Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Being Born.


“America is my country, and Paris is my home town.”
― Gertrude Stein

I started discovering myself long before I moved to France. My mother saw to that.It wasn’t so much that we went on vacation when I was young. But we did travel. With neither plan nor map, we drove. When we stopped for gas, my mother placed one foot out the door. By the time the second foot landed she would say yes or no. This was not a judgement so much as a choice. And not whether she would actually fit in this place, but whether she wanted to. Visiting nearly all of the states, I won’t give you the list of “no”s. There were hard yesses throughout the country, but the easiest of these came in New England. One small, elegant, cultured town after another. Streets lined with freshly painted houses. Groomed lawns. High fashion behind screen door porches. Lobster on paper plates. Accessible luxury that not only agreed with her, but was her. I don’t know why we love what we love. I’m not even sure it really matters. I guess the most important thing is knowing when your are in the middle of love’s embrace. When your feet stop and say, “we’re here!” When your heart beats louder than any reservation your brain can come up with. When you don’t just feel alive, but you feel the fresh warmth of being born, again and again. When the only word is yes.


I have a recipe for bread. I can make it in a cocotte (a cast iron French oven), or I can make baguettes. Same ingredients, but different taste. I can’t tell you why it’s true, but only that we love it. When the scent rises with the morning sun, I am my mother’s daughter, driving on paved streets of the familiar unknown. I am still my country, but I am home. I slice the steaming baguette, add the butter and honey, raise it to my mouth, and say, “yes!” 


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Perhaps, to bloom.

“I was leaving…to fling myself into the unknown… to transplant in alien soil, to see if it could grow differently, if it could drink of new and cool rains, bend in strange winds, respond to the warmth of other suns and, perhaps, to bloom.” Richard Wright

My painting style keeps evolving. Along with my writing. And why wouldn’t it? With only a pocketful of native seeds, I left my small hometown, for a slightly bigger city. First 60 miles away. Then 120. Then more. And more again. Scattering from field to sidewalk. And picking up more along the way. 

My first business card was topped with their name. Then mine below. Smaller. But fitting, I suppose, as I was a mere version of myself. But I wasn’t afraid. It was my grandfather who taught me that everything grows in its time. Its place. He rotated his crops. I didn’t have the words for it then, but here they are now, so elegantly put  — my grandfather, he too, was in search of “new and cool rains,” “bend in strange winds,” and the “warmth of other suns.” 

I just received my new order of business cards — tiny blossoms of the seeds I have sprinkled here in France. Planted on canvas and in person. This is not my humid soil of youth. It is cracked and dried from centuries old. And I can feel it against my skin as I work my way to the daily sun. But it is warm. And it is my name atop the card. I am becoming more of myself. Embracing (not the promise) but the perhaps of it all — the glorious perhaps of the bloom.