Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Well traveled.

I know that I am nothing new. I am not the first to have sat in her studio, stil flush from the emotion of putting paint on canvas. Not ready to let the feeling pass. Wanting to feed it. Grabbing the nearest book. Devouring word after word. Never thinking about the “all” they said we couldn’t have. 

It was Miss Green that introduced us to the “spelling trip.” Each week in our fifth grade classroom at Washington Elementary we split off into teams and randomly selected a place on the map. We learned all we could about the destination, then, as a group, wrote about our journey. We pushed our desks and minds together and began to write. I don’t remember where we were headed this particular week, but it was somewhere in the countryside. Someone said, “Let’s head for the hills!” One clever boy followed with, “And everyone jumped on Jodi!” 

Maybe she wasn’t the first teacher to think of this method, but she was the first to tell us. She was the first to open our hearts and imaginations to seeing, not all, but more. She sparked our curiousity. Fed it with paper and pencils and maps. And the journey began. My journey began.

Would I be living the same life without this start? Maybe. Maybe not. But joyfully, I’ll never have to find out. There is no closing of a heart cracked wide open. No closing of a heart that wants to roam from creative hands to flushing cheeks — a heart well traveled. 

I know that I am not the first to believe in love. I may not even be the first person to love you. But no one has loved with this very heart…this bruised and ever hopeful, beating heart…cracked open enough to let yours in. And this doesn’t make us new, but it does make us special. 

I have this thought, sitting book in hand, before the canvas, easel wide open… what if the only “all” we thought of, was what we had to give…


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The light keeper.

I suppose one could argue that it’s all about the light.

I have no proof. No photographic evidence of the size of the windows at Washington Elementary. But for the gymnasium, every classroom, in my memory, had giant windows. Mrs. Paulson’s 4th grade class overlooked the swings of the playground. The entire back wall of the classroom seemed to be lit up with freedom.

We were just beginning to get duties. Hall, lavatory, and drinking fountain monitors. Those who got to lead the pack to the library. Crosswalk guards. And for most, the highly coveted position of running the movie projector. Don’t get me wrong, I loved movie days, but not for the reason you might think. Sure, the break from the ordinary chalk board lesson was nice. But there was only one duty I wanted. And surprisingly, no one ever challenged me for it. There was no need to squeal, “Oooooh, ooooh, pick me…” under my breath. I was the only one raising my hand when it came to volunteering for shade monitor — the one who got to pull the giant shades before showing the movie. But here’s the most extraordinary part — the one who got to tug those giant sun blocking shades open after the movie, raise them into the sky of the room, hear the flap, flap, flap as they rested at the top, and be first to feel that glorious light streaming in. The glorious flight of swings. Feet racing. Arms swinging. Bodies dangling. Complete freedom. To be the lightkeeper, what an enormous and joyful responsibility. I wanted to be the one to give that to everyone.

I wasn’t wealthy. I couldn’t buy my friends extravagant gifts. Couldn’t invite them to a palatial home. But I could give them this. The light. In my youthful, humble, hopeful mind, the best gift of all.

Maybe that’s what I’m still trying to do. In my writing. My painting. Just for a brief shining moment, be the one who gets to fling open the dark shades, and let you into the light. “OOOOOh, ooooooh! Here it comes! Can you feel it?”

Nighttime makes it final flaps. The light shines through. Good morning!


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My summer heart.

Sitting next to the early morning window, trying to capture the brief moment of air that might still be called fresh, I slowly scroll my ipad for pictures, ideas to write about. It’s even a little hard for me to believe that I don’t plan out my daily posts. I don’t have a list of ideas or prompts. I don’t even worry about it. (Which, in knowing myself, is a huge deal.) I simply trust that it will come.

This morning, I stumbled past a few photos from winter. Bundled. Scarved. Gloved. It seems almost unimaginable to be cold. I know it will come, (we will even travel deeper into it) but I don’t waste a second of summer worrying about it. I really don’t. If only I could bottle this feeling for everything. The challenges of time and relationships. If I could just let them come and go, as is the nature of all things. If I could just be grateful for the season I’m in. And not be afraid of the ones to come. This is the goal. My goal. 

And certainly, just as in nature, I will be better some days than others. Even the fruit trees in our garden know this. I hear their leaves buzzing from the extraordinary harvest of this summer, with not a whisper given to the bareness of last year’s, nor a worry for the next. The birds sing in those branches, as if it were the first morning ever given. I listen with open window and heart, and know that I can do the same, and pray that I will. 

In my first remembered summers on Van Dyke road. I ran barelegged and armed through endless sunny days. Thinking they would never end. (But maybe that isn’t true.) I suppose I knew, but I was in the moment, and in the moment there is no beginning or end, there just is… 

My window can only open up to today. I smile into the sun and capture the thoughts that still might be fresh. And I tell my brain, what my summer heart already knows — it is enough, more than enough.


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Just before the necklace.

It’s hard to imagine your grandparents as people in the world. 

I don’t know for certain that he bought it for her, the necklace she’s wearing in her wedding photo, but I imagine that he did. His hands must have already been rough, as he held it. She would have smiled at him. Not a grandmotherly smile. There was no promise of that yet. No promise of land or house. No promise of nine children. Countless grandchildren. Only love. And a necklace. 

A necklace to be clutched. A lifeline to grab on to when falling so quickly. Falling so deeply into the unknown of love. A necklace to be covered in flowered aprons. Then in flour. Then removed to the bedroom dresser. As children grabbed for hair and neck — her love, his love, rested safely in a cottoned box. 

I only saw it in a photograph. A photograph of their wedding day. There was no stylist. Certainly not a wedding planner. No one to even tell my grandfather that the corner of his maybe only dress shirt was curled up a little. But there was hope. A hope of everything to come. Forever stilled in this photo. In the strand of this necklace.

I wore it on my wedding day. Too filled with all that stillness, all that hope.

I could have painted one on her, my newest portrait. But as her look came to life, I knew it wasn’t a look of everything come true, but everything to come. That feeling before the necklace. That feeling as he’s struggling with the clasp. Holding it up before her. Blowing the stray hair from her neck. Placing it around her held breath. All things possible. Mostly love. 

…and the clasp clicks.


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Here was one.

The scent reached me before I reached the door. I had seen it in cartoons — this wave that traveled through the air, curling at the end to make a hook, and then pulling you in. That was the scent of my grandma making shiskis — fried dough covered in sugar. Sweet and warm it gathered you in. In my five years, I had been to the bakery on the corner of main street, but I had yet to see how things were baked.

That summer I was taken to the Douglas County Fair for the first time. The baby barn. Little tiny pigs and cows. All explained away by “it’s a miracle.” My heart still in the lead of my brain, it was enough for me, and I believed it.

When my grandmother showed me the dough for the first time, I was amazed at how that runny batter turned into something so delicious. So golden. Birthed in that very kitchen! “Is it a miracle?” I asked her. “Yes,” she said. And I believed her.

I mentioned the other day the cookies we stumbled upon at a tiny boulangerie. I wanted to recreate the happiness, so I searched the internet for a recipe. The dough didn’t look right. I checked the recipe again and again. I made the test cookie. It was nothing like what I wanted. It looked like white rubber. I closed my ipad and channeled my grandma. She never measured anything. She tweaked. And so I began. Adding sugar. A pinch of salt. A little vanilla. More butter. Test cookie. Again. A little more butter. Test cookie. Closer. More sugar. Test cookie! Golden. Delicious. I finished the batch. Curled them on my rolling pin so they resembled the French roof tiles they are named for. My miracle.

I am currently re-reading “To the lighthouse,” by Virginia Woolf. She writes,“What is the meaning of life? That was all- a simple question; one that tended to close in on one with years, the great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations… here was one.”

I don’t know what today will bring. But I do know this — there is a plate (temporarily) full of miracles on our kitchen table.


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The Italian

She always wanted to be Italian, Dominique’s French cousin. She dreamed about everything Italy since she was a little girl. She loved the language and the people. How did she know? Who tells the heart what to love? Where to fall? Somehow it knows. 

I hadn’t been living in France that long when we went on an Italian excursion.  We saw glorious things. Me for the first time. Drove Italian fast, round round-a-bouts. Monuments, relics, at ever exit. Stood along with the other tourists as they tried to push or hold up the leaning tower. Bello! 

I thought it would be a complete let-down to visit this cousin on our way home. She opened the door. Flowers in hand. Smile on face. A warmth that transcended any language. I barely spoke any French, and certainly no Italian, but somehow, I felt at home. I suppose the heart can recognize another that has found its way.

I have seen extraordinary things. We have returned to other parts of Italy. I have seen the Colosseum. The Pantheon. The Vatican. Civilizations. Empires. Each standing stone, evidence. 

Maybe it all comes down to those who dare to dream. Maybe that’s why I think of her so often. Some might ask what difference does it make? What difference did she make? How can any one heart matter? But I say it is something! Something extraordinary. I can still feel the love in that room. That Italian room. That French heart. The dreams of that little girl floating around the room, filling it with the evidence of risk, of hope, of pure love. 

You can travel the world looking for guarantees. You won’t find them. But you will find examples. Monumental examples of the human experience. Sitting a country away. In my American/French heart, the evidence remains, and oh, how I believe!


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Somewhere.

It’s not always easy to see it when you’re in it, but the challenge usually ends up being the gift.

Living in a country where you are learning the language, you notice everything. You have to. Even the simplest of things. The most mundane of tasks are brand new. Going to the grocery store. Asking directions. You have to humble yourself to the fact that you don’t know — a lot! “In the middle of nowhere” takes on a whole new meaning.

We were driving through this very “middle” the other day. I was fully prepared to admit that we were lost. Dominique on the other hand, was simply looking. We were trying to get to a place to picnic with friends. We were supposed to bring dessert. We wanted to wait to pick it up at a nearby place because of the heat. We were overestimating the opportunities of “nearby.” The GPS wasn’t working. In its defense, I’m not sure that there was anything to base directions on. We were running late, and later. Desperately in need of dessert and directions. And then we saw her. A human leaning against the car. In my best French I asked if there was a supermarket nearby. Dominique was mortified. She laughed — a supermarket! (We were basically in a field, a very big field. We were “time travel” away from a supermarket.) But still smiling, she did lead us to a boulangerie in a neighboring village. Which sacked us with cookies and directions.

I think about how fast life moved when I knew everything. (Or thought I did.) Which direction to turn. How long the drive would be. Where to get the best dessert. Where to buy the best paint. How to mail a package (not to mention just finding the post office.) Everything was easy. And time blurred by. This, perhaps, is more frightening than a little humility. Time moves more slowly when you have to stop and think. Stop to wonder, how in the world will I get this done.? Or what is the word for that??? Because in this stopping, you also get to see everything. In the middle of a lavender field, beside a small church built centuries before, Centuries!, eating the best cookies you ever tasted, you get to stop and say, “isn’t this something!”

We keep up the wander. The wonder. Dominique can hardly believe that I permanently have a rock in my shoe. Both literally and figuratively. I always have. I guess my whole life mother nature has been trying to get me to slow down. Here, in France, she’s found a pretty good way. I stop. Take off my shoe. Tip the gift from my sole and see where I am. Look at where I am! Isn’t this something?!


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The breath of lavender.

Hours before I knew it would actually be possible, I responded to a friend’s message. She was struggling with the “letting go.” I had this thought – telling her to give them to me. Hand them all over, these feelings of hurt and anger, and I would take them and place them in a field of lavender, to be swallowed up in all that purple. Nothing bad can survive that much beauty, I thought.  And then, if a few stray negative thoughts tried to creep back into her heart and brain, at least they would smell of sweet lavender.

As I said, I didn’t know that only a few hours later, we would be passing countless fields of lavender on the way to see friends near the mountains. An endless sea of purple. “Ooooooooh,” I exclaimed, looking out the window. “Do you want to stop and take a photo?” Dominique asked. “Yes,” I said, but thought, not only that. I had some things to release. Not only hers, but mine as well. It’s funny how easily it all rolled down the ditch into the lap of scented color. I took the photos. The field grinned, exposing the lines of purple teeth, and I smiled in return. 

Maybe we don’t all get the fields of lavender, but it is then we look to the friends that do. I suppose that’s what we’re all here for — to take turns carrying the load on our way to something beautiful. Because the world IS beautiful. Still and ever. 

Pull over today. Take it in. Let it go. The breath of lavender — nothing bad can survive this much beauty.


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Further.

As the extreme heat continues in southern France, I can hear her voice. “Just sit quietly,” Mrs. Erickson said, pulling down the long black shades of our third grade classroom windows. Returning from the heat of recess under a sun that grew stronger bouncing off the black paved playground. A sun that said, “Come on, it’s almost summer, just stay, play a little longer!” But she rang the bell and we dragged our feet inside Washington Elementary. Sticky thighs against the wood seats, we wriggled and squirmed. We could barely sit, and quietly seemed impossible. “Just relax,” she urged. “Lay your heads down on your desk.” We placed our sweat-slicked hair on arms folded across desktops. The whispering began. Heads bobbing with playground secrets that needed to be released.

“Shhhhhhhh…” she said from the front of the class. “Think of the water,” she said. Living in the land of 10,000 lakes, it was fairly easy to bring to mind your favorite lake. Our heart rates slowed as she described the waveless water. The calm of the blue. The coolness, first on tippy toes. Then ankles and shins. Cooler still on thighs. We smiled flat cheeked on our desks. “Will you go further?” she asked. We shook our faces. “Whoop!” she exclaimed, “Up to your waist!”

Completely distracted now from the heat, as our ever-coiffed, nyloned and dressed teacher had “whooped” just for us. “Go all the way under,” she said. For me it was Lake Latoka. I held my breath and went down, down, down. It was so cool. “Look at everything,” she said. “The fish, the rocks…” And we did. For ten minutes we swam from the calmness of our desks.

She led us slowly back to shore. Lifted our heads. And then, no pun intended, dove into the math lesson of the day.

Whenever I think of my favorite teachers, I think of the question, “Will you go further?” Because that’s what they did for us. Daily. Took us beyond the lessons, into the living. It’s a question I continue to ask. In love, and trust, and hope, and forgiveness, in curiousity, creativity and knowledge — I want to go further! I want us all to go further.

If you want it too — maybe you can join me — all together now — Whoop!


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Sweet passing.

The small wicker and wood chair that we sit at to open the pool broke under Dominique the very day I was feeling close to doing the same. (Oh the world and its pressures.) For a moment I actually hated that chair. Instead, I decided to take the wood and make something with it. It was surprising, with only one cut on each side, the wooden frame turned out perfectly square. That almost never happens. And after stretching the canvas over it. Stapling it. I measured again. Still square. I could hardly believe how cooperative this wood was being, when just moments before, beside the pool, it was so unforgiving. 

I don’t think it’s a coincidence that my hurt feelings disappeared as the woman came to life on the canvas. Nothing changed in the situation that for a moment I found so desperate. But I had something new to focus on. Somewhere to put my attention in the most positive way. And I suppose that’s what forgiveness really is. It took me years to learn it. And clearly I’m still learning it. It really isn’t about the other person at all. You’re not “letting them off the hook.” I think it’s about releasing yourself from the situation. I guess if there are any “hooks” at all, it’s the ones you release from yourself. And what a glorious feeling.

Today my heart is light and I have a new painting. (The bruise on Dominique’s backside is also fading.) Oh the world and its gifts! 

If you’ve ever stood in front of a painting and felt “moved,” perhaps it’s the sweet passing of forgiveness. Let it flow through you. And lightly begin again.