I was watching a German creator who recently moved to Los Angeles, California. She was lonesome. Missing her friends. She walked around the streets and picked up odd objects. From the ground. Abandoned buildings. Seemingly useless stuff, but she could see something beautiful. She made a light that turned on by an automatic switch, notifying her of the German time between 9am and 9pm — the time she could safely call up a friend in Germany. Her best friend. To hear the sound of her voice. I love this idea. This simple reminder. A light to stay connected.
Because that’s everything, isn’t it? Just to be connected to the ones you love.
I search the house. Photographs and spare parts. Metal. Wood. Scraps. I know I can make anything. My heart smiles and tells my brain, “I’ve got this.” The flame that lights my mother’s memory is shining brightly. There’s only one thing I need to know — what time is it in heaven?
I spend a good percentage of my life lost in translation. That seems reasonable, living in another country, but it has actually been the case for most of my life.
And I don’t mean this in a bad way. Maybe because my mother was so different from her siblings and not only survived, but thrived, it made it all seem possible. She spoke a language of fashion and make-up, of poetry and romance. A language I understood. A connection so familiar that it turned this “other” into something spectacular. I didn’t need to be understood by everyone, because I was understood by her. A safety net I count on still.
Perhaps it was this security that set me free.
This French that I think I’m speaking, is mostly understood by my husband. I often hear him repeat to others the very thing I heard myself saying. And I could let that bother me, or I can choose to see it for how special it actually is, to have this one human really understand me.
I stumble upon new words every day. Not ones I hear in conversation. No, those are rare. So often when I ask what does that mean, I get the response, “it really doesn’t translate.” And I must admit that is a lonely feeling. To be left hanging, alone, with no connecting words. But the other day, I found one. Such a gorgeous word. Chamade. Even without knowing, it sounded familiar. I looked up the meaning. Chamade — a wildly beating heart. It was my “jimbly.” My racing, excited, almost nervous, anticipating, open, risking, love-filled heart. Inside this word, these beautiful letters, I was not lost in translation, but found.
I shared my glorious discovery with my husband. He smiled and said that his mother loved that word. I was, am, connected, still and again. My heart beats wildly!
Maybe it was because of the pink nose. Maybe my name selection was limited to cartoons. I named him Bozo – the first cow that wasn’t afraid to come to the fence where I stood with fallen green apples.
No cow had come on his own before. I had stood by that electric fence so many times. Afraid one would never come. Afraid one would. And on this day, this beautiful clown came toward me. Lumbering. My heart beat so quickly. My eyes moved from my hand, to the fence, to his face. Then I started to call him by name. “Come, Bozo, come…” The pink of his nose came closer. My hand reached over the fence. I was terrified, or excited – sometimes I think they are the same. I may have closed my eyes when I felt it, the roughness of his tongue that slurped the apple from my hand. “Bozo!” I screamed in delight.
I have always named everything. And everyone. I still do. The trees in our yard. The plants in our house. If I feel the connection, I name it. To be named is to be seen. And we all want that. I can hear Mrs. Bergstrom, my first grade teacher, call out my name — perhaps the first non-family member to do so. I was seen in the world. From that day on, I suppose, I wanted to hear it – my name, again and again. I want to give that gift in return.
So I dare reach over today’s fence, and call to you. I am terrified and excited. It means something. To be vulnerable. Willing. To put ourselves out there. To call each other by name. To really see each other, and connect! To give each other this gift – again and again.
It seemed easy to make friends in school. They sat you next to about 30 options. Gave you subjects to talk about. Offered common enemies like rules and detention. Supplied the games and gyms. Put you in pools and on buses, all together.
And that was enough for most. But it seemed like there should be more. “Wasn’t there more to it? Wasn’t it all supposed to mean something?” I asked my best friend in my yellow bedroom on Van Dyke Road. Cindy thought about it. I mean, she didn’t laugh, but really thought about it, and I suppose that’s why we were friends. We understood each other. Even in our preteens, we sought more than they could possibly offer at Washington Elementary, or even Central Junior High.
We both agreed that there had to be more. But how did you get it? That was the bigger question. I searched for years. I can’t tell you the exact moment. They came in whispers. Small bits. I wrote words for my mother. And we connected deeply. A poem for my grandfather’s funeral. And I was a part of a family. I began to expose my heart. I suppose I stopped looking for what could be offered to me, and began to offer what I had. And it was bigger! Better! It meant something! It meant all and more than I had dreamed of in shades of yellow. This is how I would connect. How I still connect.
He said I could pick out anything from his wood pile. Maybe that doesn’t sound like much, but for me it was priceless. A way for us to connect. And I had a long way to travel to catch up to this life-long friend of my husband. He helped me load the back of our car.
I cut the first strips of wood to stretch the canvas. No plans yet of what to paint, that would come. It always does if I just give it a path. I gessoed the canvas. And began in blue. The sea and sky and sand opened before me. The boats and nets and the fishermen — all daring greatly.
I searched my newly attained wood pile for the longest, straightest pieces. Sanded each length. And sanded again. And again. I cut them to length. Nailed them with the rusted hammer — once belonging to my husband’s father. Squared. Stained. Sanded again. Cut the strips for the backing. Placed the painting inside. It should also be mentioned that Michel, the man who let me pick freely from his pile of wood, was, for the majority of his life, a fisherman. A fisherman, I pause and smile. The blank canvas knew, perhaps even before I did. And this is how we connect. Connect our hearts. Our stories. By doing the work.
There is more. There is always more. But it won’t be given. We will have to search and throw our nets out to sea, continuously doing the work, ever daring greatly.
She sent a picture of the Kentucky Bourbon Balls she made yesterday. It was after our first trip to Kentucky this year that I made them. And instantly I was in love. Well, what’s not to love? Sugar! yes! Pecans! yes! Bourbon, chocolate, yes, yes!!! So I wrote a story. Took the pictures and passed it on to my little world. She, seeing, feeling this love, decided to make them for herself. We are connected in so many ways, but once again, yesterday, we, from across the sea, were gathered in.
You never know what it will be that connects us. But I’m a firm believer in throwing out a lot of heart strings, hoping, knowing that some will attach. And when they do — oh, how delicious!!! Because that’s really all we have, all we are, these connections. They give us strength, purpose, joy, the ability to live, more importantly the reason to live. I’m reaching out again today. I know you are out there. I can feel it. The strings of my heart whisper yes. Yes!
