Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Flowered in the cracks.

I’m not sure it’s statistically possible, but it would seem that 90% of the time I’m at the end of the roll of toilet paper. Perhaps, like all bounty, it is hard to see until it begins to end.

I don’t know how my grandma did it. With eleven people in the house, just to maintain the necessary products must have been a constant challenge. And yet, I never saw it. And, like I’ve said before, I tried to memorize their house. I paid attention. I counted the number of steps. The paintings that hung in each bedroom. What was hidden in the closets. The sewing room. My grandma’s dresser. The damp coats hanging. The shoes leading down the basement stairs. Which cupboard held the candy. The six pack of cereal. I took it all in, so I thought. But it was only today, these many years later, it occurred to me that I don’t remember where she kept the toilet paper. And I don’t remember ever running out. Even on holidays when that house of 11 turned to 50 or more. We always had what we needed.

It may sound silly. I mention it only because what a thing! —  to count on someone like this. And believe me, I did the math. With each grandchild that appeared. Each great grandchild. I wondered would it be possible for her to still love us all, and by that I mean me. Would it be possible for her to still see me among all these arms reaching up to be held. All these toes trampling and racing. Sticky fingers. And one cry louder than the next. Would it be statistically possible to have that much love?

She was almost 90 when we were sitting at her table. Drinking egg coffee made on the stove. Grounds clinging to the bottom of stained cups. My mom and I had just been at one of my gallery shows. We told her about what I had painted. What I had sold. Sitting in this tiny apartment which now contained a mere fraction of what her house had held. (I suppose all lives get reduced down to the necessary.) She made the silent oooooh with her mouth, a sound only hearts can hear. She told me to go to the nightstand beside her bed. It was only a couple feet from the kitchen table. It was there that I saw it. A small easeled piece of tree bark, with dried flowers glued in the cracks, with the words “Love, Jodi, 5th grade,” written in Sharpie on the back. It wasn’t possible, and yet, my heart’s sigh told me that it was — she saw me, she knew me, she loved me. Still. 

It would have been so easy to get lost in the cracks of it all. But there I was. Flowered. 

I had to hold both of her hands to lift her from her chair. Somewhere along the line we had reversed roles, she now cuddled shoulder high in the warmth of my embrace. If I didn’t know it before, I knew it then, love never runs out.


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A case for dreams.

When I was six, my family went to the Wisconsin Dells. This is about the most exotic place a Chevy Malibu could take a family of five from Alexandria, Minnesota. I know there was water, probably rides, but my clearest memory is of the pencil case my mom bought for me in the gift shop. It was a white vinyl case, shaped like a giant pencil. There was a zipper just where the eraser would begin on a normal pencil. Inside, more pencils. Oh, the possibilities! Imagine that, pencils inside a pencil. This was indeed the most exotic place!

The first museum I visited as an aspiring adult was the Walker Art Center in Minneapolis. Inside was the giant portrait of Chuck Close. It was magnificent. He says in painting this portrait, “I think I was trying to find out who I was as an artist.” I think at that time, I was just trying to find out who I was as a human. I wasn’t sure how I was connected here, in this place, with this art, but I felt it — once again, I felt it — the possibilities! My pockets were mostly empty, save for these brewing dreams, but I had enough money to buy two pencils. One represented what they created. One represented what I could create. I named them, “Did” and “Could.”

Through the years, I have purchased pencils from The Chicago Art Institute, The MET, MOMA, Van Gogh’s Museum, The Georgia O’Keefe museum… The Louvre! And everywhere in between. I have purchased pencils from book stores, universities, anywhere the dreams seem to hang in the air and call things out as possible.

That’s what pencils are to me – the possible! Each pencil tells me that Dreams have come true – Dreams will come true.

At my desk, next to my portrait of Chuck Close, and a small collection of pencils, I tell you that what you dream matters. Gather in that dream. Grasp it in your chubby little hands of youth, and hold it until your fingers gnarl around it with warmth and gratitude. Did and Could. Can and Do! Wisconsin Dells and the Louvre! Oh, the possibilities!