Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: again


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The loudest voice.

We took out our tri-fold mats and were told to lie down. Most of us were tired from the morning at Washington Elementary, but there was always someone who wouldn’t go down without a fight. He began testing Mrs. Strand by beating his hands against the mat. I turned my head away. Then he began with his feet. I sighed heavily. Mrs. Strand turned from the chalkboard to give him the raised eyebrows look. Still he kept on. I suppose I was too tired, but my eyes were always the first to betray me. I wasn’t sad, yet the tears began to flow. She walked atop our sea of mats like a holy person, first picking up the boy by his t-shirt and then placing him in the corner, smirked face first. She tapped me on my dampened shoulder asking why the tears. “It’s just all too loud,” I said between breaths. She tapped me on my heart and said, this must always be the loudest voice in the room. 

Chaos can still throw me, and I have to remind myself. I have the skills now. The self care. To quiet all the noises around us, I know I can paint. I can write. I can go for a walk. Read a book. Bake a batch of cookies. Play fashion show. Listen to my heart. Of all the things I learned in kindergarten, this has proven to be the most useful.

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From the flaps.

“To remain human in an inhuman time.” Montaigne

In my sketchbook, all the pages are almost absent of color. Not flesh, nor butter, it welcomes every image, and rests it gently, softly, without judgement. But for the flaps. The flaps are a vibrant red. Already set in tone, they present a different challenge. We call this an “underpainting.” The red cannot help but affect each color applied. And it can be tempting, this coming in hot. There is a vibrancy, a bit of excitement. And so it is with heart and mind. 

Sometimes, seemingly without my knowledge or permission, I find myself in the flaps. But this!  And that!  And they! Should haves and could haves and supposed tos hovering in all that redness. And that’s ok, for a moment. I try not to add to the heat of the color by beating myself up. But rather create a space, where all are welcome.  All. 

We are living in a time of red. Perhaps an inhuman time. We’re not the first, nor the last, but It is our job to remain human. To love, to create, to inspire, to preserve the goodness. To be the pages that welcome, with all the gentle might of heart and mind.  

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Pearing.

I don’t suppose one pear imagines another as weak. As being particularly thin skinned, or easily bruised. I think they see the familiar. The comfort. And there is strength in that. Which allows them to lean in, and to lean on.

Couldn’t we do the same for each other? I think we often worry, well I wouldn’t know what to say, or what to do? When all that’s really necessary is just to be ourselves, to be there, beside…pearing…pairing. 

I leaned on you today. I’m not sure if you even knew, but I wanted to thank you. I felt you holding my heart. It made me happy. And I was strong. I hope I can do that for you…If so, we can do anything.

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 Bring the ruffles.

It’s usually only after I’m finished that I see it – everything (everyone) who made the journey from my heart, through my arms, into my hand that held the brush, that moved the paint onto the page. Most of them have made the journey so many times, I have to laugh at them packing up, saying “here we go” as they jump on the painted trail. 

Yesterday my mother arrived in her ruffled white blouse and red lipstick. My friend Ken brought his hat from the Easter parade (or let’s be honest, a simple Sunday brunch).  And they became coupled again — from a Good Life gallery opening — while the nested bird sets upon the life upcoming, singing that love lives on, ever. 

Maybe it’s harder to see while we’re in the midst of it — all this becoming. I think that’s why it’s so important to stop and take a look at the daily page. Give thanks for all those who bring the ruffles, who bring the nested hats — those ready and willing to meet you at the day you’re in, no matter the circumstance, and leap from your heart with a “Here we go!”

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Magpie to the morning.

I only saw it last night. Could it have come sooner, or was it right on time? Awakening in the thick sky of wee hours, I had left the shutter open, and saw how it wasn’t simply dark, but so black it was blue, like a Magpie. And if it were a bird, this absence of light, couldn’t it just as easily gather those night weary worries under wing? Couldn’t it say, this is not for you to carry? Not now. Not in this light. This is the color of letting go. This is the color of release. 

Some say a Magpie will steal anything. I don’t know if that’s true, but if they did, if they do, I decide to leave my concerns above cover, and let them take it. And I give thanks for the thief of worry. No longer bruised, but released by the black and blue of it all. And I am saved.

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Flipping the canvas.

Sometimes, when painting a portrait, you can get stuck. The image isn’t exactly right, but you can’t see why. A trick that many artists use is to simply flip the canvas. It breaks the autopilot of the brain and you can actually see the shapes more clearly. You can get the chin just right, or the angle of that brow. It slows you down and you can see everything in a new light. 

How I try to remember that lesson for real life — when the universe kicks my feet from underneath and I tumble topsy turvy. It’s hard to see the benefits immediately, but once I gather myself, I have to think, oh, perhaps it was time for a new perspective. I, we, can get so accustomed to “how things are.” To shake us out of the “well, that’s how we do things…” and the “well, that’s how I feel,” and into a new vision, a better way of seeing, living, sometimes it takes our world turning upside down. 

I guess it’s all part of this delightful journey. This jungle gym.  So if you see me, feet in the air, don’t worry, I’m just getting a better view. 

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Becoming bird.

“Women in pain become birds.” I just read that. I often find myself looking around for the cameras that are surely filming me in this episode. And as I flutter through the inexplicable planned randomness of the page, I think, yes, but not in the way the author meant — small. No, I think women do become birds, but there is beautiful strength in that. A grandness of sky. Adapting in mid flight. Hovering. Not avoiding the breeze, but feeling it. Using it. All while dressed and feathered. 

I say this, not in praise of my own wings, but marveling at those before me. I have been nested and pushed by the best. Elsied and Ivyed into the blue. Words like small were replaced with capable, and I learned to fly. 

It’s not to say that days won’t be fragile. That we won’t be fragile. But we have been given everything we need. Mostly love.

I wrote it long ago. The truth of it still lifts me.  “She believed in the pure randomness of it all. It could happen to anyone at any time, pain, happiness, confusion, even love.” 

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Wanting to see.

I couldn’t figure it out. “But how do they know where they are?” I couldn’t navigate the whole farm, and my little legs were a thousand times the size of the bees. How did they know to find the flowers on either side of the front steps of my grandparents’ house? And because summer days lent themselves to pondering, I sat in the sun on those cement steps, watermelon seeds by my feet, contemplating the size of the universe. 

The soundtrack in my head played, “There’s a hole in the bottom of the sea…” The lyrics crescendoing to – “There’s a flea on the speck on the frog on the bump on the branch on the log in the hole in the bottom of the sea…” And wasn’t it the same with the hummingbirds and bees? Here. Right now. From the planet, to the state, to the city, to the country, to the driveway, and the grass, right here beside me on the steps. 

I asked my grandfather, how they found the flowers. “They want to find them,” he said. I shook my head yes. “I do too,” I said, flicked a seed from my bare toe, and ran off to capture sight of my own.

“There are always flowers for those who want to see them.”  Henri Matisse

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Along with my shoulders.

There wasn’t a hard edge on her. Not fingers, nor elbows, nor knees. She was built to make a lap, cup the small of a back, wipe a tear, widen a smile. She held. She gave. She touched. This was my grandma Elsie. 

Sometimes I have to apologize to her, and myself, for carrying my shoulders just a little too high. What am I braced for that couldn’t more easily roll off and on by, if I only relaxed them down. It feels so good when I do. My neck wanders freely, softening my face, releasing my cheeks that smile and say, “what a relief!” 

As I work in my sketchbook, I remind myself. The blending of rouge and flesh. Whites, yellows and greens. No hard edges. Wondering to myself, “Does that man appearing know that I am Elsie-ing his face?”  I lay the brush down, along with my shoulders, and know, she is gently and ever teaching me. Thank you, Grandma.

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Mondays and Molasses.

Shopping Michigan Avenue, my mom and I wanted it to never end. We went in every store. Up and down. Miles and miles of Chicago’s “magnificent.” 

We weren’t big Nike fans, but the store itself was gorgeous. We feigned affection. Running our fingers against t-shirts and track suits (long before leisure wear, that’s what we called them.) I don’t know who stopped first, but we stood in front of the poster and read. Words could always hold our attention. There was a woman running on a country road with these words, “There are clubs you can’t belong to, neighborhoods you can’t live in, schools you can’t get into, but the roads are always open.” We both smiled, and ran along beside her. 

The places we traveled in that truth!  I still do.

I’m still sometimes thrown by Mondays in France. Nothing is open. Yesterday morning, I told Dominique that we were out of treats. Before he finished asking, “Where would you like…” we both realized the Mondayness of the situation. By mid afternoon, I was able to travel to Chicago in order to find that my French kitchen was always open. Monday didn’t stand a chance against my molasses. I made the cookies, and may I say, they are magnificent. 

I pride myself in finding a way. My mother saw to that. She’s still guiding me through Monday. Tuesday is here. Wide open!  Let’s run!

A little bread too!
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