I guess they could be in almost anything — these signs of hope — if that’s what we want to see. And I do.
I pass by this particular house on my twice daily walks, a total of four times. Coming and going, I see the clothes hanging on the line. And it’s not like they forget them, or abandoned them. No, they are different each day. Even as our weather begins to change to the cool humidity of autumn, the clothes are pinned to the line. Ever hopeful. On the days that the wind blows against my face and I tuck my chin to heart, I think, well, their clothes should dry today. When the sun hides behind the mountain and the clouds, I see her arms raised to the line and think, just as she must, the sun could come out today.
I have never met her, or them. But it’s not essential to our connection. I’d like to think the hope that bounces back and forth is our daily conversation, and we are united. I also humbly hope the same is true, when someone up the hill, from their unshuttered window, sees me passing by daily, in summer’s heat, or autumn’s damp, that perhaps they smile and think, “maybe I could do the same.”
We never really know what connects us. But make no mistake, I believe we all are connected. If you could see the hope in me, my daily actions, and I could see that in you… Maybe with our hearts on the line, we could do anything.
It still surprises me the amount of candy one could receive just by donning an old pair of sweatpants and a paper sack from Olson’s Supermarket over your head. Even if we would have had the money, I’m not sure it would have occurred to us to buy a costume. Surely better results could not have been achieved with a store-bought mask. Nor could it have been used as a backup sack when your premier trick or treating bag, also a sack from Olson’s, became filled, or the handles ripped off. Because the women of VanDyke road, and just beyond by the cemetery, would indeed fill your bag. Homemade popcorn balls. Carmeled apples. Full-size Hershey bars. Cookies. We said “Trick or Treat” with full confidence. We were only “treated.”
It would be hard to imagine now, I suppose. But it was real. Mrs.Vacek, beyond grandma old, opened her door, and walked us past the linoleum porch to sit at the kitchen table. Frank, her husband, perhaps only feigning affection, still managed to sit at the table, head in hand, and asked us one by one, not the standard question of “who are you supposed to be,” but he asked, “Who do you belong to?” “Oh, Frank,” Mrs. Vacek would say, knowing full well who we were. “The green house, on Van Dyke road,” I would reply. (Not completely comprehending, although we had walked far in the early setting sun, we were still on Van Dyke road.) Each of us responded with the like — the yellow house, the white house… Because we belonged here – in this neighborhood, in these houses, on this road. A real community, that was the real treat, I guess. We belonged.
It’s what I wish for you. For all. On this, and every day, that you have an easy answer to Frank’s question. Happy Halloween!
It was my mother who taught me to be a come-with gal. Both by being one, and by asking the same of me.
When I started having surgeries in my teens, on every joint available, my mother was there. She made appointments during her lunch hours. She used vacation time for hospital stays. She overnighted in questionable parts of strange cities to be there when I woke the next morning. She was the driver. The nurse. The companion. The entertainment. Each and every step of the way, she came with.
Returning home, still releasing anesthesia through tears and hanging limbs, she would say, “Well, I’m going to the mall.” I didn’t want to miss out. She knew that. She also knew this would get me off the couch. On crutches, or slinged, sometimes both, I slapped on the lipstick that she already had raised from the tube, and I limped along beside her. She tried on every outfit that Herberger’s had to offer. Some to stun. Some just to make me laugh. And I did. I got over, because I came with.
Just the other day I sold a painting that turned out to be a two-fer. Sometimes when I run out of canvas, or panel, I paint on the opposite side. As I was wrapping up the painting of Lake Agnes for shipping, I smiled, because there she was, the woman on the other side of the painting — the come-with gal. How appropriate, I thought. On one side, the image of where I came to life, Lake Agnes of Alexandria, Minnesota. And on the reverse, the symbol of how I came alive, just by coming with.
No days wasted. My mother saw to that. The sun is calling, and I must go.
It would be hard to see at first glance, I suppose, but the chairs I recovered when first moving to France, remind me of my grandfather.
He didn’t say a lot. My grandma was the talker. So to know him, you had to watch him. It was his actions that told the story. And the truth that I saw was that he could fix anything. His tools were simple. Most, it appeared to me, could fit into a small handled, rusted box that he could carry in one hand from the shed to the field, where the tractor waited patiently.
This was business. He took it seriously. But one time he let me walk with him. Two steps to his one, I bit my lips to mute the million questions in my head. Just watch, my brain kept telling my curious heart. The music of the tools rattling seemed to lead the dance. With great precision he flipped and turned. Jolted and eased. Mumbled under breath. And the tractor started again. I sat on his overalled lap and he drove me back to the house. I told him I would return the toolbox to the shed. It wasn’t just to be helpful, I actually wanted to feel the weight of magic. It was surprisingly easy to carry.
When I first moved to France, I needed to find a way to fix the time. The real “difference,” was not just seven hours ahead, but how it could be filled. I didn’t understand the television. My phone didn’t work. Stores were often closed. People spoke in an unfamiliar rhythm. I had my painting. My writing. But there was still time to fill. I went to my heart’s shed and grabbed my toolbox. I decided to recover two chairs. I had never done it before. Never even knew that I wanted to, but here they were, these two chair frames, so I began to work. With Dominique’s help, I found the fabric, the stuffing, the upholstery nails, the sandpaper, the paint. And began. The sanding and the painting went well. The stretching of fabric over the cushions took some trial and error, but I figured it out. Then the nailing — the endless nailing — hour after hour of nailing. But I did it! I did it, I said again to the heavens. And as I placed one in the entry and one in our library, I could hear the engine roll over, feel the puff of smoke, and the tractor wheels turn. It was magic.
Without saying it, he taught me to find a way. Each day has its challenges, but I’m carrying a box of magic.
Long before it became my “living,” it was my life. Before I could write, I colored in the feelings jumping around my heart with off-brand crayons, in the coloring books my mom purchased at Olson’s Supermarket. As Mrs. Bergstrom handed out words at Washington Elementary, I added them outside the lines of the images on the page. With increasing confidence in heart and hand, I graduated to blank sheets of paper, creating my own images, my own poems. The silent urging of closeted dolls, (Big Suzy and Malinda), told me to go show my mother. And I did. Every phrase. Every drawing. Because she caught me, with guaranteed safety and wild approval, each time I dared to fling myself from the cliff of my bedroom floor, feelings-first, straight into her outreached arms, waving my newest creation that revealed my entry-level heart…this…this is the reason she was always my first set of eyes — and would be, the rest of her life.
As I began to sell my work, she had the greatest response ever. When I would complete a piece and show her, she would say, “That’s going to sell immediately!” She said it as a compliment, for sure, but also with the slight melancholy of “let’s never let it go.” (My safety net. Those outstretched arms.) When I would make the sale, with the widest of prideful smiles, she would say, “Ooooh, no….” and we heart-giggled in delight.
Pablo Picasso said, “We are all born artists, the problem is to remain an artist as we grow up.” My mother never let me forget. As I put new pieces up for sale on my website, I smile, hearing a faint passing giggle from the sky, “Oooooh, no…” (Still. Those outstretched arms.)
I found ten euros on the path yesterday while out for my morning walk. I picked it up. Smiled. Looked around. There was no one in sight. I folded it neatly and put it in my pocket. It was at the beginning of my walk, so I had almost an hour left to check it repeatedly. Like a five year old with birthday money stashed in my shorts, I clutched it in my chubby fingers again and again. It’s not that I needed ten euros so badly (although it’s always a treat!). What I really needed was not to lose the proof. I was so excited to show Dominique that even though out of season, I still had the “asparagus” eye. Out of all the people that strolled the path that morning, with dogs and phones and step-counters, I was the one who spotted the surprise! It made me feel special. I patted my pocket to feel the folds of worth.
My grandma was the first to give me a five dollar bill every year for my birthday. It continued well into my thirties. While the currency lost value through the years, the envelope that arrived each March 27th, addressed with her handwriting, became priceless. Opening the mailbox, I clutched it in hand. Forever a five year old, held heart-close in my grandma’s attention. I still have the last envelope she sent. Framed, it stands next to her picture. She loved me. I will forever feel special. Worthy.
“Guess what I found!” I said.
“I don’t know,” he said.
“Guess! Go ahead and guess!” I said, while unfolding the bill.
“Ohhhh!” he exclaimed, “You have the asparagus eye!” I am loved. You can’t put a price on that.
It’s all about the choices we make. We can choose to stay or to cross over. We are offered these bridges as gifts. It’s not always easy to dare to cross over, to get through, to get beyond… but it is a choice. So many rivers to cross. And with one step, we choose… we decide to love, to be loved… we decide that we are actually worthy of the giving and receiving… we choose to live… and we cross over… we cross over to the beauty that lies ahead. What a journey!
It was the first thing we always checked — the lighting in the bathroom. Whether hotel or apartment, this was the most important thing, my mother taught me. After all, she explained, a lady had to get her face on in the proper light. And she always did. I watched her do it. Even on her darkest days, she began each morning in the bathroom light. Transferring it to her face. Going to work with a heavy heart, and a well-lit smile. In my younger years, I imagined the corners of her mouth attached like pulleys, lifting her heart into that same light. Just typing it now, mine did the same.
When traveling to different art shows across the United States, I would call her when arriving, and the first thing she would ask was “How is the lighting?” I only just realized, maybe it had always been code for “how is your heart?”
Even in the last apartment she lived in, we checked it first. She used her walker to get into the light. It was perfect, she said. She had already decided. Maybe this is what I loved about her the most — this decision to find the light. To become it. Smile by heart.
She could get her face on in here, she said. She filled the adjacent cupboard with the finest make-up. Moisturizers. Creams. She put them on each morning. Her lip-lined corners once again pulling up her heart.
Missing her now, I’m asked to do the same. And I do. Morning by morning. Smile by smile. My heart gets lifted. Into the light.
Sometimes it takes me a while to get there, but I usually do.
I’m no different from the next person when it comes to packing a suitcase, if that next person is slightly neurotic and overly excited. It’s still three weeks away, but the neurons in charge of organization have already begun counting underwear and creating a capsule wardrobe. “Wouldn’t it be great,” they urged, “if we had packing cubes, and other various sorting devices for the suitcases…” I nodded inside my own head and began searching the web. The options, while infinite, didn’t seem exactly right. I searched through sizes and colors and prices. The right price was the wrong country of origin. The right color was the wrong size. The right size was the wrong price. I searched and fumbled. Added some to cart. Backed out. Searched again. After about an hour and forty-five minutes, it became clear that I could use the random tote bags given free from the pharmacy and the stash of bags my mother gave to me from the make-up counter promotions. I take a breath. I take a pause. I have everything I need. What a relief to quit searching…unless that is, I need more clothes… That’s when I play fashion show from my own closet and once again realize, I have more than plenty.
I suppose it’s true with almost everything — we don’t need more things, we need more ideas. Of course there are specific times when you require a precise tool, object, (even scarf or scarves to match your autumn overcoat), but most of the time I find, if I’m creative enough, thoughtful enough, I already have the perfect solution. And it usually feels great! To shop your own closet and create a new look. To sand and sand the abandoned wood and make a new frame. To create a delicious recipe out of the left-overs. To give the neurons a break and let my heart and hands take over.
Don’t get me wrong. I’m all for commerce. I bought two new books yesterday. (I will use the french bag as backing for a framed picture, but still.) And I want you to buy pictures and books and cards, even from me (insert shameless plug here). So what was my point? I don’t know…maybe Marie Kondo had it right, about all the “sparking joy.” I like that. I think it’s a good idea…I guess that was the point, after all, more ideas — more joyful ideas! Wishing you a day filled with them.
It’s no secret that I read a lot. Often they make the books into movies. Often I’m disappointed. For me, the words seem to paint a more realistic picture. A vivid representation of the person or people inside the story. Not tainted or swayed by the pressures of Hollywood. I wonder when we were first sold the idea that people, in order to be a hero, or heroine, had to “look the part.” I, I say with great fortune, have lived a life to the contrary.
I have written about so many that have saved me through the years. Mr. Whitman, the caretaker of the cemetery, dirtied and slumped from the weight of burying the people from town. My grandfather, callused hand reaching behind his stained overalls to bring me along, bring me through. Chubbied Grandmother wiping kitchen hands on apron, just to give us something sweet. Wearied teachers, still finding a way to say the words that just might carry us. Tear-stained mother who laughed with unfaltering grace.
So it came as a surprise to me, the woman in New York standing in front of my portrait of Maya Angelou — a sage I return to again and again. She read the words and seemed to be moved. She praised them. I thanked her. She wanted to buy copies, but whispering sheepishly now, “maybe without the picture.” Whispering even lower now, “you know, maybe she could be a bit polarizing to my customers.”
I laughed. How ironically and completely opposite of the words that she claimed to love.
Kindness. Truth. Beauty. Wisdom. Hope. Leadership. Strength. Love. It comes in all sorts of “packaging.” Each a gift.
Maya would have forgiven her. As she always said, “When we know better, we do better.” I put the words and paintings before you, before myself, daily, in the hopes of doing just that… better.
I don’t know who it belonged to. It certainly wasn’t my grandma — even though we found it, my cousins and I, in her upstairs closet. Digging beneath the sombrero, the military uniform and the extra bedding, we jumped back, toppling over each other on the hardwood floor. Was it alive? It had eyes! Fur! What was it??? With a pool cue from the corner of the closet, we moved it into view. A dead fox. Long straight, headed and tailed. Did it crawl in from the field for a siesta (under the sombrero on this Minnesota farm)? And then died? We kicked it down the stairs beside my grandma standing in front of the kitchen sink. (She was always in front of the sink, yet the dishes were never done — but that’s another story.)
“It’s just a stole,” she said, “a fox stole.” Not understanding the word, we assumed the dead fox was now some sort of robber. “No, to wear around your neck,” she said. The explanations kept getting worse. It was unimaginable. We threw it at each other. Maybe she said who it belonged to, but I don’t think so. We soon grew tired of it. We would have left it on the kitchen floor, but she told us to put it back, never asking why she wanted to keep it. We loved her. So we did.
The only accessory we knew Grandma Elsie to wear was an apron. And that was enough for us. She donned what some called sensible shoes and house dresses, which made it easy, I suppose, for us to forget that she was not just a grandma, but a woman of this world.
Pardon the reference, but it’s hard to see “everything, everywhere, all at once.” We get bits of people, glimpses really. We grab onto the parts that serve us best, and a lot remains, well, in the closet. This is not to say we need to know everything about everyone. But I think it’s good to realize that we don’t know everything. People have riches and reasons that we will never realize. And instead of being afraid of that, we should respect it, celebrate it even.
I don’t know if my grandma was ever in Mexico. But in my head she was. Possibly even wearing a fox stole. Or maybe it was just Great Aunt Ellen’s. Maybe she bought it at Tvrdik’s garage sale, just up the road. It doesn’t really matter. What I love is that there was a world to discover in her home. A home where we were allowed to run free. To become exactly who we wanted to be. This beautiful farmhouse, with security and surprise, that grew so much, grew so many.
