Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Porches.

I suppose I’ve always been a romantic. I have never experienced a poverty of imagination.

I was often alone as a child. That’s not meant to be sad, and it wasn’t. It gave me time to create. We had a large green lawn on Van Dyke Road. On summer days, I took all of my dolls, stuffed animals, anything that could possibly have a personality, and placed them on the grass. They went to the circus. I tossed them in the air. They hung off branches, and bounced on basketballs. They visited other states and countries, as I walked them all through Hugo’s wheat field behind our house, dragging them in a rusted red wagon. They were rust stained, grass stained, and exhausted. And they were so happy. I suppose by “they” I mean me.

As I read more, learned more, I became more curious. What would it be like there? It must be exciting, I thought. I could hear horns honking in New York. Porches creaking in New England. Beaches in California. Cowboys in the south. And I imagined it all. How the sun felt as it beat against the writer’s shoulders. How the fire crackled with love and gathering. Paint splattered studios and hands. Everything was romantic.

I can still do it. I still do it. But the trick, or the blessing, is to see that romance, in the actual – the everything around you. And I do see it now. Oh, it can get lost, so easily – caught up in the ordinary, or the overwhelming events of life. But then I stop. Breathe. Gather all the romance around me until my chubby, youthful arms are full! Because I AM in love with my bathroom. The candles I light every morning when I take a shower. I adore breakfast with my husband – talking and dabbing every speck of croissant off of the plate, as to not miss a single taste. I am love with the violets and reds and yellows of springtime in Provence. I melt when I hear the birds singing, because I know that I have the paint and the hands, and the time, to capture them on canvas. To carry them with me, like a favorite song. Everything is not too much.

Maybe one of the best gifts that Van Dyke Road gave me was space. It wasn’t crowded. No dream was too big. I filled my heart, my brain, our front lawn, the gravel road, with the romance of all things possible.

The sun is shining – rich with possibility. My heart’s porch is sending you an invitation to the day! Isn’t it romantic?!!!


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Seven or eight good naps.

Certainly I have never been mistaken for normal. But what does that even mean? And should it be something we strive for?

The world is ready at a moment’s notice to tell us what is good. What is beautiful. Right down to the color of the year. Do people actually paint their interiors because they saw a color survey on Instagram? We are bombarded with what we “must have” from Amazon. What everyone is buying from IKEA. Fast fashion from H & M. 

I guess we are filled with this from the day we are born. We are told what is beautiful. What is good. It used to be Norman Rockwell that captured the moment. And if you didn’t have the father at home smoking a pipe by the fireplace, then you weren’t supposed to be happy. You weren’t complete. They showed us in books and on television. If you didn’t drive the right car, or drink the right cola, how could you be happy?  

I gave up those standards long ago – some by choice, others by force, but it all turned out to be a gift. I got to make my own standards. My own happiness. 

We always ask each other in the morning “did you sleep well?” “Why not” is our usual response. We have different sleeping habits, my husband and I, neither “perfect.” Rarely do either of us sleep “all in a row.” And certainly not for eight hours. And I suppose I used to think, well, I must have slept badly. But years ago, I gave that up. Why was it bad? Did I sleep some? Rest some? How do I feel? Fine? Then what was so bad? So when he asked me this morning, “très bien dormi?” I replied, “I had seven or eight really good naps.” 

It’s going to be a great day!


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A pocket full.

“Tell me what you are thinking,” she would say to me. Nothing I said was crazy or stupid, or even childish, even though I was merely a child. This is one of the best gifts my mother gave me. She listened. 

I was a dreamer. She knew this. Right from the start. She didn’t have money to feed these dreams. Didn’t know the “right people.” But she had something better. She believed in them, me, and allowed them to come to life. “What is it you’re dreaming of?” she asked. I would tell her. And she grabbed the words, as if they lingered in the air, and handed them to me. “Not put it in your pocket,” she’d say. “We always need a dream in our pocket.”

When I got older, we loved to take trips to Chicago. A long weekend would be filled with shopping and walking and museums and coffee and wine and more shopping. On the drive home, we always filled our pockets with what would be the next visit. 

Before leaving for the US last month, I purchased a new sketch book. Just five euros, but something to look forward to. Priceless. In it yesterday I painted a woman’s portrait. I hope you can see it in her eyes – she has a dream in her pocket. And so do I. Always will.