Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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A joyful ease.

“Hi, Jod…” I can’t play it for you. The only recording of it is in my head. You’ll have to trust me. The sound of it is so beautiful. Like the first bird you hear in spring. The lilt of song that tells you all is well, just as it should be. A joyful ease, with just a glint of what could be. That is what I heard when my mother called my name.

I knew when she said it, “Hi, Jod,” that there was no news to tell. Just a sharing of gathered interests. Gathered hearts. Maybe a new outfit from Sundance. Something that made her laugh. Something she still hoped for — those were my favorites – to hear her still hope for something, like a Spring coat, or a gentle kiss. 

People memorize stanzas of songs, of poems, to feel something, with far less meaning. How lucky am I? To have it all in just two words. So easy to carry in my heart’s pocket. 

I started a new book yesterday. “Trajectory,” — collection of short stories by Richard Russo. In the first story, a group of intellectuals are discussing the “greatest lyric poem ever written.” They made the ruling that to nominate a poem you had to be able to recite the whole thing from memory, and then make your case for its greatness. One person recited “Kubla Khan” in its entirety. All the greats. But when it came to this one man’s turn, he recited a children’s poem. Everyone knew it. With its “childish iambic downbeat.” Everyone laughed and enjoyed it, but then insisted he explain why this was the greatest poem ever in the English language. “Because,” he said, suddenly serious, his eyes full, “when I speak those words aloud, my father’s alive again.”

Tears of joyful tenderness fell down my face. And I heard the words, “Hi, Jod.” These two words, for me, the greatest poem ever written.


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727 home runs.

I could tell you I did. There are no records to prove it. No one kept the stats. And to be honest, there was never a wall that the ball had to clear. We didn’t have stadiums. We had parks. And if you hit the ball beyond the outfielders, you had a pretty good chance of a home run. And if the infielders would happen to overthrow, underthrow, or just completely miss from base to base, which happened often, and you kept running, and they kept throwing, you could often round the bags without being tagged. A home run. Now in the major leagues they would never score it as that. Maybe a single with three errors. But this was summer softball. A league of our own. And if you scored with one swing of the bat, that my friend, was a home run. And when my mom got home from work, she stopped everything. Even if there were groceries to be put away. And I’m sure her feet hurt from heeled shoes. Legs to be freed from pantyhose. But no, before she did anything, she stopped and asked about my day. My game. As if it were the only thing in the world. She didn’t care about softball. She didn’t ask if we won or lost. She cared about me. I listed off the victories – “a homerun, a single and a double.” (When I think about it, I rarely got a triple. Once you got to third base, you just kept going, no matter what.) I could have told her anything, I suppose, but when I was finished, she raised her hands and cheered! Fists nearly to the ceiling, my heart not far behind.

I haven’t missed a day of writing these posts, these blogs, in 727 days. Again, no one other than me is keeping the stats. Some days I will get 30 likes. Some days 100. I started writing them mostly to get the two handed cheer from my mom. Nothing will ever compare to this. I can still feel it, with each word I type. Each letter is a foot on a sanded field. Each sentence a run toward the base. A paragraph to first. To second. A story each day, just trying to race home. Race home to the one who will lift you. Love you — hands raised in the air kind of love!  No matter the score. 

The sun is coming up, my heart is not far behind. I’m ready to play.
I will spread my wings and call this home.


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My mother’s giggle.

She could keep a secret better than anyone I knew, except for presents. For nearly every birthday present, Christmas present, it went something like this: About two weeks before the event, my mom would ask me, “Do you want to open your present?” “No, I’ll wait,” I replied.

“You could unwrap it and then we could wrap it back up so you could open it again…”

“No, I’ll wait.”

“Do you want to just look at it?”

“No.”

“What if I just told you what it was?” She grinned.

“How is that different?” I smiled.

After about age seven, I knew the routine. But it was never manufactured. She truly was that excited to give me a present. And that was the ultimate gift, I suppose. Two glorious weeks of taunting excitement! Giggles and anticipation. Pure joy and love! That’s why I never wanted to open it early. I relished the time with my mother.

About two weeks ago, on vacation, I bought my favorite candle. The clerk asked if it was a gift. Yes, I smiled. She put it in a box and tied a bow. I still haven’t opened it. I just need a little more time inside my mother’s giggle.


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The promise of spring.

The first sign of spring came when Sylvia Dynda hung her weekly wash out on the line. Damp white cotton, blowing in the gentle breeze — a breeze warmed with a promise written by Hemingway himself — “There would always be the spring…” It would be years before I read the line, before I could read at, but I knew… And so with my freshly exposed skin, I ran through the empty lot that separated our houses, and under the sun I danced through this sea of white. Clothes that were alive! Clothes that cooled my sun-surprised shoulders and warmed my summer eager heart. It was a promise of forever, and I immersed myself in it.

She must have known it too, Mrs. Dynda, because there would be no other reason to let the quite possibly dirty hands of an unrelated neighbor girl touch her freshly laundered clothing. Sometimes I could see her smiling through the newly replaced screen door that her husband Frank put up for the summer. I knew she knew. And so I would dance.

Yesterday was the first time I washed my mother’s ruffled blouse. Her blouses were always whiter than any other person’s. Always clean. Always pressed. Always spectacular. I didn’t want to mess this up. I washed a basin. Washed it with a new washcloth, just in case. Added the water. The delicate detergent. Gently wooshed it with my clean hands. Let it soak. Then hung it on our clothesline. Our new spring breezes were strong. I watched over it. This was more than just a blouse on the line, this was the promise of forever. The promise that my mother would always be with me. I let the sleeves ruffle my arms. Dance damply around me. She made it to the south of France. And I would make it through this spring. It was promised on Van Dyke road. It was promised today. I knew she knew. And so we would dance.


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A proper reflection.

To earn my weekly fifty cents allowance, every Thursday afternoon when I got off the school bus, I had chores to do. It was my job to clean the mirrors, wipe down any surfaces in reach, dust and vacuum. To clean the mirrors, I used the off-brand Windex that my mother purchased, and wiped them down with newspapers, because, as my mother explained, that’s how you achieved that no-streak shine. I don’t know how she knew. I never saw my grandma do it. There certainly wasn’t Google. And it wasn’t offered information in the Encyclopedia Britannica. But I never questioned her. When it came to creating a proper reflection, I knew my mother was the champion. So each Thursday afternoon, I took the pages from the last week of the Alexandria Echo, and gave us both a fresh start.

Maybe it’s too simple to say, but it seems I learned very early on that it was how you looked at things. Giving yourself the opportunity to see it all, even yourself, in the best of situations. It never occured to me that we didn’t have much. I was proud of our home. I was proud of my Thursday work. When my mom arrived around 5pm, I stood, blackened hands by my side, heart filled with breath and anticipation. She walked me into the bathroom light. Put her arm around my shoulder, and we smiled at each other in the streakless reflection. We were together. Shining. I had everything. The world was possible, well beyond last week’s news.


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Love’s wealth.

I don’t know what she gave up so I could do it, but it must have been something. We didn’t have extra money. Maybe not even enough. Perhaps that was one of the gifts she gave me, the not knowing.

It was hidden, the store. No signs. No advertising. But someone had told my mother about it. She knew I would love it. I loved everything about art. We climbed the back stairs. When we reached the top it was a sea of white. Statues. Figurines. Pots. Bowls Plates. All unfinished ceramics. I knew how the scientists felt when they discovered the lost city. It was so beautiful. So much possibility. “And you just paint it. At home. No need for firing.” I could barely hear the words she was saying. My head was spinning. 

And so it began. Each Saturday we climbed those stairs. My mom would let me pick out something, and all week, after school, after homework, I would paint. It was glorious. I filled my mom’s apartment. If she needed something for her dresser, I painted it. Birthdays, I painted it. What we didn’t have room for, we gave away. Because she knew, I knew, it was never about the having afterwards, it was the doing. It was the making. The feeling of accomplishment. I suppose at that time there was so very little that made either of us feel worthy. But this did. She was able to give me this opportunity to create, and I was able to do it. And exchange of love’s wealth.  The feeling was palpable. It jimbled around my heart, my belly, and I was alive!

We went to the museum a few days ago. Each time I go, I have the same feeling — all jimbly. It’s the only word I have ever had to describe it. And it never fails. Every room. Every painting. Every statue. I am a child climbing the stairs to possibility, filled with the wealth of love. My mother gave me that. I will be forever filled. Forever grateful.


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Musical chairs.

It was one of the first games I learned at Washington Elementary. I had no idea, that so many years later, I would still be involved in my own game of musical chairs. The teacher placed the chairs in a line in the center of the room. One less chair than there were students. She started the music and we marched, danced, around the chairs. When the music stopped, we had to race to get an available spot. The person who didn’t get a chair was out of the game. Each time a chair was removed and the winner was left to sit alone. I enjoyed the music. Loved the dance. But what an odd way to win I thought. Silent and alone.

My mother loved to dance. And this relationship we had was one in itself. A movement of joy and support. A partnering. Then on a November day, the music stopped. I raced to the nearest chair. My yellow hair flung as I yelled and pointed. The metal legs scraped against the floor as people pushed and scrambled. Smiling and exhaling the joy that we danced for my entire life, I looked left and right. Noooooo! I looked up and she was still standing there. Wait. I’ll slide over. Not within the rules they said But she belongs beside me. She needs a chair. We need to keep dancing. We are supposed to keep dancing. I could give up my chair. Could I give up my chair? Not the way it’s played. But how do I play without her? Where is the music? I need her in the game. I looked up from my cold metal chair. So cold. She smiled and waved. I’m not afraid she said. The silence filled the room. I covered my ears.

Grace sat with me. There was no need for an additional chair. The music began. Softly. We’ll just sit a while she said. And listen. The music never ends.


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Belong.

To have walked a place is to possess it. I knew this before I even knew what the word meant. 

From my first visit I tried to memorize my grandparent’s farm. The house. The barns. Fences and trees. Knowing that I would need it one day. Not the things inside the rooms. Not the furniture or figurines. Not the rusting tools. Nor the worn clothing. But the security. I suppose that’s all a home is — this feeling that if you went there, they would have to take you in. And if in fact I carried it with me, this feeling, this home, then I could go anywhere. I could have everything, or nothing else at all, and I would have this. And I would be OK. So I memorized the steps. The pictures hanging on the walls. The variety packs of cereals in the cupboard. The smell of damp work from overalls hanging on the wall. Tables and rugs and boots. Desks and doors. Closets. 

My suspicions were confirmed when I saw the For Sale sign in the front lawn of our home on Van Dyke Road. My mother was trying to say the words. I tried to listen as I went through the steps. “We’d find an apartment,” she said. I walked up the gravel driveway to the house. “And we’d be OK.” I opened the front door and clung to the overalls hanging in the entry. “Just the two of us,” she said. I walked up the three steps to the kitchen. Tears fell from her eyes as she tried to convince me. “It wasn’t my fault…” I went up the stairs to the first bedroom, the second, the sewing room. I walked the barn. Even the empty chicken coop. And I returned to her face. My mother’s face. Seeing her. Loving her. Trusting her. It didn’t matter where we were going. If we had everything, or nothing else at all, we had each other.

And I memorized each laugh. Each day. Each struggle. Each adventure. Every trip to every mall. Every pretty dress. Every conversation mixed with coffee and wine. Each moment with my mom. Knowing I would need it one day. And that day has come.

I walk the streets, the gravel paths of Aix en provence. I have filled out the forms. Followed the rules. Applied. Tested. And carry the card that says I belong. But I know the only way for that to be true is to walk it. This place. Gather it all in, step by step, and carry it with me. Scattering along the way, everything that I have collected through the years. Each story. Every pebble on the path that I walk daily is now mixed with my treasures. My memories. Dampened overalls and sparkling dresses. Laughs and loves. I am a part of it all. And I am home.


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No angel damage.

I was 18 when I had my appendix removed. My first year of college. Not really a kid anymore. Not really a grown-up yet. Everything was white in the room. It was icey cold.

I had felt this before. Lying in the layer of fresh snow. No separation of earth and sky – only this blinding white. Fearing I too would disappear, I flapped my arms and legs to become the angel I needed. But how would I get up, I wondered. Without ruining it — this beautiful angel in the snow. If I rolled over to hands and knees, it would be gone. Just another wreckage in the snow.  I laid still. The minutes seemed like hours, but then I saw her. My mom. In the corner of my eye. She ran out the front door, not taking time to button her coat. Still in street shoes, she hopped through the snow to my angel feet. Reach her arms to grab onto my wings and pulled me straight up. No angel damage. She had done it before. She would do it again and again. She looked at the perfect angel in the snow and smiled. I looked at the perfect angel next to me, and grabbed her hand.

I was just coming out of anesthesia when the nurse asked me, “Is your mom here?” I hadn’t yet opened my eyes, but I knew she was, or would be soon. Her coat flapping in the white, crisp air. I rested still in my angel.


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Recent. Frequent. Ever.

Recent and frequent tears have not made my heart, nor mind, any less wide-eyed. I jerked my head around to see the horses. The horses clopping behind me on the path. Gathering speed. Louder. The horses I knew would be there. I stopped. Looked. The clip-clop continued in my ear buds. The path behind me was empty.

I was listening to the Paris Review. They were playing a short story about a man visiting a town. All were on horseback. The reality of their podcasts is unprecedented. I don’t know how they produce it, but the sounds they create are alive. Separate from the narrator, the horses approached. The sound got nearer. So real. So magical. I could feel the breath of them behind me.

Further down the path, when the horses returned, the character’s departure, the clip-clip continued. This time, it wasn’t so startling, but more comforting. I liked thinking of them by me. Behind me. Walking with me. And I was no longer afraid, but comforted. I continued down the path, deep inside the magic.

I passed by my mother’s picture as I first went out the door for this particular walk. I had just been working on my computer, and I had this thought — What happened to her email? Where did they go now? The reminders from Sundance catalog — this turquoise coat that she would love. What happened to all the emails we had exchanged. Promises. Love. Were they still hovering? If I sent one now – to her address – her address that carried my birthday numbers — where would it go? Could she see it?

I stepped onto the path and hit play. Trying to drown out the typing in my head, when the horses startled me. They were so alive. The presentation so real. My heart was so willing to believe in them that fear turned into comfort.

I’m typing the words now. My cheeks still rosy, more from magic than from the cool winter air. Each word is filled with love. Filled with chance. Filled with a comforting joy that walks beside me. Magic that I don’t need to understand, that I just believe. Unconditionally. My mother is with me. Recent. Frequent. Ever.

Wide-eyed. I hit send.