Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Monthly Archives: August 2023


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Beating Ben Franklin.

It’s probably the worst time to tell you this, but it is true, I never had a Barbie. I don’t remember ever even wanting one.

There was nearly an entire row dedicated to the Barbie world at our local Ben Franklin store. Straight down from the candy. I saw classmates ooohing and aaahing and but, please, mommy-ing as they fogged the plastic containers. I was always two aisles over. In the craft section. Glues and paint and glitter and paper. All I ever wanted to do was make something.

The first time I opened a “grab bag” from Ben Franklin with my grandma during the summer Crazy Days Sale and found the plastic face glued to the crocheted Kleenex box holder, I was hooked. It wasn’t that I loved that “prize.” No, far from it. But I knew, even at 5 years old, I could do much better. I would beat Ben Franklin with their own supplies.

While my friends filled sacks of penny candy to go to the matinee at the Cinema next door, I wandered over to my aisle. I was often alone, or with a grandma look alike who nodded in my direction, understanding the addiction, smiling as if to say it would never end. And it hasn’t. I need to make something every day.

Sure my “aisles” have changed. The daily creation may be making a frame from reclaimed wood. Stretching a canvas. Painting a portrait. Making jam. Writing on scraps of paper with words that glitter in sweet alliteration. Living not in Barbie’s dream world, but certainly mine.

They won’t make a movie about a half-faced plastic girl stuck to a Kleenex box holder.
But I’ll be more than ok. I found my inspiration long ago. I smile as the words rhyme again and again in my head – glitter and “alliter”…. What a theme song!

I’ve had my breakfast of yesterday’s art – homemade bread and jam. I am sugared pink and ready to start the day! Let’s make something of it!

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Being there.

I think my heart recognized it even before my brain. I was certain you could see it beating through my dress as I stood before Cezanne’s painting. I told Dominique, “It feels like there’s so much blood in my heart — or love…”

“You’ve been there,” he said, smiling. And indeed we had, just a short time ago. We stood in the very place that Cezanne painted. The exact position. The same view. Others were in the museum, but for a few moments, we were inside the painting.

I don’t suppose it’s enough to just live it. It’s so important to share our experiences. Because somewhere, someone needs to hear it. They need to hear it from someone who has been there, been through it. (And oh, how I, we, you, have been through it!)

Being interviewed the other day, for the first time since her passing, I was able to speak about my mother deeply without falling apart. I could feel it – so much emotion – but in this moment, it was love, still, so much love.

It may not sound like much, this moment, but I know, today, someone needs to hear it. Someone needs to step aside from the exquisite pain of love lost, even for just a moment. Someone needs to step inside my painting and feel the hope. Feel the love. And I say to this someone, possibly you, nothing is going to be easy, but everything is going to be ok.

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Guts. Grace.

I was reminded of it yesterday while doing a podcast. Something I had written years ago. Words I carry with me — “Now is the time for guts and grace.” Of course the words “guts and grace” are key, but perhaps they are far less important without the word “now.” Now means ever and always. 

Some might say, “well, from time to time, sure, but I don’t need guts every day.” I’m not sure I agree. For me, I think if I’m doing it right, living the way that I want to – I DO need them daily. Because if I need them, that means I’m pushing myself to do more, to be more. It means I’m taking risks. Trying to grow. Letting people in. Feeling everything. And all of that takes real courage — real guts!  But I don’t want to be bulldozer brave – knocking over everything, everyone in sight. Hence, the grace. And what a delicate balance to stumble through. And I do stumble. I do fumble. So I carry the words with me. Now.

They asked me in the interview yesterday if my mother was an artist. “Well, she made me, didn’t she?” Her openness, her pure love and joy in allowing me to be me, was more of an artistic gift than if she had handed me the paints and brushes and guidebook of Cezanne himself. Her standing tall, shoulders back, bloused in white ruffles, lips rouged above a softened, forgiving jaw, even as her heart dragged behind her size 10.5 Herberger shoes, was the most beautiful, the most artistic example of guts and grace I had ever seen. These words were written long before they settled on paper. I carry them now. She is with me now.

It’s not to say she wasn’t worried about being brave. She often did. Who doesn’t? (I guess to answer that — those not really living.) I don’t know what today will bring, but I do know what I’ll carry with me — what has been passed from my grandmother to mother to me. From their now to mine. Ever. Guts and grace.

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“Some.”

It was pretty clear from the start that I wasn’t going to be a saint. But a poet? Maybe.

I knew she loved poems. My mother. She tucked me in each night with Emily Dickinson. I was safe and feathered (the sweet spot where hope lives).

I suppose I saw early on how the words lifted her. How even in her darkest hour, they offered this light. I wanted to be a part of that. That lifting light.

Once I started looking, I could see it. You had to want to see it, but it was there — the poetry of our town. You had to pass the giant Viking statue on main street to get to my school. The giant Viking that claimed us as the “Birthplace of America.” Written on his shield, what could be more poetic than this? Inside Washington Elementary, Mr. Iverson brought the bouncing words and notes into our kindergarten music class. The librarian read the words aloud that soon we would learn to spell in Mrs. Berstrom’s first grade classroom. Words screamed from monkey bars and whispered in lavatory lines. Words I scribbled in crayon and revealed to my mother at bedtime. Hope lived.

Poetry winded through my wet hair as I raced on my bicycle from Lake Latoka. Poems ran beneath my sanded feet in the ballpark. Waved through the farm fields of my grandfather. The open windows of my grandma’s car. Bounced upon the neighbor’s screen doors. Crackled in the summer gravel of Van Dyke Road. Fell from autumn trees. Rested in winter snows. And returned with spring — just as promised. Summer bikes once again pulled from garages.

I attached the playing card to the wheel beneath my banana seat. The joke would now be on my brother, because he could no longer ask me to play “52 pickup” – now it would be 51. The click-clacking echoed through the streets as I pedaled. What was making the sound? Was it the wheel? The card? Or the wind?

And so it was with the poem. Who was writing it? Was it me? My mom? The town? The words echoed in my heart. I wrote them on paper. And we were saved.

They don’t make me want to go back, but pay attention to the place I’m in — the poem that is gently click-clacking right outside my window. A love that keeps lifting. Safe. And feathered.

“EMILY: “Does anyone ever realize life while they live it…every, every minute?”

STAGE MANAGER: “No. Saints and poets maybe…they do some.”

― Thornton Wilder, Our Town

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Four and Twenty.

We were doing so well, until we got into the higher numbers. Not only did we have to learn the language, the French words for the numbers, we had to do the math as well. To say the teacher explained to us — (A “we” that could be only described as a collection of people from the land of misfit toys. Myself – the American, the two women from South Korea, the Cambodian, the Russian, the Mexican, and the 5 Arabs.) — this would be an overstatement. But in her defense, what good reason could there be to stop giving the additional numbers their own names and start combining them in different math problems? For example — the number for eighty is not given its own name, no, it is quatre-vingts (4×20).

Deep in my wandering brain, I thought of the first time I had heard this four and twenty. Yes, yes, baked in a pie…

“Sing a song of sixpence,
A pocket full of rye.
Four and twenty blackbirds
Baked in a pie.

When the pie was opened,
The birds began to sing.
Wasn’t that a dainty dish
To set before the king?”

It was my first music box. It was red and yellow, shaped like a tiny radio. You spun the knob and it sang the nursery rhyme. This one was my favorite. I dialed it in. The birds survived every time. Imagine that I thought – baked in a pie – and they survived! Glorious! I sang it again and again.

As the nursery rhyme repeated in my head, the teacher had already gotten to the nineties. It was even worse. In the nineties, you have to multiply and add. You can imagine the nightmare that 99 brings for a non-French speaking person — quatre-vingt-dix-neuf (4×20+10+9).

I suppose it will come as no surprise. To test out of this first unit, we had to hold imaginary conversations with the French officials. The first scenario, she explained, was in a store. I was to be the clerk selling dresses (so far so good.) She would be the customer. I looked at the pictures she gave to me. It showed a dress hanging on the rack. As big as life the tag read, $99.99. My heart sank. She asked how much it was. I started doing the math. The numbers raced in my head…all clunked together with the Song of Sixpence. I began my quatre-vignt-dix-ing… then stopped and said, in my best French — this dress was on sale. (Wasn’t that a dainty dish, I thought?) She laughed. I passed the exam.

I have been given the tools I need to find my way in and out of life’s pie. And so I keep singing!

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Aloft.

Soaring birds that wish to stay aloft without flapping usually fly INTO the wind for lift.

I suppose that’s the goal, isn’t it — a lot less flapping, and a lot more lift. And I mention it only as a reminder to myself. Oh, it’s so easy to get upset over the little things. “But they did this! – again…” and “she always does this – every time,” and “look at that, c’mon!” (So much flapping.) 

And we all know the goal. To get higher. But ooooh, those words — when someone tells you “to just get over it…” I’m not sure why exactly, but they sound like fighting words. Like it’s all your responsibility. Like why do I have to do it? Why do I always have to go higher? (Oh, that flapping!) So I tell myself in different words, be the soaring bird. And my heart stops fighting the wind, but using it. To glide. Higher. And I always feel better. Always. 

I’m so human. I learn the lesson over and over. But I’d like to believe I become the bird a little easier, a little more quickly, with each passing lesson. I hope so. Because the view! Spectacular! 

Maybe you’ve already mastered it. If so, I say bravo, little bird! And I make you this promise (me, too often here among the flappers) — I’m learning — and I’ll see you up there!

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Exposed wire.

When our house was built, long before I arrived, it was still legal to burn things in the backyard — hence the firepit that rests next to my studio. I use it for display. It has a glorious texture that no doubt came from use. Cracked. Wired. But still strong. Still beautiful. Maybe I’m only able to see it because of my own exposed wires, those holding together all of the cracks that make me, well, me.

I was listening to a psychiatrist explain this so elegantly on a podcast yesterday. Human need is what really holds us all together. We so often confuse these needs as weakness. But in reality, these needs bring us closer. Crossing our experiences like a trellis, thus connecting, strengthening all of us.

The first painting I hung on our pit and then photographed for my website sold almost immediately. The fire never died.

I hang each new creation on the challenged wire that holds together the pit, that holds together my heart. In fact, nothing rests cold. And we are connected. We are stronger. Together.

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Sur la table.

It’s instinct now. I suppose I’ve done it for years, but for some reason I noticed it this morning. When making something on the stove, like this morning’s coffee, I have to tilt my head down and to the left. It’s no surprise that I’m taller than the last French generation, and the hood over the stove is a good reminder.

But I don’t really think about it. My head just seems to know, and makes the adjustment. Maybe it doesn’t sound like much, but what a marvelous creation — this brain!

This brain that worked for years and years processing one language. A brain that knew the signals and prompts. That navigated the grids and grins of one culture, now being asked to learn it all again, (and bend over a little if you don’t mind.) Even in the face of tears, and fears, and the I don’t want tos and the I cants, somehow it keeps going. Marvelous! And maybe it’s the heart that tells it so. Who can be sure who’s leading. That heart that got more than knocked by a kitchen corner and still keeps beating. So pained by love, still knowing there is nothing better. The heart that only smells the coffee brewing and looks forward to the day.

I mention it, not as a reminder of the struggle, but a reminder to give thanks. To take a moment and tell this brain, this heart — thanks for getting me here. For making the adjustments when life knocks us around.

I sit at the morning table. My cup is full.

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The wisdom of gravel.

“If you know wilderness in the way you know love, you would be unwilling to let it go.” Terry Tempest Williams

Maybe it was because one of my after school Thursday chores was dusting. Or that my tennis shoes were never white. That winter’s snowballs often contained bruising tiny pebbles. Or that my mom’s car forever needed washing. There were many reasons to dislike the gravel of Van Dyke road. I felt unmodern. Somehow behind. I had a sense of urgency to catch up. To go beyond. And certainly the graveled pace of this childhood road was only slowing me down.

I chased the pavement. Off to school. Jobs. Apartments. Books and art. Creation. Life. Smooth beneath, it all went so fast. My bike. My car. Even my shoes clicked along at a feverish pace. 

A country away, I hear it again, the slow crunch of gravel beneath my feet as I walk my daily route. My feet found their way back to the wilderness they ran from. Tiny pebbles say, “but you were hurt there.” Yes, I whisper. Massive rocks that line hills and turn into mountains say, “But you were loved there.” “Yes!” I shout. 

I have paid and paved my way in dust. Love walks with me. Slowing me down? Enough to see, I think. To feel. And I will never let it go.

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But the trail.

I don’t suppose I had yet thought of myself as a woman — 18 years old — my freshman year in college.  It was something I knew I would have to earn. (In typing this, I only just realized the nearness of the words earn and learn. Maybe a part of me knew this all along — the importance of learning.) So I signed up for my first course in Women’s Studies. 

As we began navigating through the required reading, it turned out that the history of women was really just “history.” We were there from the beginning. We weren’t just on the trail, we packed the wagon. 

One story got in deep. I think about it often — her often. They began, as most of the stories did, on the east coast. They were about to travel west. All the way west. In a covered wagon. She was already lonesome. Leaving behind her mother and father. Just a young married woman, she loaded the wooden wheels with the comforts of home. Her clothing. A little furniture. Keepsakes. Her mother’s dishes. The trail was brutal. Unforgiving. The animals suffered to drag their belongings. The wheels broke away. Mile by mile she let things go. The furniture. The keepsakes — (she cried at the irony of the name.) Dress by dress, dropped along the hidden trail. She couldn’t look as her husband coaxed the horse. The wheels clunked. The dishes remained in the dirt. 

We often measure our relationships by what is given. Perhaps we need to look closer at, not the wagon, but the trail. I am grateful for the professor who pointed this out, reminded me, but truth be told, I already had the best examples. I had my grandmother. My mother. I still do. They gave their time. Their hearts. They made each wheel-worn step with grace. Clearing a path.

I pray that’s what I’m doing with these stories of them. Of us. Learning. Earning. Making a path. Making it a little easier for someone else to travel. Hoping we can all, one day, find our way.

@jodihillsart

♬ Golden Hour: Piano Version – Andy Morris
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