Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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A whole lot of wonder!

It didn’t occur to me until I saw the Easter candy going down the conveyer belt, that the “bunny” had now infiltrated the French story. And if not the story, at least the basket. That was not the case when I arrived many years ago. I still don’t know if I have it exactly right, but the delivery system had to do with bells, and not bunnies. And the candy reflected said bells along with chickens and bears and eggs. I laughed inside at first, how ridiculous, a bell delivering candy, when so obviously it’s a bunny…on it’s hind legs…well, ok… I had to agree that both stories needed a little blind faith, and a whole lot of wonder. And I suppose that’s the key to everything.

Through the years I have inserted my own narrative into the French culture. Decorating eggs at Easter. Bringing turkey, the whole holiday I guess, of Thanksgiving. Pictures and portraits and stories. So many stories of my grandparents. My mother. I guess I just want everyone to love them as much as I do. I want you to love them. Because I think if you love them, you will also think of them, and you will miss them, and I won’t have to carry that alone. Their beautiful lives and loves will be so light, so easily carried on the wings of a bell, or the hop of a bunny. Maybe that’s silly, but don’t we have to be? Isn’t it silly to believe that love can change everything? That it can lift us? Renew us? Give us new life year after year? Help us rise up, yearly, daily, minute by minute? 

There is a weight to the world right now that is in dire need of that silly. We all could use a little faith and a whole lot of wonder. No matter how you deliver it today, may your love be light, may your joy travel far. Happy Easter. Joyeuses Pâques!


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Tiny baskets.

I was wearing my Mona Lisa sweatshirt from the Louvre when we visited the Lauren Rogers Museum in Laurel, Mississippi. Founded in 1923, it was the first art museum in Mississippi. Worlds apart. Same goal.

The Lauren Rogers Museum has an extensive Native American basket collection. Beautiful weaving. The finest detail. Within this collection, it boasts of the smallest woven baskets ever seen – or almost seen. You have to look through a magnifying glass, and still, it is barely visible. I suppose the first question many people ask is, “Why?” Baskets were made to be used. Functional. Carrying the essentials of food. So why the microscopic basket. What could it carry?

I suppose as any artist or creator, I have asked myself the same question. Is it important to make the art? What does it matter? What could my words, my paintings possibly carry? But any of these microscopic doubts are always erased by connections. Connections with you.

I recently spoke to a group of Minnesota teachers at a conference in Brainerd. After speaking, I was selling cards and books and art. As they carried their selections up to me, each person also carried their story. One woman needed the cardinal book, “Here I am,” because her young son had died and this is how he spoke to her. Another needed the lipstick book because, her mother, like mine, always told her to “slap it on.” Each person connected to a different piece in a different way. Bringing with them their stories, taking with them mine — tiny baskets.

I could feel it yesterday. This American girl, now living in France, wearing an Italian masterpiece, standing in a Southern museum, with Native American art, I knew, the importance, the significance of all, even the smallest of us, perhaps especially. And it matters. We are connected. Carried.