn’t alone. There was a donkey. A llama. Many sheep. Rams. Other ponies. I don’t know who was in charge of this gang by the river. There were no other humans in sight. Neither the sheep, nor the donkey seemed to care that I was there, but what I can only assume as the lead pony, looked at me like I was the suspicious one.

After taking pictures, I kept walking. The whole path seemed different. I felt disoriented. This path, that I could normally navigate in my sleep, suddenly felt completely strange. Had that always been there? What about this? Did I miss my turn?

I started to take inventory. I knew this rock. This tiny bridge. To walk up the slope on the left side. The smell of these trees. The purple flowers growing out of the concrete fence. I knew this path.

Life can throw you the strangest curves. And you can’t prepare for everything. And sometimes each step can become unfamiliar. When it happens, it may sound silly, but I always take my own inventory. Am I safe? Yes. Am I loved? Yes. Do I have to be afraid? No. I step aside from the wayward pony, smile, and keep walking.


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Through.

David Hovda and I were wandering, slowly and aimlessly around Jefferson Senior High School, both in knee-high plaster casts. (This was in my dream last night. I’m sure he’s actually fine.) I had no idea what my schedule was. The halls were empty and the classroom doors were closed. The bell had rung. And I didn’t know where to go. The cast part was real, but not once in my high school years did I ever forget my schedule. It surprises me that I would still have this dream.

I woke up before either of us found our way. I’d like to think we went to the Superintendent’s office. That’s where our parents would have been. His father. My mother. And in typing this, the dream just made sense. My mother sat too close in age and distance to Dr. Hovda. When he passed away first, something told me it wouldn’t be that long. 

In high school, I suppose I thought that I would just learn things, and that would be it. The knowledge would stick, and everything would be fine. I had no idea how many times I would have to learn the same lessons. They first told us that we would understand when we got bigger, when we got older. We did both, but oh how the world can make you feel so small. So lost. And you have to learn again. Grow again. And find your way. 

Normally a dream like this will unsettle me. But I didn’t wake up afraid. I guess it’s because my heart knows where the Superintendent’s office is. I know I can walk down the terrazzo hall, open the door, and my mother will still be sitting at the front desk, full smiles, overhearing something that Dr. Hovda shouted from his open-door office. And I, we, will all be saved.


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Answering Frank.

It still surprises me the amount of candy one could receive just by donning an old pair of sweatpants and a paper sack from Olson’s Supermarket over your head. Even if we would have had the money, I’m not sure it would have occurred to us to buy a costume. Surely better results could not have been achieved with a store-bought mask. Nor could it have been used as a backup sack when your premier trick or treating bag, also a sack from Olson’s, became filled, or the handles ripped off. Because the women of VanDyke road, and just beyond by the cemetery, would indeed fill your bag. Homemade popcorn balls. Carmeled apples. Full-size Hershey bars. Cookies. We said “Trick or Treat” with full confidence. We were only “treated.” 

It would be hard to imagine now, I suppose. But it was real. Mrs.Vacek, beyond grandma old, opened her door, and walked us past the linoleum porch to sit at the kitchen table. Frank, her husband, perhaps only feigning affection, still managed to sit at the table, head in hand, and asked us one by one, not the standard question of “who are you supposed to be,” but he asked, “Who do you belong to?” “Oh, Frank,” Mrs. Vacek would say, knowing full well who we were. “The green house, on Van Dyke road,” I would reply. (Not completely comprehending, although we had walked far in the early setting sun, we were still on Van Dyke road.) Each of us responded with the like — the yellow house, the white house… Because we belonged here – in this neighborhood, in these houses, on this road. A real community, that was the real treat, I guess. We belonged.

It’s what I wish for you. For all. On this, and every day, that you have an easy answer to Frank’s question. Happy Halloween!


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The come-with gal.

It was my mother who taught me to be a come-with gal. Both by being one, and by asking the same of me. 

When I started having surgeries in my teens, on every joint available, my mother was there. She made appointments during her lunch hours. She used vacation time for hospital stays. She overnighted in questionable parts of strange cities to be there when I woke the next morning. She was the driver. The nurse. The companion. The entertainment. Each and every step of the way, she came with. 

Returning home, still releasing anesthesia through tears and hanging limbs, she would say, “Well, I’m going to the mall.” I didn’t want to miss out. She knew that. She also knew this would get me off the couch. On crutches, or slinged, sometimes both, I slapped on the lipstick that she already had raised from the tube, and I limped along beside her. She tried on every outfit that Herberger’s had to offer. Some to stun. Some just to make me laugh. And I did. I got over, because I came with. 

Just the other day I sold a painting that turned out to be a two-fer. Sometimes when I run out of canvas, or panel, I paint on the opposite side. As I was wrapping up the painting of Lake Agnes for shipping, I smiled, because there she was, the woman on the other side of the painting — the come-with gal. How appropriate, I thought. On one side, the image of where I came to life, Lake Agnes of Alexandria, Minnesota. And on the reverse, the symbol of how I came alive, just by coming with.

No days wasted. My mother saw to that. The sun is calling, and I must go.


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The weight of magic.

It would be hard to see at first glance, I suppose, but the chairs I recovered when first moving to France, remind me of my grandfather.

He didn’t say a lot. My grandma was the talker. So to know him, you had to watch him. It was his actions that told the story. And the truth that I saw was that he could fix anything. His tools were simple. Most, it appeared to me, could fit into a small handled, rusted box that he could carry in one hand from the shed to the field, where the tractor waited patiently.

This was business. He took it seriously. But one time he let me walk with him. Two steps to his one, I bit my lips to mute the million questions in my head. Just watch, my brain kept telling my curious heart. The music of the tools rattling seemed to lead the dance. With great precision he flipped and turned. Jolted and eased. Mumbled under breath. And the tractor started again. I sat on his overalled lap and he drove me back to the house. I told him I would return the toolbox to the shed. It wasn’t just to be helpful, I actually wanted to feel the weight of magic. It was surprisingly easy to carry.

When I first moved to France, I needed to find a way to fix the time. The real “difference,” was not just seven hours ahead, but how it could be filled. I didn’t understand the television. My phone didn’t work. Stores were often closed. People spoke in an unfamiliar rhythm. I had my painting. My writing. But there was still time to fill. I went to my heart’s shed and grabbed my toolbox. I decided to recover two chairs. I had never done it before. Never even knew that I wanted to, but here they were, these two chair frames, so I began to work. With Dominique’s help, I found the fabric, the stuffing, the upholstery nails, the sandpaper, the paint. And began. The sanding and the painting went well. The stretching of fabric over the cushions took some trial and error, but I figured it out. Then the nailing — the endless nailing — hour after hour of nailing. But I did it! I did it, I said again to the heavens. And as I placed one in the entry and one in our library, I could hear the engine roll over, feel the puff of smoke, and the tractor wheels turn. It was magic.

Without saying it, he taught me to find a way. Each day has its challenges, but I’m carrying a box of magic.


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Heart smiles.

.

Long before it became my “living,” it was my life. Before I could write, I colored in the feelings jumping around my heart with off-brand crayons, in the coloring books my mom purchased at Olson’s Supermarket. As Mrs. Bergstrom handed out words at Washington Elementary, I added them outside the lines of the images on the page. With increasing confidence in heart and hand, I graduated to blank sheets of paper, creating my own images, my own poems. The silent urging of closeted dolls, (Big Suzy and Malinda), told me to go show my mother. And I did. Every phrase. Every drawing. Because she caught me, with guaranteed safety and wild approval, each time I dared to fling myself from the cliff of my bedroom floor, feelings-first, straight into her outreached arms, waving my newest creation that revealed my entry-level heart…this…this is the reason she was always my first set of eyes — and would be, the rest of her life.

As I began to sell my work, she had the greatest response ever. When I would complete a piece and show her, she would say, “That’s going to sell immediately!” She said it as a compliment, for sure, but also with the slight melancholy of “let’s never let it go.” (My safety net. Those outstretched arms.) When I would make the sale, with the widest of prideful smiles, she would say, “Ooooh, no….” and we heart-giggled in delight.

Pablo Picasso said, “We are all born artists, the problem is to remain an artist as we grow up.” My mother never let me forget. As I put new pieces up for sale on my website, I smile, hearing a faint passing giggle from the sky, “Oooooh, no…” (Still. Those outstretched arms.)


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Folds of worth.

I found ten euros on the path yesterday while out for my morning walk. I picked it up. Smiled. Looked around. There was no one in sight. I folded it neatly and put it in my pocket. It was at the beginning of my walk, so I had almost an hour left to check it repeatedly. Like a five year old with birthday money stashed in my shorts, I clutched it in my chubby fingers again and again. It’s not that I needed ten euros so badly (although it’s always a treat!). What I really needed was not to lose the proof. I was so excited to show Dominique that even though out of season, I still had the “asparagus” eye. Out of all the people that strolled the path that morning, with dogs and phones and step-counters, I was the one who spotted the surprise! It made me feel special. I patted my pocket to feel the folds of worth.

My grandma was the first to give me a five dollar bill every year for my birthday. It continued well into my thirties. While the currency lost value through the years, the envelope that arrived each March 27th, addressed with her handwriting, became priceless. Opening the mailbox, I clutched it in hand. Forever a five year old, held heart-close in my grandma’s attention. I still have the last envelope she sent. Framed, it stands next to her picture. She loved me. I will forever feel special. Worthy.

“Guess what I found!” I said.

“I don’t know,” he said.

“Guess! Go ahead and guess!” I said, while unfolding the bill.

“Ohhhh!” he exclaimed, “You have the asparagus eye!” I am loved. You can’t put a price on that.

It’s all about the choices we make. We can choose to stay or to cross over. We are offered these bridges as gifts. It’s not always easy to dare to cross over, to get through, to get beyond… but it is a choice. So many rivers to cross. And with one step, we choose… we decide to love, to be loved… we decide that we are actually worthy of the giving and receiving… we choose to live… and we cross over… we cross over to the beauty that lies ahead. What a journey!


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More ideas.

Sometimes it takes me a while to get there, but I usually do.

I’m no different from the next person when it comes to packing a suitcase, if that next person is slightly neurotic and overly excited. It’s still three weeks away, but the neurons in charge of organization have already begun counting underwear and creating a capsule wardrobe. “Wouldn’t it be great,” they urged, “if we had packing cubes, and other various sorting devices for the suitcases…” I nodded inside my own head and began searching the web. The options, while infinite, didn’t seem exactly right. I searched through sizes and colors and prices. The right price was the wrong country of origin. The right color was the wrong size. The right size was the wrong price. I searched and fumbled. Added some to cart. Backed out. Searched again. After about an hour and forty-five minutes, it became clear that I could use the random tote bags given free from the pharmacy and the stash of bags my mother gave to me from the make-up counter promotions. I take a breath. I take a pause. I have everything I need. What a relief to quit searching…unless that is, I need more clothes… That’s when I play fashion show from my own closet and once again realize, I have more than plenty.

I suppose it’s true with almost everything — we don’t need more things, we need more ideas. Of course there are specific times when you require a precise tool, object, (even scarf or scarves to match your autumn overcoat), but most of the time I find, if I’m creative enough, thoughtful enough, I already have the perfect solution. And it usually feels great! To shop your own closet and create a new look. To sand and sand the abandoned wood and make a new frame. To create a delicious recipe out of the left-overs. To give the neurons a break and let my heart and hands take over.

Don’t get me wrong. I’m all for commerce. I bought two new books yesterday. (I will use the french bag as backing for a framed picture, but still.) And I want you to buy pictures and books and cards, even from me (insert shameless plug here). So what was my point? I don’t know…maybe Marie Kondo had it right, about all the “sparking joy.” I like that. I think it’s a good idea…I guess that was the point, after all, more ideas — more joyful ideas! Wishing you a day filled with them.

Pause, and spark!