Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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My notables. 

They’re very good about marking their notables in Paris. Carved on the sides of buildings. Voltaire lived here. Voltaire died here. I’m not sure everyone notices. They are perhaps too occupied, trying to get the hand placement right on the photograph so it looks like their finger is placed atop the pyramid outside the Louvre. 

And as I stand there, in this sea of outstretched arms and index fingers, I shake my head at myself — wondering if it matters. Me, standing there too, but with my new Degas sketchbook, and Voltaire notebook, lifted by the these lives, feeling their presence still.  Immersed in the joyful responsibility of doing more. Because of them. 

And I do feel it – them – the others that have come before. Those that have made the paintings. Wrote the books. Dared the thoughts. Lived the lives. I have to believe it all matters. 

I sent my Minneapolis friend the photograph of me in Paris, wearing her blazer jacket. Layered over my mother’s blouse, and the t-shirt I purchased at The Walker in my home state. She replied – “The jacket! I’m with you!” — all the proof I needed that it does matter — to carry the ones who once carried us, who lift us still. 

I smile and carve my notables.


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Little dancer.

Two weeks ago when we arrived in New Orleans, just before the whirlwind of Mardi Gras had started, we were, for the most part, alone. Proof of this, we walked up to the Cafe du Monde and got an order of beignets in one minute. No line. Delicious in so many ways. We left New Orleans to travel the south, and returned yesterday to the crowds, donned in beads and noise and purples and greens and golds. The line for the Cafe du Monde stretched around the block. We smiled at each other, knowing, that just a moment before, it was ours. We tasted it without the validation of a long line.

While the crowds marched through the French quarter, we took a drive. I’m not sure what led us to the house where Degas lived for a brief time just before Impressionism took hold — I say I’m not sure, but I have a pretty good idea — our hearts usually lead us — maybe it was the French flag, the statue of the little dancer girl — there was no crowd to follow, no line to get in, just the feeling of creation in the air, and we pulled over immediately. This master of fine art, lived here. Here. Maybe it was just a brief moment, but we could feel it. And it was ours.

My grandparents lived in a farm house. No one will line up to see it, but I remember each door. Each entryway. I remember the smell of damp coats hanging. The creaks of the stairs. The sink full of dishes. The sign on the kitchen counter that read, “I should have danced all night.”

My mother will be moving out of her apartment soon. Some will say it was just four walls. But inside it was coffee and conversation. Wine and dreams. Fashion shows and laughter. Tears of tenderness. Home. Here – no crowds, no lines, but with hearts fully validated, oh, how we danced!