Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Apron strings.

I suppose we were all, at some point, tied to her apron strings. And if not tied, we loosely wandered through the flowered fabric that smelled of sugar and dough — this apron draped across the welcoming belly (also filled with sugar and dough) of grandma Elsie.

Both my grandmother and mother did the kitchen dance. My grandma, mostly around us. And it was my mother who pulled me in, doing the steps backwards, so I wouldn’t have to. From farmhouse to apartment, I didn’t have the words for it then, but I suppose it was never about the floor, always about the dance. The steps each of them took, to make our lives better, my life better, I will ever be grateful. The only real way to give thanks, I guess, is to keep dancing, to keep you dancing.

I got the wink from heaven’s kitchen yesterday, when I received the five-star review on the apron. A woman purchased one of my dance aprons from a store in Florida and then went to the website to get more for her friends. Filling the dance floor. And I can’t stop smiling, twirling, because I know the connection doesn’t end, it keeps growing. Sometimes a word at a time, sometimes even an apron string.

Maybe we never know what it will be that is going to connect us — keep us connected. So we have to stay in motion. Continue reaching out. The floor will keep changing. Sometimes pulled right up from underneath us. But we are stronger than that. We keep dancing.


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Above the gap.

We were in an elevator in Chicago. The Lenox House Suites. I was just out of college. My first job in advertising. The magazine I placed ads in had comped rooms at this hotel. Twice a year I would take my mother. We stayed for free. More than that, I suppose, we were free! Free to be whomever we wanted. Free from the knowledge of our pasts. Free from judgements or any “should-haves” or supposed-tos”. We were brand new. As new as the city after the great fire. (And we had lived through our own.)

The small elevator was filled with eager visitors — ready to hit Michigan Avenue. It was always slow, but this ride seemed a little more clunky. It lurched its way to the ground floor,and then fell about a foot or so lower. The doors opened. Everyone froze. Should we move? Were we safe? Murmurs of “someone should do something…” “should we call someone?” “someone needs to do something…”  

I heard my mother say quite loudly and clearly, “Not me,” as she elbowed her way from the back of the elevator, clearing a path for her and me, and she hoisted herself above the gap, turned back for me, and we were off.

I suppose that’s what I love most about her. She decided. (Still does.) When her world was falling apart around her, she decided, “not me.”  Just like Peggy Lee, she seemed to ask, “Is that all there is to a fire?” “Is that all there is????”  We were dancing on Michigan Avenue before the others even left the elevator.

Today, I, we, hoist ourselves above the gap, and keep dancing…