Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Of all things important.

Until yesterday, I had only ever heard my grandfather use the term “…and stuff.” I was listening to a podcast and this man was explaining how he got his job distributing vacation brochures at the rest stop. “Well,” he said, “the guy who had the job before me got sick and stuff…” He continued, “He got the diabetes and stuff… and then he passed away and stuff…”

As I mentioned, my grandfather used the term quite frequently, but certainly not for the important things. He would have never “and stuff”-ed someone’s death.

He was a man of few words. He didn’t suffer fools. He said the things that needed to be said, and that was it. I think he used the term “and stuff,” not to be rude, but just to end the conversation already and get back to the things he deemed truly important.

I stood by the kitchen window, looking out at the barn. I couldn’t hear the exact words my mother was telling my grandfather. I was breathing so heavily, the wind that traveled from heart to nose to ears made a deafening sound. Of course I knew. We were going to be alone, my mother and I. She was scared. Hurt. Embarrassed even. So many feelings. So many words. He listened. Patiently. He was still overalled from the field, but I could see that he had washed his hands (and I could smell Grandma’s perfumed soap). His nails were scrubbed. I suppose he already knew. Knew that he would be holding my mother’s hand. Telling her, without words, that he would be there. For her.

He pulled me away from the window. Bent down. Looked me in the eyes. “You can turn in, or you can turn out…it’s all up to you.” There was no “and stuff.” No walking away from the conversation. He would be there. That was the promise we sat in. Silently.

I learned early on that you can walk away from the unnecessary, but not the uncomfortable. The real trick, I guess, is in knowing the difference. I’m still learning, but as I look out my kitchen window at the morning, I know days can be difficult, times even, but I am secure in the gift that of all things important, I am one.


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Laid upon the counter.

My first instinct was to save it all. Candy from Easter or Halloween. I would spread it out. Sort it by taste and then color. Count it. Figure out how many days it would last. Not wanting to run out. Supplementing with Christmas, or Valentine’s, possibly birthday…how could I keep the candy supply chain alive?

It became quite clear on our trip to Jerry’s Jack and Jill grocery store, that this was the furthest thing from my Grandma Elsie’s mind. The first thing she picked up was a bag of coconut toasted marshmallows. She ripped open a corner and placed them in the child seat at the front of the cart. “Grandma!” I shouted a warning. “It’s fine,” she said. “We’re going to pay for it.” “But we’ll get in trouble.” “No, I know the people here.” And indeed she did. Never hiding her joy of these sugary treats, she ate them right in front of the butcher, and the stock boy. She said hello to everyone, popping them into her mouth, one after the other. By the third aisle, it became quite clear that we weren’t getting into trouble, so when she looked at me offering, I agreed. They were delicious. “Don’t you want to save any?” I asked. She looked bewildered. “But you love them…” I said. “What am I going to do with all that love?” she smiled.

We placed the empty bag on the counter at the cash register. It was my favorite trip ever to the grocery store.

It became so clear. Nothing was worth anything, if it wasn’t spent. Candy on the bedroom floor had no taste. And it became even more true with emotion. Courage had to be exercised. Love had to be given away. Or it meant nothing. I suppose we think we’re safe or something, if we hoard it all, but I’m afraid it’s just not true.

I want to live this way. So sure at the end of the day that I’ve laid it empty upon the counter. My sacks of courage, and victories, my joy, my woes, even, and especially, all my love. So sure that there will be more tomorrow. Again, and again, I will taste this life.


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Home economics.

Enjoy may be too strong a word, but my mother did get a real satisfaction from ironing. Combining this with the skills passed along to us by Mrs. Ballard and Miss Pfefferle, our home economics teachers at Central Junior High, I suppose it’s no surprise that today I iron everything, including my kitchen dish towels.

I think it was Miss Pfefferle that taught us to weave a pot holder. We had little iron grids and multi-colored loom loops that we weaved up and down. I thought they were beautiful! I don’t know how efficient they were — at this point I wasn’t really allowed to do any cooking, even though in Mrs. Ballard’s class we did learn how to make nougat and an apple pie (not the staples in my mom’s, nor my diet). But I was proud of my potholder. And I knew just who I wanted to give it to — my Grandma Elsie. It was a slight risk though – because she was an expert. She had her own loom afterall. Not a handheld one. No. This loom filled nearly the entire bedroom, upstairs next to the sewing room in her house. It seemed to be a combination of a church organ, a giant craft, and a carnival ride. She moved with her feet and her arms. I held onto her chubby waist from behind as it jiggled each “rag” into place. Everyone loved her woven rugs. They were gorgeous. And I wanted to be a part of it. I thought if I giggled along with each jiggle, that I indeed was. So, yes, to bring my humble woven potholder to this proven expert was surely a risk. I knew it didn’t compare. How could it? But it was my best attempt. It was an effort made. It contained her every jiggle, and I hoped, I prayed, I banked on, her feeling the love in that. With my two hands held flat and outward, I presented it to her. This gift. Her held tilted a little to one side. Both of our breaths held. She took it also with her two hands and clutched it to her heart. I beamed. Then suddenly my face was pressed against the potholder that pressed against her heart. I was inside the jiggle. She did feel the love, and gave it right back to me.

Some might laugh that I iron my dish towels. That I hang them straight. But it’s only out of love. Out of respect. For all the women that took the time to teach me the real value of this living — (it makes perfect sense now, this word economics). When I see something beautiful, create something beautiful, it is these women that I see. And I know, on my very best days, when I create something that you enjoy, that you find beautiful, that you too, are seeing them. You are inside the jiggle.


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Hotel breakfast.

I call it hotel breakfast. It can be as easy as putting out the extra homemade jam. Changing the artwork on the counter. But it feels special to me. Like that feeling when you walk from your hotel room down through the lobby, following the scent of coffee, and then seeing the magnificent spread on the table. I suppose maybe it’s all about the luxury of choice. And if I can give that to myself, to us, with just an extra jar of jam, why wouldn’t I do that every day in our own home? Why wouldn’t I give us the chance to feel a little extra special? The chance to begin the day choosing joy. 

I don’t know if my grandma visited many luxury hotels. But somehow she knew. I read in her diary about her first kiss behind the Alexandria Hotel. I assumed at the time it was grandpa, but I can’t be sure. Maybe it was here, too, that she had her first hotel breakfast. I’d like to think so. Something sweet on a white tablecloth. Tasting of choice and possibility. A kind of sweetness that when kissed on lips it stays with you. Lingers in the farm house so quickly filled with children and grandchildren. Lingers and rests in the cupboard to the right of the sink. On the bottom shelf. The variety pack of Kellogg’s Cereal. A variety pack that certainly was too expensive, but something she could not afford to pass up. Something she had to pass on to her grandchildren. Giving them the sweet choice of possibility. Making them feel so special. With each sugary spoonful, created just for them. She did this for us. 

The sun comes up. I have a choice to make. So I put out the extra jam. I begin the day knowing that this day is special. That I am. That we are. What could be sweeter than this!!!!?


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Winning.

I suppose some of the gifts should have been a surprise, but they never were. We grew up with them, these strange and fantastic presents from Grandma Elsie. She was certain that she would be the next Publisher’s Clearing House Winner. Certain enough to clear a path at the front door for an oversized check. But not quite certain enough to stop ordering from the catalog. She imagined with each purchase she got a little bit closer to winning. And she needed gifts after all, what with 27 grand children. So she ordered. I’d like to think it was all random. It’s hard for me to imagine that she saw the red knee length laced panties (bloomers), and thought immediately of me. But that’s what I received for my Christmas present when I was 8 years old.

I had no sinister thoughts at the time. No thoughts of “saloon girls,” or worse… No, I thought they were shorts. Fancy shorts. I kept them folded neatly in my summer drawer.

I was still at my softball game when my mother got home from work. Now, as luck would have it, (so I thought) our town colors were red and black, based on our Cardinal mascot. It was on this very day that I decided to wear my fancy Christmas shorts with my Cardinal t-shirt. The man-made fibers rubbed against my chubby thighs, and caught on the wooden bench of the dugout. I imagine I left a trail of red lace as I rode my bike home from the Dairy Queen field. My disappointment was met with horror on my mother’s face as I dropped my bike in the driveway. I started to cry pink tears. “No,no, no…” she tried to assure me. “It’s fine. You’re beautiful,” she said. I caught my breath, hiccup by hiccup. “Grandma doesn’t know anything about softball,” I said. “No, she doesn’t,” my mother smiled. “How was your game? Did you win?” “No,” I said, but I think we’re getting closer.” I was indeed my grandma’s girl.


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Permanent strokes

There was only one tree in my grandma’s yard with sour apples. They were my mom’s favorite. Little green apples, with a sour so big, it almost bit you back. A sour that squeezed through your squinted right eye, then into your clenched jaw bone. And rummaged down the back of your throat. 

What I loved most about them was that my grandma always had a brown paper sack filled to the top, with “Ivy” written in black permanent marker. I loved that she knew her daughter. 

It was with that same care that my mother packed my school lunch. A little brown paper bag. Every day, since the second day of first grade. On my first day that year, the lunch lady made me eat a pickle. A pickle!!!! Worse than any green sour… Both of my eyes squeezed shut. In horror. In prayer. That this horrible thing would be forced down my throat. 

As silly as it sounds, for me it was traumatic. And what I loved most about it, was the fact my mom never made fun of me. She knew me. She always let me eat grandma’s sweet apples. She packed my lunch every day. I saw my name. In black permanent marker. And I was loved. I was saved.

You just can’t pencil it in. This life. You have to really see people. Know them. Accept them. Love them. Love them with full, broad, permanent strokes. That is a love that never fades.


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What I hold on to.

It was Mrs. Bergstrom, our first grade teacher, who asked us to write down the names of our family members. Including our grandparents. We were six years old. I was surprised that within this handful of years, most of my friends hadn’t learned their actual names. They wrote down things like gramma, or grammy. I wrote Elsie. Grandma Elsie.

It had only taken one visit to Jerry’s Jack and Jill, the small grocery store that sold the coconut marshmallows that my grandma liked, to be certain of her name. Before we walked through the door, the man arranging the carts outside the store, waved and said, “Hi Elsie!”  Inside, the woman behind the thick glasses at the first register said, “Oh, Hi Elsie!” 

It was somewhere in the first aisle that I knew she was not just my grandmother, but a woman of this town, of this world. And her name was Elsie. I was proud of her. So proud I wasn’t even annoyed at the amount of time it took to fill the cart. She had to stop and visit every few feet. Exchange a recipe. Report on the “kids.” Ask about an illness. Offer her prayers. Listen to the butcher’s joke. Repeat it as her own and laugh in aisle three. Eat some marshmallows from the yet-to-be-paid-for plastic sack. Introduce me as Ivy’s youngest around each corner. The cart was filled along with my heart.

I knew, that in knowing her name, I was a part of it all — a part of her. I was a part of this Elsie, this Ivy, and I belonged.

We said our long goodbyes in true Minnesota fashion, and followed the cart man out to my grandma’s car. He put the bags in the back. Tapped his hand twice on the roof of the car, to signify the shopping experience was complete. “You take care now, Elsie,” he said. And I knew that she would. Especially of me.

We drove with the windows open back to the farm. I knew the way by heart. I knew this life by name.


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A double Elsie.

There was a weight to everything my grandfather said. And everything my grandmother made. Upon entering the farmhouse, you were gathered in the scent of baking sugar and pipe tobacco. The furniture was thick and sturdy. Each bed ballasted by my grandmother’s quilts. It all felt so certain.

When I was young, I couldn’t stay overnight at anyone’s house.  I would get too lonesome. But I could stay here. Grandpa Reuben would say “Good night,” and I believed him. Grandma Elsie would kiss my forehead. Tuck the quilts around me. And I was safe. I was loved. Certain.

The house still stands, I am told. A variation of it. I haven’t been there in years. I don’t really need to. I carry it all with me. I have paintings of the barn. Of my grandfather. Quilts that my grandmother made. Even in this country far away, I am saved.
We returned from vacation yesterday. Running on no sleep and wobbled by jet-lag, we stumbled through the afternoon (Everything always seems a little off at first.) And the house was cold. No sun had entered. No heat had been on for three weeks. We opened the shutters and gave light to the familiar. 

And I saw it — this beautiful life we have created. This home. I felt steady. I put two of my grandma’s quilts on the bed, (a double Elsie), and I sleptin the certainty that I, we, are home.


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Beyond fear.

My mother was in grade school when she hit Arnie Zavadil in the head with her metal lunch box. He was making fun of her younger brother Tom. She was the eldest daughter of Rueben and Elsie. And she took it seriously. She would later drop “eldest” and trade it in for “prettiest,” when describing her familial role, but she never lost her protective spirit.

I counted on that protective swing my whole life as we navigated through the world, often filled with “taunting Arnies.” Even when she traded in her lunch box for white ruffles, dangling earrings and Red Door perfume. I always felt safe. I felt protected. What a gift she gave us all.

Never underestimate the strength of a Hvezda girl armed with love — she is grace beyond fear.


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All overmixed paint turns to brown.

You can see it in a painting. In a poem. When it’s just trying too hard. Overworked. Exhausted. It sucks the beauty right out of it.

I called her Grandma Lois. We weren’t related, but for the love of painting. She was hovering in her eighties. Still brush in hand. I offered my youth. She offered her experience. Our palettes combined. She told me the hardest thing for her had always been learning when to stop. To look at what she had painted and say, this is good – what I’ve created – it’s enough. To learn, and create again — that was the real beauty, she said. We smiled. Painted. Connected.

On canvas, I have learned this. It’s harder in real life. There are some people with whom you think, if I just tried a little harder, maybe if I was just a little brighter, better — if I was just more beautiful, inside and out, maybe they would see me. All overmixed paint turns to brown. Some people just won’t see you. And you have to walk away. Step aside and say, what I offered, it was enough.

Surround yourself with those who can see it. Can see you. In the purest, most simple strokes. Wow – to sit in that beauty – that beauty of being. Knowing your all, their all, is more than enough. Not gasping, just breathing. This, I think, is the art of loving, of living. This is good. This is beautiful.